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Miike Snow | 04.15 | California

Words by: Chris Clark | Images by: Katie Carroll

Miike Snow :: 04.15.10 :: The Independent :: San Francisco, CA

Miike Snow :: 04.15 :: San Francisco

Most people I talked to going into Miike Snow‘s second of two sold out performances at San Francisco’s Independent were under the incorrect assumption that they would be seeing one guy perform onstage that night. There were others who’d heard the Swedish outfit would be the trio of Andrew Wyatt and the production tag-team of Christian Karlsson and Pontus Winnberg, better known as Bloodshy & Avant. They, too, were wrong. This was, in fact, the first time I’ve been at a show where the band actually had to explain who they are to clear up general confusion.

Live, Miike Snow is a six-member crew, donning uber-hipster, all black attire, white face masks, with the ability to completely captivate a crowd from the opening chord to the show’s end. They switched instruments, played on synthesizers and looked like they enjoyed every minute of it. Featuring a sound that touches upon super-sensitive emo, bangin’ beats, and modern day indie with several dance party rockers, Miike Snow did not disappoint, though they didn’t quite blow the roof off either.

In only a few short years, Stockholm, Sweden’s Miike Snow has gone from an unknown to selling out an American club tour and playing Coachella and Sasquatch. Playing two nights at The Independent pre-Coachella, the Swedes brought the success of their self-titled debut album and their mega underground hit “Animal” to a sweaty club anxious to see just what they had to offer live.

I wasn’t sure whether to expect a blow-your-mind set or a sit on my couch and slowly bob my head music experience. Were these songs going to sound like their remix of Britney Spears’ “Toxic,” or even their Madonna or Kylie Minogue remixes? Was this going to be a skinny jeans, super-sensitive suck fest? Well, the reality lies somewhere in the middle. Miike Snow provided moments of auditory bliss but each bright spot often led nowhere around the next curve. The band came out quickly, enjoying a ride on the packed crowd’s fervor, and their sharp, intelligent composed pieces shined brightly.

During the band’s first few selections, singer-guitarist Andrew Wyatt conjured a dark, lyrical undertone to their stylish pop sound focused on dance-friendly beats. One of the short set’s highlights came in the richly textured “Plastic Jungle,” a song that grew some extra legs in the live setting. As the set wore on, their sound turned more melancholy. Each time I’d begin to find a groove, the vibe would quickly dissipate and we were back to square one. Granted, Miike Snow is no jam band or anything of the sort, but I was hoping at the club I might see a little more of the live show. Fittingly, they ended their set with “Animal,” and in true sing-along fashion, the entire crowd knew every word.

Going into a show with no preconceptions or expectations is the best way to have some objectivity. I love Miike Snow in the studio setting; a truly capable, intelligent group with the pop sensibilities and forward thinking necessary to produce such a solid first effort. In the live setting, the quality is still there but it only comes in waves.

Miike Snow Tour Dates :: Miike Snow News :: Miike Snow Concert Reviews

JamBase | Flurried
Go See Live Music!


SXSW | 03.19.10 | Austin, TX – Day 3

Words by: Kayceman | Images by: Scott Dudelson & Kayceman

SXSW :: 03.19.10 :: Friday :: Austin, TX

Kayceman’s Top 3

#3 – Miike Snow

Dr. Dog :: 03.19.10 :: SXSW by Kayceman

Sweden’s Miike Snow (no one named Mike, Miike or Snow in the band) took the stage in black jackets and white masks around 12:30 a.m. From the first subsonic bass rattle it was near impossible to stand still and it wasn’t hard to imagine talents like this working with Madonna and Britney Spears, with whom band members Christian Karlsson and Pontus Winnbergwon won a Grammy for Best Dance Recording on “Toxic.” These were dance tracks made by a live band that’s not afraid to rock. Heavy on hooks and dusted with slightly strange vocals, if things break right for Miike Snow they could find success like Phoenix or Justice.

#2 – Dr. Dog

Dr. Dog slayed a very packed crowd at the Filter Party with their workmanlike charm. Mixing touring staples “The Old Days,” “Worst Trip” and “Fate” with a few new numbers, including a cool one that read “Mirrors” on the setlist that chased its own tail with an increasing tempo, everything about this band screams future classic. Bassist/vocalist Toby Leaman was a monster, powerfully belting out vocals and digging his heel deep into the stage to drive the machine. Watching the joy this band finds in their music is contagious and I saw more uninhibited dancing in the crowd at this set than at any other all weekend. It all wound down with a psychedelic gospel rave-up that started with a Prince tease and wound up sounding like a relative of My Morning Jacket.

