Brian Wilson will embark
on his first-ever cross-Canada tour in
June of 2011. For many Canadians, the tour represents their first opportunity to directly experience
and pay homage to this unrivaled mainstay of the cultural soundtrack. Audiences can look forward
to a musical tour de force as Wilson performs his latest critically acclaimed album Brian Wilson Reimagines
Gershwin in its entirety, along with a selection of classics from both the Brian Wilson and
Beach Boys back-catalogues.
“I’ve always tried to make music that entertained people,” Wilson said. “I also wanted my music to
last, to be able to speak to any generation. Thankfully, nearly 50 years since the Beach Boys were
born, that seems to have come true. Now, with this album a new musical chapter begins for me,
and it’s going to be a chapter to remember. I promise.”
2011 CANADIAN DATES
June 15, 2011: Kitchener, ON: The Centre in the Square
June 17, 2011: Montreal, QC: Place des Arts
June 18, 2011: Toronto, ON: Massey Hall
June 20, 2011: Ottawa, ON: National Arts Centre
June 22, 2011: Winnipeg, MB:Pantages Playhouse Theatre
June 23, 2011: Regina, SK: Conexus Arts Centre
June 25, 2011: Calgary, AB: Southern Alberta Jubilee Auditorium
June 26, 2011: Edmonton, AB: Northern Alberta Jubilee Auditorium
June 28, 2011: Vancouver, BC: Queen Elizabeth Theatre
2011 UK DATES
September 11, 2011: Glasgow, Scotland: Glasgow Royal Concert Hall
September 13, 2011: Manchester, England: Manchester Bridgewater Hall
September 14, 2011: Birmingham, England: Birmingham Symphony Hall
September 16, 2011: London, England: Royal Festival Hall
September 17, 2011: London, England: Royal Festival Hall
September 18, 2011: London, England: Royal Festival Hall
BRIAN WILSON RETURNS TO THE ROYAL ALBERT HALL IN SEPTEMBER 2011
Brian Wilson
For three nights only, Brian
Wilson returns to the Royal Festival Hall – his ‘spiritual home away from home’ – in September 2011,
following a series of hugely celebrated concerts there between 2002-2007. He performs his latest critically-
acclaimed album Brian Wilson Re-imagines Gershwin in its entirety, as well as classics from the
Beach Boys back-catalogue.
Tour Dates:
September 11, 2011: Glasgow, Scotland: Glasgow Royal Concert Hall
September 13, 2011: Manchester, England: Manchester Bridgewater Hall
September 14, 2011: Birmingham, England: Birmingham Symphony Hall
September 16, 2011: London, England: Royal Festival Hall
September 17, 2011: London, England: Royal Festival Hall
September 18, 2011: London, England: Royal Festival Hall
FEATURES AN IN-DEPTH REVIEW OF WILSON’S SONGS THROUGH THE 60′S
The songs Brian Wilson
wrote for and recorded with The Beach
Boys during the 1960s are re-assessed throughout Brian Wilson: Songwriter 1962-1969
which runs over three
hours in length across two discs. The DVD will be released on November 23.
There are exclusive contributions from fellow Beach Boys, Bruce Johnston and David Marks;
Wrecking Crew musicians Carol Kaye and Hal Blaine; friend and Beach Boys manager Fred
Vail; producers Russ Titelman and Bill Halverson; Wilson family friends Billy
Hinsche and Danny Hutton, biographers Peter Ames Carlin and Domenic Priore
and many others.
Also featured are historical musical performances and rare and classic recordings re-assessed by a panel of
esteemed experts, and obscure footage, rare archive interviews and seldom seen photographs. Live and studio
recordings of many Brian Wilson classics are also peppered in throughout the film.
The Beach Boys have revealed that it was not their idea to take a legal action over Katy Perry’s hit single ‘California Gurls’. Executives at the band”s Rondor Music record label served Perry”s Capitol Records bosses with a legal notice, claiming a line in Snoop Dogg”s rap infringes copyright of the band”s 1965 hit California [...]
Rep for Beach Boys has threatened to take legal action against Katy Perry for including their classic line “I wish they all could be California Girls,” in her song “California Gurls.” Rondor Music has fired off a letter to Perry”s label, Capitol Records, demanding Mike Love and Brian Wilson – who penned the 1965 classic [...]
Beach Boys star Mike Love has dismissed speculation that the legendary band is set for a 2011 reunion concert to mark the group”s 50th anniversary. Founding member Al Jardine recently confirmed plans for a comeback show next year, which would witness him reunite with the group”s surviving original members, Love and Brian Wilson. Wilson”s brothers [...]
Former Beach Boys
singer/guitarist Al Jardine has told Rolling Stone that the legendary group will
reunite for a concert next year to celebrate their 50th anniversary. The lineup will include Jardine, Brian Wilson,
Mike
Love, Bruce Johnston, and possibly early Beach Boys guitarist David Marks. Says Jardine, “We’re
definitely doing at least one
show — you heard it first. It’s a big deal. I don’t know where it will be yet, but it’ll probably be free. Golden Gate
Park was mentioned, as was the [National] Mall in Washington, D.C. and the north shore of Chicago by the beach.”
In the Rolling Stone article, Jardine also expresses hopes for a larger scale tour to follow: “I want to go all around the
world, but if this is the way it has to be, then so be it. We’re going to have to rehearse one hell of a show. My point
is, if we’re going to rehearse and make this such a wonderful show, we should take it on the road. It’s the next
logical step and it disappointments me that the other guys don’t see if that way. I mean, it really bothers me. I
know Live Nation has their fingers crossed we’ll hit the road. We’ve gone one show definite, so at least we’ve got our
foot in the door.”
Notorious for decades of infighting and lawsuits, relations between Jardine, lead singer Mike Love and
Brian Wilson have thawed considerably, to the point where the opening track “Don’t Fight The Sea” from
Jardine’s new solo album A Postcard From California features vocals from Mike Love, Brian Wilson, Bruce
Johnston, and
the late Carl Wilson. Check it out below.
HIGHLIGHTS INCLUDE TWO NEW SONGS WILSON CRAFTED FROM PREVIOUSLY UNPUBLISHED GEORGE
GERSHWIN MUSIC
Brian Wilson
It’s an unprecedented meeting of two legendary musical minds, separated by 70 years. Pioneering musical genius Brian Wilson, co-founder
of The Beach Boys, has teamed up
with George Gershwin, in
Wilson’s Disney Pearl debut CD, Brian Wilson Reimagines
Gershwin.
Featuring timeless classics like “Rhapsody in Blue,” “I’ve Got Rhythm” and “Summertime,” the album makes history
with “The Like in I Love You” and “Nothing But Love,” two new songs Wilson crafted from never-before-published
music by Gershwin. Brian Wilson Reimagines Gershwin arrives at stores and online retailers on August 17,
with a special vinyl edition set for release August 24.
Produced by Brian Wilson, mixed by multi-Grammy® winner Al Schmitt and joined by his longtime acclaimed band,
the new album features the trademark stacked vocal harmonies and orchestrations that made Wilson a towering and
revered figure in popular music. Songs include his Gershwin favorites, such as “Summertime,” “I Loves You Porgy,” “I
Got Plenty of Nothin’” and “It Ain’t Necessarily So” (all from the opera “Porgy and Bess”), “S’Wonderful,” “I’ve Got a
Crush on You,” and “They Can’t Take That Away From Me.” An a capella version of the groundbreaking 1924
orchestral piece “Rhapsody in Blue,” showcasing Wilson’s stunning vocal harmonies, opens and closes the
album.
