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Dancing on the Danube

Belgrade’s clubs offer everything from Gypsy folk to Balkan bling, but whichever one you end up in, you’re guaranteed a good time

Saturday night and the boat I’m on is rocking, literally. Gypsy fiddlers leap on to tables and among dancers. As more people board the boat, moored on the Danube in Belgrade, one of the musicians launches through a window and towards the roof. For a moment I’m certain he will end up in the river but, no, soon he’s dancing above us, calling to people on the shore: come join the party!

Serbia’s capital may never be celebrated alongside Prague and Budapest as a beautiful eastern city, but Belgrade is defiantly No 1 when it comes to clubbing. And with the rise of two (very different) Serbian festivals – the rock and techno Exit festival and Guca, where hundreds of Gypsy brass bands entertain 300,000 revellers – Belgrade is now on the western European music fan’s radar.

Every night of the week it is home to a huge variety of clubs and parties. You can dance in old fortresses and on boats, in underground caverns and cocktail bars. And there’s a great array of musical styles to dance to: from ragged Gypsy fiddlers to blinged-out turbo-folk singers, from banging techno through heavy metal, and more, much more.

As with most emerging club scenes, it’s international DJs who are at the forefront. An increasing number of big-names are heading to Belgrade, drawn by the buzz of a city in love with dancing. Radio 1′s Gilles Peterson has been visiting the city for two decades and in October plays at Dom Omladine (domomladine.org), a spanking new and very large arts centre. Others include Brooklyn’s superstar DJ David Morales, who has graced the decks at the chic Club Magacin 3 and returns to headline the Pena Festival on 29 August at the Belgrade Arena.

But where to head to? The city is divided by the Danube and Sava rivers into New and Old Belgrade. As the former consists largely of housing estates built in the concrete brutalist style favoured by communist regimes (alongside ugly strip malls thrown up when capitalism took over), newcomers should look to Stari Grad (Old Town).

Belgrade avoids the mass tourism that has turned Prague into an adult Disneyland, but it does offer a pleasant mishmash of architectural styles and reasonably priced cafes, bars and restaurants. Stari Grad is also home to a large concentration of clubs.

Plato Jazz Club, in Belgrade University’s philosophy department, is a relaxed place to start your evening, enjoy superb views and browse in the city’s best bookshop. Nearby is Informbiro, a basement bar in the Belgrade Philharmonic building that specialises in urban dance music. From Informbiro, you can walk to The Tube (thetube.rs), celebrated for its house music and its large, dark corridors.

The Serb parliament lends the Tasmajdan Park area an upmarket tone. To see Serbia’s elite at play, go to Absinthe or a club called Mr Stefan Brown on the ninth floor of a glass tower opposite Tasmajdan Park. Here excellent cocktails are served and Belgrade’s beautiful people dance on tables as the city’s lights shimmer in the distance.

Techno and house took off here in the 1990s as a rebellious alternative to Milosevic’s regime, feeding off the city’s prodigious nervous energies. Belgrade has dozens of techno clubs – connoisseurs recommend Sound and Plastic – while long-established rock club Akademija (akademija.net) still pumps out the power chords.

But what marks Belgrade as an exceptional clubbing city is its waterways. Several kilometres of the Sava and Danube rivers are home to anchored rafts shoring up cafes, restaurants and clubs called splavovi (moored floats). Divided into three different groupings of boats, some splavs are open all year, although most do business only in summer. I found the area called Ada Ciganlija (Gypsy Island) most fascinating. Here boats recreate the atmosphere of a kafana: working-class bars where Gypsy musicians entertain at tables. The most notorious is Cmi Panter (Black Panther), which achieved a degree of international fame last summer when The Police, fresh from rocking Belgrade’s Arena, turned up to check out the boat band. A fire earlier this year destroyed the Black Panther, but the owner promises to relaunch. Gypsy Island’s boats offer knockabout musical mayhem with musicians right in your face.

The second area of floating boats, offering many different musical genres, spreads along the New Belgrade promenade of Sava. At the three-storey Lucas, moored on the Sava near Brankov Bridge (Brankov Most) in New Belgrade, turbo-folk reigns. This fusion of Serb folk song, Europop and Turkish Arabesque music was associated in the 1990s with Milosevic’s regime – Ceca, the genre’s Madonna, married warlord Arkan – and it remains unashamedly garish and trashy. A few hours spent here offers real insight into Balkan bling.

Across Belgrade, bar prices vary but are always reasonable compared with those of the UK, while smoking remains legal and popular. Entry to clubs is often free, the taxis are relatively cheap and there is little crime to speak of. Best of all, the Serbs are remarkably friendly. If Belgrade guarantees anything today it is good tunes, good value and great times.

• British Airways (0844 493 0 787, ba.com) flies Heathrow-Belgrade from £263 rtn inc tax. Lufthansa (0871 945 9747, lufthansa.com) flies to Belgrade, via Munich, Frankfurt or Zurich, from Birmingham, Liverpool, Manchester, Newcastle and Glasgow from around £300 rtn. Stay at Le Petit Piaf (petitpiaf.com), doubles from €130 or Hotel Moskva (hotelmoskva.co.yu), doubles from €130.

• Garth Cartwright is the author of Princes Amongst Men: Journeys With Gypsy Musicians (Serpent’s Tail, £12.69).

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds