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Posts Tagged ‘Crescent City’

Camden County Free Backyard BBQ: Dumpstaphunk, The Radiators

SUNDAY, SEPTEMBER 5 FROM 2-10 P.M.


Camden Backyard BBQ

The 2nd Annual Camden Backyard Barbecue is a free New Orleans flavored daylong festival on the
Riverstage
at Wiggins Waterfront Park in Camden that’s also designed to promote Health & Wellness.

The event is Sunday, Sept. 5 from 2-10 p.m. , and stars Ivan Neville’s Dumpstaphunk, The Radiators, New
Orleans legend Marcia Ball
and their Crescent City neighbors, Big
Sam’s Funky Nation
, combining
with returning local act North 61 (South Jersey) and 16-year-old visually impaired blues prodigy Conrad
Oberg
to cook up an eight-hour groove of funk, soul and spiritual jams with a BBQ family flavor.

A number of booths from regional Health & Wellness Organizations will be lining the walkways around the festival
with
an abundance of information. Make sure you visit them, too! For complete information, call the Camden County
Special Events Hotline at (856) 216-2170.


Ponderosa Stomp Adds Jimmy Dotson, Sammy Ridgley, Elite

SWAMP BLUESMAN JIMMY DOTSON, JOYCE HARRIS, LALA BROOKS, SAMMY RIDGLEY, THE
ELITE

There is much to celebrate as the 9th Annual Ponderosa Stomp Festival kicks into action in 2010 with a
new
fall weekend to present another rocket-fueled cavalcade of American music stars. After eight years of spring
events,
fans are marking their calendars on the 24th & 25th of September in 2010 at House of Blues. Mind-bogglingly cool
new additions to the show include pioneers of rockabilly, soul, blues and New Orleans R&B; fans would be hard-
pressed to witness talent this heavy and diverse anywhere else.

Swamp bluesman Jimmy Dotson, Texas gospel with The Relatives, New Orleans rockabilly Star
Joyce
Harris
, LaLa Brooks of the Crystals, Crescent City soulman Sammy Ridgley & the Texas
garage
of The Elite have been added to an already huge 2-day show. Sadly, Johnny Gimble, Stanley
Dural

and Warren Storm will be unable to attend as planned.

Tickets for the Ponderosa Stomp are on sale now via Ticketmaster and Live Nation. Travel packages will be available
at
www.ponderosastomp.com/ponder
osa_stomp_travel_packages.php

For more information on Ponderosa Stomp in 2010 visit www.ponderosastomp.com


Mardi Gras | 2.12-2.16 | New Orleans

By: B. Getz

Mardi Gras :: 02.12-02.16 | :: New Orleans, LA

Trombone Shorty :: Mardi Gras
By Dino Perrucci

Descending on New Orleans five days after the Saints’ enormous Super Bowl victory, we encountered a city boiling with elation. Despite the frigid temperatures, this city was as hot as ever, with deafening chants of “Who Dat?” reverberating night and day, bouncing off walls of venues, up and down parade routes, at dinner tables and tailgates. I have literally never seen a city so jacked up, and it was as infectious as ’twas intoxicating.

By day we walked various parade routes, first the Krewe of Morpheus and Krewe of Muses, enjoying the Cameltoe Steppers and Miss Karina’s Bearded Oysters, amongst others. For most parades we rolled uptown to watch on St. Charles and Napoleon Streets, though Saturday we started in Lakeview, rolling with Krewe of Endymion and feting Saints owner/Grand Marshall Tom Benson and Head Coach Sean Payton like Crescent monarchs, with Trombone Shorty the Grand Marshall’s personal guest.

Carnival is truly a cultural and family event. Generations of kin and friends of all races come together and celebrate in magnificent unity; the likes of which I have never seen before. The only moment I ever feared for my own safety was during the Krewe of Bacchus‘ parade when Drew Brees, Saints quarterback, Super Bowl MVP, and 2010′s King Bacchus, turned the corner of St. Charles on a parade float. It was as if Touchdown Jesus had arrived, setting off complete pandemonium.

“WHO DAT! New Orleans is rolling! The City is alive!” cried Brandon Tarricone of Brotherhood of Groove.