Track Listing:
1. “Rhapsody in Blue”/Intro
2. “The Like in I Love You”
3. “Summertime” (from Porgy and Bess)
4. “I Loves You Porgy” (from Porgy and Bess)
5. “I Got Plenty of Nothin” (from Porgy and Bess)
6. “It Ain’t Necessarily So” (from Porgy and Bess)
7. “‘S Wonderful” (from the Broadway musical “Funny Face,” also used in MGM film “An American in Paris”)
8. “They Can’t Take That Away from Me” (used in the film “Shall We Dance” and nominated for Academy Award)
9. “Our Love is Here to Stay” (from the film “The Goldwyn Follies” and MGM film “An American in Paris”)
10. “I’ve Got a Crush on You” (used in Broadway shows “Treasure Girl” and “Strike Up the Band”)
11. “I’ve Got Rhythm” (from Broadway show “Girl Crazy”)
12. “Someone To Watch Over Me” (from Broadway show “Oh Kay!”)
13. “Nothing But Love”
ALBUM FEATURES GUESTS NEIL YOUNG, BRIAN WILSON AND ROBERT RANDOLPH
Leon Russell
Direct Current is reporting that Elton John and Leon Russell have finished recording an album of new material. The
Union is scheduled for an October 19 release on Decca Records. The album is produced by T Bone Burnett
and
features fifteen original songs written by the duo of Elton John and Bernie Taupin, together with Leon
Russell.
Taupin’s website states: “The trio has cut fifteen songs ranging from Stones-like rockers, country tinged ballads,
gospel and even a Sinatra like weepy similar to something torn from the grooves of ‘In the Wee Small Hours’. As
reported before it’s varied in scope and drenched in a rich tapestry of atmospherics. Don’t expect to hear the old
EJ/BT sound; this is organic recording unlike anything you’ve heard from our duo before.”
Says John via his website: “I can’t stress enough how significant an influence Leon Russell was on the music of Elton
John and Bernie Taupin. In 1970, when we first went to America and I played The Troubadour, we were obsessed by
Leon’s music, and looked up to him as some kind of musical god. On the second night of the Troubadour concerts
he was there in the front row, but luckily I didn’t spot him until near the end of the show, otherwise I would have
been a nervous wreck.”
The album features a stellar backing band of drummers Jim Keltner and Jay Bellerose, Dennis Crouch on bass,
guitarist Marc Ribot and Keefus Ciancia on keyboards. Joining in on the fun will be guest spots
by Neil Young, Brian Wilson, Robert Randolph, and Booker T. Jones.
– Jackson Family matriarch Katherine promotes a Michael Jackson Tribute Event and thanks her son’s fans for their continued support…. -Bradley Cooper, Gwyneth Paltrow, and Bruce Willis are loosely attached to M. Shyamalan’s next film…. -Bandits made off with a pair of bicycles belonging to former First Daughter Jenna Hager and her husband…. -Male model Tom Nicon leapt [...]
JamBase’s weekly triple-shot tips its hat to Brian Wilson of The Beach Boys, who celebrates his 68th birthday today. Few “All-Time Top 10″ lists fail to include Pet Sounds, Wilson’s sixties masterpiece, and singles like “Good Vibrations” and “California Girls” continue to inspire musicians and audiences today. We begin this tasty threesome with a live version of “Good Vibrations” from 1976 that includes footage of Brian’s birthday party with guests Paul & Linda McCartney.
For more on Brian Wilson check out JamBase’s short, strange interview with the man here
Has years of yoyo dieting and fluctuating weight finally taken its toll on former Wilson-Phillips singer Carnie Wilson?
The daughter of Beach Boys founder Brian Wilson has battled with her weight for decades and even famously underwent gastric bypass surgery in 1999. However, after two pregnancies and more than a decade of unhealthy eating, Carnie is [...]
Here’s another line up of big names who decided to bring back to life We Are The World, this 25-year-old song once produced by Quincy Jones to help raise people in Haiti who are still suffering from this earthquake that struck the island exactly one month ago today.
At first I was like; ok, not bad, [...]
Lionel Richie and Quincy Jones’ star-studded remake of the charity classic “We Are The World” will be unveiled during tonight’s opening ceremonies for the 2010 Winter Olympic Games in Vancouver.
Twenty-five years ago, the iconic recording generated millions of dollars to aid famine relef in Africa. The recently-recorded contemporary version of the song — titled “We [...]
By almost any metric, 2009 was a bumper crop for great new music. With bands increasingly bypassing the record industry entirely and releasing albums, singles, live sets, and more themselves via download, there was almost too much fascinating, worthwhile music on offer this year. Still, better an embarrassment of riches than a thin harvest, eh? While the mainstream continued its seemingly inexorable tide towards machine-like homogenization – notwithstanding a Lady Gaga or Lil’ Wayne adding somewhat unorthodox wrinkles – musicians got down to making a lot of very personal, very beautifully constructed, downright fabulous music. And while the general belief that most artists will earn the bulk of their monies in concert from here on out is probably true, that doesn’t diminish the rise in quality we’re hearing in recent studio work.
Advances and price cuts in software and hardware are bringing expensive studio technology into bedrooms, garages and tiny private studios in ways totally impossible to imagine only a few years ago. Nothing will ever replace the warm hum of analog tape for some folks, but the tools and, perhaps more importantly, the means of distribution are becoming increasingly democratized. Brian Wilson’s “teenage symphonies to God” are being composed and sent into the world outside the parameters and red tape of an increasingly confused industry. And these same artists are hitting the road to present their unique, non-commercial wares (as “commercial” is defined by modern tastemakers like MTV, Rolling Stone, et al.) to anyone who will listen, building fan bases through social networking, word of mouth and an engaged blogosphere anxious to discover honest, unfamiliar music. There’s a healthy sense of creative boil that happily recalls rock ‘n’ roll’s initial 1950s boom, where hit singles were forged in record shop recording booths and local sensations found national and even international acclaim on the wings of a single release.
It’s too early to say where music making is going in the near future, but it’s clear that there’s a massive shakeup underway. Musicians need to figure out how to make this new freedom pay, and audiences that genuinely care about the people making the music they love will need to stop stealing it and pony up enough to ensure the continued bloom of this musical renaissance. Now is the time to support local talent and independent neighborhood venues, and drop a few coins into your fave band’s PayPal account. As the massively successful tours of still-vital giants like Bruce Springsteen, U2 and AC/DC, or the smaller scale rises of original new voices like Fleet Foxes, The Low Anthem and Of Montreal, indicate, people are listening now more than ever, ready for music that will enlighten and delight them.
1. Bloodkin – Baby They Told Us We Would Rise Again
On the surface, no frills, meat and potatoes rock (and damn proud of it) but a closer listen reveals the finest songwriting all year as this 24-year-old band sings the horrifying tale of their trip back from the abyss and sees it through to a joyous life-affirming conclusion. It’s like that Leaving Las Vegas movie with a happy ending – unbelievable if weren’t true. Such well-treaded territory would suck if not for the magnificence of its execution. “Wild Rhododendrons” is the finest songwriting I’ve seen all year, and “The Viper” and “Heavy With Child” are just as good. Meanwhile “Easter Eggs” is the best song of man love I’ve ever heard (including “Bobby Jean” and “Angie”).
2. Bob Dylan – Together Through Life
3. Iron And Wine – Around The Well
4. PJ Harvey and John Parish – A Woman A Man Walked By
5. Girls – Album
6. M. Ward – Hold Time
7. Neko Case – Middle Cyclone
8. The Dexateens – Singlewide
9. Animal Collective – Merriweather Post Pavilion
10. The Low Anthem – Oh My God, Charlie Darwin
I just recently caught up with 9 and 10 and they could well move up in coming months. I’m sure there’s several albums lurking out there that I will love just as much that I haven’t found yet. I’m always looking and listening so I’m sure the list will change up until next year’s.
