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Almodóvar’s Lanzarote

Broken Embraces, which premieres in Britain this week, draws heavily on the dramatic landscapes of Lanzarote. Annie Bennett meets director Pedro Almodóvar and follows in his footsteps around the island

A decade ago, film-maker Pedro Almodóvar took a photograph of El Golfo beach in Lanzarote. When he got the pictures developed, he could just make out two tiny figures standing on the sand. Intrigued, he had the shot enlarged, and revealed a couple locked in a tight embrace, lost in the landscape.

The image, which he called The Secret of El Golfo, niggled away at him for years, eventually inspiring the story that would become Broken Embraces, his latest film, on general release here from 28 August. Although most of the action takes place in Madrid, the scenes shot in Lanzarote are crucial to the plot and set the tone for the whole film.

In Broken Embraces, the two main characters, Lena and Mateo, played by Penélope Cruz and Lluís Homar, stand on the same spot. He takes a photograph and Lena embraces him from behind, sheltering from the wind. I went to Lanzarote and stood there too.

Striated cliffs in shades of burgundy, russet and ochre frame a beach where wild waves crash on to the shore, with what looks like a slick of green paint splashed across the charcoal sand. It is the most extraordinary sight, and it is hardly surprising that Almodóvar didn’t notice the couple.

“It was like in Antonioni’s movie Blow Up, when David Hemmings takes the picture in the park and doesn’t see the body by the bushes until he develops the film in his darkroom,” said the director when I met him later in Madrid. “The camera lens sees more than the naked eye.”

The beach is actually a volcanic crater eroded by the sea, and the green stain is a lagoon, linked to the ocean by lava tubes hidden under the sand. The colour comes from the algae that flourish in a peculiar ecosystem created by the high salt content of the water and the composition of the rock. If you sift through the stones glinting in the sunlight on the beach, you might find crystals of olivine, the green mineral used as a gemstone. But you have to be patient and look very carefully: like the embracing couple, they are not visible at first glance.

“I’d gone to Lanzarote shortly after my mother died,” said Almodóvar, “and the colours of the island seemed to reflect how I was feeling. I found it somehow soothing – not just the blackness, more the soft tones of red, green and brown.”

I drove away from El Golfo along a road flanked by huge volcanic boulders, and turned north into La Geria, the wine-producing valley that Almodóvar filmed from the air as the main characters drove across it in their red hatchback.

The slate-grey, gently undulating terrain is scored with thousands of shallow circular hollows, each housing a single green vine protected by a semicircle of basalt rocks. I got out of the car and gazed at the perfect pattern, which looked like an immense art installation. I half expected to see the land artist Richard Long trudging towards me.

“I was knocked out by La Geria when I first saw it and knew that I would use it in a film one day,” Almodóvar told me. That was in 1985, when he went to Lanzarote to have a rest before shooting The Law of Desire. Back then, he stayed in a bungalow on Famara beach in the north-west of the island, which is where I headed next, as it is also a location in Broken Embraces

Since my arrival on the island, I had noticed that the very mention of Famara seemed to make people come over all dreamy and misty-eyed. I got the impression that it was the sort of place where people come for a week and never get around to leaving. The long, curving bay, backed by dusky pink cliffs, provides perfect conditions for surfing, windsurfing or kitesurfing, depending on the vagaries of the wind on the day. There is high-quality tuition on offer and professionals, including kitesurfing world champion Kirsty Jones, can often be seen training there.

In the film, Lena and Mateo stay, as Almodóvar did, in a bungalow in holiday village Bungalows Playa Famara. There are scenes in the reception area. When I walked in, I was a bit surprised to see that the receptionist was the person who appears in the film. “Pedro asked me to play myself,” said Lyng Dyrup, originally from Denmark, who turned out to be the manager of the complex. “It was hardly a stretch, particularly as I’ve been here for more than 20 years.”

Lyng told me that they had filmed in bungalow number two, in the row nearest the beach. I let myself into the semicircular building and found myself in the living room where one of the most poignant scenes takes place, with the couple on the sofa, watching television.

“This is where the title, Broken Embraces, comes from,” Almodóvar told me. “They are watching Rossellini’s film Voyage to Italy, in which archaeologists find the entwined skeletons of a couple buried by lava, together for ever. Lena cuddles up to Mateo, and he sets the camera and takes a photo of them, unaware that their bliss will soon be shattered – and the photo torn to shreds.”

Back in reception, I asked Lyng what she thought of the film. “You need to see it more than once, because it has so many layers,” she replied. “It’s really more like a book than a film – a book you can’t put down, because you are totally absorbed by the story and the characters.”

I wandered down to the beach and watched surfers riding the waves, children flying kites and dogs dementedly chasing balls. The scene is remarkably similar to one near the end of the film, when all this carefree activity signifies an optimistic new beginning for one of the characters.

Earlier in the film, Lena and Mateo sit on the sand, framed by black rocks that shield them, like the vines, from the wind and the outside world. “Famara is a place of refuge, which is a key concept in the film,” said Almodóvar.

César Manrique, the visionary artist, architect and environmentalist whose influence is seen all over the island, spent his childhood holidays in Famara and always said it was his favourite place. Born in Arrecife, the capital of Lanzarote, in 1919, he lived in Madrid and New York before returning to the island in 1966. Passionate about his homeland, he campaigned for the introduction of regulations that saved Lanzarote from the ravages of rampant development. Highrise buildings are prohibited and there are no roadside advertising hoardings.

He also designed a series of extraordinary buildings which accentuate the unique geology of Lanzarote and are now its main tourist attractions, as well as making funky wind sculptures to adorn roundabouts across the island.

“Lanzarote is like an unframed, unmounted work of art,” he famously said, insisting that anything manmade had to be integrated into the landscape.

“Broken Embraces is a total homage to Manrique,” Almodóvar told me. “I met him on that first trip back in the 80s, and he took me all over the island and showed me his Lanzarote.”

Manrique’s home at the time, Taro de Tahiche, is built into the boulders in a lava field. He was so amazed to spot a fig tree growing up from the blackness that he decided to build a house around it. Now a foundation dedicated to his life and work, its ground floor is an exhibition space with works by his renowned contemporaries, including Tàpies, Millares, Picasso and Saura, but it is the view framed by the huge windows that draws the eye. Basalt steps lead down to a turquoise pool and five lava bubbles linked by passages in the volcanic rock. It looks more like a groovy nightclub than a home. “Oh yes, I went to some pretty wild parties there,” remembered Almodóvar, laughing.

Manrique died in 1992, at 73, in a car accident at the roundabout next to Taro de Tahiche, which features one of his wind sculptures. Almodóvar used the same roundabout for a crash in Broken Embraces, but was unaware of its sinister connotations. “I chose it because I loved the sculpture on it, and it was only afterwards that I read in the local newspaper that Manrique had died there.”

Almodóvar said that it was one of many strange coincidences that happened while they were filming. “There was a special atmosphere on the shoot. Everyone involved said they felt a really positive energy – and believe me, that is not always the case. And the whole crew said they had never slept so well, including me.” I agreed with him on that. The day after I arrived, I woke to the distant sounds of a donkey braying and a cockerel crowing, feeling totally refreshed. I hadn’t slept so well for years.

I was staying at the Finca de Arrieta, an eco-retreat on the north-east coast, between the mountains and the sea. The small complex, built in the local basalt stone, is so low-rise it is barely visible from the coast road, its existence given away only by the palm trees blowing in the breeze. As well as a cottage and a villa, there are three yurts, all with a sort of Moroccan/Indonesian feel. My yurt was a sumptuous structure lined in pink silk with a marble floor, and a wetroom and kitchen just outside. I made a pot of coffee and an omelette with organic eggs from the finca’s chickens and huge spring onions from the garden, before having a swim in the solar-heated pool.

This mini paradise was created by Britons Tila and Michelle Braddock, who live here with their four children. “We have 30 solar panels and two wind turbines, which provide energy for the whole finca,” said Tila. “Lanzarote has plenty of sun and wind, and there’s no reason why the whole island shouldn’t use renewable energy sources.”

Manrique would be proud, but at the moment Finca de Arrieta is the largest sustainable energy project on the island. We were having dinner right by the sea on the terrace of the Amanecer restaurant in Arrieta, the village just down the road. As we devoured sizzling prawns, Tila pointed out a romantic-looking little cottage a couple of doors away, which they also rent out. “Being so close to the sea, you can fish out of the window if you want. We put a solar panel on the roof there too,” said Tila, dipping fried goats’ cheese into the mojo dips which are traditional throughout the Canaries. “The green one is made with coriander, and the red one with paprika,” said Michelle, topping up our glasses with Bermejo, a delicious local white wine.