#1 – Big Light Private Hotel Suite Party

Big Light :: Hilton Suite Party :: 03.19.10 :: SXSW by Kayceman

In all my years of attending SXSW I’ve seen a lot of bands in a lot of very interesting places. During the fest Austin turns every possible location into a venue, and no one thinks twice about raging an abandoned supermarket, rocking in a taco shack or taking over an airplane hanger. But never have I seen a full-on rock show in a hotel room. Starting at around 1:15 a.m. in a giant suite at the Hilton (the hub of the festival/conference), Big Light broke new ground at SXSW. Having just covered Big Light in yesterday’s review it was not my intention to cover them again, but this party was the stuff of legends. In addition to all the managers, press, booking agents and big wig industry types, the suite (and adjoining rooms) were stuffed with about 100 people, including the Talking HeadsJerry Harrison, Blues Traveler‘s John Popper, DJ Logic, Papa Mali and the Barr Brothers. We had given the over-under on how many songs they’d actually get to play before security shut them down at around three, but the stars were aligned and Big Light played an entire hour-plus rock show at full volume. The set even included a nice sit-in by The Slip‘s Brad Barr on guitar. Big Light blew it up and confirmed their place as a serious buzz band at this year’s SXSW. This was easily one of the best parties I’ve been to at South by, or anywhere for that matter.

Continue reading for Sarah Hagerman’s SXSW Day 3 highlights…

Words by: Sarah Hagerman

Jonathan Tyler & The Northern Lights

Jakob Dylan and Three Legs (Featuring Neko Case)
03.19.10 :: SXSW by Dudelson

“Baby it’s been too long/ Since rock and roll turned you on,” Jonathan Tyler cried. ‘Nuff said. Fervent believers in the power of music to get our juices flowing, Tyler and his band The Northern Lights had the crowd getting down at the Relix day party at Antone’s. Channeling The Black Crowes with touches of Zeppelin, The Lights had a magnetic stage presence, stomping with their instruments and exuding rock star confidence. They are damn good, and they know it, but they’re ultimately here to have fun and make your ass move. They were tight as hell, too. When the lovely backup singer stepped to the mic to lead a song, throwing some very Erykah Badu-esque R&B and hip-hop into the mix, the band didn’t miss a beat behind her, tying the whole thing together with some Roots-like grooves. I would have liked to see more of her, but hot damn, this was a flat out great show. When they left the stage, Relix Editor-in-Chief Josh Baron wiped his brow as he took the mic, declaring, “I don’t know about you, but I just got run over!”

Trampled by Turtles

Some bands just have an uncanny sense of how to write songs that stick with you. Although they get well-deserved props for their cathartic and energetic live shows – you’ve never seen so much sweat pour from five guys sitting down – it’s the songwriting that sets Trampled by Turtles apart. They’ve got positively addictive hooks, and on quieter numbers, like the beautiful sigh of “Trouble,” they let them unwind with a natural ease. This set at Red-Eyed Fly flew by at a breakneck pace. I got a couple personal favorites, including “Empire” and a vicious “Burn for Free,” plus some killer new material from the upcoming Palomino. Ryan Young (fiddle) and Erik Berry (mando) practically folded into their chairs as they attacked their instrument with red-faced intensity that had the crowd whooping and shrieking. “I like your beards!” I heard someone shout. At this point during SXSW, I’ve seen enough ironic facial hair to last the rest of my life. But TbT offer genuine scruff. You get the sense that no matter how far they climb they won’t ever forget where they came from. It’s that grounding that keeps them so real and keeps their music so warm, even in the midst of the fury they can unleash when they take the stage.

Quasi

Janet Weiss (of now defunct Sleater-Kinney) is one of the fiercest, most versatile drummers in indie rock royalty. She was flexing serious muscle during Quasi’s set at Antone’s, with pin-sharp machine gun rat-a-tats and crescendos that built to brain-pulping levels. Quasi are pure, stripped-down garage adrenalin. They don’t fuck around or have a lot of pretension – they keep it lean, but draw it out in decidedly rough lines. Joanna Bolme‘s bass was chewy, and Sam Coomes‘ guitar work could break down into anarchy at any moment. Closing out their set with “Bye Bye Blackbird,” they destroyed some eardrums as they let it all hang loose with feedback buzzes, squeals, and washes of thick noise.

Velvet Truckstop

Trampled by Turtles :: 03.19.10 :: SXSW

There comes a moment at every SXSW. Your feet hurt. You can’t bear to over hear one more name-dropping conversation or see one more person glued to their iPhone while a band is killing it a few feet away. You are tired of wading through the mess on 6th Street. You are just plain tired, only averaging about four hours of sleep a night. That’s when you need something to remind you why you’re here, and I couldn’t have asked for better medicine than Velvet Truckstop. Crammed into a sweaty Nuno’s, VT laid down rock and roll salvation of the highest order. With their lofty electric blues, driving southern rock jams and echoes of The Band and Wilco, they gave me, and several others, the will to dance down the last hours until closing time. Readers, you need to get acquainted with Velvet Truckstop. These cats are cut from some genuine cloth, the kind of band that pulls you through the rough times and sends you out into the night with a romping “Hallelujah!” Guitarist Dorsey Parker was especially tapped into something huge, making it look so damn easy but one glance at his fingers moving across his axe left your head spinning. They got songwriting skills that bow towards the classic, such as the asphalt-scarred “Carolina Way,” where Jamie Dose sings about the “broken dreams and guitar strings” that litter the highway while you’re chasing a dream. But you keep pushing on regardless, because you believe in what you’re doing. If that’s not what SXSW is ultimately all about, then I don’t know what is.