-Best Reissue(s): The Jesus Lizard Reissues
-Favorite Song: “Wild Rhododendrons” (Bloodkin)
-Favorite Tracks: “Black Hearted Love” (PJ Harvey and John Parish) / “Belated Promise Ring” (Iron and Wine)
-Favorite Live Performance: Gillian Welch and Dave Rawlings / Iron and Wine at No Depression Festival in Seattle this summer
-Movies I’ve Loved: Fantastic Mr. Fox, Up, A Serious Man, Where The Wild Things Are, Let The Right One In, Inglourious Basterds
4. Bat For Lashes – Two Suns
5. The Beatles – White Album (remastered) – I know this is cheating, but the job they did on all the remasters is stunningly beautiful and breathes new air especially through this classic.
Shows
1. Neil Young at Hyde Park, London
2. Blur at Hyde Park, London
3. Bonnaroo – especially Wilco’s set… truly inspiring.
Anything Joker put out in 2009. He’s making really awesome dubstep. He had a lot of remixes in 2009, as well as official releases, so I guess he gets all of my top spots for the year.
Shows
I played 100 concerts. Starkey at Camp Bisco (the namesake festival we founded and curate) was really cool. When Phish did the dedication at Hampton to Fishman’s dad and Marc (Brownstein, Disco Biscuits bassist) was sitting next to him that was pretty funny. Charlie P & M80 Dubstation (my dubstep project) jamming samples together in ATL was sickness! Benga on the world beat tip in Philly was ragin’.
Electronic music has mostly in the past been about the party or setting the mood. As technology has improved there are many artists redefining the changing landscape of electronic genres.
There’s a new movement of young artists with equal parts musician, DJ, sound sculpture and producer that are re-shaping electronic music and how it is performed. I was blown away last week when I saw Alex B whack down the house for an official Disco Biscuits after party. This young lion has masterful control of his software that enable all of his original and banging tracks constant manipulation for live, almost improvised, computer performance.
Aron Magner
Also out of Colorado is the young Derek Smith (aka Pretty Lights). Derek took the changing climate of the music industry and used it to his direct advantage. In an new era where music fans feel more entitled to receive their music without paying for it, Derek said, ‘That’s cool, then here it is,” and released Filling Up The City Skies for free on his website, instantly catapulting his career to a new level and gaining multitudes of fans around the country almost overnight. The music speaks for itself. Deep electronic grooves with attention grabbing glitch and ear candy all with a type of soul not normally conveyed in dance music.
Eliot Lipp frequently runs in this same circle and performs with Alex B in the project Lipp Service. His 2009 release, Peace Love Weed 3D, almost feels retro-electro yet still pushed the boundaries of computer manipulation. His use of analog synth melodies lends a warm and engaging quality to his tunes. His songs evolve and have a story to tell from beginning to end.
Daedelus is more of an experimental musician frequently on bills with the artists above. He is unique as his main “instrument” is a rather insidious device know as a Monome. He is one of the pioneers of the Monome, which is nothing more than a matrix grid of unlabeled small buttons. They are all exclusively user programmable through very esoteric software enabling the end user to manipulate the parts of the tracks in a very unique way. He is the Clara Rockmore of this almost cryptic device.
And then there is Simon Posford, a revered producer and artist and pioneer in the electronic music world. He is also a very highly respected mentor of mine that I finally got to work with for the five tracks that he produced on our forthcoming album, Planet Anthem. Simon has a special ability to take an organic sound, be it a vocal or an acoustic guitar, and tweak it in such a loving way that it maintains the original feel that emanated from a human yet somehow still evolves into digital code. A delicate balance of real and surreal all masterfully placed over global beats with soundscapes that percolate your ears as if they were brain candy, all while providing for an incredible melodic and harmonic song structure. Check out one his projects, Shpongle‘s Tales of the Inexpressible and you’ll see what I mean.
Albums
1. Grizzly Bear – Veckatimest
2. Sparklehorse and Danger Mouse – Dark Night of the Soul
3. Wilco – Wilco The Album
4. Nathan Moore – Folk Singer
5. The Flaming Lips – Embryonic
Shows
1. Medeski, Martin & Wood | December 2009 | Lupo’s | Providence, RI (Dec)
Billy, Billy, Billy – what an amazing drum solo
2. Marco Benevento Trio | June 2009 | Carnegie Hall | New York, NY
3. The Slip | August 2009 | Bowery Ballroom | New York, NY
Albums
1. Jay Z – Blueprint 3
2. Gramatik – Street Bangers (Vol. 2)
3. Passion Pit – Manners
4. Blockhead – The Music Scene
5. Phoenix – Wolfgang Amadeus Phoenix
Albums
1. JFJO – Winterwood
My last record with Jacob Fred Jazz Odyssey is also my favorite. Brian, Raymer and I did basic tracks in March 2008, and I finished the mixes in January 2009. It was put up as a free download on www.JFJO.com, but I’m still hoping to press physical copies with awesome artwork and stuff. We’ll see. A gorgeous album, 15 years in the making!
2. Grizzly Bear – Veckatimest
I definitely gave this one repeated listens. Amazing production. I like the song “Foreground.”
Mathis by Miller
3. Dorian Small – Newlyweds
Possibly my favorite musician out there.
4. Surprise Me Mr. Davis – ?????
Not sure if they even titled or released this, but it’s streaming on their website, and it’s absolutely crushing! Nathan Moore with the Slip – it truly just does not get any better. Thank the lord for Mr. Davis.
5. Medeski Martin & Wood – Radiolarian III
These guys played everything there was to be played, all before the year 2000, and they’ve been through the looking-glass ever since. The Radiolarian Series is their freakiest and most human stuff in a long time, much to my liking. They continue to sum up what I love about improvising.
Shows
1. Phish | 08.02.09 | Red Rocks Amphitheatre | Morrison, CO
My first Phish show, and my first Red Rocks show – quite an eye-opener. Watched the second set from side-stage, looking out at the sea of delighted humans. Kept thinking, “Hmmm…. not a bad band!”
2. Ornette Coleman | 11.08.09 | San Francisco Opera House | S.F., CA
My first Ornette show, one of my all-time heroes. Went with a very old friend. Ornette’s band was him, plus drums, and TWO basses. Yes, please!
3. Medeski Martin & Wood | 12.04.09 | Lupo’s | Providence, RI
My 20th MMW show. Watched from side-stage, then from the rigging up above the stage. I love getting music lessons! What benevolent musicians they are. Freaking cosmic virtuosos.
Albums
1. Grizzly Bear – Veckatimest
2. Andrew Bird – Noble Beast
3. Edward Sharpe and the Magnetic Zeros – Up From Below
4. Phoenix – Wolfgang Amadeus Phoenix
5. Slaraffenland – We’re On Your Side
Shows
1. Andrew Bird | Radio City Hall | New York, NY
2. Frightened Rabbit | Whitehaven, U.K.
3. Fink | Belfast, Northern Ireland
Albums
1. Kings of Leon – Only by the Night
2. Passion Pit – Manners
3. Phoenix – Wolfgang Amadeus Phoenix
4. Wilco – Wilco (The Album)
5. Pretty Lights – Passing by Behind Your Eyes
Shows
1. Taj Mahal and Bonnie Raitt | Ravinia | Chicago, IL
2. Andrew Bird | Schubas | Chicago, IL
3. Passion Pit | Treasure Island Festival | San Francisco, CA
Albums
1. Danny Barnes – Pizza Box
2. Phoenix – Wolfgang Amadeus Phoenix
3. Zach Deputy – Sunshine
4. Power up the Planet
Keller Williams
A compilation of cool music with the proceeds going to providing solar power for folks with nothing. Great cause and the mix of songs is bitchin’.
5. The Pimps of Joytime – Funk Fixes and Remixes
Shows
1.Umphrey’s McGee | Summer Camp – Felix Pastorius and Les Claypool sit-ins. Massive fire works customized to the music.