The next morning, Tila whisked me off on a tour of the north of the island. We drove high into the hills, through lava fields covered in lichen in soft shades of gold, green and cream. On our left was the Monte Corona volcano, and standing alone on the hillside below it was La Torrecilla, the large house that is used as a clinic in Broken Embraces

A lava tube runs from the volcano to the sea, billowing out to form caves along the way. In one of these, Manrique created Los Jameos del Agua, a massive grotto that contains a recently restored auditorium, where Broken Embraces had its first screening. “The acoustics there are amazing,” Almodóvar later told me.

At the northern tip of the island, Manrique turned an old gun battery on the edge of a cliff into a restaurant and observation point, the Mirador del Río, where the bar has a curving panoramic window with views across to the island of La Graciosa. Almodóvar did shoot a scene in this dramatic setting, but it didn’t make the final cut.

“We organise an annual charity event, the Tres Islas,” said Tila, “when teams swim from La Graciosa over to Lanzarote, climb the cliff near here, then cycle the 60km across the island before sailing across to Fuerteventura.”

The road wound to the south and we drove towards Haría, where Manrique lived for the last few years of his life. Hidden in a lush valley and surrounded by palm trees, it is one of the prettiest villages on the island. We stopped for lunch at La Frontera, a popular family-friendly restaurant with views down the valley, and ate chunks of aubergine with palm honey, and tender lamb chops.

Later on, Tila dropped me off at El Aljibe in the remote village of Los Valles, where I was going to spend my last night. From the outside, it looked like a traditional Canarian farmhouse, albeit a rather chic one. Inside, however, a staircase led down through an archway into an enormous stone space with a vaulted ceiling and mezzanine sleeping area. Originally the underground water cistern for the farm, El Aljibe is now stylishly decorated with paintings and sculptures by renowned local artists, all friends of the owner, who was also close to Manrique and worked with him on some of his projects back in the 70s.

Sinking into the outdoor Jacuzzi in this incongruously glamorous setting, my mind wandered to the amazing parties you could throw there – but you would need both Manrique and Almodóvar on the guest list to really make it swing.

Essentials

Iberia (0870 6090500; iberiaairlines.co.uk) flies to Lanzarote from Heathrow via Madrid from £166 return. Thomas Cook (flythomascook.com) flies from six UK airports to Lanzarote, from £96 return. Cachet Travel (020 8847 8700; cachet-travel.co.uk) features boutique hotels on the island; a week at La Casona de Yaiza costs £585pp in September, including flights and car hire.

Cesar Manrique’s home, Taro de Tahiche (00 34 928 843138; fcmanrique.org) is open daily; entrance €8, under-12s free. Los Jameos del Agua (00 34 928 848020; centrosturisticos.com) is open daily and from 7.30pm to 2am on Tuesday, Friday and Saturday; €8, children €4. Mirador del Río (00 34 928 526 548; centrosturisticos.com) is open daily; adults €4.50, children €2.25.

El Amanecer is on La Garita beach in Arrieta (three-course meal with wine about €20). Mesón La Frontera is on the edge of Haría (Casas de Atrás 4; 00 34 928 835310).

Further information from the Spanish Tourist Office on 0870 8506599; spain.info.

Five fabulous places to stay

Finca de Arrieta

The estate of Finca de Arrieta comprises an eco-villa sleeping eight and large yurts sleeping up to four. The yurts have marble flooring, original hardwood Mongolian furniture and an ensuite bathroom. Arrieta is an eco-retreat, where the yurts and other properties are run on solar and wind energy, and holistic therapies, spa treatment and art courses are on offer.
• Yurts from €575 a week; 00 34 928 826720; lanzaroteretreats.com

Finca de las Salinas

This eccentric-looking rose-coloured finca in the picturesque town of Yaiza has 19 comfortable rooms. Although it’s just a short (10km) drive from the beaches, the inland location gives the hotel a peaceful feel, and there are bicycles to hire. The hotel has two restaurants – a bodega with an impressive selection of Spanish wines, and a more formal restaurant. A full-service spa is opening this summer.
• Doubles from €104; 00 34 928 830325; fincasalinas.com

Finca Malvasia

There are just four small apartments at Finca Malvasia, which lies in the heart of La Geria, Lanzarote’s spectacular wine region. Built from volcanic stone, the rooms are stylishly furnished with well-equipped kitchens, and private terraces with stunning views. The apartments are set in gardens full of fig and avocado trees, and there is a good-sized pool, yoga room and mini-gym, with massages available on site.
• From €110 per night for two people; 00 34 928 173460; fincamalvasia.com

Famara bungalows

Located between the stunning beach at Famara and the high cliff, these bungalows have private terraces. Sleeping two, four or six, they sit in a large garden with a communal pool. The village of Caleta Famara is a short walk away.
• From €60 a night for a two-person bungalow; 00 34 928 845132; bungalowsplayafamara.com

El Aljibe

This converted water tower is a spectacular bolthole for two; the exposed brick walls and vaulted ceiling create a dramatic backdrop to sleek modern furniture and a mezzanine sleeping space. The apartment has a surround-sound stereo system that makes the most of the property’s incredible acoustics, satellite TV, outdoor Jacuzzi and pool.
• From €160; 00 34 902 363318; rural-villas.com

• Broken Embraces has its UK Premiere on Thursday at London’s Somerset House

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Forget the ferry

There’s something special about escaping to an island – even if you don’t need a boat to get there. Annabelle Thorpe picks a dozen British gems that you can reach by car or on foot – perfect for a day trip or a summer weekend away

1 Burgh Island, Devon

Despite its isolation, this island is all about glamour – 1930s glamour, to be precise, evoked by the art-deco hotel of the same name. Cars can’t reach the island at all but you can walk there at low tide or hitch a lift by sea tractor at other times. The island lies 250m off the south coast of Devon, close to the seaside town of Bigbury. There is an extensive network of footpaths across the island and a pub, the Pilchard Inn, as well as the hotel, which is most famous for its links to Agatha Christie, who used the setting for two of her books, Evil Under the Sun and And Then There Were None. It’s dressy and fun but very pricey, with doubles from £280.

• 01548 810514; burghisland.com

2 Isle of Sheppey, Kent

Twitchers and those in search of old-fashioned bucket-and-spade pleasures should head to the Isle of Sheppey, which combines long stretches of shingle beach with tranquil marshland. Avocets, owls and flocks of curlews and plovers are all easily spotted at the RSPB-managed Elmley Marshes, while families will enjoy Leysdown, which boasts safe shallow beaches. It’s ideal day-trip territory, but to make a weekend of it, the best bet is the Abbey Hotel (01795 872873; abbey-hotel.net), just outside Sheerness.

• tourism.swale.gov.uk

3 Hilbre Island, Cheshire

Take a picnic and a flask of coffee and settle in for a day of serious birdwatching on Hilbre Island, a Site of Special Scientific Interest in the middle of the Dee estuary. It’s worth the mile-long trek at low tide to see the grey seals, curlews and oystercatchers that call the island home. Hilbre is renowned as one of the best places in the country to see storm petrels, and in late summer the rocky landscape teems with terns, who come to the island to breed. There are no facilities on the island, although the Hilbre Telegraph Lookout Station has been renovated, and is open on selected dates.

deeestuary.co.uk/hilbre

4 Walney Island, Cumbria

Most islands have something of an old-fashioned atmosphere, and Walney feels as if it hasn’t changed in decades. Linked to Cumbria by a road bridge, it lies just half a mile from the town of Barrow-in-Furness and is home to two nature reserves, with more than 250 types of bird and 400 species of moth and butterfly. There are good coastal walking routes, and some of the best spots in the UK for kite-surfing. The best place to stay on the island is the Browhead Hotel (01229 473600; browheadhotel.co.uk), which offers comfortable, family-run accommodation.

walney-island.com

5 Anglesey

It’s worth the drive to get to Anglesey; latticed with cycling paths and walking routes, edged with gorgeous sandy beaches and home to several renowned gastropubs and boutique hotels, it’s ideal for a romantic weekend away. The picturesque town of Beaumaris makes a great base, and is home to a dramatic medieval castle and Victorian pier, as well as one of the island’s most famous pubs, Ye Old Bulls Head Inn (01248 810329; bullsheadinn.co.uk). Alternatively, hole up at the rurally located Neuadd Lwyd (01248 715005; neuaddlwyd.co.uk), a luxurious country house B&B that also offers fantastic suppers, and has breathtaking views across to the mountains of Snowdonia.

visitanglesey.co.uk

6 Nags Head Island, Abingdon, Oxforshire

Ideal for a waterside pint, this island in the Thames consists of a pub (named after the island and dating back to the 19th century), plus a few ship’s chandlers and boat hire firms. It is linked to the mainland by two bridges and accessible by car – there is a large car park at the pub and plenty of picnic space on the island. Daily boat trips run to and from Oxford.