Continue reading for more pics of SXSW Day 3…

Images by: Scott Dudelson

Billy Bragg and Wayne Kramer at Ghost Bar

Mike Mills (R.E.M.) at Ghost Bar

Wayne Kramer at Ghost Bar

Audible Mainframe at Spin Party

Billy Bragg at Don’t Mess With Texas Party

Frightened Rabbit at Don’t Mess With Texas Party

Citizen Cope at SXSW Day Stage

Diane Birch at SXSW Day Stage

Dead Confederate at Little Radio Party

Foxy Shazam at Spin Party

Fucked Up at Spin Party

Rogue Wave at Spin Party

Miike Snow at Spin Party

Wooden Birds at Mohawk

Metric at Stubb’s

Emily Haines – Metric at Stubb’s

Steel Train at Encore

Click here for coverage of SXSW Day 1. Click here for coverage of Day 2.

Check back tomorrow for more coverage of SXSW 2010…

JamBase | Tejas

Go See Live Music!


Miike Snow Tour

MIIKE SNOW ANNOUNCE FULL NORTH AMERICAN HEADLINING TOUR THIS SPRING

Tour Dates Kick Off March 22 In Atlanta and Continue Through April 15 in San Francisco

Miike Snow

Following their wildly successful tour throughout North America this fall, the Downtown Records/Universal Republic trio Miike Snow are eagerly returning to the U.S. in Spring 2010 for their second headlining tour. The tour begins March 22 in Atlanta and continues across the country, wrapping up April 15 in San Francisco.

Receiving great reception for their live translations of the highly refined electronic compositions featured on their self-titled debut, the combination of Swedish producers and multi-instrumentalists Christian Karlsson and Pontus Winnberg, along with New York-based songwriter Andrew Wyatt, expand on their dynamic sound with a six-piece band.

The songs of Miike Snow have recently been featured on primetime TV: twice on the third season of Gossip Girl, with “Plastic Jungle” ushering in the new season and “Animal” closing out the third episode with it’s now widely known anthemic chorus. The band is now gearing up for their follow-up single to the groundbreaking debut of “Animal” with “Silvia,” an ode that follows its’ predecessors pop intelligence.

Miike Snow Tour Dates

11/09/09 Mon La Cigale Paris, FRA

11/10/09 Tue Le Botanique Brussels, BEL

11/11/09 Wed The Paradiso Amsterdam, NL

11/12/09 Thu Dinn Ri Carlow, IR

11/14/09 Sat Koko London, GB

11/15/09 Sun Lido Berlin, GER

11/16/09 Mon Atomic Cafe Munich, GER

11/17/09 Tue Lido Berlin, GER

11/18/09 Wed Uebel und Gefaehrlich Hamburg, GER

11/20/09 Fri Loppen Copenhagen, DK

11/21/09 Sat BLA Oslo, NO

11/23/09 Mon Kuudes Linja Helsinki, FI

11/26/09 Thu Babel Malmo, SE

11/27/09 Fri Parken Gothenburg, SE

11/28/09 Sat Debaser Stockholm, SE

03/22/10 Mon The Masquerade Atlanta, GA

03/24/10 Wed 9:30 Club Washington, DC

03/25/10 Thu Theatre of Living Arts (TLA) Philadelphia, PA

03/26/10 Fri Music Hall Of Williamsburg Brooklyn, NY

03/27/10 Sat Webster Hall New York, NY

03/31/10 Wed Paradise Rock Club Boston, MA

04/02/10 Fri Club Soda Montreal, QC

04/03/10 Sat Phoenix Concert Theatre Toronto, ON

04/05/10 Mon Metro Chicago, IL

04/06/10 Tue Varsity Theater Minneapolis, MN

04/09/10 Fri Bluebird Theater Denver, CO

04/10/10 Sat Urban Lounge Salt Lake City, UT

04/12/10 Mon Commodore Ballroom Vancouver, BC

04/13/10 Tue Showbox at the Market Seattle, WA

04/14/10 Wed Hawthorne Theatre Portland, OR

04/15/10 Thu The Independent San Francisco, CA

Praise for Miike Snow:

“They all have deliriously intuitive talent and are capable of expressing a wide range of emotions through music.” – FILTER

“The lush sounds and subtle electronic flourishes make it all thoroughly modern, thick with a tactile atmosphere similar to Depeche Mode’s “Violator” album.” – LOS ANGELES TIMES