2. Girl Talk | Rothbury – Late night show mentality
3. String Cheese Incident | Rothbury – Epic production.
Albums
1. BlakRoc – BlakRoc
2. Dr. John – City That Care Forgot
3. Cyril Neville – Brand New Blues
4. Mos Def – The Ecstatic
5. Paramore – Brand New Eyes
Shows
1. Dumpstaphunk | Tipitina’s | Jazzfest | New Orleans, LA
2. The Neville Brothers | Mawazine Jazzfest | Rabat, Morocco
3. Funky METERS | Fuji Rock Festival
Albums
1. The Beatles – Remasters (Duh!)
2. Them Crooked Vultures – self-titled
3. Justin Townes Earle – Midnight at the Movies
4. The Ting Tings – We Started Nothing
5. MGMT – Oracular Spectacular
Shows
1. Wilco | Sloss Furnace | Birmingham, AL
2. Earl Greyhound | Turf Club | St. Paul, MN (with us)
3. The Mother Hips | The Doug Fir | Portland, OR (with us)
Albums
1. John Scofield – Piety Street
2. Water Seed – Early for The Future
3. Diane Birch – Bible Belt
4. Alec Ounsworth – Mo Beauty
5. Jack Brass Band – self-titled
Shows Played
1. The Meter Men | New Orleans Jazz Fest
2. The Funky Meters | Tokyo
3. Runnin’ Pardners | 08.08.09 | Red Rocks Amphitheatre
4. Porter Batiste Stoltz | 10.30.09 | Tipitina’s French Quarter | New Orleans, LA (the band’s last gig as a band)
I’ve been so busy this year I haven’t really gotten a chance to peep out anything outside of what I’ve been involved with. Here are my top picks for albums I appeared on in 2009.
1. Stanton Moore – Take It To The Streets (digital download)
2. Street Sweeper Social Club – self-titled
3. Diane Birch – Bible Belt
4. Alec Ounsworth – Mo Beauty
5. Garage A Trois – Power Patriot
Top Picks For Shows I Played in 2009
1. Galactic | The Fillmore | San Francisco, CA (with special guest Zigaboo Modeliste, drummer for The Meters)
2. Anders Osborne | Jazz Fest | New Orleans, LA
Introduced new band with myself, Robert Walter and Anders. We rehearsed all week at my house before the gig and are now finishing up a record with that new lineup.
3. Garage A Trois | DBA | New Orleans, LA Power Patriot record release and Skerik’s birthday.
1. Sunn O))) – Monoliths and Dimensions
2. Future of the Left – (most of) Travels with myself and another
3. Lightning Bolt – Earthly Delights
4. Grizzly Bear – Veckatimest
Honorable Mention: McTuff – Volume 1, Dead Kenny Gs – Bewildered Herd, Garage A Trois – Power Patriot
Shows
1. Wayne Shorter Quartet | Zellerbach Hall | Berkeley, CA
Incredible, life making, spiritual event
2. Sunn O))) | Neumo’s | Seattle, WA
Attila incantations: unparalleled.
3. Sunn O))) Duo | Vienna and Prague
Simply the heaviest thing on earth.
1. Them Crooked Vultures – Them Crooked Vultures
2. Grizzly Bear – Veckatimest
3. Aceyalone – The Lonely Ones
4. The Flaming Lips – Embryonic
5. Mulatu Astatke and the Heliocentrics – Inspiration Information 3
Shows
1. Wayne Shorter Quartet | October 2009 | Zellerbach Hall | Berkeley, CA
2. The Secret Chiefs 3 | They killed everyone the Oddity Faire Tour
3. Aloke Dutta (solo tabla) | July 2009 | Blue Nile | New Orleans, LA
My Best Shows
1. Mike Dillon’s Go-Go Jungle | May 2009 | Dragons Den (late night) – Jazz Fest | New Orleans
2. Garage a Trois | December 2009 | The Independent | San Francisco, CA
3. Dead Kenny Gs | Jazz Fest ’09 | Megalmaniacs Ball | New Orleans, LA
4. Illuminasti Trio with Brian Coogan | Snug Harbor Jazz Bistro | New Orleans, LA
5. Sam Baker – Cotton
6. Tom Waits – Glitter and Doom
7. PJ Harvey and John Parish – A Woman A Man Walked By
Shows
1. Paul McCartney, Mastodon, Leonard Cohen, The Cure, X, Public Enemy – Coachella – April 2009
I was really impressed and amazed at all of these performances. Rarely have I seen so many sets of such high caliber at one festival… and this wasn’t even the extent of it. I should really just list this as “Coachella 2009.”
2. The Melvins – Grand Regency – San Francisco
3. Nels Cline Singers – Cafe DuNord, San Francisco, CA – September 3, 2009
4. Them Crooked Vultures – Fox Theater – Oakland, CA – November 2009
How can you go wrong with this lineup? Well, I guess they could if they tried… but they didn’t. Rock is alive.
5. Gov’t Mule – Apollo Theater – Barcelona, Spain – November 15, 2009
Best Mule show I’ve seen in a while, possibly ever. I even got to join them for a couple numbers.
6. The Pogues – Regency Ballroom – San Francisco, CA
1. Rotary Downs | Halloween – October 31 | DBA, New Orleans, LA
Cmon, it was the best show of the year… glow in the dark, smoke machines n shit…cmon!
2. BROOKLYNOLA – Generationals, w/ the BKLNOLA All Stars | May 8 | Public Assembly, Brooklyn, NY
Simon Lott, Mike Gamble, Marc Friedman, Tony Barba, Bryce Wymer, Mitch Paone
3. Not So Super Super Hero Party 7 | February 21 | Hi Ho Lounge, New Orleans, LA Featuring Brian Coogan/Simon Lott/Mike Gamble/Anthony Cuccia/Justin Peak
1. Robert Earl Keen – Rose Hotel
2. Phish – Joy
3. Robyn Hitchcock – Good Night Oslo
4. Drivin’ n’ Cryin’ – Great American Bubble Factory
5. Tim Carrol – All Kinds of Pain
Shows (no particular order)
1. Les Claypool | All Good Festival
2. Robert Earl Keen | Bonnaroo Music Festival
3. Great American Taxi | Telluride Bluegrass Festival
Albums
1. Omar Souleyman – Highway to Hassake
2. White Denim – Fits
3. Master Musicians of Bukkake – Totem One
4. Extra Golden – Thank you very Quickly
5. Pissed Jeans – King of Jeans
Albums (no particular order)
1. Greg Giraldo – Midlife Vices
2. Paul F. Tompkins – Freak Wharf
3. Patton Oswalt – My Weakness Is Strong
4. Doug Stanhope – From Across The Street
5. Flight Of The Conchords – I Told You I Was Freaky
Shows
1. Jamie Cullum | 07.17.09 | Juan Les Pin | Antibes, France
2. Playing For Change with Special Guests Ziggy Marley & Toots Hibbert | 11.13.09 | Nokia Live | Los Angeles, CA
3. David Byrne | 06.12.09 | Bonnaroo Music Festival | Manchester, TN
Albums
1. Floating Action – self-titled
2. Dan Auerbach – Keep It Hid
McMicken by Grayson
3. Elvis Perkins In Dearland – self-titled
4. M. Ward – Hold Time
5. Pepi Ginsberg – East Is East
6. Alec Ounsworth – Mo’ Beauty
Shows
The Zombies | Azkena Festival | Spain
Man, as I start thinkin’ about it, I realize that the quality of any given show I see has so much to do with my willingness to experience the beauty of that particular moment. I’ve seen great shows I missed and I’ve missed great shows I’ve seen. My nephew jammed the toy room to tears!
1. El Perro Del Mar – Love Is Not Pop
2. Papercuts – You Can Have What You Want
3. Animal Collective – Merriweather Post Pavilion
4. Existensminimum – OK Boys
5. Pains Of Being Pure At Heart – self-titled
6. Girls – Album
7. Brothers Of End – The End
8. Anna Järvinen – Man Var Bland Molnen
9. Where The Action Is – LA Nuggets
10. Cass McCombs – Catacombs
Shows
1. Dinosaur Jr. | SXSW
2. Neil Young | Stockholm
3. El Perro Del Mar opening for us every night this fall tour
1. BLK JKS at SXSW – March 18 – The Paradise – Austin, TX
On par with South by Southwest chaos we lugged all our equipment from one block to another to make a show in haste and when we got there the BLK JKS were playing before us and it was absolutely captivating. It stopped us in our tracks and made us forget where we were – which is hard to do in those few fragmented days in March in Austin, TX.
