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JAZZ: The Smithsonian Anthology

INCLUDES 111 TRACKS, 200 PAGE BOOK OF ESSAYS,
TRACK ANNOTATIONS AND HISTORICAL
PHOTOS


JAZZ: The Smithsonian Anthology

Seven years in the making, JAZZ: The Smithsonian Anthology will be released by Smithsonian
Folkways on March 29, 2011. The six-CD box set traces the turning points of this 20th-century tale through its
legendary innovators and exemplary exponents: Armstrong, Ellington, Basie, Parker, Gillespie, Davis, Hancock,
Corea, Coltrane
and many more. The set opens with Scott Joplin‘s 1899 “Maple Leaf Rag” and spans
the entire century, closing with Tomasz Stan´ko‘s 2003 “Suspended Night Variation VIII.”

As the successor to the original 1973 milestone Smithsonian Collection of Classic Jazz, the set has been
substantially updated with more than eighty percent new selections. In its nearly eight hours of music, many
hundreds of musicians are featured on 111 tracks, and the set is accompanied by a 200-page book of essays, track
annotations and historical photos. The six CDs encompass ragtime, New Orleans, swing, bebop, hard bop, cool,
modal, free, fusion, Latin and many more of the variegated creations in jazz’s magnificent sound mosaic.

A blue ribbon executive committee selected the final 111 recordings from thousands of tracks recommended by
dozens of jazz experts, and with annotations contributed by a team of 35 scholars and educators, JAZZ
offers a wellspring resource for jazz fans of all stripes – educators, students, musicians, beginners and
aficionados.

Click here for more information.

JAZZ: The Smithsonian Anthology Track List:

Disc 1
1. Maple Leaf Rag – Dick Hyman

2. In Gloryland – Bunk’s Brass Band

3. Livery Stable Blues – Original Dixieland Jazz Band

4. Dipper Mouth Blues – King Oliver’s Creole Jazz Band

5. The Stampede – Fletcher Henderson and His Orchestra

6. Black Bottom Stomp – Jelly Roll Morton and His Red Hot Peppers

7. Singin’ The Blues (Till My Daddy Comes Home) – Frankie Trumbauer And His Orchestra

8. Back Water Blues – Bessie Smith and James P. Johnson

9. Black And Tan Fantasy – Duke Ellington And His Orchestra

10. From Monday On – Bix Beiderbecke & Paul Whiteman and His Orchestra

11. West End Blues – Louis Armstrong and His Hot Five

12. Weather Bird – Louis Armstrong and Earl Hines

13. That’s a Serious Thing – Eddie Condon’s Hot Shots

14. Handful of Riffs – Eddie Lang and Lonnie Johnson

15. You’ve Got to Be Modernistic – James P. Johnson

16. Moten Swing – Bennie Moten and His Kansas City Orchestra

17. Everybody Loves My Baby – The Boswell Sisters

18. Maple Leaf Rag – Sidney Bechet

19. Dinah – Fats Waller and His Rhythm

20. Swing That Music – Louis Armstrong and His Orchestra

21. Honky Tonk Train Blues – Meade “Lux” Lewis

22. Mean To Me – Billie Holiday with Teddy Wilson and His Orchestra

23. For Dancers Only – Jimmie Lunceford and His Orchestra

24. One O’Clock Jump – Count Basie and His Orchestra

25. Harlem Congo – Chick Webb and His Orchestra

Disc 2

1. Minor Swing – Quintette du Hot Club de France

2. Mary’s Idea – Mary Lou Williams with Andy Kirk and His Clouds of Joy

3. When Lights Are Low – Lionel Hampton

4. Body and Soul – Coleman Hawkins and His Orchestra

5. Honeysuckle Rose – Benny Goodman and His Orchestra

6. Tiger Rag – Art Tatum

7. Ko-Ko – Duke Ellington and His Famous Orchestra

8. Hard Times (Topsy Turvy) – Cab Calloway and His Orchestra

9. I Can’t Believe That You’re In Love With Me – The Chocolate Dandies

10. Stardust – Artie Shaw and His Orchestra

11. Let Me Off Uptown – Gene Krupa and His Orchestra

12. Shaw ‘Nuff – Dizzy Gillespie’s All-Star Quintette

13. Manteca – Dizzy Gillespie and His Orchestra

14. Virgo from The Zodiac Suite – Mary Lou Williams

15. Dexter Rides Again – Dexter Gordon

16. I Want to Be Happy – Lester Young – Buddy Rich Trio

17. Indiana – Bud Powell

18. Embraceable You – Charlie Parker Quintet

19. Four Brothers – Woody Herman and His Orchestra

20. Misterioso – Thelonious Monk Quartet

21. Lady Bird – Tadd Dameron Sextet

22. Tanga – Machito and His Afro-Cuban Orchestra

23. September in the Rain – The George Shearing Quintet

24. WOW – Lennie Tristano Sextet

Disc 3

1. Boplicity – Miles Davis Nonet

2. The Golden Bullet – Count Basie Octet

3. Popo – Shorty Rogers and His Giants

4. Walkin’ Shoes – The Gerry Mulligan Quartet with Chet Baker

5. 23 Degrees North, 82 Degrees West – Stan Kenton

6. Daahoud – Clifford Brown – Max Roach Quintet

7. Django – The Modern Jazz Quartet

8. The Preacher – Horace Silver and the Jazz Messengers

9. I’ll Remember April – Erroll Garner Trio

10. Jonaleh – The Chico Hamilton Quintet

11. Tricrotism – Lucky Thompson Trio

12. St. Thomas – Sonny Rollins

13. Call For All Demons – Sun Ra and His Arkestra

14. When I Grow Too Old to Dream – Nat “King” Cole and His Trio

15. Stompin’ at the Savoy – Louis Armstrong and Ella Fitzgerald

16. Blues in the Closet – Stan Getz and J.J. Johnson

17. Ol’ Man River – Oscar Peterson Trio

18. Summertime – Miles Davis: orchestra under the direction of Gil Evans

Disc 4

1. Moanin’ – Art Blakey & the Jazz Messengers

2. Meet B. B. – Count Basie and His Orchestra

3. So What – Miles Davis Sextet

4. Giant Steps – John Coltrane Quartet

5. Better Git It in Your Soul – Charles Mingus

6. Blue Rondo à la Turk – The Dave Brubeck Quartet

7. Ramblin’ – Ornette Coleman Quartet

8. Work Song – Cannonball Adderley

9. Wrap your Troubles In Dreams – Sarah Vaughan

10. My Favorite Things, Part 1 (Single Version) – John Coltrane Quartet

11. Waltz For Debby – Bill Evans

12. Round Midnight – George Russell Sextet

13. Cotton Tail – Ella Fitzgerald with the Duke Ellington Orchestra

Disc 5

1. One by One – Art Blakey & the Jazz Messengers

2. The Girl From Ipanema – Stan Getz and Astrud Gilberto

3. A Love Supreme Part I: Acknowledgement – John Coltrane Quartet

4. E.S.P. – Miles Davis Quintet

5. Haig & Haig – Clark Terry – Bob Brookmeyer Quintet

6. King of the Road – Jimmy Smith and Wes Montgomery

7. Isfahan – Duke Ellington and His Orchestra

8. The New National Anthem (from A Genuine Tong Funeral) – Gary Burton

9. Matrix – Chick Corea

10. Miles Runs the Voodoo Down – Miles Davis

11. Celestial Terrestrial Commuters – Mahavishnu Orchestra

12. Watermelon Man – Herbie Hancock

13. Long Yellow Road – Toshiko Akiyoshi – Lew Tabackin Big Band

14. Jitney No. 2 – Cecil Taylor

15. Bright Size Life – Pat Metheny

Disc 6

1. Maple Leaf Rag – Anthony Braxton and Muhal Richard Abrams

2. Birdland – Weather Report

3. My Song – Keith Jarrett

4. Iya – Irakere

5. Bush Magic – Art Ensemble of Chicago

6. Steppin’ – World Saxophone Quartet

7. The Glide Was in the Ride – Steve Coleman Group

8. Manenberg (Revisited) – Abdullah Ibrahim

9. Nothing Personal – Michael Brecker

10. Airegin – Tito Puente

11. Down the Avenue – Wynton Marsalis Septet

12. Ting Ning – Nguyên Lê

13. Kilayim – Masada

14. Hey-Hee-Hi-Ho – Medeski Martin & Wood

15. Neutralisme – Martial Solal and Johnny Griffin

16. Suspended Night Variation VIII – Tomasz Stan´ko


Moss gets expensive watch as belated b’day gift

British supermodel Kate Moss’ musician beau Jamie Hince gave her an expensive watch worth more than $64,000 as a belated birthday present.
Hince presented Moss an 18 carat rose gold piece of jewellery at a party that he threw for her Wednesday, four days after her birthday, at London’s Shoreditch House, reports contactmusic.com.
Moss, who celebrated her [...]

