Words & Videos by: Herschel Concepcion | Images by: Norman Sands
Allman Brothers Band/Widespread Panic :: 09.01.09 & 09.02.09 :: Charter One Pavilion :: Chicago, IL
 Widespread Panic :: 09.02 :: Chicago, IL |
I remember the rush of excitement I felt when the Allman Brothers/Widespread Panic co-bill tour was first announced. It was last spring, and I was giddy like a schoolgirl with the latest gossip, calling all of my friends and sharing the news with anyone who would listen, and why not? Here were two of my favorite bands that between them boast three of the top five guitarists out there today, and they would be playing right here in Chicago – two nights – and I would be damned if anything could stop me from witnessing this historic tour.
Needless to say, it would be a long summer for me as I counted down the days until what I believed would be the best shows the city would see all year. Of course, there was plenty of good music to tide me over in the meantime – String Cheese at Rothbury was one of the most intense musical experiences I’ve ever had, and Phish at Alpine wasn’t too shabby either – but when it comes down to it, it’s true blue rock & roll that really stirs my blood. And when it comes to that, the Allmans and Panic are two of the best.
Tuesday, 09.01
Charter One Pavilion is my favorite venue in the city. It’s a temporary structure, taken down every fall and reassembled in the spring. One of the few outdoor venues in the city, it sits on a little peninsula, bordered to the west by Burnham Harbor and beyond that by Soldier Field. The Field Museum sits to the northwest, the Shedd Aquarium to the north, and to the east, the great stretch of water that is Lake Michigan, a vast expanse of rippling waves that glittered under the evening sun that day.
 Haynes & Trucks – Allman Brothers :: 09.01 :: Chicago, IL |
Chicago would be the final stop of the first leg of the tour, with Panic set to close the first night and the Allman Brothers the second. Each act was scheduled to play a full two-hour set with no set breaks (except for between bands), for a total of eight straight hours of music over the two-day period.
The Allmans hit the ground running, blasting out “Done Somebody Wrong” and “Don’t Keep Me Wonderin’” before getting real bluesy with a “Woman Across the River” that saw lead guitarists Warren Haynes and Derek Trucks playing off each other tastefully. After a deep solo by Gregg Allman on the keys, Trucks launched into one of his trademark screaming slide runs. Never one to sit back long, Haynes got mean and heavy with his response, and by the end of the song he and Trucks were firing off licks back and forth. It was downright filthy, real dirty, gritty stuff – and exactly what we’d come here for.
The Brothers were hot now, and it would only get better from there. After the pounding instrumental “Hot’Lanta,” featuring the percussive talents of Marc Quinones, and some more of Trucks’ aching slide on “Stand Back,” the band turned out a great rendition of the always uplifting “Revival” to lighten the mood a bit, and there were more than a few smiles in the crowd as the song took effect.
 Ortiz & Schools :: 09.01 :: Chicago, IL |
Traffic’s Dave Mason then took the stage, adding guitar and vocals to “Only You Know and I Know” and an extra funky “Feelin’ Alright.” After a jazzy, extended “Dreams” it was time for the second surprise guest of the night as Chicago’s very own Buddy Guy joined the Allmans for “The Sky Is Crying” and “You Don’t Love Me.” It was a bit surreal to watch this combination of jam and blues legends all on one stage, like witnessing a piece of history that one might’ve seen 40 years ago. And these guys clearly still have it, rocking out harder than most men half their age. This was definitely no nostalgia act.
After fan favorite “In Memory of Elizabeth Reed,” the Allmans closed out their set with a double encore featuring “Melissa” and “Trouble No More.” The “Melissa” was particularly sweet, and began with some poignant soloing by Haynes as the band filtered back onstage with Gregg on rhythm guitar, his gentle but rough, blues-hardened voice as soulful and true as ever.
Not to be outdone, Widespread Panic took full advantage of their first closing spot of the tour, taking the stage 15 minutes earlier than their scheduled set time and jumping right into “Disco” and “Henry Parsons Died.” After a heavy “Bears Gone Fishin’,” the band brought up Derek Trucks for a 15-plus minute, jammed out “Ride Me High.” “Angels On High” was followed by the band’s first-ever rendition of Bob Dylan’s “Just Like A Woman” that found Gregg Allman on his Hammond B3, trading lyrics with Panic’s John Bell.
Allman stayed onstage as Haynes came on to add some six-string work to a highly charged version of the Grateful Dead’s “Turn On Your Lovelight,” a great and welcome surprise to the lucky audience who had already been enjoying a night of great music and guest appearances. But the sit-ins were far from over as Trucks came back out to the stage, where he would remain for the rest of the set.