2. Opening for Morrissey at Carnegie Hall in Pittsburg, PA – Saint Patrick’s Day 2009 The first Carnegie Hall ever built I believe and when we peeked inside it was like playing an old Opera Vaudeville place that was just majestic. Made us feel like we were teleported into another time. During soundcheck you see Morrissey on side stage watching us sing our songs of change and revolt, out of key and dissonant. Saint Patrick’s Day opening for Morrissey in that building was quite surreal.
3. Tallest Man on Earth – April 1 – Pabst Theater – Milwaukee, WI
I went through a rough time this year, a lot of personal and family sadness that eventually released the inner hibernating beast whilst simultaneously tricking the spirit inside the confines of my detuned heart. We did a lot of tour hopping in the spring all around the country – once we started traveling with Kristian (TMOE) I felt it serendipitous that I could watch him every night and vicariously live in each song. When he performs it is one of the most genuine things I’ve seen. I needed that right then and there.
1. Skeletonwitch – Breathe The Fire
2. Baroness – Blue Album
3. Kylesa – Static Tensions
4. Black Tusk/ASG split CD
5. Coliseum – “True Quiet/Last Wave” 7-inch
Shows
1. Southern Discomfort Tour with Black Tusk, Kylesa and Skeletonwitch
2. Bison when they toured with Tombes and Kylesa
3. Backstage at Mastodon in Detroit!
1. Isis – Wavering Radiant
2. The Life and Times – Tragic Boogie
3. Satyricon – The Age of Nero
4. Converge – Axe to Fall
5. Jawbox – For Your Own Special Sweetheart reissue
Shows
1. Nine Inch Nails | Henry Fonda | Los Angeles, CA
2. Jesus Lizard | Metro | Chicago, IL
3. Sunny Day Real Estate | House of Blues | Anaheim, CA
For me, 2009 was not so much about new music as it was about hearing some legends at a new peak of their career, with that in mind I submit to you my picks.
Albums
1. The Beatles – Abbey Road (remastered)
U-Melt
2. The Beatles – Revolver (remastered)
3. The Beatles – Rubber Soul (remastered)
4. The Beatles – White Album (remastered)
5. The Beatles – Sgt. Pepper’s Lonely Hearts Club Band (remastered)
It’s hard to compete with the best. The remasters sound absolutely amazing, and I for one was very happy to have a little bit of Beatlemania in my life in 2009.
Shows
1. Bruce Springsteen and the E Street Band | 09.30.09 | Giants Stadium | East Rutherford, NJ
For night one of his five-night run to close the old stadium, Bruce opened with a brand new, never before played song appropriately titled “Wrecking Ball.” Over the course of the 3+ hour show they went through the Born To Run album in its entirety, which was one of the best things I’ve ever seen on a stage.
2. David Byrne | 06.08.09 | Prospect Park | Brooklyn, NY
David has a unique brand of genius, and when he teams up with Brian Eno, the results are unbeatable. The show focused on the many musical collaborations the two men have had over the years, and featured a lot of great old school Talking Heads songs. With the entire band (and three dancers) dressed all in white, Mr. Byrne’s artistic mind shone through in a wonderful way.
3. Steve Winwood | 01.16.09 | United Palace Theater | New York, NY
Every time I see Steve play he blows my mind. The amount of soul that he exudes when he sings, not to mention the fact that he doesn’t need a bass player as he is one of the greatest organists around. This night in January had Steve in top form.
Albums
1. Conor Oberst – Outer South
2. Mason Jennings – Blood Of Man
3. Wilco – Wilco (The Album)
4. Mastodon – Crack The Skye
5. Pearl Jam – Ten (remixed)
6. Them Crooked Vultures – self-titled
Continue reading for more Best of 2009 Artist List…
One day I was really craving some new music so asked one of my friends for an artist to type into Pandora. He said Phoenix. I loved the track that came up. Instead of listening to the Pandora station, I bought their new album and have been listening to it since. Fresh music found.
2. Bruce Springsteen – Working on a Dream
As Barack Obama said… “I may be the President, but this guy’s the Boss.” Sometimes the production can be thick, but these songs are genuine. The last song on the album entitled “The Wrestler” is one of my favorite songs of his whole career.
3. Brandi Carlile – Give Up the Ghost
One of my favorite new artists and in my opinion, one of the best female singers around today. Great songs, great tones, and a great band.
4. The Mother Hips – Pacific Dust
I’m thankful for every album these guys have released and this new album is no exception. These guys never cease to amaze me.
5. Band of Horses – Cease to Begin
I caught the last couple of songs of their set at the Outside Lands Festival in SF. The next day I got their CD and it’s great. I like to listen to it when I’m building things.
Shows (in no particular order)
1. Brandi Carlile – 10/21/09 – Fillmore, San Francisco
Brandi is a gifted artist and in a live setting you really notice it. They started the show with an a capella song and they sounded like angels. I was hooked from the first notes.
2. These United States – 7/5/09 – High Sierra Music Festival
I was on my way to meet a friend, and as I was walking by the Vaudeville tent I was drawn in by some great music. I loved it and ended up staying until the end of the set. I love surprises like this. Great energy.
3 ALO – 2/15/09 – The Mystic Theater, Petaluma, CA
To me, this show represents ALO at its finest. We were well warmed up and everything just seemed to flow in an effortless way. A great blend of songs and improvisations. After the show I remember thinking to myself… “This is why I play music!”
2. Wilco – Wilco (The Album)
3. The Mother Hips – Pacific Dust
4. Hiss Golden Messenger – Country Hai East Cotton
5. Chris Velan – Solidago
Shows Watched
1. Phish | 03.06.08 – 03.08.09 | Hampton Coliseum | Hampton, VA
2. Dr. Dog | 10.05.09 | Brookdale Lodge | Boulder Creek, CA
3. The Black Crowes | 12.06.09 | The Fillmore | San Francisco, CA
Shows Played
1. ALO | 02.15.09 | Mystic Theater | Petaluma, CA
2. Big Light, Skinny Singers | 02.28.09 | Gramble On Big Sur | Big Sur, CA
3. Dun Four, Newfangled Wasteland, Nicki Bluhm | 10.30.09-11.01.09 | Las Tortugas IV | Groveland, CA
Albums
1. Grizzly Bear – Veckatimest
The best music in the country is still coming out of Brooklyn.
2. Animal Collective – Merriweather Post Pavilion
This album proves that if a song has a strong melody you can do whatever you want underneath it.
3. Portugal The Man – Censored Colors
One of the best engineered and mixed albums I’ve heard in years.
Jeremy Korpas
4. The Antlers – Hospice
It’s a concept album about a man watching his lover die of cancer in the hospital. It’s heart wrenching to say the least.
5. U2 – No Line On The Horizon
I would expect no less from the biggest bad in the world.
Shows Attended
1. All six of the Dr. Dog shows that I’ve seen this year. From The Fillmore to the side of the stage at High Sierra, all the way out in Santa Cruz mountains, every show turned me into a clapper, a singer, a dancer, a fist-pumper, and all those things I wouldn’t normally do at a rock show.
2. The Mars Volta | Outside Lands Music Festival | San Francisco, CA
It was an all out musical assault. Cedric’s stage moves alone were enough to make the list. They proved they have the biggest dicks in the business
3. The Mother Hips | Las Tortugas IV | Groveland, CA
They just killed it that night! Plus they let me sing “Del Mar Station” onstage with them. First time I had stage fright in 10 years.