As we thawed from the Morpheus/Muses parades Friday night, we strolled to Tipitina’s Uptown for the first of four visits to the hallowed room. Thriving in this celebratory atmosphere, George Porter Jr., Leo Nocentelli, Ivan Neville and Raymond Weber (Dumpstaphunk) took the stage to cheers. Henry Butler was then led stage right to a thunderous ovation as the band took their spots, with Butler seated at a keyboard facing Ivan, who was buried beneath an array of keys. They immediately congratulated the Super Bowl Champions to more screaming decibels. Ivan and Leo repeated the salutations throughout the show, a harbinger of “Who Dats?” to come.

Henry Butler :: Mardi Gras/Tip’s
By Dino Perrucci

Weber and Porter’s instant lockstep unveiled opener “Everything is Everything,” a crawfish jamboree of distinct NOLA styles, their collaborative spirit evidenced immediately. “Everything” had everything, passing around the jam, with driving Weber funk and George laying down his patented, joyful, nasty bass runs. This song encapsulated their entire performance – equal parts jubilant NOLA sing-along and vicious, loose, powerful funk – serving songs that resonated with joy, pain and the road to redemption. “Cabbage Alley” was a joyful romp through the Professor Longhair classic, with Fess grinning “Hey Now Baby” from the top of the house he built.

Henry Butler asked if he could take us to church, and that he did, with glorious bright piano and charming verve. Butler was distinguished royalty, and that’s amongst Porter, Leo, and Ivan, all stalwarts in their own right. The blind man stoked several raging Nocentelli screaming solos drenched in tubed-out distortion and Gibsonics. Porter and Weber responded with tight riddims and big wrap around fills swollen with laughter.

Ivan Neville’s charged “Fortunate Son” oozed Bayou and sparked some fantastic interplay between Ivan and Porter, plus more ragin’ Leo licks. This exhilaration was a theme for two full sets of huge smiles, jams and Crescent City spirit. “Talkin’ ‘Bout New Orleans” was just that – the pulse of a city ablaze. It’s Carnival Time!

For three consecutive nights we stumbled out of Tip’s and made our way down to the Blue Nile for the Backbeat Foundation’s 4th Annual Mardi Gras Funkstravaganza, a series of Royal Family hosted hoedowns lasting well into the wee hours, in true Quarter style. New York and NOLA are sister cities, and the likes of Adam Deitch, Eric Krasno and Nigel Hall would make their presence known at this Lombardi Gras, and of course, be joined by their NOLA forefathers all weekend long.

Khris Royal, Kraz, Deitch, Hall :: Royal Family
By Amanda Barry

Friday late night, Dr. Claw featured a malevolent conglomerate of Deitch, Kraz, Nigel, and locals Ian Neville on guitar and the inimitable Nick Daniels on bass and vocals. “God Made Me Funky” was an aggressive jolt of stutter-step bounce and friendly one-upmanship. A reading of R&B staple “Leave Me Alone” displayed soothing vocals from Hall and Daniels, while Kraz wailed away on a gold guitar emblazoned with the Saints’ fleur de lis. A Daniels propelled cover of Stevie Wonder’s “Higher Ground” was a bludgeoning stomp of lead-bass, wailing Kraz, and sordid drumming; this colossal rendition most displayed the group’s shared kinetic energy. Ivan Neville hustled down from Tip’s to join the aural fracas, with Raymond Weber and Papa Mali checking it out from the crowd.

On Saturday, the Nigel Hall Band (featuring George Porter Jr.) was geared to a more R&B feel. Krasno played bass before George’s arrival as Hall crooned with joie de vivre. A deep Rhodes take on James Taylor’s “You’ve Got a Friend” punctuated the early part of the set until Deitch commandeered the ship, directing Porter into murderous funk grooves. This was “Meters take Manhattan” on some crunk shit. Sheer delight shone on the faces of the elder statesman and boy wonder, as they played puppet-master to one another’s nastiness amidst carnival sights and sounds.