 Widespread Panic :: 09.01 :: Chicago, IL |
One of the highlights of the night was a “Papa’s Home” sandwich that featured some terrific interplay between Trucks and Panic’s very own guitar wizard Jimmy Herring. After a nice drums session by skins man Todd Nance and percussionist “Sunny” Ortiz came an extra elevated “Climb to Safety,” followed by a “North” that brought out Haynes, who stayed for the encore – a down home and dirty “Bowlegged Woman” that saw the band play for 15 minutes past their allotted set time. Combined with their early start, that’s a total of 30 minutes of extra music.
With the first night officially a success, there was actually some apprehension expressed by a few fans. “How can you top that?” they asked. “That shit was incredible.” Silly hippies, I thought. This ain’t their first rodeo and these super-pros always know how to up the ante.
The Allman Brothers Band:
Jam > Done Somebody Wrong, Don’t Keep Me Wonderin’, Woman Across The River, Hot ‘Lanta, Stand Back, Revival, Only You Know and I Know*, Feelin’ Alright**, Dreams, The Sky Is Crying***, You Don’t Love Me***, In Memory of Elizabeth Reed
E: Melissa, Trouble No More
* w/ Dave Mason
** w/ Dave Mason & JoJo Herman
*** w/ Buddy Guy
Widespread Panic:
Disco > Henry Parsons Died, Bear’s Gone Fishin’ > Ride Me High* > Diner > Angels on High, Just Like A Woman** > Turn On Your Love Light***, Papa’s Home* > Drums > Climb To Safety* > Papa’s Home* > North****
E: Bowlegged Woman****
* w/ Derek Trucks on guitar
** w/ Gregg Allman on organ
*** w/ Gregg Allman on organ, Warren Haynes on guitar
**** w/ Derek Trucks on guitar, Warren Haynes on guitar
[Only "Just Like A Woman." Last "Turn On Your Love Light" - 09/24/97, 971 shows]
Continue reading for Wednesday’s coverage of The Allman Brothers Band and Widespread Panic…
Wednesday, 09.02
 Herring, Hermann, Bell – WSP :: 09.02 :: Chicago, IL |
Wednesday’s weather was just as beautiful as Tuesday, albeit with an added electricity in the air. Both bands’ performances had been stellar the night before, and now it was time for round two.
Panic opened their set with a trifecta off their 1991 self-titled album, “Send Your Mind,” “Walkin’ (For Your Love)” and “Makes Sense to Me.” Then came the classic “Pigeons,” which showcased more of Herring’s always plentiful, incendiary guitar work. Honestly, the guy’s a god on his instrument. One of the most technically proficient guitarists out there, Herring can shred an entire song and not play the same lick twice. And he does it with feeling, too, one of the few musicians who can make my head feel like it might explode when he plays.
Panic brought Derek Trucks back out once again, unleashing him on “Mercy” and “Rock.” “Love Tractor” brought the dance party back and featured some more intense soloing by Herring. A fat, funky bass line by Dave Schools – who’s got one of the best tones of any bassist I’ve ever heard – laid down the groundwork for a lead-in to “Barstools and Dreamers,” with Schools plucking away as Herring tore it up and “JoJo” Hermann worked the keys.
Haynes stepped onstage to join Panic for the last two songs of their set, “Me and the Devil Blues” and a downright nasty cover of Neil Young’s “Last Dance” that consisted mostly of Herring and Haynes showing a wide-eyed Charter One crowd exactly what the electric guitar was made for. By the end of their set, Panic played every song off 1991′s self-titled sophomore effort, most of them in order. With the additions of “Last Dance” and “Me and the Devil,” this was truly a remarkable show.
 Gregg Allman – Allman Brothers :: 09.02 :: Chicago, IL |
With what I’d seen up to this point, it raised the question: how do you top two straight nights of A-grade performances? Easy, just deliver an A+ performance. The Allman Brothers were up for the challenge, and with their final set of the two-night Chicago run they showed the Windy City why they are still one of the greatest rock bands on the planet.
They exploded as soon they hit the stage with the hard-driving “Statesboro Blues,” an opener often reserved for special nights full of heated jams and powerful song selection. “One Way Out” pushed the crowd into a dancing fit, and “Ain’t Wastin’ Time No More” slowed the tempo a bit before the band brought it down even more with some low, loose jamming that eventually melted into a full-blown “Rocking Horse.” This is where the show really took off. Haynes started out with some smooth soloing and built it up to where his guitar was just screaming, a visceral collage of meaty tones and piercing notes blasting from the stage. “Midnight Rider” is always good to hear, and “Leave My Blues At Home” featured some nice guitar work from Trucks and Haynes, but it was the cover of Van Morrison’s “And It Stoned Me,” featuring Panic’s John Bell, that really hit home. Bell stayed onstage as fellow bandmate JoJo Hermann came up for a sit-in on Bob Dylan’s “It Takes A Lot to Laugh, It Takes A Train to Cry,” one of the best versions I’d ever heard.