Shows Played
1. Big Light’s Late Night Camp Harry Set | High Sierra Music Festival
“I moved to California looking for something. I found it at Camp Harry.” Swordfish
2. Green Tag Sale | Phanphest Music Festival
We played a late night indoors set that was just off the hook. 120 degrees and a packed house is exactly what the TRON calls for. But on Sunday we played the tiny solar tent at 4 p.m. and played our best show to date!
3. Paperback Radio | The Saint | Asbury Park, NJ
It felt great to play my favorite songs with my favorite band again!
Albums
1. Riceboy Sleeps – Jonsi and Alex
2. Baaba Maal – Television
3. Bela Fleck – Throw Down Your Heart
4. Vieux Farka Toure – Fondo
5. Sufjan Stevens – The BQE
Shows
1. Rashied Ali | Zinc Bar | New York, NY
2. Panda Resistance | Soundpony | Tulsa, OK
3. Of Montreal | Williamsburg Theater | Brooklyn, NY
Albums
1. The Doldrums – Mirth & Songs
2. Dead Sea Choir – Thin One The Red One
3. Animal Collective – Merriweather Post Pavilion
4. Bullion – Pet Sounds in the Key of Dee
5. Panda Resistance – self-titled
Shows
1. NYC Winter Jazz Fest
2. Nola Jazz Fest/Skerik’s saucefest!
3. Tractor Tavern with Bill Frisell
Albums
1. Bibio – Ambivalence Avenue
2. Animal Collective – Merriweather Post Pavilion
3. The Flaming Lips – Embryonic
4. The Dirty Projectors – Bitte Orca
5. MF Doom – Born Into This
Shows
1. Of Montreal | Williamsburg Music Hall | Brooklyn, NY
2. Private party in New Orleans during Jazz Fest where JFJO played with Kirk Joseph, Zigaboo Modeliste, John Speice and several other NOLA badasses.
3. Moodswing Orchestra and JFJO at Le Poisson Rouge, and then late night with Steven Bernstein sitting in with Bonerama at Sullivan Hall, New York, NY
Albums
1. Sufjan Stevens – The BQE
2. Animal Collective – Merriweather Post Pavilion
3. Dirty Projectors – Bitte Orca
4. Andrew Bird – Noble Beast
5. The Flaming Lips – Christmas On Mars soundtrack
Shows
1. Punch Brothers | Fayetteville Performing Arts Center | Fayetteville, AR
2. Of Montreal | Music Hall of Williamsburg | Brooklyn, NY
3. Wilco/Tortoise | UIC Pavilion | Chicago, IL
Albums (no particular order)
1. Built To Spill – There Is No Enemy
2. Kurt Vile – Constant Hitmaker
3. Wooden Shjips – Dos
4. Animal Collective – Merriweather Post Pavilion
5. Wu-Tang Clan – Chamber Music
Shows (no particular order)
1. Black Dub | 10.15.09 | Troubadour | Los Angeles, CA
2. Monsters Of Folk | 10.18.09 | Greek Theatre | Los Angeles, CA
3. Neil Young w/ Everest | 04.21.09 | Kelowna, BC (had to do it)
Albums
1. Steve Earle – Townes
2. Bill Frisell – Disfarmer
3. Levon Helm – Electric Dirt
4. Smooth Kentucky – A Few More Miles
5. Danny Barnes – Pizza Box
Shows
1. Kelly Joe Phelps | Nightcat | Easton, MD
2. Anders Osborne | Rams Head Live | Baltimore, MD
3. The Dead | The Spectrum | Philadelphia, PA
Albums
1. Charlie Parr – Roustabout
2. Neko Case – Middle Cyclone
3. The Hobo Nephews of Uncle Frank – Traveling Show
4. Now, Now Every Children – Cars
5. Pert Near Sandstone – On a Spree
Shows
1. Homegrown Music Festival | Duluth, MN
2. Bristol Rhythm and Roots Reunion | Bristol, TN
3. 10,000 Lakes Festival
Albums
1. Thievery Corporation – Radio Retaliation
2. Matisyahu – Light
3. Breakestra – Dusk til Dawn
4. Sly and Robbie – Movin On
5. Karl Denson – Brother’s Keeper
Shows
1.Thievery Corp
2.Pretty Lights
3.Sly and Robbie
4.Pnuma Trio
Albums
1. Florence and the Machine – Lungs
2. Kasabian – West Pauper Lunatic Asylum
3. Muse – The Resistance
4. U2 – No Line On The Horizon
5. The Flaming Lips – Embryonic
Shows
1. Supporting U2 at Croke Park, Dublin in July
2. Kasabian | The SECC | Glasgow, Scotland
3. Florence and the Machine | Brixton Academy | London
Albums (no particular order)
1. MGMT – Oracular Spectacular
2. Jay-Z – Blueprint 3
3. Kid Cudi – Man on the Moon
4. Muse – The Resistance
5. Kings of Leon – Only by the Night
Shows (no particular order)
1. U2
2. Muse (opening for U2)
3. Nas and Damian Marley | Camp Bisco
Albums
1. Michael Jackson – Off The Wall
2. Ryan Montbleau Band – Stages Vol. 2
3. Bela Fleck – Throw Down Your Heart
4. The Motet – Dig Deep
5. The Derek Trucks Band – Already Free
Shows
1. Wormtown | Greenfield, MA
2. Bear Creek Festival | Live Oak, FL
3. Bonnaroo | Manchester, TN
Reeperbahn Festival :: 09.24 – 09.26 :: Hamburg, Germany
Spielbudenplatz :: Reeperbahn 2009 by Zimmermann
When the big German dude wrapped his bear arms around me, his beer trickling down my back, I knew I had made the right decision. Hamburg had just defeated Munich in the biggest soccer match of the year and all 60,000 of the faithful were freaking out. The game was right in the middle of the Reeperbahn Festival, the reason I was in Hamburg, and not only was I missing music while bouncing up and down at the pristine HSH Nordbank Arena but the two nights previous were long and glorious full of indie rock (Swedish, German, Irish and American), distorted pop, psychedelic punk, dirty soul, deep blues, a string section, a couple DJs, one really bad English band, a whole lot of pilsner, and well, I was beat.
I almost didn’t go to the match. But when my guide, on loan from the city of Hamburg and one hell of a great local to hang with who had also been out drinking and rocking all weekend, gave me that look – you know, the one your boys give you when they aren’t particularly impressed – I knew I had to man up and go. And then it hit me! This is what the Reeperbahn Fest is all about. Sure, it’s centered around the music but you’re in one of the coolest cities in Europe and you have to go with the flow – of which there are many currents.
Hamburg vs. Munich by Kayceman
Like drinking till morning with new pals at the bar and a taking a boat trip through the canals that line the city, going to the soccer match was definitely the right choice. Firing off high-fives with locals covered in team jerseys, hats and scarves, the soccer game was a quintessential German moment and proved every bit as crucial to my Reeperbahn experience as the smoking Dinosaur Jr. set, Beatles tour, and discovery of new favorite band, Friska Viljor.
160 bands from 20 countries on 20 stages brought more than 18,000 music fans from around the world to Hamburg. Reeperbahn Festival, now in its fourth year, is named after and located in the heart of Hamburg’s nightlife hot spot, the Reeperbahn. Actually the name of the street that runs through the area, the Reeperbahn contains one of the most famous red-light districts in the world and prostitution is still legal, loud, and proud.
Hamburg is a port city built around beautiful waterways and charming architecture. Years ago it would take cargo boats days to unload and re-load, so sailors would flood the nearby Reeperbahn, which lays just steps from the docks. Seeking women and booze they found plenty of both and this is the seed from which the Reeperbahn has blossomed.
Reeperbahn by Kummer
Nowadays it takes boats a few hours to deal with cargo, and because of this you will no longer find any sailors up on the Reeperbahn. You will, however, still find a plethora of bars and women selling their wares, as well as windows offering a mind-blowing array of possibilities, including, but in no way limited to: “Real Texas BBQ,” ancient cell phones, paraphernalia of all sorts, karaoke, some really nice guitars, guns and swords, sausage, shawarma, giant dildos, designer handbags, real live women (don’t make eye contact unless you’re ready), trendy t-shirts, and naked wrestling.