Porter & Krasno by Dino Perrucci

In true “only in New Orleans” fashion, long after the band had left the stage there were still 25 or so fans hanging around the Nile. As Jill Scott’s “Is it the Way” pumped through the PA, one by one the musicians returned to the stage, first Hall on bass with Krasno soon taking it from him. Hall shifted to keys as Deitch got behind the kit, and they moved from playing along to the record to some live improv. An elongated vamp morphed to a full-band version of Herbie Hancock’s “Watermelon Man,” a boundless crunk-a-thon with seven different musicians rotating around the stage, including sax and keys maven Khris Royal, guitarist Andrew Block and local sax man Clarence “Trixzey” Slaughter. The half-hour workout was NOLA indulgence, almost a private show for the Royal Family Frenchman Street faithful.

Sunday evening at the Nile was billed as Eric Krasno & Chapter 2, the Soulive guitarist’s red-hot side project; which this time featured Porter in the mix. Several cuts from Kraz’s forthcoming solo album – “76,” “Be Alright” and “Too Sweet” – joined stormy covers including a rare-groove styled rendition of The Beatles’ “Get Back” and an aggressive take on Jimi’s “Manic Depression.”

Kermit Ruffins & the Barbecue Swingers may have opened the 4th Annual Bacchus Blowout, but this was no warm-up act. Fellow Treme second-line prodigal son Ruffins absolutely owned this packed-to-the-gills room from jump. “How ’bout them New Or-lee-anz Saints!!” he greeted the roaring post-parade massive and led everyone into a jubilant “All Mardi Gras Day.” The audience upped the ante, as the obligatory “Saints Come Marching In” gave way to a bedlam-inducing take on the omnipresent Saints anthem by local rapper K. Gates, “Black N Gold New Orleans,” which was the theme song to the entire city – you couldn’t go three blocks without hearing a brass band, car stereo or house party system blaring it. When Kermit and Co. dropped it, the frontman’s lazy, gruff Treme drawl steeped in bliss, Tip’s fucking exploded.

Kermit Ruffins :: Bacchus Blowout
By Dino Perrucci

Ever the showman, after a few healthy pulls from a Bud Light and some humorous banter, Ruffins quickly reminded us that it was Valentine’s Day as he delivered maybe The evening’s finest performance, a surreal take on the Isley Brothers’ “Between the Sheets.” The swanky love-fest gave way to an appearance by Corey “Boe Money” Henry, a run through The Roots’ “U Got Me,” Frankie Beverly and MAZE’s “Joy and Pain” and more NOLA-fried second-line flavor.

After a lengthy changeover, the legendary Rebirth Brass Band delivered an enjoyable set of Crescent City ecstasy; cramped audience skanking and brass n’ drums thumping along. “Boe Money,” Derek Shezbie (trumpet) and Vincent Broussard (sax) led the troupe through an hour of bulbous brass anthems.

However, when headliner Trombone Shorty & Orleans Avenue took the stage just after 1 a.m., the energy levels in the room rose to even more raucous levels. Troy Andrews’ meteoric rise from child trombone prodigy and member of Rebirth to feted second-liner and member of Lenny Kravitz’s touring band to leading his own band is a true American dream. Hailing from the Treme, he has a long awaited album dropping soon and a reputation for superior showmanship. Leading a crack-band of childhood friends, including “Freaky” Pete Murano on guitar and Joey “In and Out” Peebles on drums, Shorty displayed a pomp ‘n’ verve that kept the room at full attention.

Andrews gave Kravitz a “le bon temps” lesson in crunkadelic rock with his reworking of The Guess Who’s “American Woman,” a pulsating banger with crunchy guitars and clobbering funk percussion. “Get Down” and “Orleans & Claiborne” were enigmatic doses of ridiculous second-line melodies and festive beats. “St. James Orleans Avenue” really took it to the Treme, and the new vibes took the crowd to “Backatown.” He led the boys through a medley that mixed hometown rapper Mystikal, the Black Eyed Peas, Sly Stone and the Violent Femmes. Crooning for the ladies, Shorty channeled Al Green and Marvin Gaye, and blew surreal trumpet runs between patented trombone romps that mesmerized the cuties.