• Nags Head pub: 01235 536645

7 Isle of Skye

Towering peaks, lush valleys, long white beaches; Skye is all about natural drama – although the hearty outdoorsy vibe is mixed with a clutch of reassuringly indulgent restaurants and luxury hotels. There are challenging walking and cycling routes that traverse the peaks, while the bustling town of Portree makes a relaxing base, with galleries and boutiques to explore. Stop for a legendary haggis toastie at The Stein Inn at Waternish (01470 592 362; stein-inn.co.uk), and book into the Ullinish Country Lodge (01470 572214; theisleofskye.co.uk) in Struan, which serves spectacular seafood and has opulent bedrooms to match.

skye.co.uk

8 Canvey Island, Essex

Lying in the Thames Estuary and reached by road bridge from Benflett, Canvey Island has faded a little since its glory days in the early 20th century, when it became the fastest-growing seaside resort in the UK, but it still has a kitschly fun feel. Head to the Labworth Cafe (01268 683209) on the seafront, a 1930s design classic by Ove Arup revamped as a bistro, or head to West Canvey for birdwatching and a stroll across what is set to become a new RSPB nature reserve, after the charity purchased the land in 2006.

canveyisland.org

9 Holy Island, Northumberland

Steeped in myth and legend, Lindisfarne attracts an odd mix of new-agers and twitchers drawn, respectively, by the eighth-century monastery and ruined priory, and the tranquil nature reserve that is home to spectacular colonies of wintering birds. The island is famous for the Lindisfarne gospels – an illuminated manuscript dating back to the eighth century, now in the British Library – but the beaches are an equally big draw; long stretches of wild, unspoilt shoreline backed by dunes that are often surprisingly quiet. You can drive to the island, but only at low tide. Try the Crown and Anchor (01289 389215; holyislandcrown.co.uk), a welcoming pub with rooms.

lindisfarne.org.uk

10 Foulness Island, Essex

You’ve got to really want to get to Foulness, located along the Essex coast a few miles east of Southend-on-Sea. Home to just 200 residents, it is owned by the Ministry of Defence, and there are only two ways for the public to gain access to the island. The Heritage Centre opens from noon-4pm every Sunday between April and October, when the public have free access. At other times it’s necessary to call and make a reservation to eat at the George & Dragon pub on the island (01702 219460), which will take down your details, to be checked later by an MoD official at the checkpoint. It’s a desolate kind of place, with long stretches of empty beach and marshland, though rich in wildlife.

visitessex.com

Mersea Island, Essex

There’s an increasing “scene” on Mersea, reached by road bridge; the clean, sandy beaches have long been a draw for windsurfers and kite-boarders, but the growing number of good restaurants on the island, plus a clutch of diverse accommodation options mean it’s become a great place for an eccentric weekend away. There are ancient Roman sites to explore, a beautiful country park and as much seafood as you can eat: try the Mersea Oyster Bar (01206 381600) or the Company Shed (01206 382700), both of which offer fresh fish and oysters brought in by the local fleet each day. Follow it with a tasting at the Mersea Island Vineyard (01206 385900; merseawine.com), which offers beers from its microbrewery as well as wines to sample, and also has simple but comfortable B&B rooms.

mersea-island.com

12 Hayling Island, Hampshire

There are those on Hayling who claim that windsurfing was invented on the island, and it’s a great choice for a weekend break with teenagers; sailing, windsurfing and kite surfing are all on offer at the well-equipped watersports centre, and there’s an impressive skate park right on the seafront. Younger children are well catered for too, with an all-year funfair and a narrow gauge railway, and adults will appreciate the well-marked network of footpaths and cycleways as well as the long stretches of shingle beach. You can drive onto the island via a bridge, which can become congested in summer; stay at the Cockle Warren Cottage Hotel (02392 464961; cocklewarren.co.uk) for cosy rooms and lots of local knowledge.

hayling.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Picture-mapping the British summer

Some spectacular snaps, from fountain charging in London to Scarborough sunsets


Picture-mapping the British summer

Some spectacular snaps, from fountain charging in London to Scarborough sunsets


Best of British summer campsites

We’ve mapped a selection of our favourite campsites so far this summer


Asturias: the secret I have to share

Acclaimed food writer Paul Richardson lives in southern Spain but it is the northern region of Asturias with its fertile valleys and stunning coast – and distinctive food and drink – that he tells his friends to explore before it’s too late

Don’t get me started about Asturias. I could go on and on about this inexplicably little-visited region wedged between Galicia and Cantabria along the north coast of Spain. I have been known to get very boring about its dramatic landscapes, its superb beaches, its excellent food, its unique pre-Romanesque architecture, its affable locals, and the strange fact that, as yet, few people seem to share my unbridled enthusiasm for the place.

Asturias is very Spanish in some ways, and surprisingly unlike the rest of the country in many others. Its Celtic, Atlantic culture is the polar opposite of the indolent, sherry-sipping, sun-lounging outdoor life of the Mediterranean.

The greenness of Asturias is astounding, especially if you’re coming from the parched plains of the Spanish south. You might also argue that the region is a microcosm of Spain as a whole, cramming into its borders everything from snowy mountains to sandy beaches, humble tapas bars to avant-garde restaurants, and from raucous local fiestas to silent valleys where bears and wolves still roam. The community has no fewer than 24 nature reserves, including one parque nacional and three of Spain’s largest parques naturales

Where I live, in the Spanish south, three months of spring had gone by without a drop of rain, and the countryside bore a withered, desperate look. Tired of dust and unseasonal heats, I wanted greenness and pleasantness, mountain streams and ocean views. So I worked up a trip, my fourth or fifth to the region, that would take in a little of each of the things I love about Asturias: the rural essences, the modest urban pleasures, the beaches and the wild interior, the simple traditional food and the fab contemporary cuisine.

I’d start out in Oviedo, the delightful capital, counterpoint to the rough-and-tumble harbour town of Gijón, which is the region’s second city. I’d then devote a day to cider, another to cheese – because Asturias is the uncontested cheese HQ of Spain – a day to the Alpine landscapes of the Picos de Europa, and another to the coast. I drove north through Castile, taking the motorway that powers through high mountain passes, past lakes and staggering peaks, before turning downhill into a suddenly green world of chestnut woods and rich pastures, and depositing you eventually in Oviedo.

History and geography dictate the way a place looks, feels and tastes. Asturias was a nation and kingdom seven centuries before Fernando and Isabella invented Spain, and it formed the cradle of the reconquista, by which the rest of the peninsula was eventually won back from the Moors. (Indeed, a popular saying has it that “Asturias is Spain – the rest is conquered territory”.)

The geographical barrier of the Picos de Europa, cutting off access from the south, made Asturias the most isolated part of the country. Hence, perhaps, the idiosyncrasy. And the omnipresent reek of history. Oviedo has some of Spain’s most venerable buildings – such as Santa María del Naranco, an exquisite pre-Romanesque church set in green pastures above the city, built for the Asturian king Ramiro I in the mid-ninth century. San Julián de los Prados, dating from the early ninth century, is a tiny and magical church whose richly painted interior reminds you what a debt Christianity owes to the Orient.

If Asturias is a series of pleasant surprises, Oviedo often comes as the first of them. It’s a compact, handsome little city, charmingly buttoned-up, with a provincial and bourgeois air, where people stop on street corners and the women wear their hair in perms. It says something about the fastidious character of Oviedo that here, uniquely for Spain, rubbish collection happens on a daily basis. (It routinely wins awards for Europe’s cleanest city.)

Oviedo had star billing along with Barcelona in Woody Allen’s Vicky Cristina Barcelona. Woody is a huge fan of the city, which has responded by putting up a bronze statue of him in the street. There is a lively cultural life here (the Campoamor opera house is a classic 19th-century chocolate-box theatre, where Plácido Domingo and Montserrat Caballé have sung), a superb produce market, some wonderful old pastry shops (Camilo de Blas, Rialto, Peñalba), and two or three of the country’s best restaurants. On that first day I had lunch at Casa Fermín, where the day’s menu included sea bass with clams, wild local salmon from the Sella river with yogurt and vanilla, and hand-caught octopus with potato cream and parsley oil.

Asturias shares the Spanish passion for food. Traditional cocina asturiana is wonderful in its plainness, honesty, and heartiness. Uncontested monarch of local dishes is the fabada asturiana, a take-no-prisoners stew of fabas (big white beans) with a compendium of smoked meats and sausages. Thereafter comes the rest of the repertoire: fritos de pixín (deep-fried monkfish pieces), vegetable menestra (stew), empanada (a flat savoury pie with a thick crust), torto de maíz (maize-flour flatbread, fried until it puffs up, with various accompaniments) …

Cheese is a very big deal. Asturian cheeses are many and various, the best of them (like Cabrales, Gamoneu, Afuega’l Pitu, Los Beyos) reflecting in their intense flavours all the verdant richness of the countryside. The seafood, landed at the busy fishing ports of Gijón, Lastres and Avilés, is second to none. Beside the Fontán market in Oviedo I saw a restaurant menu announcing that all its fish was both wild and local – a luxury inconceivable in the fished-out Mediterranean.

