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Posts Tagged ‘Domino’

Chief Sign To Domino Records Free Single “Mighty Proud”

CHIEF SIGN TO DOMINO RECORDS AND GIVE AWAY FIRST SINGLE, “MIGHTY PROUD”

Chief

Chief have officially signed to Domino Records, and have digitally released their first single, “Mighty Proud,” on the venerated label. Also featured is the B-side “Stealing.”

Chief create rollicking melodic music which captures a time where storytelling was at the core of composition, and bands were followed by fans who believed in what they stood for and knew all the words to prove it. “Mighty Proud” and “Stealing” are as care free as they are filled with purpose. Evan Koga (vocals/guitar), brothers Danny and Michael Fujikawa (vocals/guitar and drums, respectively), and Mike Moonves (bass) evoke nostalgia in their earthy, freewheeling rock that is sure to resonate with fans who crave something more than the fare offered by flash-in-the-pan bands.

Originally from Los Angeles, Chief officially formed while living in New York attending the creative hotbed of NYU. Having recently returned to Santa Monica, CA, the band are making preparations to record their debut album for Domino Records with Grammy award winning producer Emery Dobyns (Antony & the Johnsons, Suzanne Vega, Noah and the Whale) for a spring 2010 release.

The band’s first official release appeared on London’s Chess Club label, featuring these two tracks as a limited edition 7″ for the U.K. alone.

In addition to Chief playing Glastonbury this year, “Mighty Proud” received multiple plays at BBC Radio 1 (Zane Lowe), BBC Radio 2, and XFM Evening Playlist, to name a few. Stateside, Seattle’s KEXP has come on as an early supporter surrounding their select 2009 CMJ shows.


“Jersey Shore” Controversy: Domino’s Pulls Ads, New Jersey Tourism Officials Worry

Did you catch the series premiere of Jersey Shore? Do you find it offensive?
Dough! Domino’s just says “No” to guidos!
On Friday, Domino’s abruptly pulled their ads from all future broadcast of Jersey Shore, a controversial new docu-soap raising cain on MTV.
A rep for the pizza chain tells TMZ, “The content of this particular program [...]

The Avett Brothers: Spring Tour

THE AVETT BROTHERS ANNOUNCE 2010 SPRING TOUR

AUSTIN CITY LIMITS PERFORMANCE ON JANUARY 23

The Avett Brothers

The Avett Brothers are thrilled to announce their 2010 spring tour dates. With their critically acclaimed Rick Rubin produced album I and Love and You debuting at number 16 on the Billboard charts and selling over 40,000 units during the first week alone, these North Carolina rockers haven’t shown any signs of slowing down.

Beginning their spring tour on February 4 in Athens, OH the band will travel throughout the U.S. and end up in Cumberland, MD on May 28 (see below for full itinerary).

The Avett Brothers recently taped a special performance for PBS’ Austin City Limits. Austin City Limits is the longest-running music series in American television history. With this performance, The Avett Brothers join the celebrated ranks with music legends and innovators from every genre including the likes of Willie Nelson, Johnny Cash, Jerry Lee Lewis and Fats Domino. This momentous performance will air January 23 on PBS.

This year, the brothers have been wowing late night audiences across America with performances on The Late Show with David Letterman, The Late Late Show with Craig Ferguson and more recently, Late Night with Jimmy Fallon where they debuted their second single “Slight Figure of Speech.”

The video for “Slight Figure of Speech” premiered this week on the comedy site, FunnyOrDie.com, with a guest appearance by funny man Andy Daly. The video was directed by fellow North Carolina native Jody Hill, the brain behind HBO’s cult classic “Eastbound & Down.” You can watch it here:

The Avett Brothers Tour Dates

12/30/09 Wed Tennessee Theatre Knoxville, TN

12/31/09 Thu Asheville Civic Center Asheville, NC (w/ Langhorne Slim)

01/01/10 Fri Fox Theatre Atlanta, GA (w/ Langhorne Slim)

01/03/10 Sun Granada Theater Dallas, TX (w/ Samantha Crain & the Midnight Shivers)

02/24/10 Wed Ohio University Athens, OH (w/ The Low Anthem)

