Police in Novi Sad announced yesterday that 15 persons were arrested on the first day of the EXIT music festival in that town. 13 of those detained were foreign nationals, police explained. They were brought in on suspicion that they possessed or trafficked narcotics.
Posts Tagged ‘day’
Maria Eitel: WORLD POPULATION DAY HIGHLIGHTS EDUCATING GIRLS
A quick note from Maria: the Nike Foundation’s Managing Director, Lisa MacCallum suggested we take a moment to comment on World Population Day. Following is…
Electric Daisy Carnival | 06.26 – 06.27 | L.A.
Words by: Chris Clark | Images by: Ceasar Sebastian & Rukes
Electric Daisy Carnival :: 06.26.09 & 06.27.09 :: L.A. Memorial Coliseum and Exposition Park :: Los Angeles, CA
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It’s tough to place a finger on where to begin to explain exactly what transpired at the Los Angeles Memorial Coliseum at Exposition Park in Los Angeles. For two nights, the 13th Annual Electric Daisy Carnival proved to be not only a colossal collection of some of electronic music’s biggest and brightest, but 2009′s EDC also secured itself as one of the premier festivals around, period.
Boasting a boisterous and kinetically charged bill that included headliners Paul Van Dyk, Paul Oakenfold, Thievery Corporation and Groove Armada, along with an eclectic array of electro wizards and bass bumpers (STS9, Pretty Lights, Diplo, Boys Noize, Major Lazer, Mark Farina, LTJ Bukem and several dozen others), EDC provided an astonishingly polished product for 100,000-plus revelers to party well into the early morning. Unlike festivals such as Bonnaroo, Outside Lands and Lollapalooza, EDC focuses solely on one section of the melange of music out there today: electronic. From drum ‘n’ bass at the Bass Pod stage to trance powerhouses at the Kinetic Field to thick, chest-thumping dubstep at the Neon Garden, if you’re into pulsating speaker stacks, big bass and sample enriched sonic soundscapes you didn’t leave without all your fancies tickled.
And this is just the music.
Both nights’ festivities were spread out over the sprawling urban landscape that surrounds the University of Southern California. It’s here, adjacent to the storied history of the USC campus that the mega-stadium Memorial Coliseum sits. Once home to the Los Angeles Summer Games of 1932 and 1984, the Coliseum currently houses the famed USC Trojans football team, and quite honestly, it was rather enjoyable to be seeing tens of thousands of scantily clad trance worshippers congregate on the very field O.J. Simpson and Reggie Bush, amongst many others, once dominated.
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After getting out of the cab, the sheer enormity of the surroundings was immediately apparent. Scores of teenagers, some I’d guess as young as 13, were decked out in their ultra colorful garb and candy bracelets. Florescent colors dominated the area, as did an onslaught of teenage girls wearing nothing but skimpy lingerie and knee-highs. Without even the slightest hint of embellishment, I have never seen anything like it. I’m sure it was a teenage boy’s dream. Other than these aforementioned jailbaits, scores of chemically altered, enthusiastic pacifier-suckers, dress-all-in-blacks, ravers and even some folks with beards and normal clothing filled the massive complex by the time we arrived around 8 p.m. Once at the colorful gateway, it was time to enter the Bass and not look back.
After I actually made it through security (which was maybe 10 minutes compared to the hours reviewers spoke of last year), a true “Party Like It’s 1999″ atmosphere arose. I’ve been to several Phish festivals, I’ve been to a couple Bonnaroos and I’ve witnessed countless other music festivals from coast to coast, and not one came close to comparing to the production experienced at EDC 2009. Not even close. Music aside, four out of five stages at the festival were as large or larger than any main stage I’d been to, but it’s not just the size of the stages, or even the festival itself, that made it so unequally impressive. Festival organizers Insomniac put extreme emphasis on appealing and stimulating all five senses of the concert going experience (their slogan is “Wide awake since 1993″). The sound at each stage, even the 90,000-seat Kinetic Field stadium, was amazing. Visually, the immense lighting rigs coupled with the giant laser fields proved to be a hallucination-inducing experience without the LSD. There were several points throughout the weekend where I had to close my eyes, reopen them and realize, shit, I didn’t take any extracurriculars.