There is very little wine made in these northerly latitudes, so what tends to go with all this Asturian food is the Asturian drink by definition: cider. From Oviedo I drove to Nava, cider capital of the region, where José María Osorio, president of the local cidermakers’ guild, took me to see a traditional sidrería, the Estrada, which not only makes cider from the fruit of its own apple-trees, but serves it in an oak-lined cider-house, along with plates of cheese and chorizo. The cider was drawn in a powerful jet from a giant chestnut barrel in a gloomy cellar; it was woody and spicy and palate-scouringly dry. Asturias has almost 250 varieties of apple, José María told me, the great majority of which are quickly moving towards extinction. At Valveran, another sidrería, I tasted ciders of the new generation (known as de nueva expresión) which can be served in posh restaurants without anybody raising an eyebrow, and sweet dessert ciders and sparkling ciders and cider brandy, Asturias’s answer to Calvados.

The cider-house rules can be a puzzle at first, but they are easily understood with a little observation. Cider in Asturias is always served escanciada, which means the cider is poured into the glass from a great height, the oxygen it acquires on the way down giving the drink an essential kick of freshness. The cider is downed in one, but a little is always left at the bottom of the glass, custom dictating that this must be chucked out onto the floor. The reason for this practice is a mystery, though it seems likely to date back to a Celtic belief in returning to the earth a part of what it gave you.

On a fresh May morning after a rainshower, the sun shone on fields of apple trees loaded with blossom. I turned off the main road and drove inland; to left and right were villages of stone houses with slate roofs and the pagoda-like forms of the hórreos, wooden granaries raised on stone pillars to keep out the rats. Above the villages were hillsides densely wooded with chestnut, pine, and eucalyptus. And in the distance stood a line of mountains sugar-iced with snow: the famous Picos de Europa, so-called because these peaks were the first things mariners saw of the continent when returning from their long expeditions to distant seas.

In the fields round about, brown cows grazed indolently on an ensalada verde of the lushest pasture I had ever seen. Asturias is dairy central. In a country not traditionally fond of dairy products, this is one region that loves them unashamedly. An estimated 40 different cheeses are produced within its borders, three of which have Denominación de Origen status. Few places in the world – even in France – can boast such cheesy variety over such a modest surface area.

The Cotera Diaz family have their home and dairy in the village of Arenas de Cabrales, but keep their 28 cows in a stable beside the Cares river. When I visited, the husband and wife were busy milking, the rattle of a generator mingling with the roar of a mountain river swollen with ice-melt from the high sierra. (Its waters were blue-grey, and crystal clear.) The family specialise in Cabrales, a blue cheese which is one of Spain’s finest and a worthy rival to both Stilton and Roquefort. It packs a powerful punch, and often benefits from a good draught of cider to soften its piquant aftertaste.

While the parents worked, their son explained to me the family’s traditional routine, common among cheese-making families hereabouts. As soon as school closes in June, the family goes up into the high pastures of the Picos, where they spend the whole summer with the herd, making cheeses which will be brought down in September to cure in special caves.

The custom of transhumance has declined, but the caves are still an irreplaceable element in the making of both Cabrales and the other great Asturian blue cheese, Gamonedo. After a simple but highly calorific lunch at Casa Morán in Benia de Onis (fabada followed by arroz con leche, number one Asturian dessert and a rice pudding to conjure with), I visited the Cotera Diaz family cave, a dripping corridor bored into the mountainside, with the maturing Cabrales laid out on wooden shelves. Inside it was damp and dark and musty, with a powerful stink in the oxygen-deprived atmosphere that would send claustrophics and cheese-haters screaming into the fresh air.

Next day I met up with Guillermo Mañana, a retired doctor whose overriding passion is the Asturian mountain landscape. Guillermo has spent most of his life exploring every nook and cranny, every peak and valley of the Somiedo and Redes nature reserves, the primordial woodlands of Muñiellos, and his greatest love, the magic mountains of Picos de Europa. He proposed a simple half-day trek following the river Cares from its birthplace in the heights of the sierra down a narrow mountain gorge, the Desfiladero del Rio Cares.

We began in the village of Caín, for centuries cut off entirely from the outside world and, as its name might suggest, regarded by outsiders as a village of the damned. From there we entered the gorge, a dark canyon of Tolkien-esque proportions, with a path carved out of the rock face skirting the cliffs. From far below us came the muffled thunder of the river. Far above, in the gap between the cliffs, if you strained your neck and watched your footsteps, you could just see the snow-capped peaks, sparkling in the sun.

It was an unforgettable walk, and the lunch at the end of it wasn’t bad either: 11 courses of menú degustación at the Michelin-starred Casa Marcial in Arriondas, which along with Casa Gerardo in Prendes, is the most important showcase for the new Asturian cuisine. Nacho Manzano, chef at Casa Marcial, cooks and lives in the village house where he was born and grew up, and where his parents had a small shop that sold everything from socks and shoes to tinned sardines. There was a dance hall on the first floor, a cider press in the basement.

Over the years Nacho has brought his modernisation of cocina asturiana to a high pitch of refinement: his torto de maíz is as light as feather, his arroz con pitu de caleya (a rice dish made with the meat of a free-range cockerel) is densely flavoured and accompanied by a scallop somehow deliciously aromatised with fresh cucumber and green pepper.

As night fell a cold dank mist rolled down from the mountains. My luck had run out, I told myself: the rain, regular protagonist of the Asturian climate, was back. By the morning, however, it had cleared again and the atmosphere was uncannily bright, like when you turned up the contrast and colour on an old TV set. Perfect weather for beach-hunting. I turned back towards Oviedo on the E70 and drove from west to east along the Asturian coast – rebaptised for the incipient tourist market as the Costa Verde.

For years I have been saying to anyone who’d listen that some of the best beaches in the country are to be found along this stretch of coast. At Barayo, for instance, a pristine valley protected from all possible development, inhabited only by otters, the river reaches the sea in a majestic arc of sand. Or Playa del Silencio, aptly named, where dramatic rock formations encircle a lonely beach; or, loveliest of all, Torimbia, a mouthwateringly beautiful sandy bay, utterly unspoilt, which like all the world’s best beaches, can only be reached on foot. On this May morning at Torimbia there wasn’t a soul to be seen; the water was as calm as a mirror, and an appetising, if misleading shade of glassy blue. (Misleading, because the Atlantic is not the Med, and only in the months of July and August would most people think it wise to immerse themselves in it.)

So the Costa Verde has unspoilt beaches; it also has a series of unspoilt harbour towns strung along the coast like a pearl necklace. Ribadesella – once the summer stamping-ground of the Princess Letizia, wife of Prince Felipe, heir to the Spanish throne – and Cudillero, picturesque yet genuine. Lastres is a proper fishing village with winding cobbled streets – you could be in Cornwall. At Llanes, in the far east, a long thin harbour winds up from the sea into a medieval quarter with crumbly palaces, and the sculptor Agustín Ibarrola has painted the concrete cubes of the harbour wall in dazzling colours and madcap designs.

Outside Llanes, easternmost of Asturian coastal towns, is where the idyll ends. I was shocked to see the building going on in the strip of land between the mountains and the sea, the rash of ugly urbanizaciones built mostly as second homes for holidaymakers from the Basque country, and the wide swathe of brand-new motorway, built to give them easier access to what is increasingly a colony of Bilbao. Sad to say, no lessons have been learned from the destruction of Spain’s other costas, and it seems that even this pristine coastline is on the way to being ruined, and that there is nothing you or I can do about it.

Perhaps the only solution is for you and me to get there while there’s still time, and to tell our friends. I always tell mine that the coast of Asturias – along with the mountains, the architecture, the people, and the food – is almost certainly one of Spain’s last great unknown treasures. But then I would say that.

How to get to the heart of the Asturias

Getting there

Easyjet (0905 821 0905; easyjet.com) has daily flights from Stansted to Asturias airport in Ranón, half an hour by car or bus from Oviedo, from £46 return; Ryanair (0871 246 0000; ryanair.com) flies from Stansted to Santander, two hours by car, bus or train from Oviedo, from £21 return. Brittany Ferries (0871 244 0439; brittany-ferries.co.uk) runs ferries from Portsmouth and Plymouth to Santander (20-24 hours) from £167 return for two adults and a car.

Where to eat

Casa Fermín, Oviedo (00 34 985 216452; casafermin.com); Casa Morán, Benia de Onis (00 34 985 844006); Casa Marcial, Arriondas (00 34 985 840991; casamarcial.com)

Where to stay

Hotel Fruela (00 34 985 208120; hotelfruela.com) is a friendly, simple hotel in the centre of Oviedo and good value at €70 for a double room.

