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Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Don ‘Sugar Cane’ Harris:
Sugar Cane’s Got the Blues

By: Trevor Pour

align=right src="http://images.jambase.com/bands/Wednesday/Sugarcane.jpg">

I recently had a jazz professor as a guest in my home. Before she could make it through the front door, her thoughts were interrupted by a cacophony of a high-pitched instrumental drifting towards her from the stereo in my kitchen. As an ear-to-ear grin began to appear on her face, she demanded to know, “What IS that?”


“That” was Don ‘Sugar Cane’ Harris, the one time violinist for Frank Zappa and the man who has been endlessly referred to as the “Jimi Hendrix of violin.” Recently, Promising Music released a 24-bit re-mastering of his live 1971 tapes recorded at the Berlin Jazz Festival. That album, originally produced by Joachim Ernst Berendt, features a all-star cast including Volker Kriegel (guitar), Terje Rypdal (guitar), Wolfgang Dauner (keys), Neville Whitehead (bass), and Robert Wyatt (Soft Machine) (drums). From the first note until the very last, this album takes you on an epic journey. It’s unequivocally one of the most technically impressive, emotionally powerful and historically poignant albums I’ve heard at this juncture in my life. Sugar Cane’s Got the Blues consists of four tracks ranging from ten to fifteen minutes in duration, each with a unique character and displaying a different facet of Harris’ musical persona.


The opening chops of “Song For My Father” are remarkably accurate and precise despite their technical difficulty. Sugar Cane displayed a kind of warped refinement that very few individuals on the planet have mastered; others that come to mind include Skerik, Col. Bruce Hampton and Brian Haas, in addition to a small handful of bebop/free jazz legends. But amongst all these illustrious names, Sugar Cane still, indisputably, rises to the top. With an ability unmatched in his time or ours, he may remain one of the most under-appreciated musicians of his century; not due to a lack of consideration, but because it is virtually impossible to do him justice with mere prose. This particular track weaves a beautiful tale, carrying the audience to dramatic highs and lows without losing their attention or their understanding.


“Liz Pineapple Wonderful,” the intro track, sets an absurdly high bar for the remainder of the album by taking no time before screaming into a full-tilt jam. It’s catchy, energetic, creative and alive. With impressive interplay between each musician, it remains driven by the Harris’ commanding violin. It is immediately followed by the title track, “Sugar Cane’s Got the Blues.” The longest track on the disc, this creation highlights each performer’s ability to explore the depths of their collective resonance without regard for urgency or boundaries. The result is a beautiful and elegant piece, which does not simply tread the line between blues and free jazz but fully incorporates them into a unified style. Finally, the album closes with “Where’s My Sunshine,” which prominently features the Sugar Cane’s soulful vocals, develops slowly with bluesy guitar, and ends with an exquisite piano solo from Dauner.


Musicians of all shapes and sizes, jazz fans of any sub-genre, jam-rock connoisseurs and anyone willing to become totally lost in great music shouldn’t think twice about picking this up. Admittedly it’s an import and might cost a few extra bucks, but this is an excellent introduction to one of the preeminent talents of the 1960s and ’70s. And even if you’re well versed in the world of Sugar Cane Harris, this re-mastered record will fit neatly, and prominently, in your collection.

JamBase | Rosin Rich
Go See Live Music!



Opel Magna deal uncertainties

It would seem that negotiations between Magna and GM have hit some choppy waters. GM is reportedly concerned over giving away too much technology to Magna and a prospective Opel/Vauxhall Mark 2 with its Russian connections. There’s also the issue of carving up territories for future Opel sales. GM is wary of creating a monster that hurts its own future chances in key markets.


Is the deal really moving towards being off? I somehow doubt it. The German government is still right behind Magna’s bid and has already provided bridging finance and loan guarantees for Opel. Berlin is not seeking to fuel the press speculation about other bidders being invited back to the table, though it has been acknowledging that we don’t have a done deal yet.


But it looks like there has been a bit of press manipulation emanating from Detroit. Anonymous sources said to be close to events are popping up everywhere. By creating the impression that the deal is far from done and that other bidders are very much in with a chance, GM puts added pressure on Magna in the negotiations. But if the Magna consortium bid does unravel, a whole load more uncomfortable questions get asked about other bidders, Berlin has a heart attack and, apart from anything else, even more GM management time likely gets diverted to the Opel/Vauxhall sale. They have more than enough on their plates in the Ren-Cen at the mo.


The competition for Opel/Vauxhall is still not over, but Magna’s consortium is still by far the front-runner due to its strong backing from Germany – government and labour unions. Marchionne may look on with interest, but his bid caused much consternation in Germany before and would do so again. If holding company RHJ has really improved its offer, it may well get a hearing, but it should be wary of being ‘used’ by GM as a lever to chivvy Magna. Oh, and by the way, RHJ has just posted a big loss suggesting it’s perhaps not really in position for anything more than a small role or stake. Beijing Auto? I don’t think so.


That said, if a seismic shift is coming, and Magna is really on its way out, expect an announcement very soon. Time is short. The German government needs to be on-side. And Opel is already eating into bridging finance. 

US/GERMANY: GM eyes Opel deal with RHJ – report