Robert Mercurio – Galactic

Lundi Gras at Tip’s by Bob Compton/CapturedLight.com

Galactic hosted two shows at Tipitina’s Uptown, the first on Saturday and then Monday night’s traditional Lundi Gras sunrise throw-down, each with Karl Denson’s Tiny Universe supporting.

The first show saw a short set of primarily new material from KDTU, highlighted by an incredible collaboration (“Baker’s Dozen”) between Denson, KDTU guitarist (and birthday boy) Brian Jordan and Galactic. The headliners threw down a show heavy on material from their newest record, Ya-Ka-May (JamBase review).

The annual Lundi Gras show was one to remember. Beginning with a fierce 90-minute set of firing KDTU, Diesel & Co. delivered the seminal “Ruff, Tuff and Tumble” and sultry “The Answer,” then closed with an ethereal version of “S&G,” a funk barnstormer that segued into evocative R&B. Galactic then hijacked their stage back and proceeded to uncork a colossal, three-set performance that went until 7 a.m. Culling from their now-vast catalogue of genre-bending compositions, the funk got deep and dark as the crowd bathed in their patented crunk gumbo, with “Boe Money” ably assisting throughout. Mixing in covers from Rakim to Zeppelin and featuring cameos from John Gros, Denson, Trixzey Slaughter, Cyril Neville and more, this was a gluttonously N’awlinz rager. Stanton Moore‘s punishing drums stoked the patented swamp-funk rumble, and bassist Robert Mercurio, guitarist Jeff Raines and sax/harp man Ben Ellman channeled the “Who dat?” mayhem into feverish pitches. Staggering out of Tip’s alongside the band, crew, staff and revelers bound for the 8 a.m. Zulu parade was a surreal experience, even for the Crescent City.

Mardi Gras Indian Chiefs by Jessica Dore

The musical portion of the Mardi Gras program is often overlooked by outsiders who see Carnival as a season of consumer excess with heaps of plastic beads, rivers of “Big Ass Beers” and boobs running the sleazy course of Bourbon Street. Beyond the celestial floats, bejeweled krewe members and mansion-lined avenues, a simpler Carnival culture flourishes in New Orleans’ neighborhoods. Seeking some truer roots and humbler hometown carnival essence, we looked for those marching betwixt the pricey floats and royalty costumes, i.e. the public school marching bands that rounded the corner of St. Charles and Josephine with the Zulu Parade on Tuesday morning. New Orleans’ uniformed youths marched beautifully through the route and it was clear this is ground zero, the place where the seeds of Jazz Fest, Jam Cruise and summer festivals are sewn. This is the path that the likes of Big Sam, Trombone Shorty and all the Rebirth Brass Band took during their school years in this city.

The spirit of New Orleans’ carnival music is caught not with a $30 ticket to Tip’s or Howlin’ Wolf, but for free out in front Handa Wanda’s bar room at 2nd and Dryades Streets on Mardi Gras Day. Tucked within Central City, this is the Mardi Gras of legends like Professor Longhair, James Booker and the Nevilles.

Post-Zulu, around 1 p.m., we went to check and pay respect to the Mardi Gras Indian Chiefs, strutting in their suits to drum circle beats with family, friends and plates of barbeque. This year, as they do each year, the Indians donned the fruits of each year’s labor: Hand sewn suits and headdresses, some weighing more than fifty pounds with feathers, fabrics and intricate beadwork illustrations. There, in a crowd of mostly city locals, we enjoyed the peak of the day – some no-frills booty shaking among neighborhood royalty.

Additional reporting by Jessica Dore

JamBase | Louisiana
Go See Live Music!


Sierra Leone’s Refugee All Stars New Album Due 03/23

SIERRA LEONE’S REFUGEE ALL STARS TO RELEASE RISE & SHINE MARCH 23, 2010

Sierra Leone’s Refugee All Stars

Sierra Leone’s Refugee All Stars started playing music together in West African refugee camps while their homeland was racked by years of bloody warfare. Since then, audiences around the world have embraced the band and their utterly extraordinary story. On their forthcoming album, Rise & Shine, the All Stars’ sound, as well as their biography, evolves further; the music finds them “…establishing an identity based as much on skill, imagination and charisma as on their undeniably touching story” (The Los Angeles Times). Cumbancha will release the album on March 23, 2010.

For the follow up to their acclaimed debut, Living Like a Refugee, the band began recording in their hometown of Freetown, Sierra Leone then traveled to New Orleans, Louisiana to work with the highly accomplished producer Steve Berlin (Los Lobos, Angelique Kidjo, Rickie Lee Jones, Michelle Shocked, Alec Ounsworth, Jackie Greene) at Piety Street Recording. The All Stars immediately felt at home in New Orleans, not only because the hot climate and spicy food reminded them of Africa, but also because the residents of the Crescent City have firsthand experience with the bitterness of exile and the redemptive power of music. The local musicians who contributed to the record (including favorites Troy “Trombone Shorty” Andrews, Bonerama, and Washboard Chaz) lend it an infectious spirit of celebration and optimism in the face of struggle.

Rise & Shine reflects how far the band has come in the past few years, after multiple international tours and recording experience with the likes of Aerosmith and Mavis Staples. With an expert producer at the helm, Sierra Leone¹s Refugee All Stars have realized a unique and seamlessly coherent sound: a fusion of traditional West African music and roots reggae, inflected with New Orleans styles. The album’s 13 tracks embrace the wide array of musical influences the All Stars have encountered on their rise to international fame.

The band members are broadly diverse in age and character, although they possess a strong bond forged through common experiences and values: they all know war and have struggled to survive in one of the world¹s poorest countries, and they share an unwavering belief in the transformative power of music. The current lineup of the band was cemented when Reuben M. Koroma, the sage songwriter and guiding light of the group, returned home from the refugee camps, joined by Black Nature, an orphaned teenaged rapper; Mohammed Bangura, who suffered amputation at the hands of rebels; and Francis John Langba. Back in Sierra Leone, they reunited with family, friends and former band mates Ashade Pearce, Jah Son Bull, and Makengo Kamara (many of whom they believed not to have survived the violence).

The band’s journey (which culminated in the All Stars’ first recording in a studio) was documented in the multi-award winning documentary Sierra Leone’s Refugee All Stars, by Zach Niles and Banker White. The resulting album, Living Like A Refugee, garnered the band international acclaim and high profile fans such as Keith Richards, Sir Paul McCartney, Aerosmith, Angelina Jolie, and Ice Cube.

Sierra Leone’s Refugee All Stars deliver electrifying and uplifting live performances and will tour the U.S. in Spring 2010. They have already appeared at some of the most prestigious music festivals worldwide including Bonnaroo, Montreal Jazz, Fuji Rock in Japan, Central Park SummerStage, and Celebrate Brooklyn.


Krasno/Benevento/Russo | Costa Rica

By: Dave Wood & Chad Smith

Benevento/Russo Duo & Eric Krasno :: Summer 2009 :: Villa Caletas :: Costa Rica

Benevento/Russo/Krasno :: Costa Wedding

The adventure began last winter when Chris Gleason proposed to Robin Taxman on Jam Cruise 7. With all of the excitement and boogie going down on the high seas, Chris could easily be forgiven for promising a jam-oriented destination wedding and not delivering. But when he called from NOLA during Jazz Fest a few months later and said that Robert Walter was busy, but could help him with booking, I started to think he was actually serious. His daily updates from the Crescent City were intriguing, to say the least. We heard rumblings of conversations from Lotus, George Porter Jr., Marco Benevento, Galactic, Lettuce, Karl Denson, and the list went on. When he asked if I thought we could all make it down to Costa Rica at the end of July, the gig was on. Chris remained a bit secretive about the artists he was talking to but did reveal that he was trying to score the only Hammond B3 organ for hire in the entire country.