Other than the walk in through the main entrance, the festival was kept rather clean (for that many people), with bathrooms readily available and the vending and alcohol was everywhere. Additionally, Ferris wheels and carnival rides could be found everywhere, including on the lawn of the Coliseum! So, for the thousands and thousands of paying festival goers, EDC made everything top-notch, safe, accessible and clean, exactly what all festivals should take into account when planning and executing a vision.
Friday, 06.26
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Diving into the music, there certainly is plenty to talk about. Friday night, much like Saturday, focused each sub-genre of electronic music at a given stage. For the most part, the Bass Pod, which housed all the drum ‘n’ bass and a not-so healthy barrage of craziness, I stayed away from. Other than that, our crew split time between the other stages. After showing up just as Nick Catchdubs was firing on all cylinders and Daedelus was just ending his set, we made it over to the Neon Garden for Computer Club, an act I’d never heard of before. After running into him alongside a few Goth kids at our hotel in the early morning, his sound seemed properly fitting to his sheer size. Loud and intense, but super-funky, CC warmed up the early arrivals perfectly for Fake Blood, the man who says of himself, “I make music, and I take your music and do what I want with it. If swallowed seek medical assistance, will stain clothes, will sound spectacular.” I mean come on, how do you go wrong with that? Opening with Rusko’s Kid Sister’s “Pro Nails,” segueing into a perfectly placed “Big Pimpin’” into M.I.A.’s “Bamboo Banga” into Santigold’s “Creator” immediately immersed Fake Blood, aka Touche’ aka Theo Keating’s, into a frenzy at the Neon Garden.
For all those people who thought EDC was simply a massive rave, all you would need to do to capably discredit that very notion was go see Fake Blood and then make it over to the Coliseum Kinetic Filed for Thievery Corporation. I’d seen Thievery a few times before and knew what to expect, but still, something about seeing them on that grand stage made this show stand out. Gradually building up from just Rob Garza and Eric Hilton on the decks, Thievery seamlessly transitioned into full band format, adding a new member or two as each song developed. Maybe they didn’t notice or maybe they were just enjoying the smooth break, but the so-called “candy kids” were a meandering mass of sweaty souls; a continually enlarging group of glow stick-donning 14-22 year olds, twirling and swirling with each passing rhythm. Honestly, it was quite the sight. Unfortunately, the Thievery set was short lived, as it became time to trek back to the Circuit Grounds for the man of the hour, Pretty Lights.
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Now, unless you’re either not paying attention whatsoever or have been hiding from what’s “in,” you’ll surely recognize that name. Having just seen him, along with Kap10 Harris, Morale and Shane King in San Francisco a few weeks prior, I had extremely high expectations for the former bass player of Fort Collins, CO’s Listen. Needless to say, myself and a crowd of several thousand gathered for the commencement and the sweat-soaked dancing never stopped. For an hour and a half, PL escalated then exploded EDC with a barrage of mash-ups like Rage Against the Machine’s “Bullet in the Head” with Rick Ross’ “The Boss” and M.I.A.’s “Paper Planes” with “Rump Shaker.” Sans the drummer, Derek Smith was a one-man head-banger crew, providing some of the freshest mixes and most crowd pleasing beats EDC saw on Friday. From the front to back, the area was packed and moving; something I figured would translate into a fiery performance from STS9.
Sadly, that never culminated. STS9′s Live PA set was the definitive letdown of the weekend. Being one of the last additions to EDC, a DJ intensive mega festival, the band had an impressive opportunity to be just that, impressive, and gain a whole new allegiance of fans in the electronic world. Without question, a full band set would’ve automatically deterred the masses from stepping foot near STS9 (unless they dropped a Velmer-fueled “Orbital” to open or something along those lines), but the PA set wasn’t much better. Opening with the new “Lion” the midnight to 2 a.m. set began in rather average fashion, certainly not the way to hype a late night crowd at an event called the Electric Daisy Carnival. After a fairly slow start, the crowd eventually began to trickle out and head over to the 60,000 person strong attendance at the Coliseum for headliner Paul Oakenfold or over to the Neon Garden for Boys Noize. While there was a nice “Glogli” fit into the setlist, it still lacked the normal punch the band characteristically plays with. Much to be expected, a Michael Jackson appearance arose with a short “Billie Jean” beat, but the anticipation quickly subsided as the vast majority of STS9′s crowd started heading for the exit.
