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Posts Tagged ‘B.B. King’

Sat Eye Candy: Abbey Road

THE SUN KING IS HERE TO GREET YOU AFTER YOUR GOLDEN SLUMBERS

Today marks the 40th anniversary of The Beatles‘ landmark Abbey Road being released in the United Kingdom. Few records can truly be called “essential” but this one rates and we’ve put together a “video album” to commemorate the occasion. Of course, John, Paul, George and Ringo are here, but we’ve opened it up to interpreters who’ve taken these songs and continued to breathe life and love into them since the collection arrived four decades ago.

We begin with John Lennon doing “Come Together” with his own band in the 1970s.

Next, a rare promo video for “Something” from the band that pioneered the notion of rock music with a visual counterpart.

Here’s Paul teaching “Maxwell’s Silver Hammer” to the lads.

Emily Elbert does a swell solo acoustic cover of “Oh! Darling.”

Few band’s work habits and rough takes have been more sorted over than The Beatles, and we wouldn’t want to be remiss, so here’s Ringo and George working on “Octopus’s Garden”

Uncle Sam gets in on the action in this version of “I Want You (She’s So Heavy)” from Julie Taymor’s most excellent Across The Universe.

Continue reading for Side Two of Abbey Road

Sometimes it’s a long, cold, lonely winter, but this lovely acoustic take on “Here Comes The Sun” should warm our bones nicely.

Maybe it’s our current delight with new TV show Glee coloring our judgement but we think this acappella rendition of “Because” by the U Mass Dynamics rocks pretty hard.

Next, it’s Wonderous Stories doing a spot-on version of “You Never Give Your Money” at B.B. King’s. Well done, sirs.

It’s truly amazing what grand music The Beatles continue to tease out of other human beings. Case in point, this stellar run through “Sun King,” “Mean Mr. Mustard,” “Polythene Pam” and “She Came In Through The Bathroom Window” by Bubble recorded at a sold out performance at New York’s Symphony Space.

There’s a particularly wistful quality to Paul’s concert take on the last section of the Abbey Road medley (“Golden Slumbers,” “Carry That Weight” and “The End”) captured in Montserrat, Spain with a full string section and Mark Knopfler on guitar.

Tacked onto the album by sound engineer John Kurlander in an inspired mistake, “Her Majesty” was originally cut from the Side Two medley but once The Beatles heard the lacquer with this jaunty epilogue they decided to keep it. Easy to understand given that not smiling when this plays is a serious challenge. In the spirit of the tune, we close with several playful ukulele renditions that made us grin, starting Julia Nunes‘ charming clip that apparently caught on and became a bit of a Web thang. Ain’t no telling what the power of The Beatles can do, eh?


Guitar Center Searches For Next Great Blues Musician

Guitar Center Searches For The Nation’s Greatest Unsigned Blues Guitar Player

Joe Bonamassa

Has the recession left you with too much free time on your hands this summer? Looking for a creative outlet for your energies and possibly a new career path? If you consider yourself a pretty great guitar player (or serious blues guitar fan) – think about checking out Guitar Center’s King of the Blues.

King of the Blues is a nationwide search for the next great undiscovered blues guitar player. Guitar Center will host King of the Blues competitions in over 200 locations across the country, where aspiring musicians will compete for a shot at stardom, and a grand prize package worth over $35,000, including $25,000 cash plus gear and product endorsements. The program culminates in Los Angeles in November, where the top five finalists from around the country will showcase their talent in front of a live audience and a panel of celebrity judges, sharing the stage with renowned blues guitarist Joe Bonamassa and Grammy Award winner Pete Anderson, both of whom will perform.

King of the Blues is part of Guitar Center’s ongoing mission to provide emerging artists and musicians with career-altering opportunities and vehicles to achieve success. Other Guitar Center programs include Drum-Off and On-Stage.

Introduced in 2006, Guitar Center’s King of the Blues is designed to offer life-changing opportunities for unsigned guitarists. More than just a competition to find the most technically skilled players, King of the Blues is designed to seek out the most passionate, innovative and authentic undiscovered guitar players and give them a shot at stardom. Some of today’s most iconic and groundbreaking artists, including B.B. King, John Mayer, The Black Crowes and Kenny Wayne Shepherd have participated at past King of the Blues events. The winner of Guitar Center’s 2007 King of the Blues, Aaron Loesch, was invited to perform at Eric Clapton‘s Crossroads Festival in front of over 25,000 attendees.

How It Works:
Each contestant will perform live to 1 of 25 original backing tracks, developed by Grammy Award winning producer, Pete Anderson. All backing tracks are available for free download at guitarcenter.com/kingoftheblues. Contestants may bring and use any 6, 7 or 12 string acoustic or electric guitar, lap steel or pedal steel guitar, plus any audio pedal effects that can be set-up in a 5 minute time limit, all of which will be plugged into a selection of amplifiers provided by Guitar Center.
Local competitions have already begun in all 214 Guitar Center locations nationwide. One winner from each store will be chosen to move up to district competitions (24 locations), followed by regionally hosted semi-finals (6 locations) and culminating in the final King of the Blues Grand Finals competition in Los Angeles in November, where the grand finalists will perform in front of a live audience and a panel of celebrity judges.