Two months later, I found myself in the San Jose airport renting a 4-wheel drive vehicle with surfboard rack to take us over the mountains to a resort outside of Playa Jaco. 57 people, including many festival veterans and jam band enthusiasts (not to mention guests aged 4 to 74), were making their way to the Pacific Coast for the event. Villa Caletas (the warm smell of?) sits on a mountaintop overlooking the ocean and a dense tropical rainforest. This was to be our venue for the Gleason-Taxman wedding. After the rehearsal dinner, some of the groomsman helped lug the rented B3 to the dining room, up the side of a mountain and 157 shallow steps, and then the band was announced. Chris had lined up the venerable Duo of Marco Benevento and Joe Russo and somehow hooked Eric Krasno (Soulive, Lettuce) to play for us. Actually, the secret had been revealed a few days before when Marco, his lovely wife Katy and their two-year-old daughter Ruby were splashing in the resort’s pool with us. The morning of the rehearsal, Krasno and the inimitable Brandi Mitchell arrived straight from the Gathering of the Vibes Fest in Connecticut, where Lettuce had played the night before. Russo and his girlfriend had also flown in that same morning.

Benevento & Krasno at Rehearsal Dinner

The rehearsal dinner show turned out to be exactly that; a rehearsal for three musicians at the top of their respective games who had not had much opportunity – a single practice session in Brooklyn – to play together prior to this gathering. With clouds streaming over the surrounding tropical jungle and the humidity adding an extra depth to every note, the three began things with a jammed out version of The Beatles’ “Taxman.” This turned out to be a theme that would be revisited throughout this night and the next. With no setlist, the musicians took turns leading and teaching each other as they explored songs by Stevie Wonder, Santana, and the Allman Brothers, to name just a few. The set was about two and a half hours long when it adjourned and we were left wondering what would be in store for us at tomorrow’s main event.

The music kicked off in the afternoon heat as the traditional Jewish wedding took place shortly after 4:00 p.m. in an amphitheatre overlooking the Pacific. Her proud father escorted the bride down the steps as Krasno and Benevento played a couple more Beatles tunes (“Something” and “All You Need Is Love”). Later, after we had stuffed ourselves on seafood and wedding cake, The Duo plus Krasno took up positions at the end of the Zephyr Palace under the light towers and smoke machines that Gleason had arranged for and kicked things off with a twist on The Meters’ “Cissy Strut.” After a few quick toasts, a long, jazzy “Come Together” signaled that we were in store for a jam heavy and deeply improvisational evening.

Hava Nagila! Hava Nagila!

Chris and Robin were hoisted overhead on chairs as the dancing grew frenetic and Benevento took us on the band’s first go at “Hava Nagila.” This “Have Nagila” was like no other. The momentum and energy just kept building and it almost felt as if we were at a rave (in a good way). Fortunately, Chris had a good grip on his chair or else he would have been launched into the soundboard.

Soul was heavily featured next with funky translations of Otis Redding’s “Hard to Handle” and Sly & The Family Stone’s “If You Want Me to Stay.” A nimble turn took us Deadheads into familiar territory with a fine, long suite of “Lovelight” > “Shakedown” > “Iko Iko.” The dancing was growing faster and some twirlers were spotted along the sides of the hall. Despite the heat and humidity which had permeated the room – the AC was definitely overmatched by this dance party – most of the revelers were still on their feet, including many of the couple’s family and friends, who had only the faintest idea of what was going on or being played. The two hour first set wound down with a concise reading of “Boogie On Reggae Woman” led by Krasno into “Get Back,” and finally a melding of the Greyboy Allstars’ and STS9′s workhorse “Nautilus.” The degree to which these three musicians were able to combine styles, communicate on the fly, and explore different themes within each song certainly gave no indication that this was one of their first gigs together. In fact, it seemed as though they had been playing together as a trio for years.

This cohesion was never more apparent than during the second set take on the Allman Brothers’ “Jessica.” This was a song they had tackled at the previous night’s aptly named rehearsal party, and while it was solidly done, there were a few rough transitions and clunky pauses. Not so at the reception get-down. Krasno channeled the lead work with a lyrical sense reminiscent of Warren Haynes’ interpretations while Russo anchored the rhythm section and Benevento filled in every other space. Was this truly only three people?

The Happy Couple’s First Swim

The second set featured some of the best elements of the Duo (with themes off of ’04s Best Reason to Buy the Sun) interwoven with Krasno’s tight riffs and rapid scales – a true amalgamation of styles. By this time, anything they chose to play was perfect with the wedding partiers, none of whom had left even this late in the game. As the night pushed on we drooped into a spacier zone with deep psychedelic takes on songs by the JBs, Paul Simon, and The Doors. Zeppelin’s “The Ocean” pounded us as fists pumped and Russo channeled Bonham’s heavy rock theme.