What happened next I can’t really put into words. That was when – after it appeared we couldn’t get any higher – the Allmans took it to the proverbial next level. After achieving liftoff with an outrageously rockin’ “Black Hearted Woman,” the band brought JoJo, Schools and Herring out for an absolutely ridiculous “Southbound” that completely blew away the version I’d seen them play last year with the North Mississippi Allstars’ Luther Dickinson. The guitar work on this one was fierce and charged with an energy that only the most talented of musicians can dream of channeling.
 The Allman Brothers Band :: 09.02 :: Chicago, IL |
Herring stuck around and played the blues on “Stormy Monday” before the Allmans, who have never shied away from pushing their own limits, began with the rolling drum work of Jaimoe Johanson and Butch Trucks that would soon evolve into “Mountain Jam.” This is the song I’d come hoping to hear. An epic instrumental tour de force, I recognized it immediately. I felt that giddy schoolgirl anticipation building up again, a burst of exhilaration that shot through me as soon as I heard the signature riff. Once again, hearing this song was an experience that I can’t quite put into words, and I’m not sure how the Allmans do it, but “Mountain Jam” is one of those rare melodies that puts many people, including this writer, in a state of pure euphoria every time they play it.
How do you top that? How can you possibly go any higher? Well after the melodic, spiritually uplifting performance I’d just witnessed, there was only one direction to go. We needed something heavy, something solid to ground us. We needed “Whipping Post,” and though I was still floored by the “Mountain Jam,” I think deep down I knew this was the only option for a closer, the only thing that would tie it all together and bring proper closure to the night. And the version we got was vicious; it tore at my heart and soul. Interspersed in the song were a few minutes of beauty that resonated in the very depths of my being, then the return to wickedness, a fierce explosion of screaming guitar that shook me and pierced me and rattled my bones.
I am still confounded by the memory of what I experienced that night, and when I think back and try to make sense of it all, I can’t. I shake my head and say nothing; a slight chill runs through my body. That is not an exaggeration – it was that good. No show can touch a night with both the Allman Brothers and Widespread Panic. And if you don’t believe me, go see for yourself. Me, on the other hand, I just might head down to Charlotte next month for another taste of the most powerful double bill I have ever experienced.
Widespread Panic:
Send Your Mind, Walkin’ (For Your Love) > Makes Sense To Me, Pigeons, Mercy* > Rock*, C. Brown > Love Tractor, Weight Of The World, I’m Not Alone > Barstools and Dreamers, Proving Ground > The Last Straw, Me And The Devil Blues**, Last Dance**
* w/ Derek Trucks on guitar
** w/ Warren Haynes on guitar
The Allman Brothers Band:
Statesboro > One Way Out, Ain’t Wastin’ Time No More, Rockin’ Horse > Midnight Rider, Leave My Blues At Home, And It Stoned Me*, It Takes A Lot To Laugh It Takes A Train To Cry** > Other One Jam > Black Hearted Woman, Southbound***, Stormy Monday****, Mountain Jam > Drums & Bass > 3rd Stone From The Sun Jam > Mountain Jam
E: Whipping Post
* w/ John Bell
** w/ John Bell and JoJo Herman
*** w/ Dave Schools, JoJo Herman, Jimmy Herring
**** w/ Jimmy Herring
Continue reading for videos and more photos of The Allman Brothers and Widespread Panic in Chicago…
Tuesday, 09.01
The Allman Brothers Band
Widespread Panic
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 Widespread Panic with Derek Trucks
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Continue reading for even more photos of The Allman Brothers and Widespread Panic in Chicago…
Wednesday, 09.02
Widespread Panic
The Allman Brothers Band
Continue reading for videos of The Allman Brothers and Widespread Panic in Chicago…
The Allman Brothers Band at Charter One – 09.01.09 – “Feelin’ Alright” (ft. Dave Mason)
The Allman Brothers Band at Charter One – 09.01.09 – “The Sky Is Crying” (ft. Buddy Guy)
Widespread Panic at Charter One – 09.01.09 – “Ride Me High” (ft. Derek Trucks)
Widespread Panic at Charter One – 09.01.09 – “Bowlegged Woman” (ft. Warren Haynes and Derek Trucks)
Widespread Panic at Charter One – 09.02.09 – “Pigeons”
Widespread Panic at Charter One – 09.02.09 – “Last Dance” (ft. Warren Haynes)
Allman Brothers Band at Charter One – 09.02.09 – “Southbound” (ft. Dave Schools, Jimmy Herring, and JoJo Hermann)
Allman Brothers Band at Charter One – 09.02.09 – “Whipping Post”
The Allman Brothers Band and Widespread Panic return to the road on October 3 in Charlotte, NC. Complete dates available here.
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The Allmans
Allman Brothers
Gregg Allman
Widespread Panic with Warren Haynes