The Reeperbahn has pulled off a rather incredible transformation. Retaining the right remnants of her seedy past and still very much a red-light district, the Reeperbahn is now one of the most happening streets in Europe. There are brothels, trannies, drug dealers and street girls, but they don’t run the place anymore. Right next to the blocked off Herbertstraße, the restricted street (men 18+ only) with half naked chicks for sale in the windows, is one of the city’s most popular restaurants, several four and five star hotels, and down the block is the city’s biggest police station. There are high-brow socialite bars, fancy eateries, really good falafel stands, street musicians, painters, frat boys (they were probably here when it was only hookers, too), dance clubs, rock rooms, sex shops, art galleries, strip shows, museums, and an endless parade of people from all walks of life looking for everything life has to offer. And because everyone is there it never feels dirty (well, never gross) or out-of-bounds, just exciting and definitely different. It’s because of this intoxicating mix that the Reeperbahn is so totally unique. Somehow all of these elements mix and while it feels a bit like Bourbon Street (what with the public drinking, debauchery, noise and neon), there’s a striking sense of freedom set to an electric pulse that borders on addictive.
Modeled after Austin’s South by Southwest, the Reeperbahn Festival utilizes about 15 clubs and bars in the area and two large outdoor stages in the center square know as the Spielbudenplatz. Patrons receive wristbands, which only cost 55 euros (roughly 82 dollars) for a three-day pass, which also includes public transportation (sweet bonus), and like SXSW the wristband gets you into any of the participating clubs (assuming they weren’t at capacity, which was rare). Unlike SXSW, where every nook and cranny of Austin is taken over by the festival, only a fraction of the storefronts at Reeperbahn are part of the event. This allows fans to still fully experience Hamburg, not just the fest. You’re not standing in a nameless field or packed in with thousands of industry folks drowning out whatever culture might exist. Walk out from a festival set and you’re rubbing shoulders with families eating dinner, locals out drinking, the upper crust crowd hitting the theater, streetwalkers looking for a “date,” and lots of tourists staring at the lights. It’s a sensory overload smorgasbord, and if you’re looking for something you can probably find it along the Reeperbahn.
Deichkind :: Reeperbahn 2009 by Evers
The festival permeates the area with daily panels, a Flatstock exhibit, and central campus lounge, but it’s not about schmoozing and boozing. It’s the complete package with music all night and days full of whatever suits your fancy. With boat trips, the newly opened Beatlemania museum (the city is going to great lengths to accurately document the Beatles’ foundational, speed-fueled days in Hamburg), various hip shopping districts, flea markets, coffee joints, gastronomic delights, historic bars with historic beers, beautiful public parks and heaps more, there’s plenty to see and do.
It would be easy to get swept up in Hamburg, maybe take a short trip to Munich or Berlin, or perhaps a five hour train ride to Amsterdam, or even head out to Prague or Italy, but that would have to come before or after Reeperbahn Festival, because for music fans, at the end of September there’s nowhere else you wanna be.
The Reeperbahn Festival’s motto is “New International Music,” and for the fourth year in a row they held true to form. From Thursday through Saturday music ran from around 8:00 p.m. till 1:30 a.m. And with late night parties and bars that never close, there was always something going down. Staring at the schedule, even the most seasoned music fan would be hard pressed to recognize half the acts other than notable headliners like Dino Jr., Jazzanova, Jose Gonzalez, Iceland’s Emiliana Torrini, and Editors. The lineup leaned heavily on European bands as it always has and, one assumes, always will. Following another season of U.S. festivals boasting strikingly similar lineups, this was incredibly refreshing. What follows are a few highlights from the rowdy nights at Reeperbahn.
Continue reading for highlights from Reeperbahn Festival…
King Khan & The Shrines :: Reeperbahn 2009 by Malzkorn
Based in Berlin (by way of Canada), the eight-piece soul revival, psychedelic garage rock freakers are led by eccentric singer King Khan. Equal parts James Brown and George Clinton with a splash of Sun Ra, Khan uses his stellar band to move from sexy Motown to dirty, grinding punk. While not the most energetic set by the infamous frontman, he did return for the encore with a gold cape and feather crown to sing about being inside a vagina. Considering the propositions one found just feet from the venue, it seemed like the right way to welcome us to Reeperbahn.
One of the sweatiest, most humid venues I’ve ever set foot in, Molotow is a real rock & roll bar. Low ceiling, cheep beer, loud amps and people raging, it took a while for San Francisco’s hippie-rock, indie-popsters Girls to get underway. Having just left the interesting Irish quartet Grand Pocket Orchestra and having forgone J. Tillman (of Fleet Foxes fame), the slow start and sweating-just-by-breathing atmosphere had me second guessing my choice. Then came the distortion. Building off the foundation laid by California folk rock legends like The Byrds and the surf pop of Brian Wilson, Girls shoot their heroes full of heavy of drugs for a dizzying spell of filthy rhythms and melodic swells. By the end of their set they were melting paint (though that could have been the humidity) with a giant, slow building wave of psych-punk guitars and wailing harmonica.
While tempted to check out Au Revoir Simone or maybe The New Mastersounds, the legendary Dinosaur Jr. did not disappoint. Having seen Mascis, Barlow and Murph a few times since they reunited, this was by far the most impressive showing and wound up being easily one of the best sets of the weekend. Loud but not painful (as past experiences have been), the slight tweak in volume really allowed fans to appreciate the subtle melodic shifts taking form under the sheets of rumbling bass and larger-than-life walls of guitar. Mascis is a guitar god, and as he manhandled his whammy bar, laid on his pedals, stretched his strings and put his STACKS of Marshall amps through the test, there was no denying his place amongst the pantheon of great guitar slinger. Perhaps most impressive of all was the way the three-piece held it all together. Often dangling from a thread, as it did on standout “Feel The Pain,” it often appeared that the whole thing would crumble under the distortion, but then a familiar melody would poke its head out and bring the crowd back under their spell.
Dedicating songs to Henry Rollins and Lux Interior, lo-fi indie-punk trio Times New Viking wear their influences on their sleeve, but use it as a patch of inspiration rather than conformity. Hailing from Columbus, OH and signed to Matador Records, the buzz has been gaining speed and with singer/keyboardist Beth Murphy making the boys go gaga, the future is bright for these young hellions.
Local Bar with Our Host Johannes
Fliegende Bauten :: Reeperbahn 2009
It was a scene outside of Deichkind, one of the hottest local acts described by a fan as “the German MGMT on crack” (their MySpace claims “Ghettotech/Freestyle/Hip Hip”). We tried to get in but it was a shit-show, tons of kids painted in Day-Glo, 30 or 40 cops, and a line around the block. It was the one set all weekend we weren’t able to walk right into. Instead of trying to pull strings, our host Johannes led us down an alley and back in time as we entered a local bar packed wall-to-wall with smiling old German faces drinking giant steins while soft porn played on old TVs in the background (no shit). Interesting note: this bar holds boxing matches in the day, and the walls are adorned with pics of local legends. There wasn’t a single Reeperbahn bracelet in the joint and one wonders if these folks even knew there was a music festival going on outside. We sat with some German football (that’s soccer to you) moms and laughed as we tried to communicate. It was awesome.
Seasick Steve :: 12:15-1:00 a.m. :: Imperial Theater
A couple hundred serious Seasick Steve fans sat comfortably in velvet chairs while the grizzly blues veteran tore through deeply sincere stories that felt like confessions. In his late sixties, Steve is the real deal; he looks the part and one gets the impression he’s lived every word he sings. Backed by an aging drummer of similar disposition, Steve used homemade guitars like the Three-String Trance Wonder, one-string Diddley Bow, a cigar box guitar, and a wooden stomp box he called the Mississippi Drum Machine to bring his tales to life. He plays with a sense of rhythm and soul that’s hard to deny, and underneath the rough exterior are soft eyes, a warm heart, and a man who’s grateful for the late in life recognition he’s receiving.