02/26/10 Fri The State Theater Ithaca, NY (w/ The Low Anthem)

02/27/10 Sat House Of Blues Cleveland, OH (w/ The Low Anthem)

02/28/10 Sun Murat Egyptian Room Indianapolis, IN (w/ The Low Anthem)

03/02/10 Tue Missouri Theatre Columbia, MO (w/ The Low Anthem)

03/03/10 Wed Rose State College Midwest City, OK (w/ The Low Anthem)

03/05/10 Fri First Avenue Minneapolis, MN (w/ The Low Anthem)

03/06/10 Sat Turner Hall Ballroom Milwaukee, WI (w/ The Low Anthem)

03/07/10 Sun House of Blues Chicago, IL (w/ The Low Anthem)

03/09/10 Tue Michigan Theatre Ann Arbor, MI (w/ The Low Anthem)

04/17/10 Sat Fox Theater Oakland, CA

04/18/10 Sun Grand Sierra Theatre (Reno Hilton) Reno, NV

04/20/10 Tue Boulder Theater Boulder, CO

04/21/10 Wed Boulder Theater Boulder, CO

04/23/10 Fri Rialto Theatre Tucson, AZ

04/24/10 Sat Mesa Arts Center – Ikeda Theater Mesa, AZ

04/25/10 Sun Stagecoach Music Festival (Empire Polo Fields) Indio, CA

04/27/10 Tue Crest Theater Sacramento, CA

04/28/10 Wed Arlington Theatre Santa Barbara, CA

04/29/10 Thu House of Blues San Diego, CA

05/02/10 Sun MerleFest Wilkesboro, NC

05/29/10 Sat DelFest Cumberland, MD

For more on The Avett Brothers see our exclusive feature/interview here.


IBM Takes Lotus Domino Native with iPhone, Offers Free Lotus Domino Designer

IBM Lotus Domino 8.5.1 features native support for Apple’s iPhone, leveraging Microsoft’s ActiveSync technology in its Lotus Notes Traveler mobile device software. E-mail, contacts and calendar data from Lotus Domino will synchronize over the air to the iPhone, helping corporate iPhone users get their messaging information in real-time. IBM this week also made its Lotus Domino Designer 8.5.1 application development tools available free so programmers can build new business applications, which will ultimately help Notes and Domino get more traction.

IBM made good on its May pledge to bring native support for Apple’s iPhone to its Lotus
Domino 8.5.1 messaging server, via the Lotus Notes Traveler mobile device software.
Thanks to IBM Lotus Notes Traveler’s support for
Microsoft’s ActiveSync protocol, e-mail, contacts and calendar…


Pavement Reunion Confirmed! Tix for 9/21/10 pre-sale tomm

Pavement Reunion Tour Confirmed for 2010


Pavement

Yesterday we told you about the rumors of a Pavement reunion, today we are confirming it!

After years of speculation, one of – if not the – most important American band of the Nineties is returning to the stage with the lineup of Mark Ibold, Scott “Spiral Stairs” Kannberg, Stephen Malkmus, Bob Nastanovich and Steve West reuniting for dates around the world in 2010. Please be advised this tour is not a prelude to additional jaunts and/or a permanent reunion.


Described in their own Wikipedia entry as having experienced “moderate commercial success,” Pavement’s catalog for the Matador, Domino, Drag City and Treble Kicker imprints has come to define in the eyes of many the blueprint for independent rock over the past generation. An evidentiary compilation release is planned to coincide with the touring sometime in 2010.

The first show announced is a New York performance on September 21, 2010 at Rumsey Playfield in Central Park. A pre-sale begins at 10:00 a.m. EDT on Friday, September 18, 2009 (tomorrow). The password for the pre-sale is ZOWEE and the ticketing link is www.ticketmaster.com/event/00004330A3C355DD. The general on-sale is slated for 10:00 a.m. EDT on Friday, September 25, 2009. Please note that tickets will be available without surcharges from the Nokia Theatre box office in Times Square and from Earwax at 218 Bedford Avenue in Williamsburg.


Please visit http://www.crookedrain.com for details on this on-sale as well as all Pavement news as it develops.