The New Deal: NYE in NYC

The New Deal Return to B.B. Kings in NYC for a late night New Year’s Eve Throwdown


The New Deal

The New Deal has been in constant evolution throughout their 10-year career. While continuing to draw from their roots in live house, breakbeat and dub-step, over the past year the band has brought on a more aggressive sound based in new rave and rock & roll, which has brought legions of new fans and bigger crowds coming to see this band from Toronto, Canada. Sold out tours through Japan and the U.S. have resulted in the recording of the band’s tenth album, a full-length live record to be released in Japan in Fall 2009, and North America in early 2010. The New Deal continues to push their sonic envelope, improvising show after show with their signature live techno-rock sound.


Don’t miss this epic late night event in the heart of Times Square this New Year’s eve, featuring live-techno-electro pioneers, The New Deal.

Tour Dates

09/24/09 Thu Hodi’s Half Note Fort Collins, CO

09/25/09 Fri Fox Theatre Boulder, CO

09/26/09 Sat Gothic Theatre Englewood, CO

12/10/09 Thu Caribbean Holidaze Runaway Bay, JM

12/11/09 Fri Caribbean Holidaze Runaway Bay, JM

12/12/09 Sat Caribbean Holidaze Runaway Bay, JM

12/13/09 Sun Caribbean Holidaze Runaway Bay, JM

12/14/09 Mon Caribbean Holidaze Runaway Bay, JM

12/31/09 Thu B.B. King Blues Club New York, NY


Eric Clapton & Steve Winwood:Live from Madison Square Garden

By: Ron Hart

The reunion of former Blind Faith bandmates Eric Clapton and Steve Winwood marks the latest gold brick in Clapton’s path down memory lane that has seen the legendary British rock guitarist rekindle some of his most legendary collaborative partnerships in recent years ranging from his old Cream mates Jack Bruce and Ginger Baker to 461 Ocean Boulevard songwriting partner JJ Cale to fellow Yardbirds alumni Jeff Beck, not to mention his 2000 duet album with boyhood hero B.B. King, the worthwhile Riding With The King (which is long overdue for a revisit, at least in my own rotation).

However, in working together again with Winwood, EC seems more alive (sonically speaking) than he has in years. Well, at least from the sound of the reconvened duo’s immaculate concert recording from their trio of dates at the fabled Manhattan arena in February of 2008. Maybe it’s the sense of extra added love for the material performed at those shows or the genuine impenetrable chemistry these two old mates share together, but Live From Madison Square Garden (released May 19 on WEA/Reprise) arguably stands as Clapton’s finest official live release since the 1974 Rainbow Concert album, or at least since his stint as the lead guitarist in George Harrison’s band for the late Beatle’s long, lost Live in Japan from 1992. It certainly blows away the rather wooden performance he gave on that very MSG stage in 2005 when he got back together with Cream (a reunion commemorated on the CD/DVD release of the trio’s stiff performance at the Royal Albert Hall). At least from where I was sitting in the audience on the night I went, those gigs saw Jack Bruce carry the majority of those reunion shows with his fiery vocal delivery and impeccable bass playing while an unhealthy-looking Ginger struggled to keep up the pace on his drum set and Clapton essentially phoned in the riffs for “Spoonful” and “White Room” with a bored look on his face.

Such is not the case between Winwood and Clapton. Live From Madison Square Garden, released as a two-CD set and a DVD, shows both men sharing equal time on stage and hitting their marks with the enthusiasm and energy of men half their age. Ably supported by a stellar back-up group rounded out by session bassist extraordinaire Willie Weeks, Ian Thomas on drums and Chris Stainton on keyboards, the old friends ramble through the entirety of Side One of the Blind Faith album, highlighted by stellar renditions “Presence of the Lord” on disc one and a phenomenally soulful version of “Can’t Find My Way Home” on the second disc, not to mention BF’s cover of Sam Myers’ “Sleeping in the Ground,” a rarity that made its official debut on the 2001 deluxe edition of the super group’s 1969 masterpiece.

Clapton and Winwood round out the show with an apt sampling of their back catalogs, markedly Derek and the Dominoes’ “Tell The Truth”, Clapton’s own pair of smash hits in “After Midnight” (the original fast version, mind you, not the beer commercial edition) and “Cocaine,” and Winwood’s Traffic anthem “Dear Mr. Fantasy” (a big thanks to both Steve and Eric for avoiding their equally dreadful ’80s material). They also performed a slew of covers that make up almost a third of this collection, including a buoyant tribute to the late Buddy Miles with a brassy spin through “Them Changes,” a solo Winwood crooning his way through Ray Charles’ “Georgia On My Mind” and an ace pair of Jimi Hendrix covers, “Little Wing,” which Clapton originally took a stab at on Derek and the Dominoes’ Layla and other Assorted Love Songs, and a sprawling 16-plus minute jam through Jimi Hendrix’s “Voodoo Chile” (the Side One version) that features some of the most impassioned blues guitar this writer has heard EC burn through in years. In fact, to get the full effect, you might actually want to pick up the DVD, just so you can watch the master at work for yourself.

Any fan of the classic rock staples that both Clapton and Winwood have provided for three generations will certainly benefit from owning this most exceptional concert album.

JamBase | Big Apple
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Phil Ramone and Danielle Evin: Dog Ears Music: Volume Eighty-One

This week’s column features Ralston Bowles, Emmylou Harris, Linda Ronstadt & Dolly Parton, Arthur Crudup, Lola Flores, Colored Shadows and The Impressions.