Hotel Casona del Busto in Pravia near Aviles (00 34 985 822771; casonadelbusto.es) is an unpretentious three-star hotel in a 16th-century mansion frequented by the diarist and thinker Jovellanos. It’s minutes from the beach and 10km from Asturias airport. Doubles from €84.

Hotel Balcón de la Cuesta (00 34 985 417429; arceahoteles.com) is a chic and comfortable new hotel in the valley of Andrin, just outside Llanes. The 17 rooms are all suites, and cost from €90.

Palacio de Rubianes, Cereceda (00 34 985 707612; palacioderubianes.com), recently opened in a historic country house with magnificent views of the Sueve mountains and Picos de Europa. Doubles from €105.

• Find more information about the region at infoasturias.com

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Asturias: the secret I have to share

Acclaimed food writer Paul Richardson lives in southern Spain but it is the northern region of Asturias with its fertile valleys and stunning coast – and distinctive food and drink – that he tells his friends to explore before it’s too late

Don’t get me started about Asturias. I could go on and on about this inexplicably little-visited region wedged between Galicia and Cantabria along the north coast of Spain. I have been known to get very boring about its dramatic landscapes, its superb beaches, its excellent food, its unique pre-Romanesque architecture, its affable locals, and the strange fact that, as yet, few people seem to share my unbridled enthusiasm for the place.

Asturias is very Spanish in some ways, and surprisingly unlike the rest of the country in many others. Its Celtic, Atlantic culture is the polar opposite of the indolent, sherry-sipping, sun-lounging outdoor life of the Mediterranean.

The greenness of Asturias is astounding, especially if you’re coming from the parched plains of the Spanish south. You might also argue that the region is a microcosm of Spain as a whole, cramming into its borders everything from snowy mountains to sandy beaches, humble tapas bars to avant-garde restaurants, and from raucous local fiestas to silent valleys where bears and wolves still roam. The community has no fewer than 24 nature reserves, including one parque nacional and three of Spain’s largest parques naturales

Where I live, in the Spanish south, three months of spring had gone by without a drop of rain, and the countryside bore a withered, desperate look. Tired of dust and unseasonal heats, I wanted greenness and pleasantness, mountain streams and ocean views. So I worked up a trip, my fourth or fifth to the region, that would take in a little of each of the things I love about Asturias: the rural essences, the modest urban pleasures, the beaches and the wild interior, the simple traditional food and the fab contemporary cuisine.

I’d start out in Oviedo, the delightful capital, counterpoint to the rough-and-tumble harbour town of Gijón, which is the region’s second city. I’d then devote a day to cider, another to cheese – because Asturias is the uncontested cheese HQ of Spain – a day to the Alpine landscapes of the Picos de Europa, and another to the coast. I drove north through Castile, taking the motorway that powers through high mountain passes, past lakes and staggering peaks, before turning downhill into a suddenly green world of chestnut woods and rich pastures, and depositing you eventually in Oviedo.

History and geography dictate the way a place looks, feels and tastes. Asturias was a nation and kingdom seven centuries before Fernando and Isabella invented Spain, and it formed the cradle of the reconquista, by which the rest of the peninsula was eventually won back from the Moors. (Indeed, a popular saying has it that “Asturias is Spain – the rest is conquered territory”.)

The geographical barrier of the Picos de Europa, cutting off access from the south, made Asturias the most isolated part of the country. Hence, perhaps, the idiosyncrasy. And the omnipresent reek of history. Oviedo has some of Spain’s most venerable buildings – such as Santa María del Naranco, an exquisite pre-Romanesque church set in green pastures above the city, built for the Asturian king Ramiro I in the mid-ninth century. San Julián de los Prados, dating from the early ninth century, is a tiny and magical church whose richly painted interior reminds you what a debt Christianity owes to the Orient.

If Asturias is a series of pleasant surprises, Oviedo often comes as the first of them. It’s a compact, handsome little city, charmingly buttoned-up, with a provincial and bourgeois air, where people stop on street corners and the women wear their hair in perms. It says something about the fastidious character of Oviedo that here, uniquely for Spain, rubbish collection happens on a daily basis. (It routinely wins awards for Europe’s cleanest city.)

Oviedo had star billing along with Barcelona in Woody Allen’s Vicky Cristina Barcelona. Woody is a huge fan of the city, which has responded by putting up a bronze statue of him in the street. There is a lively cultural life here (the Campoamor opera house is a classic 19th-century chocolate-box theatre, where Plácido Domingo and Montserrat Caballé have sung), a superb produce market, some wonderful old pastry shops (Camilo de Blas, Rialto, Peñalba), and two or three of the country’s best restaurants. On that first day I had lunch at Casa Fermín, where the day’s menu included sea bass with clams, wild local salmon from the Sella river with yogurt and vanilla, and hand-caught octopus with potato cream and parsley oil.

Asturias shares the Spanish passion for food. Traditional cocina asturiana is wonderful in its plainness, honesty, and heartiness. Uncontested monarch of local dishes is the fabada asturiana, a take-no-prisoners stew of fabas (big white beans) with a compendium of smoked meats and sausages. Thereafter comes the rest of the repertoire: fritos de pixín (deep-fried monkfish pieces), vegetable menestra (stew), empanada (a flat savoury pie with a thick crust), torto de maíz (maize-flour flatbread, fried until it puffs up, with various accompaniments) …

Cheese is a very big deal. Asturian cheeses are many and various, the best of them (like Cabrales, Gamoneu, Afuega’l Pitu, Los Beyos) reflecting in their intense flavours all the verdant richness of the countryside. The seafood, landed at the busy fishing ports of Gijón, Lastres and Avilés, is second to none. Beside the Fontán market in Oviedo I saw a restaurant menu announcing that all its fish was both wild and local – a luxury inconceivable in the fished-out Mediterranean.

There is very little wine made in these northerly latitudes, so what tends to go with all this Asturian food is the Asturian drink by definition: cider. From Oviedo I drove to Nava, cider capital of the region, where José María Osorio, president of the local cidermakers’ guild, took me to see a traditional sidrería, the Estrada, which not only makes cider from the fruit of its own apple-trees, but serves it in an oak-lined cider-house, along with plates of cheese and chorizo. The cider was drawn in a powerful jet from a giant chestnut barrel in a gloomy cellar; it was woody and spicy and palate-scouringly dry. Asturias has almost 250 varieties of apple, José María told me, the great majority of which are quickly moving towards extinction. At Valveran, another sidrería, I tasted ciders of the new generation (known as de nueva expresión) which can be served in posh restaurants without anybody raising an eyebrow, and sweet dessert ciders and sparkling ciders and cider brandy, Asturias’s answer to Calvados.

The cider-house rules can be a puzzle at first, but they are easily understood with a little observation. Cider in Asturias is always served escanciada, which means the cider is poured into the glass from a great height, the oxygen it acquires on the way down giving the drink an essential kick of freshness. The cider is downed in one, but a little is always left at the bottom of the glass, custom dictating that this must be chucked out onto the floor. The reason for this practice is a mystery, though it seems likely to date back to a Celtic belief in returning to the earth a part of what it gave you.

On a fresh May morning after a rainshower, the sun shone on fields of apple trees loaded with blossom. I turned off the main road and drove inland; to left and right were villages of stone houses with slate roofs and the pagoda-like forms of the hórreos, wooden granaries raised on stone pillars to keep out the rats. Above the villages were hillsides densely wooded with chestnut, pine, and eucalyptus. And in the distance stood a line of mountains sugar-iced with snow: the famous Picos de Europa, so-called because these peaks were the first things mariners saw of the continent when returning from their long expeditions to distant seas.

In the fields round about, brown cows grazed indolently on an ensalada verde of the lushest pasture I had ever seen. Asturias is dairy central. In a country not traditionally fond of dairy products, this is one region that loves them unashamedly. An estimated 40 different cheeses are produced within its borders, three of which have Denominación de Origen status. Few places in the world – even in France – can boast such cheesy variety over such a modest surface area.

The Cotera Diaz family have their home and dairy in the village of Arenas de Cabrales, but keep their 28 cows in a stable beside the Cares river. When I visited, the husband and wife were busy milking, the rattle of a generator mingling with the roar of a mountain river swollen with ice-melt from the high sierra. (Its waters were blue-grey, and crystal clear.) The family specialise in Cabrales, a blue cheese which is one of Spain’s finest and a worthy rival to both Stilton and Roquefort. It packs a powerful punch, and often benefits from a good draught of cider to soften its piquant aftertaste.

While the parents worked, their son explained to me the family’s traditional routine, common among cheese-making families hereabouts. As soon as school closes in June, the family goes up into the high pastures of the Picos, where they spend the whole summer with the herd, making cheeses which will be brought down in September to cure in special caves.