Dirty Projectors: Clear Vision

By: Andrew Bruss

Dirty Projectors

For a group that’s been touring and recording for the better part of the past decade, Dirty Projectors didn’t break into the blogosphere hype machine until the second half of 2009. The release of their latest studio album, Bitte Orca (released June 9 on Domino), has earned them billing on an array of major festivals, an opening slot on tour with TV On The Radio, and the very public adoration of both David Byrne and Bjork.

Their lineup has changed drastically over the years, boasting more ex-members than they currently have on the road with them, but it seems as though things are finally settling into place for Dirty Projectors. They’ve been touring behind a steady lineup, making fans across the country, and it seems as though Bitte Orca is likely to find its way to many “Best Of ’09″ lists.

With all that’s been going on in their world, JamBase caught up with Angel Deradoorian, keyboardist, guitarist, and backup vocalist for Dirty Projectors, to get a feel for the inner workings of the group and discuss the direction things are headed in.

JamBase: How did you get involved with the band?

Angel Deradoorian: [Dirty Projectors' founder and principle songwriter] Dave [Longstreth] invited me to be in the band when I moved to New York and I’d known Amber [Coffman, vocals/guitar] previous to that. Dave was looking for a new person so he invited me [to join the band].

So, as someone relatively new to the group, why do you think the latest album, Bitte Orca, has received so much more attention than the group’s previous studio works?

We’re working really hard. We toured really hard on [our reimagined cover of Black Flag's] Rise Above, to push that record and to get the word out and I think things are building up a bit more. But, Dave has been working really hard for a long time. Eventually, I think with hard work you get recognized, and the fact that we pushed the Rise Above stuff until people realized how motivated we all were it helped to get the word out on Bitte Orca.

Is it tough getting the tunes to transfer into the live setting?

Dirty Projectors by Greg Neate

For the new record it was tough. I switched my musical role a bit in the band and we had new people come in, so it was like starting over and learning a lot of new material with new people. Working out those parts together isn’t always easy, but we did it. We got it.

What instruments are the new members playing?

So, there used to be four people in our band – me, Dave, Amber and Brian [Mcomber, drums] – and we brought in Nat [Baldwin, bass] and Haley [Dekle, vocals].

How did the group come to the conclusion that more members were needed?

We knew we needed new people because of the instrumentation on the new record. We needed help playing these songs live so they sounded similar to what we recorded.

I know Dave is the longest running member of the band. Is Dirty Projectors his group or is it a democracy?

It is Dave’s group. It’s been his project for a long time.

So, what kind of creative input do the other members have? Do other members in the group write songs or help with making set lists? Or is that all up to Dave?

Angel Deradoorian – Dirty Projectors

It’s usually up to Dave. He writes the music, but we are part of the process because we’re all in this together, making music and making our sounds.

Are you working on getting another album ready, or is the group focused on touring behind Bitte Orca?

We just released Bitte Orca in June so we’re just touring and promoting it right now. We’re getting it going, so it’s going to be a while before we make another record, but we’ve always planned on making another record.

Are things stressed within the group? Is it more difficult being under the public lens now that things are picking up or are people psyched about the response? What’s the affect like within Dirty Projectors?

It’s a lot being on tour and doing press and balancing all of these things, and being tired and wanting to rest for a bit. We’ve been on tour for two months at this point, but we’re excited about the feedback we’re getting for the record and how supportive everyone has been.

How do you feel about doing press? Does it feel like a chore or do you enjoy it?

Doing press? That depends… it depends on where you’re at. It isn’t always fun to do when you’re on tour because you’re working so hard as it is. But nobody is anti-press. It’s a good thing that helps the band.

David Byrne sat in with you guys at the Bonnaroo Music Festival. How did that come to be?

Dirty Projectors from last.fm

I’m not sure. I think Dave and David [Byrne] spoke about it before hand. It was Byrne’s curate stage [that we were performing on], and he came around checking out the band. I didn’t know until right before he came onstage [that he would be performing with us]. So, I was pretty surprised.

Did it throw you off? Or did it psych you up?

It was totally awesome. It didn’t throw me off. Big festivals are a little intimidating but we’re getting more used to it now, and we’re playing larger audience capacity rooms.