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After a little more than an hour and a half of their set, we too left and headed over to the end of Boys Noize. Earlier in the night we’d heard him open with “Thriller” and seemingly, he’d never looked back. His crowd was packed likes pigs in a blanket, as the an onslaught of big-eyed, gaping-grinned attendees bobbed and banged away at the closing minutes of the German electro mind-blower, who made the speakers sing, giving those not at Oakenfold plenty to look forward to on Day 2. While there were a few acts I would’ve liked to see, most notably Shiny Toy Guns, Day 1 was a complete success, even by the highest of standards.
Undoubtedly, Day 1 of EDC was, at the most basic of levels, a phenomenal social experiment, the likes of which I’d never been a part of before. While so many of the other concert and festival experiences I’ve encountered felt like social experiments, this first day of EDC proved to be a much grander, more colorful, better planned and supremely executed endeavor, where I never saw a sliver of violence, people that were too far gone or even the slightest inkling of life going wrong. For myself, and the friends that accompanied me, EDC Day 1 was quite the musical, cultural and artistic journey.
Continue reading for Saturday’s coverage…
Saturday, 06.27
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After one of the premier hotel nights and ensuing pool days I can remember, not to mention 80 degrees and sunshine all day, we headed back to the Coliseum and Exposition Center for Round 2 of EDC. While I anticipated a more raucous crowd than the previous night, I truly had no idea what would be waiting in store for Day 2. What I did know was the Kinetic Field would be full of huge trance/techno/house DJs from start to finish, highlighted by Groove Armada, Kaskade and headliner Paul Van Dyk. For those of you reading this that are into electronic music, surely quite a few of you will have had some of your first electronic experiences with the likes of Paul Van Dyk, Crystal Method, Mark Farina and Roger Sanchez (all who also played Saturday night). For others who caught onto electronic sonic hues a little later, Day 2 also boasted Infected Mushroom live, DJ AM, Major Lazer (like whoa!), Diplo (with a special lady friend to be mentioned later) and Simian Mobile Disco, amongst many other performers. If you’d made it through Friday and the controlled chaos that it was, Saturday was taking the leap to the big leagues.
You had better come prepared.
Luckily for us, there were only four in my crew, and we maintained a group philosophy throughout the duration of EDC’s festivities; a logistical and rational means to a greater end of not getting lost and no one losing their shit. Well thankfully, upon arriving on the Coliseum grounds at about 7:15 p.m. on Saturday, we stayed true to sticking together. Put simply, the place was a mad house on Saturday – exponentially crazier, more intense, more people and more nuttiness that Friday seemed to hold in check. Whereas Friday was making it to first base, Saturday was hitting a Grand Slam. But still, EDC and its inhabitants remained in a controlled frenzy. There weren’t cops running around (other than choking out one of about a dozen or so kids we saw sneak in), there weren’t teenage kids falling out everywhere and there certainly weren’t any problems that any of us saw. For all the negative press “raves” get, this event certainly wasn’t on par with any of those expectations. Authority and control were there just enough to keep everyone in check and with ample places to rest your legs, hit the bathrooms and get some alcohol, food and water, and any major fall out was avoided.
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Upon entering Day 2 of EDC, we first attempted to wander over to LTJ Bukem – not by my choice. Drum ‘n’ bass was never my thing and if you throw a MC into the mix, my opinion continues to deteriorate. But alas, we decided to head straight to the Neon Garden for Philly bred DJ AM. I love DJ AM. I loved him before he miraculously survived a small plane crash with Travis Barker of Blink 182 and I love him even more after the set he played at EDC. Whether it was his scorching electro remix of Guns N’ Roses’ “Paradise City,” his remix of Caspa’s “Where’s My Money” or the endless energy throughout his hour set, DJ AM came with his game face on and left the stage with way more people around then when he started. As the crowd rushed towards the front of the stage, AM’s production coupled with the startlingly crisp sound and out-of-this-world visuals were one of the defining moments of the festival. If you don’t know DJ AM, well, you probably should.