Another two songs (including the Duo’s own “Becky”) left us exhausted and eyeing the infinity pool just outside the doors. But first, a few last nuggets to send us off into the tropical night, including a mellow “Stir it Up” followed by a bride’s jam. Robin had hopped onto the organ bench next to Marco and randomly played the nursery rhyme “Mary Had A Little Lamb.” And why not, it was her wedding! On a night when anything was possible and everything game, our three magicians took off with it and morphed the riff into a 15-minute improv that defied description. Hot revelers with sore feet took to the pool in full clothing, just as Benevento had done after the Duo’s set on Jam Cruise 3 – a fitting ending to a perfect night of intimacy, music, and celebration. Pura Vida indeed!

Soundboard Audio available here.

Continue reading for more pics of this raging wedding…

Duck, Duck, Benevento!

Benevento & Russo

Here comes the bride…


David Kaufman (Chicago musician)

Brandi Mitchell (Krasno’s gal)

Eric Krasno

Russo & Krasno

Joe Russo

The Beneventos

Marco and Ruby

Bride, Groom and Band

Daughter and Dad Dance

JamBase | International
Go See Live Music!


Krasno/Benevento/Russo: Wedding in Costa Rica

By Dave Wood & Chad Smith

Benevento/Russo Duo & Eric Krasno :: Summer 2009 :: Villa Caletas :: Costa Rica

Benevento/Russo/Krasno :: Costa Wedding

The adventure began last winter when Chris Gleason proposed to Robin Taxman on Jam Cruise 7. With all of the excitement and boogie going down on the high seas, Chris could easily be forgiven for promising a jam-oriented destination wedding and not delivering. But when he called from NOLA during Jazz Fest a few months later and said that Robert Walter was busy, but could help him with booking, I started to think he was actually serious. His daily updates from the Crescent City were intriguing, to say the least. We heard rumblings of conversations from Lotus, George Porter Jr., Marco Benevento, Galactic, Lettuce, Karl Denson, and the list went on. When he asked if I thought we could all make it down to Costa Rica at the end of July, the gig was on. Chris remained a bit secretive about the artists he was talking to but did reveal that he was trying to score the only Hammond B3 organ for hire in the entire country.

Two months later, I found myself in the San Jose airport renting a 4-wheel drive vehicle with surfboard rack to take us over the mountains to a resort outside of Playa Jaco. 57 people, including many festival veterans and jam band enthusiasts (not to mention guests aged 4 to 74), were making their way to the Pacific Coast for the event. Villa Caletas (the warm smell of?) sits on a mountaintop overlooking the ocean and a dense tropical rainforest. This was to be our venue for the Gleason-Taxman wedding. After the rehearsal dinner, some of the groomsman helped lug the rented B3 to the dining room, up the side of a mountain and 157 shallow steps, and then the band was announced. Chris had lined up the venerable Duo of Marco Benevento and Joe Russo and somehow hooked Eric Krasno (Soulive, Lettuce) to play for us. Actually, the secret had been revealed a few days before when Marco, his lovely wife Katy and their two-year-old daughter Ruby were splashing in the resort’s pool with us. The morning of the rehearsal, Krasno and the inimitable Brandi Mitchell arrived straight from the Gathering of the Vibes Fest in Connecticut, where Lettuce had played the night before. Russo and his girlfriend had also flown in that same morning.

Benevento & Krasno at Rehearsal Dinner

The rehearsal dinner show turned out to be exactly that; a rehearsal for three musicians at the top of their respective games who had not had much opportunity – a single practice session in Brooklyn – to play together prior to this gathering. With clouds streaming over the surrounding tropical jungle and the humidity adding an extra depth to every note, the three began things with a jammed out version of The Beatles’ “Taxman.” This turned out to be a theme that would be revisited throughout this night and the next. With no setlist, the musicians took turns leading and teaching each other as they explored songs by Stevie Wonder, Santana, and the Allman Brothers, to name just a few. The set was about two and a half hours long when it adjourned and we were left wondering what would be in store for us at tomorrow’s main event.