The custom of transhumance has declined, but the caves are still an irreplaceable element in the making of both Cabrales and the other great Asturian blue cheese, Gamonedo. After a simple but highly calorific lunch at Casa Morán in Benia de Onis (fabada followed by arroz con leche, number one Asturian dessert and a rice pudding to conjure with), I visited the Cotera Diaz family cave, a dripping corridor bored into the mountainside, with the maturing Cabrales laid out on wooden shelves. Inside it was damp and dark and musty, with a powerful stink in the oxygen-deprived atmosphere that would send claustrophics and cheese-haters screaming into the fresh air.

Next day I met up with Guillermo Mañana, a retired doctor whose overriding passion is the Asturian mountain landscape. Guillermo has spent most of his life exploring every nook and cranny, every peak and valley of the Somiedo and Redes nature reserves, the primordial woodlands of Muñiellos, and his greatest love, the magic mountains of Picos de Europa. He proposed a simple half-day trek following the river Cares from its birthplace in the heights of the sierra down a narrow mountain gorge, the Desfiladero del Rio Cares.

We began in the village of Caín, for centuries cut off entirely from the outside world and, as its name might suggest, regarded by outsiders as a village of the damned. From there we entered the gorge, a dark canyon of Tolkien-esque proportions, with a path carved out of the rock face skirting the cliffs. From far below us came the muffled thunder of the river. Far above, in the gap between the cliffs, if you strained your neck and watched your footsteps, you could just see the snow-capped peaks, sparkling in the sun.

It was an unforgettable walk, and the lunch at the end of it wasn’t bad either: 11 courses of menú degustación at the Michelin-starred Casa Marcial in Arriondas, which along with Casa Gerardo in Prendes, is the most important showcase for the new Asturian cuisine. Nacho Manzano, chef at Casa Marcial, cooks and lives in the village house where he was born and grew up, and where his parents had a small shop that sold everything from socks and shoes to tinned sardines. There was a dance hall on the first floor, a cider press in the basement.

Over the years Nacho has brought his modernisation of cocina asturiana to a high pitch of refinement: his torto de maíz is as light as feather, his arroz con pitu de caleya (a rice dish made with the meat of a free-range cockerel) is densely flavoured and accompanied by a scallop somehow deliciously aromatised with fresh cucumber and green pepper.

As night fell a cold dank mist rolled down from the mountains. My luck had run out, I told myself: the rain, regular protagonist of the Asturian climate, was back. By the morning, however, it had cleared again and the atmosphere was uncannily bright, like when you turned up the contrast and colour on an old TV set. Perfect weather for beach-hunting. I turned back towards Oviedo on the E70 and drove from west to east along the Asturian coast – rebaptised for the incipient tourist market as the Costa Verde.

For years I have been saying to anyone who’d listen that some of the best beaches in the country are to be found along this stretch of coast. At Barayo, for instance, a pristine valley protected from all possible development, inhabited only by otters, the river reaches the sea in a majestic arc of sand. Or Playa del Silencio, aptly named, where dramatic rock formations encircle a lonely beach; or, loveliest of all, Torimbia, a mouthwateringly beautiful sandy bay, utterly unspoilt, which like all the world’s best beaches, can only be reached on foot. On this May morning at Torimbia there wasn’t a soul to be seen; the water was as calm as a mirror, and an appetising, if misleading shade of glassy blue. (Misleading, because the Atlantic is not the Med, and only in the months of July and August would most people think it wise to immerse themselves in it.)

So the Costa Verde has unspoilt beaches; it also has a series of unspoilt harbour towns strung along the coast like a pearl necklace. Ribadesella – once the summer stamping-ground of the Princess Letizia, wife of Prince Felipe, heir to the Spanish throne – and Cudillero, picturesque yet genuine. Lastres is a proper fishing village with winding cobbled streets – you could be in Cornwall. At Llanes, in the far east, a long thin harbour winds up from the sea into a medieval quarter with crumbly palaces, and the sculptor Agustín Ibarrola has painted the concrete cubes of the harbour wall in dazzling colours and madcap designs.

Outside Llanes, easternmost of Asturian coastal towns, is where the idyll ends. I was shocked to see the building going on in the strip of land between the mountains and the sea, the rash of ugly urbanizaciones built mostly as second homes for holidaymakers from the Basque country, and the wide swathe of brand-new motorway, built to give them easier access to what is increasingly a colony of Bilbao. Sad to say, no lessons have been learned from the destruction of Spain’s other costas, and it seems that even this pristine coastline is on the way to being ruined, and that there is nothing you or I can do about it.

Perhaps the only solution is for you and me to get there while there’s still time, and to tell our friends. I always tell mine that the coast of Asturias – along with the mountains, the architecture, the people, and the food – is almost certainly one of Spain’s last great unknown treasures. But then I would say that.

How to get to the heart of the Asturias

Getting there

Easyjet (0905 821 0905; easyjet.com) has daily flights from Stansted to Asturias airport in Ranón, half an hour by car or bus from Oviedo, from £46 return; Ryanair (0871 246 0000; ryanair.com) flies from Stansted to Santander, two hours by car, bus or train from Oviedo, from £21 return. Brittany Ferries (0871 244 0439; brittany-ferries.co.uk) runs ferries from Portsmouth and Plymouth to Santander (20-24 hours) from £167 return for two adults and a car.

Where to eat

Casa Fermín, Oviedo (00 34 985 216452; casafermin.com); Casa Morán, Benia de Onis (00 34 985 844006); Casa Marcial, Arriondas (00 34 985 840991; casamarcial.com)

Where to stay

Hotel Fruela (00 34 985 208120; hotelfruela.com) is a friendly, simple hotel in the centre of Oviedo and good value at €70 for a double room.

Hotel Casona del Busto in Pravia near Aviles (00 34 985 822771; casonadelbusto.es) is an unpretentious three-star hotel in a 16th-century mansion frequented by the diarist and thinker Jovellanos. It’s minutes from the beach and 10km from Asturias airport. Doubles from €84.

Hotel Balcón de la Cuesta (00 34 985 417429; arceahoteles.com) is a chic and comfortable new hotel in the valley of Andrin, just outside Llanes. The 17 rooms are all suites, and cost from €90.

Palacio de Rubianes, Cereceda (00 34 985 707612; palacioderubianes.com), recently opened in a historic country house with magnificent views of the Sueve mountains and Picos de Europa. Doubles from €105.

• Find more information about the region at infoasturias.com

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Asturias: the secret I have to share

Acclaimed food writer Paul Richardson lives in southern Spain but it is the northern region of Asturias with its fertile valleys and stunning coast – and distinctive food and drink – that he tells his friends to explore before it’s too late

Don’t get me started about Asturias. I could go on and on about this inexplicably little-visited region wedged between Galicia and Cantabria along the north coast of Spain. I have been known to get very boring about its dramatic landscapes, its superb beaches, its excellent food, its unique pre-Romanesque architecture, its affable locals, and the strange fact that, as yet, few people seem to share my unbridled enthusiasm for the place.

Asturias is very Spanish in some ways, and surprisingly unlike the rest of the country in many others. Its Celtic, Atlantic culture is the polar opposite of the indolent, sherry-sipping, sun-lounging outdoor life of the Mediterranean.

The greenness of Asturias is astounding, especially if you’re coming from the parched plains of the Spanish south. You might also argue that the region is a microcosm of Spain as a whole, cramming into its borders everything from snowy mountains to sandy beaches, humble tapas bars to avant-garde restaurants, and from raucous local fiestas to silent valleys where bears and wolves still roam. The community has no fewer than 24 nature reserves, including one parque nacional and three of Spain’s largest parques naturales

Where I live, in the Spanish south, three months of spring had gone by without a drop of rain, and the countryside bore a withered, desperate look. Tired of dust and unseasonal heats, I wanted greenness and pleasantness, mountain streams and ocean views. So I worked up a trip, my fourth or fifth to the region, that would take in a little of each of the things I love about Asturias: the rural essences, the modest urban pleasures, the beaches and the wild interior, the simple traditional food and the fab contemporary cuisine.

I’d start out in Oviedo, the delightful capital, counterpoint to the rough-and-tumble harbour town of Gijón, which is the region’s second city. I’d then devote a day to cider, another to cheese – because Asturias is the uncontested cheese HQ of Spain – a day to the Alpine landscapes of the Picos de Europa, and another to the coast. I drove north through Castile, taking the motorway that powers through high mountain passes, past lakes and staggering peaks, before turning downhill into a suddenly green world of chestnut woods and rich pastures, and depositing you eventually in Oviedo.

History and geography dictate the way a place looks, feels and tastes. Asturias was a nation and kingdom seven centuries before Fernando and Isabella invented Spain, and it formed the cradle of the reconquista, by which the rest of the peninsula was eventually won back from the Moors. (Indeed, a popular saying has it that “Asturias is Spain – the rest is conquered territory”.)