“Great fucking city, we’re coming back,” quipped Die! Die! Die!’s frontman Andrew Wilson. It’s a long way from their New Zealand home, but based upon the crowd’s crazed response this indie-punk three-piece will be welcomed back with open arms. The heavy rhythms and catchy guitar lines were the hook, but Wilson’s keen sense of melody was the sinker. This is no one trick pony. Color me impressed.
Best find of the weekend without question, Swedish indie-pop sensation Friska Viljor might just be the find of the year. Hip-swaying rhythms, infectious melodies, and beautifully crafted sing-along choruses (sung in English) are sewn together with mandolin, ukulele, accordion, and more traditional rock instruments to give the entire thing a rootsy, warm vibe. On record there are more horns and at times a twist of DeVotchKa, but they jump genres with ease and it’s really about the relationship between Joakim Sveningsson (lead vocals, mandolin) and Daniel Johansson (guitar, vocals). They’ve been friends for over 15 years and turned broken hearts into some of the sweetest songs of Reeperbahn.
With two platinum selling albums and a bunch of top 10 singles, Editors are clearly one of the biggest indie rock bands in the world, not just their U.K. home. For their festival closing slot at the best rock club in town, most of the 2,000-plus fans knew every word, even the songs that were just coming out on the band’s third full-length, In This Light And On This Evening (released October 12 on Sony). Sounding very British (duh) and working the darker, moodier side of the spectrum with heavy synthesizers and catchy, raw guitars riffs, there’s a grandness to their vision, maybe one that could approach U2‘s scope should they ever get the ego and funding. At this point it doesn’t really matter that they’re still suckling from the Joy Division teat, Editors do it better than their contemporaries and Tom Smith (lead vocals, guitar, piano) is a captivating frontman who knows how to slay a crowd. It can be a bit predictable, but they clearly believe in the cause and they bring the noise onstage.
Reep The Rewards
Reeperbahn Festival is not Glastonbury, Roskilde, or even SXSW (yet), and for a penny pinching American on a harsh Euro conversion the lineup probably won’t pull you over the Atlantic. But, for those adventurous souls who crave travel and the excitement of the great unknown as a mixer with their music, Reeperbahn Festival should be a stop on their journey. Head to Hamburg for the fest and ship off to Munich the following weekend for Oktoberfest (it’s usually the weekend after Reeperbahn). Grab a rail pass and do some country hopping. Get ripped in Amsterdam, find love in Paris, and dig the beaches in Spain. If you’re lucky enough to be able to afford any of this, who wants to spend all their time at a festival anyway? Make Reeperbahn part of your European experience and you might just find a new favorite band and maybe a new favorite city.
Continue reading for more pics of Reeperbahn 2009…
Deichkind :: Reeperbahn 2009 by Jay Evers
Deichkind :: Reeperbahn 2009 by Jay Evers
Le Fly :: Reeperbahn 2009 by Nina G Zimmermann
Große Freiheit :: Reeperbahn 2009 by Matias Boem
Flatstock :: Reeperbahn 2009 by Stefan Malzkorn
Jose Gonzalez :: Reeperbahn 2009 by Stefan Malzkorn
J. Tillman :: Reeperbahn 2009 by Stefan Malzkorn
The New Mastersounds :: Reeperbahn 2009 by Stefan Malzkorn
Hamburg 2009 by Kayceman
Janelle Monáe :: Reeperbahn 2009 by Jay Evers
Jazzanova :: Reeperbahn 2009 by Stefan Malzkorn
Friska Viljor :: Reeperbahn 2009 by Kayceman
Kap Bambino :: Reeperbahn 2009 by Stefan Malzkorn
Reeperbahn 2009 by Kayceman
Slightly Stoopid :: Reeperbahn 2009 by Stefan Malzkorn
Au Revoir Simone :: Reeperbahn 2009 by Nina G Zimmermann
Lenka :: Reeperbahn 2009 by Stefan Malzkorn
Marteria & The Band Of Brothers :: Reeperbahn 2009 by Stefan Malzkorn
Montage :: Reeperbahn 2009
Prinzenbar :: Reeperbahn 2009 by Kayceman
William Elliott Whitmore :: Reeperbahn 2009 by Annabelle Bockwoldt
Publikum :: Reeperbahn by Matias Boem
Underground/Outside Hip-Hop Party :: Reeperbahn 2009 by Kayceman
Seasick Steve :: Reeperbahn 2009 by Nina G Zimmermann
Ticket Booth :: Reeperbahn 2009 by Nina G Zimmermann
In an alternate universe the title to this bang-up anthology would be resoundingly true. Radio would be a much better place if The Apples In Stereo helped define popular tastes, but, like Michael Nesmith’s similarly cheeky And The Hits Just Keep On Comin’, this is a jab at the paucity of mainstream fare. However, if you dig terrifically enjoyable pop-rock with oodles of energy, clever touches and sugary singing then #1 Hits Explosion (released August 31 on Yep Roc) is lousy with gold ‘n’ platinum worthy tunes.
From the jump-out-at-you bounce of “Energy” to the Squeeze meets Chic vibe of “The Bird That You Can’t See” to the baldly Beatles-y “Strawberryfire” to the irresistible bop of “The Rainbow” and the Carole King hum of “Same Old Drag,” there’s simply nothing here that doesn’t groove a good bit. If you’ve lost your shimmy this will help you find it toot-sweet. The Apples have absorbed many of the best lessons from Badfinger, Brian Wilson, The dBs and The Box Tops, and only the Velvet Crush (and pal Matthew Sweet) really give them a run for their money in terms of honoring classic popsmiths without genuflecting so deeply that one loses their identity. Laid end to end, these 16 tracks culled from their 17-year-and-counting career make a good case that if you’ve slept on The Apples In Stereo thus far you’ve been missing out.
Music occupies an important place in our life. We can’t live without it. Actually people have different musical tastes depending on their age, education and even mood. Some people like classical music, others prefer rock, pop or jazz, but nobody is indifferent to it. Popular Music refers to the kind of music that appeals to [...]
To Release Special Edition 50 Page Book Along with New LP This Fall
The Aliens
Ladies and gentlemen, The Aliens have landed. Armed with a bottomless bag of psychedelically inclined rock and acid dipped electronics, The Aliens bring a freedom of spirit that sets them out from the current crop of guitar slingers. Inspired by Sergio Leone and Serge Gainsbourg, Brian Eno and Brian Wilson, Larry David and Ol’ Dirty Bastard, their songs reference the past whilst belonging resolutely to the future.
The Aliens are creating a special limited-edition 50-page hard cover book, all color, and pop-up book which will also house the still un-named record. The book will include drawings, poems, film stills, photographs and interviews all done in the standard Alien manor. The book will be available for pre-order in September.
Formed in 2005 these Aliens have history – between them they have been behind some of the most enthralling British music of the last decade. John Maclean and Robin Jones where members of the Beta Band. Gordon Anderson was a founding Beta Band member who went on to record two albums under the Lone Pigeon moniker.
In March 2007 they released their first album Astronomy For Dogs to a hearty round of applause from the critics scoring 4 and 5 stars across the board. It’s a rich and vibrant carpet ride that crosses almost every musical genre one can imagine. Woven from the threads of Gordon’s genuine heartfelt songs and created on a loom of laser-light fibre-optics.
In September 2008 they made a welcome return with the release of Luna on their own label Petrock Records. They managed to deliver an album that manages to outshine their widely acclaimed debut.
The Aliens are always a thrilling proposition live, expect the unexpected…. it’s an unmissable, fist-in-mouth experience that showcases the band’s infectious energy and their frontman’s magnetism.