The music kicked off in the afternoon heat as the traditional Jewish wedding took place shortly after 4:00 p.m. in an amphitheatre overlooking the Pacific. Her proud father escorted the bride down the steps as Krasno and Benevento played a couple more Beatles tunes (“Something” and “All You Need Is Love”). Later, after we had stuffed ourselves on seafood and wedding cake, The Duo plus Krasno took up positions at the end of the Zephyr Palace under the light towers and smoke machines that Gleason had arranged for and kicked things off with a twist on The Meters’ “Cissy Strut.” After a few quick toasts, a long, jazzy “Come Together” signaled that we were in store for a jam heavy and deeply improvisational evening.

Hava Nagila! Hava Nagila!

Chris and Robin were hoisted overhead on chairs as the dancing grew frenetic and Benevento took us on the band’s first go at “Hava Nagila.” This “Have Nagila” was like no other. The momentum and energy just kept building and it almost felt as if we were at a rave (in a good way). Fortunately, Chris had a good grip on his chair or else he would have been launched into the soundboard.

Soul was heavily featured next with funky translations of Otis Redding’s “Hard to Handle” and Sly & The Family Stone’s “If You Want Me to Stay.” A nimble turn took us Deadheads into familiar territory with a fine, long suite of “Lovelight” > “Shakedown” > “Iko Iko.” The dancing was growing faster and some twirlers were spotted along the sides of the hall. Despite the heat and humidity which had permeated the room – the AC was definitely overmatched by this dance party – most of the revelers were still on their feet, including many of the couple’s family and friends, who had only the faintest idea of what was going on or being played. The two hour first set wound down with a concise reading of “Boogie On Reggae Woman” led by Krasno into “Get Back,” and finally a melding of the Greyboy Allstars’ and STS9′s workhorse “Nautilus.” The degree to which these three musicians were able to combine styles, communicate on the fly, and explore different themes within each song certainly gave no indication that this was one of their first gigs together. In fact, it seemed as though they had been playing together as a trio for years.

This cohesion was never more apparent than during the second set take on the Allman Brothers’ “Jessica.” This was a song they had tackled at the previous night’s aptly named rehearsal party, and while it was solidly done, there were a few rough transitions and clunky pauses. Not so at the reception get-down. Krasno channeled the lead work with a lyrical sense reminiscent of Warren Haynes’ interpretations while Russo anchored the rhythm section and Benevento filled in every other space. Was this truly only three people?

The Happy Couple’s First Swim

The second set featured some of the best elements of the Duo (with themes off of ’04s Best Reason to Buy the Sun) interwoven with Krasno’s tight riffs and rapid scales – a true amalgamation of styles. By this time, anything they chose to play was perfect with the wedding partiers, none of whom had left even this late in the game. As the night pushed on we drooped into a spacier zone with deep psychedelic takes on songs by the JBs, Paul Simon, and The Doors. Zeppelin’s “The Ocean” pounded us as fists pumped and Russo channeled Bonham’s heavy rock theme.

Another two songs (including the Duo’s own “Becky”) left us exhausted and eyeing the infinity pool just outside the doors. But first, a few last nuggets to send us off into the tropical night, including a mellow “Stir it Up” followed by a bride’s jam. Robin had hopped onto the organ bench next to Marco and randomly played the nursery rhyme “Mary Had A Little Lamb.” And why not, it was her wedding! On a night when anything was possible and everything game, our three magicians took off with it and morphed the riff into a 15-minute improv that defied description. Hot revelers with sore feet took to the pool in full clothing, just as Benevento had done after the Duo’s set on Jam Cruise 3 – a fitting ending to a perfect night of intimacy, music, and celebration. Pura Vida indeed!

Continue reading for more pics of this raging wedding…

Duck, Duck, Benevento!

Benevento & Russo

Here comes the bride…


David Kaufman (Chicago musician)

Brandi Mitchell (Krasno’s gal)

Eric Krasno

Russo & Krasno

Joe Russo

The Beneventos

Marco and Ruby

Bride, Groom and Band

Daughter and Dad Dance

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