After DJ AM finished making all the young ladies shed whatever clothing they still had on, we headed over to the Kinetic Field for a rather back-in-the-day performance. I had first heard Groove Armada back with “4 Tune Cookie” when I first started seeing Phish in the mid-’90s and it was quite odd but enjoyable to see them perform in front of 50,000 people. Just to sit on the third level of the bleachers towards the back of the stadium and watch as the heaping mass of colors swayed to and fro to some drums-driven electronic was an absolutely amazing sight. It was then that all four of us got the timely opportunity to relax, sit on the bleachers and watch as tens of thousands of people lost their shit to “Get Down.” There was something so eerily soothing about that moment, a serene picture with 50,000 people at a heavy electronic show in a massive stadium.
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After a short stint at the main stage, we navigated our way through the ever-exploding crowd to what was possibly the most anticipated set of the festival – Major Lazer. Arriving a little early, we had the chance to catch what was the worst DJ name of the weekend, Bass Weazal. Thankfully, a name doesn’t necessarily translate into a person or sound. Bass Weazel was actually mastering the increasingly swelling crowd, enticing the audience with a healthy dose of big bass with a slice of grime. Now, I’m not fully convinced I’d go see him in San Francisco, but hey, he was there, so was I, and we worked it out.
Major Lazer just may have stolen the show. The combination of Switch and Diplo together raging a 90-minute set of all sorts of electronic tones, from dubstep to electro to heart-pounding, was a complete mind-wobbling killing. This was one of those festival sets where you don’t even care or think about all the other acts that are playing – you tune in and you get down. With a new album out to support, the duo made their way through choice original cuts like “Pon De Dancefloor” and “Hold the Line” while also sifting through their massive catalogues for a delectable taste of Rusko and even threw a little Michael Jackson in there just for fun. Looking around, it was apparent my face wasn’t the only one that was blown by Major Lazer. Everywhere you looked there were sweaty faces, ruffled hair, dirty shins and even a little bit of drool. That’s how you can tell it was a good festival set. Before leaving for Crystal Method at the Circuit Grounds, we stuck around for Le Castle Vania, another sleeper set of the festival. I didn’t know who this guy was but their Daft Punk suite of “Around the World,” “Robot Rock” and “Technologic” had everyone freaking out. Or maybe that was all the consumption.
Regardless, the festival was almost over, but not before a quick stop over at the massively loud, color-filled stage of Crystal Method, where everyone seemed to be dancing and partying even harder (I have no idea how that’s possible). A quick glance over at Mark Farina was all that was needed before heading over to the man of the night, the Mad Decent man, Diplo. All I will say about his set is this: It was about as heavy, bass-driven and wild as anything I’ve seen in a while. Even seeing him on New Year’s in San Francisco didn’t quite compare. Oh yeah, this recently minted mother that goes by the name of M.I.A. made not one but two appearances alongside a guy who’s already impressive production credits are just beginning. Dropping “Paper Planes” as M.I.A. made her night-capping appearance, the crowd roared about as loud as it got all weekend, then, as Justice’s “Phantom” hit the speakers, Diplo left and other than a few weird minutes of Simian Mobile Disco, our time at the Electric Daisy Carnival was over.
EDC was not only successful at throwing the biggest party I’ve seen in this country, but also the most well thought-out, put together and executed gathering I’ve ever experienced. Even if you aren’t that into electronic music you would’ve had quite the time.
Continue reading for more pics of Electric Daisy Carnival 2009…
Images by: Ceasar Sebastian
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JamBase | Hands In Da’ Air
Go See Live Music!
Michelle Obama In Ghana (PHOTOS)
The first family started their day at the Vatican, and ended it in Ghana.
For her arrival in Africa, Michelle Obama wore a classic look: a slim-fitting black dress, a strand of pearls, and her hair in a bun.
See photos below. The slideshow w…
Eight British soldiers killed in Afghanistan in a day
• Eight UK soldiers killed in 24 hours
• Afghan death toll eclipses that in Iraq
• Brown warns of ‘very hard summer’
Ministers were bracing themselves for an increasingly bloody conflict in Afghanistan as it became clear that a further eight British soldiers have been killed in 24 hours, the worst combat death toll since the war began.