The geographical barrier of the Picos de Europa, cutting off access from the south, made Asturias the most isolated part of the country. Hence, perhaps, the idiosyncrasy. And the omnipresent reek of history. Oviedo has some of Spain’s most venerable buildings – such as Santa María del Naranco, an exquisite pre-Romanesque church set in green pastures above the city, built for the Asturian king Ramiro I in the mid-ninth century. San Julián de los Prados, dating from the early ninth century, is a tiny and magical church whose richly painted interior reminds you what a debt Christianity owes to the Orient.

If Asturias is a series of pleasant surprises, Oviedo often comes as the first of them. It’s a compact, handsome little city, charmingly buttoned-up, with a provincial and bourgeois air, where people stop on street corners and the women wear their hair in perms. It says something about the fastidious character of Oviedo that here, uniquely for Spain, rubbish collection happens on a daily basis. (It routinely wins awards for Europe’s cleanest city.)

Oviedo had star billing along with Barcelona in Woody Allen’s Vicky Cristina Barcelona. Woody is a huge fan of the city, which has responded by putting up a bronze statue of him in the street. There is a lively cultural life here (the Campoamor opera house is a classic 19th-century chocolate-box theatre, where Plácido Domingo and Montserrat Caballé have sung), a superb produce market, some wonderful old pastry shops (Camilo de Blas, Rialto, Peñalba), and two or three of the country’s best restaurants. On that first day I had lunch at Casa Fermín, where the day’s menu included sea bass with clams, wild local salmon from the Sella river with yogurt and vanilla, and hand-caught octopus with potato cream and parsley oil.

Asturias shares the Spanish passion for food. Traditional cocina asturiana is wonderful in its plainness, honesty, and heartiness. Uncontested monarch of local dishes is the fabada asturiana, a take-no-prisoners stew of fabas (big white beans) with a compendium of smoked meats and sausages. Thereafter comes the rest of the repertoire: fritos de pixín (deep-fried monkfish pieces), vegetable menestra (stew), empanada (a flat savoury pie with a thick crust), torto de maíz (maize-flour flatbread, fried until it puffs up, with various accompaniments) …

Cheese is a very big deal. Asturian cheeses are many and various, the best of them (like Cabrales, Gamoneu, Afuega’l Pitu, Los Beyos) reflecting in their intense flavours all the verdant richness of the countryside. The seafood, landed at the busy fishing ports of Gijón, Lastres and Avilés, is second to none. Beside the Fontán market in Oviedo I saw a restaurant menu announcing that all its fish was both wild and local – a luxury inconceivable in the fished-out Mediterranean.

There is very little wine made in these northerly latitudes, so what tends to go with all this Asturian food is the Asturian drink by definition: cider. From Oviedo I drove to Nava, cider capital of the region, where José María Osorio, president of the local cidermakers’ guild, took me to see a traditional sidrería, the Estrada, which not only makes cider from the fruit of its own apple-trees, but serves it in an oak-lined cider-house, along with plates of cheese and chorizo. The cider was drawn in a powerful jet from a giant chestnut barrel in a gloomy cellar; it was woody and spicy and palate-scouringly dry. Asturias has almost 250 varieties of apple, José María told me, the great majority of which are quickly moving towards extinction. At Valveran, another sidrería, I tasted ciders of the new generation (known as de nueva expresión) which can be served in posh restaurants without anybody raising an eyebrow, and sweet dessert ciders and sparkling ciders and cider brandy, Asturias’s answer to Calvados.

The cider-house rules can be a puzzle at first, but they are easily understood with a little observation. Cider in Asturias is always served escanciada, which means the cider is poured into the glass from a great height, the oxygen it acquires on the way down giving the drink an essential kick of freshness. The cider is downed in one, but a little is always left at the bottom of the glass, custom dictating that this must be chucked out onto the floor. The reason for this practice is a mystery, though it seems likely to date back to a Celtic belief in returning to the earth a part of what it gave you.

On a fresh May morning after a rainshower, the sun shone on fields of apple trees loaded with blossom. I turned off the main road and drove inland; to left and right were villages of stone houses with slate roofs and the pagoda-like forms of the hórreos, wooden granaries raised on stone pillars to keep out the rats. Above the villages were hillsides densely wooded with chestnut, pine, and eucalyptus. And in the distance stood a line of mountains sugar-iced with snow: the famous Picos de Europa, so-called because these peaks were the first things mariners saw of the continent when returning from their long expeditions to distant seas.

In the fields round about, brown cows grazed indolently on an ensalada verde of the lushest pasture I had ever seen. Asturias is dairy central. In a country not traditionally fond of dairy products, this is one region that loves them unashamedly. An estimated 40 different cheeses are produced within its borders, three of which have Denominación de Origen status. Few places in the world – even in France – can boast such cheesy variety over such a modest surface area.

The Cotera Diaz family have their home and dairy in the village of Arenas de Cabrales, but keep their 28 cows in a stable beside the Cares river. When I visited, the husband and wife were busy milking, the rattle of a generator mingling with the roar of a mountain river swollen with ice-melt from the high sierra. (Its waters were blue-grey, and crystal clear.) The family specialise in Cabrales, a blue cheese which is one of Spain’s finest and a worthy rival to both Stilton and Roquefort. It packs a powerful punch, and often benefits from a good draught of cider to soften its piquant aftertaste.

While the parents worked, their son explained to me the family’s traditional routine, common among cheese-making families hereabouts. As soon as school closes in June, the family goes up into the high pastures of the Picos, where they spend the whole summer with the herd, making cheeses which will be brought down in September to cure in special caves.

The custom of transhumance has declined, but the caves are still an irreplaceable element in the making of both Cabrales and the other great Asturian blue cheese, Gamonedo. After a simple but highly calorific lunch at Casa Morán in Benia de Onis (fabada followed by arroz con leche, number one Asturian dessert and a rice pudding to conjure with), I visited the Cotera Diaz family cave, a dripping corridor bored into the mountainside, with the maturing Cabrales laid out on wooden shelves. Inside it was damp and dark and musty, with a powerful stink in the oxygen-deprived atmosphere that would send claustrophics and cheese-haters screaming into the fresh air.

Next day I met up with Guillermo Mañana, a retired doctor whose overriding passion is the Asturian mountain landscape. Guillermo has spent most of his life exploring every nook and cranny, every peak and valley of the Somiedo and Redes nature reserves, the primordial woodlands of Muñiellos, and his greatest love, the magic mountains of Picos de Europa. He proposed a simple half-day trek following the river Cares from its birthplace in the heights of the sierra down a narrow mountain gorge, the Desfiladero del Rio Cares.

We began in the village of Caín, for centuries cut off entirely from the outside world and, as its name might suggest, regarded by outsiders as a village of the damned. From there we entered the gorge, a dark canyon of Tolkien-esque proportions, with a path carved out of the rock face skirting the cliffs. From far below us came the muffled thunder of the river. Far above, in the gap between the cliffs, if you strained your neck and watched your footsteps, you could just see the snow-capped peaks, sparkling in the sun.

It was an unforgettable walk, and the lunch at the end of it wasn’t bad either: 11 courses of menú degustación at the Michelin-starred Casa Marcial in Arriondas, which along with Casa Gerardo in Prendes, is the most important showcase for the new Asturian cuisine. Nacho Manzano, chef at Casa Marcial, cooks and lives in the village house where he was born and grew up, and where his parents had a small shop that sold everything from socks and shoes to tinned sardines. There was a dance hall on the first floor, a cider press in the basement.

Over the years Nacho has brought his modernisation of cocina asturiana to a high pitch of refinement: his torto de maíz is as light as feather, his arroz con pitu de caleya (a rice dish made with the meat of a free-range cockerel) is densely flavoured and accompanied by a scallop somehow deliciously aromatised with fresh cucumber and green pepper.

As night fell a cold dank mist rolled down from the mountains. My luck had run out, I told myself: the rain, regular protagonist of the Asturian climate, was back. By the morning, however, it had cleared again and the atmosphere was uncannily bright, like when you turned up the contrast and colour on an old TV set. Perfect weather for beach-hunting. I turned back towards Oviedo on the E70 and drove from west to east along the Asturian coast – rebaptised for the incipient tourist market as the Costa Verde.

For years I have been saying to anyone who’d listen that some of the best beaches in the country are to be found along this stretch of coast. At Barayo, for instance, a pristine valley protected from all possible development, inhabited only by otters, the river reaches the sea in a majestic arc of sand. Or Playa del Silencio, aptly named, where dramatic rock formations encircle a lonely beach; or, loveliest of all, Torimbia, a mouthwateringly beautiful sandy bay, utterly unspoilt, which like all the world’s best beaches, can only be reached on foot. On this May morning at Torimbia there wasn’t a soul to be seen; the water was as calm as a mirror, and an appetising, if misleading shade of glassy blue. (Misleading, because the Atlantic is not the Med, and only in the months of July and August would most people think it wise to immerse themselves in it.)