When you think about the ideal Dirty Projectors performance, is it in a nightclub, a theater, a festival or an amphitheater?

Personally, I like playing smaller shows and slightly dingy venues [but] not like dingy bars. If you’re playing where everyone is going to be psyched, and everyone in the room has the same feeling of excitement about what is going to happen, that helps. A lot of what makes a band great is the audience and their reaction.

So, if Bitte Orca went platinum overnight and you guys found yourselves playing arenas on a nightly basis, would you be stoked or would you consider that to be less than ideal for a performance?

I have no idea [laughs]. Sorry. If I had something to compare that to I would have something to tell you, but I have no idea. We played last night to about five thousand people at the Brooklyn Waterfront in Williamsburg.

If you were going to summarize the essence of Dirty Projectors, how would you summarize it?

That’s a hard question to answer. We’re just a really vocal oriented band. It’s always really hard to answer that question. I’d like to pass on this one.

How about the fans? Do you appeal to a specific demographic?

Dirty Projectors from last.fm

Our audience has expanded as we’ve become more recognized, but usually it’s a cool, diverse crowd at every show. I like that they go in that direction instead of one targeted demographic.

Do you think there’s a genre you guys fall into?

Not particularly. I think we cover a pretty broad array of sounds, and I think people need to find things in your music that they can associate with one word. I’m not trying to sound pretentious or avoid answering this question, but it is difficult to describe it. I haven’t really thought about what the music is. It could fit into many different genres I suppose.

Where do you want Dirty Projectors to be in a year? Do you expect things to keep up at this pace?

Things are becoming much more positive and our career is starting to bloom, so in a year? I think we’re moving in an upward direction, so I’d like to be playing new songs and maybe playing some festivals in Europe or something like that.

As far as new songs, are you looking to write new material or is it understood that Dave exclusively writes new material?

Just Dave. I have my own project I write for, so I’ve never thought about writing for Dirty Projectors.

Ever think about opening for Dirty Projectors?

Nope [laughs]! That would be too hard.

As a solo recording artist with her own thing going on, what do you bring to the Dirty Projectors?

Every person in this band is very individualistic. We work well together, so I don’t know if any of my style musically has much to do with what I bring to the band because I learn what Dave writes. Ultimately, everyone’s personality goes into the band individually in its own way.

Dirty Projectors are on tour now; dates available here.

JamBase | Projecting
Go See Live Music!


Arctic Monkeys:Humbug

By: Dennis Cook

It appears Arctic Monkeys are in for the long run. At least that’s the impression their fabo third full-length, Humbug (released August 25 on Domino), conjures, as the cheeky U.K. whippersnappers grow whiskers and heap on winning complications to what was already a fine formula. A contender for bloody sexiest album of ’09, Humbug oozes hot ‘n’ bothered contemplation, harnessing something stickier and messier to their razor sharp tales of counsel flat living, only furthering the impression that singer-guitarist-songwriter Alex Turner and his mates are today’s closest kin to The Jam and The Kinks going.

The Monkeys’ debut stands as one of the finest in the past 20 years and the follow-up, Favourite Worst Nightmare, shored up their strengths and lost little momentum, but Humbug hints that we’re perhaps looking at the next great British band, following in the footsteps of Blur, Oasis and Radiohead, who each grew by leaps and bounds with their third releases. One can smell the ambition here, and there’s an appealingly restless creativity to the musical settings, aided ably by producers James Ford (Klaxons, Simian Mobile Disco, Peaches) and Josh Homme (Queens of the Stone Age, Eagles of Death Metal). The Monkeys’ continue to graft the hip swing of clubland to smartly jaundiced observations and prickly punkish propulsion, but there’s increased whiffs of bittersweet understanding on this addictively listenable collection that shows these lads are fast becoming fully fleshed men.

JamBase | Getting Warmer
Go See Live Music!


Penelope Andrew: Jacqueline Bisset, Actress with Legendary Film Pedigree, Stars in Death in Love Filmed, Set & Opening in NYC

The film is set in New York City in the 1990s. Yakin, a native New Yorker, shot the film in 25 days and financed it himself.