Five troops were killed in a single incident after they were caught in a bomb blast while on foot patrol. Officials confirmed that 15 troops have been killed in the last 10 days. With the government’s handling of the conflict under increasing scrutiny, Gordon Brown was forced to defend the Afghan mission as he left the G8 summit in Italy. Before heading directly to a private briefing at the military’s operational headquarters at Northwood, Middlesex, he warned of a “very hard summer … It’s not over”.
Speaking at a press conference at L’Aquila before the latest deaths had been announced, with his voice faltering Brown voiced his sympathy for the families of those who have died.
He said: “There is a chain of terror that runs from the mountains and towns of Afghanistan to the streets of Britain. Our resolution to complete the work we have started is undiminished.
“It is in tribute to the members of our forces who have given their lives that we should succeed in the efforts we have begun.”
Bob Ainsworth, the defence secretary, said the conflict was “winnable” but warned there would be no early end to the fighting. “I do believe that we are making progress and I do believe that this is winnable, but it is not winnable in the short term,” he told the BBC. “We are going to have to … get behind our armed forces who are doing the brave fighting.”
The daybegan with the confirmation of two deaths in Helmand province the previous day: one from 4th Battalion The Rifles by an explosion while on foot patrol; the second from the Princess of Wales’s Royal Regiment, during a battle with insurgents near Lashkar Gah, the provincial capital. Later, a third soldier from the 2nd Royal Tank Regiment was confirmed as having been killed when the Viking armoured vehicle in which he was travelling was hit.
Then there was worse news as it was confirmed that five troops had died and others were injured in a bomb blast. The deaths took the total number of fatalities in Afghanistan to 184, five more than the total lost in the Iraq conflict.
As the death toll grew, there were poignant scenes at Wootton Bassett, Wiltshire as five coffins draped with the union flag arrived at RAF Lyneham and were met by sombre crowds on the town’s streets.
Relatives of lance corporal Dane Elson, 22, from Bridgend, south Wales, of The 1st Battalion Welsh Guards, wept as the hearse carrying his body passed.
His girlfriend, Claire Wells, 23, was ushered forward and placed two roses on the hearse carrying his coffin. Wells said she had planned to live the rest of her life with Elson. “Now I’ll never see him again, I can’t bear it,” she said. Wells added that she did not believe the troops ought to be in Afghanistan. “They are fighting a war that we cannot win,” she said. “There are too many of our lads dying.”
Nick Clegg, the Liberal Democrat leader, who broke the consensus among party leaders this week when he criticised the government’s strategy in Afghanistan, said: “This tragic milestone must be a reminder to all of us of the huge sacrifices made day after day by our brave service men and women and their families. The courage and professionalism of our armed forces are second to none.”
Bernard Jenkin MP, a member of the Commons defence select committee, said: “It is astonishing that we are fighting high intensity operations the scale of Afghanistan on a peacetime budget without enough protection mobility and with fewer helicopters per head for armed forces than we had three years ago.”
Sun Valley Media Conference Photos: Mogulmania Day 3!
The Allen & Company retreat in Sun Valley wound down Friday, but not before we were able to catch glimpses of several moguls for the first time this year.
Familiar names like Jeff Zucker, Brad Grey, Jerry Yang, Jeffrey Katzenberg, Mike Ovitz,…
Carol Peasley: Finding Optimism on World Population Day
This World Population Day, July 11, is time to think about the “big picture.” Because population is a complex issue, that at its heart concerns…
England must dig deep – Anderson

James Anderson says England must polish off Australia’s lower order and then produce a strong second innings batting performance on day four in Cardiff.
Day three of the first Ashes Test finished with Australia 44 runs ahead on 479-5.
"It was tough for us but at least I managed to get a couple of wickets," said Lancashire paceman Anderson.
"We haven’t bowled consistently well enough in this game and we need to be quite aggressive in the morning."
The weather could have quite a say in the match on Saturday, with rain forecast.
On Friday, England took no wickets between lunch and tea as Michael Clarke and Marcus North virtually batted the home side out of contention.
But Clarke was among those to describe the pitch as a good one for batsmen.
"The wicket’s nice and very good to bat on," said the Australian, who fell late in the day for 83, becoming the first dismissal under floodlights in Test cricket in Britain.