So the Costa Verde has unspoilt beaches; it also has a series of unspoilt harbour towns strung along the coast like a pearl necklace. Ribadesella – once the summer stamping-ground of the Princess Letizia, wife of Prince Felipe, heir to the Spanish throne – and Cudillero, picturesque yet genuine. Lastres is a proper fishing village with winding cobbled streets – you could be in Cornwall. At Llanes, in the far east, a long thin harbour winds up from the sea into a medieval quarter with crumbly palaces, and the sculptor Agustín Ibarrola has painted the concrete cubes of the harbour wall in dazzling colours and madcap designs.

Outside Llanes, easternmost of Asturian coastal towns, is where the idyll ends. I was shocked to see the building going on in the strip of land between the mountains and the sea, the rash of ugly urbanizaciones built mostly as second homes for holidaymakers from the Basque country, and the wide swathe of brand-new motorway, built to give them easier access to what is increasingly a colony of Bilbao. Sad to say, no lessons have been learned from the destruction of Spain’s other costas, and it seems that even this pristine coastline is on the way to being ruined, and that there is nothing you or I can do about it.

Perhaps the only solution is for you and me to get there while there’s still time, and to tell our friends. I always tell mine that the coast of Asturias – along with the mountains, the architecture, the people, and the food – is almost certainly one of Spain’s last great unknown treasures. But then I would say that.

How to get to the heart of the Asturias

Getting there

Easyjet (0905 821 0905; easyjet.com) has daily flights from Stansted to Asturias airport in Ranón, half an hour by car or bus from Oviedo, from £46 return; Ryanair (0871 246 0000; ryanair.com) flies from Stansted to Santander, two hours by car, bus or train from Oviedo, from £21 return. Brittany Ferries (0871 244 0439; brittany-ferries.co.uk) runs ferries from Portsmouth and Plymouth to Santander (20-24 hours) from £167 return for two adults and a car.

Where to eat

Casa Fermín, Oviedo (00 34 985 216452; casafermin.com); Casa Morán, Benia de Onis (00 34 985 844006); Casa Marcial, Arriondas (00 34 985 840991; casamarcial.com)

Where to stay

Hotel Fruela (00 34 985 208120; hotelfruela.com) is a friendly, simple hotel in the centre of Oviedo and good value at €70 for a double room.

Hotel Casona del Busto in Pravia near Aviles (00 34 985 822771; casonadelbusto.es) is an unpretentious three-star hotel in a 16th-century mansion frequented by the diarist and thinker Jovellanos. It’s minutes from the beach and 10km from Asturias airport. Doubles from €84.

Hotel Balcón de la Cuesta (00 34 985 417429; arceahoteles.com) is a chic and comfortable new hotel in the valley of Andrin, just outside Llanes. The 17 rooms are all suites, and cost from €90.

Palacio de Rubianes, Cereceda (00 34 985 707612; palacioderubianes.com), recently opened in a historic country house with magnificent views of the Sueve mountains and Picos de Europa. Doubles from €105.

• Find more information about the region at infoasturias.com

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Holidaying like Monsieur Hulot

Lizzy Davies visits a sleepy seaside resort on France’s north-western coast – the setting for one of the greatest comic characters in the history of cinema

I’m dining alone in a busy hotel restaurant, trying my best to look dignified and ladylike while devouring a plate of freshly grilled sardines. No easy task. For one thing, the bones get everywhere; for another, I am being watched.

To my right sits a family of brazenly curious French tourists, staring at the English girl with her funny table-manners and her three newspapers piled on top of each other on the table. To my left are a couple, noticeably more interested in the sea view – and me – than each other.

Flustered and self-conscious, I look out to the Atlantic for comfort, and, more precisely, to a 6ft 8 bronze statue peering over the beach below. Now there was a man, I reflect, who never let absurdity hold him back. A lone traveller in too-short trousers who trampled over table-manners and played havoc with social etiquette.

I return to my sardines. They are delicious, and I no longer care how ridiculous I look eating them. I don’t even bat an eyelid when one of them slips off the side of my plate on to the table. Monsieur Hulot, I think, spearing it coolly with a fork, you are my hero.

I have come to Saint Marc sur Mer, a sleepy seaside resort on France’s north-western coast, in the bumbling footsteps of one of the greatest comic characters in the history of cinema – a man who used the Great Summer Holiday as a vehicle for gentle satire and who had people rolling in the aisles while doing so.

Upon the release, in 1953, of Les Vacances de Monsieur Hulot, Jacques Tati‘s genius creation ambled aimlessly into French national consciousness and has remained there ever since. The little-known village he chose for the film’s location became etched in people’s minds as the quintessential holiday destination – a place where it was forever summer, the sky was forever blue, and the ice-cream van was forever overrun.

Today, Saint Marc is still little more than a quiet seaside getaway, a genteel suburb of the nearest large town, Saint-Nazaire. Perched on the rugged coastline that continues down from western Brittany, it was plucked from obscurity by Tati because it had everything he needed: a little beach with a magnificent sea-view and a nearby hotel that ticked every box of the middle-class guest house. Days after his discovery, he wrote that, after weeks of searching, he had finally hit upon “the little corner I have been dreaming of”.

Decades on, the Hotel de la Plage is now part of the Best Western chain but has managed, following a complete renovation last year, to avoid becoming entirely generic. The forward-leaning, pipe-smoking silhouette of its most famous guest decorates its walls, as do photographs taken during the filming in the summer of 1951. Even the bar stools feature different scenes from Hulot’s adventures in Saint Marc. (Cheesy, yes. But no-one ever said M Hulot was the last word in chic.)

Those searching for his room are, however, in for a disappointment – because it never existed. While the exterior of the building was used in the film, the interior scenes were played out elsewhere. Still, to offset this lack of authenticity, you could always purchase a Monsieur Hulot polo shirt, on sale in the foyer. Or you could head for the restaurant terrace and feast on seafood while admiring the magnificent view: a curve of tan-coloured sand with the Atlantic shimmering in the sunshine.

Despite the passing of almost 60 years, this stretch – now known officially as la Plage de M Hulot – is recognisably Tati-esque. Families lounge, their parasols up, hampers out and buckets and spades at the ready. Couples sprawl languidly. Toddlers tumble, ice-cream first, into the sand. The bronze of Hulot, surveying them all with the expression of a benevolent grandfather, looks on approvingly.

When I go to take a closer look at the statue, created several years ago by sculptor Emmanuel Debarre at the request of Tati’s daughter, I am joined by Henri Herbert, a local enthusiast who had come to pay tribute to his favourite on-screen character. “Monsieur Hulot’s holiday was the first film I ever saw in the cinema,” he tells me. “It has come to be so symbolic – of the first paid holidays, of holidays by the sea for ordinary people.”

As Herbert wanders off, I contemplate the sculpture. Something crucial is missing. In place of the pipe that should be between his lips, Hulot is smoking what appears to be a cigarette butt. Locals inform me that the original accessory, a beloved staple, was snapped off by persons unknown soon after the statue was unveiled and has never been replaced. It strikes me as a cruel indignity. But one which Hulot would undoubtedly have taken in his long, ungainly stride.

Wandering around Saint Marc during the day, I try to spot parts of the village used in the film. The cemetery which Hulot accidentally drove into- mid-funeral – is still there, though made rather less picturesque by the looming hulk of the thoroughly modern sports centre next door. I look in vain for the tennis courts where he unleashed his “unique” serve on unsuspecting guests; one man tells me he thinks they were concreted over and turned into a boules surface. Tant pis.

For those wishing to indulge in a little on-location 1950s nostalgia, a trip to the petite Jean Bart cinema down the road from the hotel is a Saint Marc must – especially when there is a nightly showing of the digitally restored re-release of Monsieur Hulot’s Holiday, which was released in France last week. Sadly for me, the cinema is closed and so I stroll, at dusk, around the curve of the beach, among the rock pools and over seaweed-strewn boulders.

I pass families packing up their picnics and a collie dog cooling off in the Atlantic. Further on, two men, middle-aged and moustachioed, stand in great concentration at the edge of the ocean. They are trying to catch sea bass, they tell me. “We might be here for a while”, they add, and the prospect doesn’t seem to bother them. And I realise I have no need to watch a film to rediscover the 1950s. In St Marc, in the dying light of perfect summer days, the golden age lives on.

Getting there

By rail: Eurostar to Paris (eurostar.com) and then TGV to Saint Nazaire sncf.fr; returns around €120 (£103)

Hotel de la Plage, +33 2 40 91 99 01, hotel-delaplage.fr. Rooms from €89 for standard double to €180 for superior room with sea view and terrace.

Theatre Jean Bart, 3 bis route du Fort de l’Eve, Saint Marc sur Mer, +33 2 40 91 96 54

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