TOM FORDYCE BLOG
"Hopefully the rain can stay away on Saturday and we can go on and get a good lead. If we can get a bit of sunshine, with no rain, then come day five the wicket might really turn for us.
"Hopefully we can make England bat last on that wicket."
Anderson said he felt an improvement in his own performance.
"I bowled a lot better this morning. On Thursday I didn’t hit my straps and didn’t have much rhythm. But all credit to them, they played very well in the middle session and made it very difficult for us to bowl at them.
"But we know what to do in the morning. It’s still a good pitch, the guys have all got in in the first innings, the pace is quite slow and hopefully we can put a big score on."
This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.
Clarke & North make England toil
First Ashes Test, Cardiff (day three, stumps):
England 435 v Australia 479-5
Coverage: Test Match Special commentary on BBC Radio 5 Live sports extra, BBC Radio 4 Long Wave, Red Button and BBC Sport website, plus live text commentary on BBC Sport website and mobiles. Live on Sky Sports
Match scorecard

By Oliver Brett
Australia maintained their solid position on day three in Cardiff, leading England by 44 runs with five wickets in hand in the first Test.
Rain knocked 22 overs off the day’s play, leaving the Aussies on 479-5 after an historic late-evening session played under floodlights.
Three wickets did fall in the morning, Australia going to lunch on 348-4 from an overnight position of 249-1.
But Michael Clarke (83) and Marcus North (54) then put on 143 in 42 overs.
The left-handed North batted calmly and patiently on his Ashes debut, and will be there again on Saturday morning after facing 131 balls thus far.
Clarke showed his acumen against spin and was generally unperturbed against the seamers too as he played a more positive role.
TOM FORDYCE BLOGTom reports from Cardiff
But late in the day he was surprised by a Stuart Broad bouncer which he gloved behind as he attempted a pull, leaving him just shy of a first Test century in England in his sixth appearance.
While Friday’s rain was largely unexpected, further heavy showers are forecast from around noon on Saturday – so the odds favour a draw despite Australia’s dominant position.
However England, whose chances of going 1-0 up with four to play appear to have completely evaporated, may yet find themselves battling to avoid defeat on the final day.
Friday dawned brightly in south Wales, with Ricky Ponting and Simon Katich resuming their marathon partnership.
Aussie skipper Ponting soon advanced his score with two boundaries, flogging a Monty Panesar long-hop through the covers and driving a Graeme Swann full toss down the ground.
Katich leant into a cover-drive off Panesar for his first boundary of the morning, and followed up with a square-cut off Swann that sped to the ropes. Australia were quickly re-establishing their dominance.

Nine overs into the day the second new ball became available and the scoring remained rapid, although Ponting had a bit of good fortune when steering an Anderson ball just wide of Kevin Pietersen in the gully at catchable height.
Finally, the stand was ended by James Anderson, Katich falling lbw for 122 to a yorker-length ball from Anderson that actually swung, unlike anything sent down by England on day two. Katich and Ponting had been together for 70 overs, adding 239.
Flintoff was bowling extremely quickly and his bouncers were not played with any ease by either Ponting or the new man Michael Hussey. Ponting top-edged one hook just over Panesar at fine-leg for the first six of the series, though it was a no-ball, and both men received painful blows.
But it was Anderson who picked up the second wicket of the morning, persuading Hussey to drive outside off-stump, the left-hander tickling an easy catch to wicketkeeper Matt Prior.
Skipper Ponting continued to make progress, until Panesar picked up his first Test wicket since the Trinidad Test in March, the slow left-armer’s fifth ball of a new spell providing the biggest prize of the day.
Ponting, on 150, could only get a bottom-edge to crash into his stumps as he attempted a cut shot, and at lunch Australia were still 87 runs behind and perhaps no longer targeting the sort of huge score that had been in their sights at the start of play.
But the session between lunch and tea in this Test has proved a graveyard shift for the bowlers – and so it proved once again with not a wicket to be had. In three days just one man has been dismissed in the middle session – Phillip Hughes on day two.

North got off the mark with a crisp on-drive for four off Broad, who was also cover-driven elegantly by Clarke. Frankly, Broad was not much of a threat but Andrew Strauss persisted with him.
At the other end Panesar had his moments, but Clarke hit him for an effortless straight six, and when Swann came on another fine drive, this time for four, brought Clarke his half-century.
North, patient against the seamers, started to play freely against the spinners and when Clarke pulled Flintoff powerly to the midwicket fence Australia moved into the lead.
At tea the Aussies were sitting very prettily indeed on 458-4, with Clarke on 70 and North on 50, but just three overs and five runs later the rain came down.
It took nearly two hours to get the players back out again, whereupon Clarke punched an exquisite back-foot drive off Flintoff to the extra-cover boundary.
Six overs were played under the Cardiff lights – it was the first time a Test match in Britain had been artificially lit – and while North continued to accumulate tidily, England had the consolation of removing a very dangerous-looking Clarke.
This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.
NGOs call for Srebrenica remembrance day
A group of 100 NGOs has called on President Boris Tadić to support a motion to mark July 11 as a Day of Remembrance for the Victims of Srebrenica. NGO representatives gathered in Pioneer Park, near the Presidency, to read out a letter to Tadić, stating that acknowledgment of the victims of “the greatest crime of crimes“ should constitute the first step towards building a common remembrance encompassing all the victims of war crimes perpetrated in the former Yugoslavia.
Afternoon Muslim prayers a test for China’s Xinjiang
Hundreds of Uighur Muslims crowded into at least one mosque in riot-stricken Urumqi on Friday. It came after authorities relented on a decision to close mosques for the main day of prayer to minimize ethnic tension.













Diplo
Green Britain Day is a PR distraction
Greening Britain is a serious goal that requires a vision underpinned by real policies with meaningful outcomes
I’d like to declare today to be Greenwash Day. To celebrate that relatively modern phenomenon of companies trying to sell themselves as being rather greener and more ethical than they really are. Today would be an apt day, it is after all – Green Britain Day. Where’s the Greenwash in that? Oh, where to start.
Green Britain day comes to us courtesy of EDF. That’s Electricité de France to give them their full name. EDF is a state-owned French nuclear power company. They are also the world’s biggest corporate producer of nuclear waste, one of the biggest traders and burners of coal, and have a tiny tiny fleet of windmills (0.7% of their generation). And to promote this campaign they’ve “borrowed” (as Fred Pearce gently puts it) someone else’s logo – the green union flag. This flag symbolises two things: care for the environment and British identity. EDF can claim, of course, neither.
This really does take greenwash to a whole new level. It could almost be the plot of a farce. If it wasn’t for the fact that EDF is seriously intent on convincing us in Britain that it – and nuclear energy – are green and good for Britain.
Stealing someone else’s clothes is not a new tactic in the world of dirty big business. And neither is greenwash.
A few years ago the UK witnessed “fairwash”, where years of pioneering work on the concept of Fairtrade were swamped by a tidal wave of big-budget corporate lookalike schemes. Everybody and their brother now has a version of Fairtrade. It might be tempting to say where’s the harm in that, the more people doing it the better. Well yes, if they truly are doing it, I would agree. But that’s not how this usually goes down. When big brands move into the ethical arena it’s for the kudos, to look like a better company, to follow a new trend and gain sales – it isn’t for the cause, it’s for their cause, which is of course to make money and to add “shareholder value”.
Pale corporate imitations of green and ethical brands or products are truly harmful. They distract consumers and divert spending from the real thing and they bring the risk of early onset “issue fatigue”. You know how it goes – yawn, yawn, here’s another company that says it pays its suppliers a decent price because it really cares about them or says it’s really committed to fighting climate change. Or whatever …
Maybe we need a regulator for environmental and ethical claims. We’ve got Ofgem for electricity and Ofwat for water – I propose we should name this one Ethoff.
Let’s come back to Green Britain Day. The campaign itself has laudable aims, fighting climate change and making Britain a greener place. Who could argue with that? But look for any substance and you won’t find it. It’s all recycled and gimmicky.
And it’s a distraction. Green Britain is a serious goal, it requires a vision underpinned by real policies, a suite of joined up actions that we can all get behind – with meaningful outcomes. It’s a mission not a PR opportunity.
• Dale Vince is the founder and owner of Ecotricity