The Stones Roses: The Stone Roses: Legacy Edition

By: Ron Hart

In a recent issue of the NME, former Stone Roses frontman Ian Brown recently admitted to the roots of the band’s near-ten-minute, ecstasy fueled, baggy funk epic “Fool’s Gold”, the centerpiece of their eponymous 1989 debut, an album that the popular UK music weekly hailed as the greatest British rock album of all time (to the collective gasp and balk of Beatles, Zep, Stones, Bowie, Floyd and Who fans the world over, undoubtedly).

“The Stone Roses were mad into James Brown,” he enthusiastically proclaimed. “We actually wrote ‘Fools Gold’ over ‘The Funky Drummer’ – we had it playing on a porta-studio and Reni had to learn how to play that beatÂ…James Brown was a sheer force of nature. I used to go to a lot of Northern Soul nights in the early 1980s in places like Scarborough and Doncaster and ‘Papa’s Got A Brand New Bag’ was a big tune for us then.”

The way that Ian Brown gushes over the Godfather of Soul in that article is exactly how a whole generation of kids felt about The Stone Roses back when they first hit the national spotlight in the late ’80s. Disgruntled, disenchanted and disgusted by the warmed over Eurotrash sounds of the decade in the wake of New Wave, British kids were clamoring for an exciting new sound at the dawn of the Thatcher era with a vehemence similar to that of the Mods in the 1960s and the Punks in the ’70s. And with their “Madchester” sound – an ear-pleasing fusion of Britpop’s jangly melodies and the driving acid house rhythms of the then-burgeoning UK rave culture, this ragtag quartet, whose classic lineup consisted of singer Brown, guitarist John Squire, bassist Gary Manny “Mani” Mounfield, and drummer Alan John Wren (aka Reni), delivered the brave new sonic frontier youth were looking for with an album loaded with great songs like “I Wanna Be Adored,” “She Bangs The Drums,” “Waterfall,” and, of course, “Fool’s Gold,” changing the course of British-based rock music and inspiring such household names as Oasis and Blur in the process.

In celebration of its 20th anniversary, Silvertone Records, in conjunction with Legacy Recordings, has rolled out the proverbial red carpet in delivering a reissue campaign of the first Stone Roses album with a level of reverence worthy of a work deemed to be the greatest of all time. Similar to the way Legacy had delivered the remastered edition of Pearl Jam’s 1991 debut, Ten, earlier in 2009, the Roses’ 1989 debut is being offered in four different formats. And, depending on your budget in these tight economic times, each version offers something worthwhile for fans of this classic LP.

The Special Edition is a single disc set, which features “Fool’s Gold” as a bonus track. Fans who originally picked up the Silvertone disc back in ’89 will remember that the track was, in fact, initially available in the first run, so it is good to see it back in the mix once again. However, more serious fans with a little more cash to burn would be wise to invest in the Legacy Edition, which features the remastered version of the original album with “Fool’s Gold” as the 12th track as well as a second disc of rough demos from the initial recording sessions that includes one previously unreleased full song entitled “Pearl Bastard,” which is also available as a bonus single-sided 7-inch on the Vinyl Edition of the album (buyer beware: this version, sadly, does not include “Fool’s Gold”). The Legacy Edition also features a generous DVD that contains an August 1989 live performance of the album from London’s Blackpool Empress Ballroom as well as the videos for the LP’s six singles (“Waterfall,” “Fool’s Gold,” “I Wanna Be Adored,” “One Love,” “She Bangs The Drums,” and “Standing Here”).

But for major fanatics of this album, it’s the mammoth Collector’s Edition that you will want to add to your wish list this holiday season. Encased in a hardbound slipcase covered in Squire’s iconic Jackson Pollock-esque cover art, you not only get everything the Legacy Edition entails, but also a third disc compiling all of the A- and B-sides. And all the tunes – the original album, the Lost Demos set and the B-Sides collection – come in both the CD and vinyl formats in this bad boy. Additional goodies in the Collector’s Edition include a lemon-shaped USB thumb drive (in honor of the cover), which contains all of the audio from the set as well as five previously unheard backwards jams and album producer John Leckie‘s personal home movie entitled Up at Sawmills: The Making of Fools Gold, as well as a hardcover version of the 48-page book from the Legacy set that features rare and never-before-seen photos and newly penned liner notes from all four band members, Leckie, and a wide range of prolific fans, including former Oasis guitarist Noel Gallagher, super producer Mark Ronson, Tim Burgess of the Charlatans UK, and Primal Scream’s Bobby Gillespie among others, not to mention 12-inch art prints showcasing Squire’s cover art for all six singles.

Unfortunately, there is not a big enough fan base to merit this kind of a reissue campaign for the Roses’ sorely under-appreciated 1994 follow-up, Second Coming, as more fans remain repulsed by the band’s darker, heavier sophomore effort than enamored by it, lthough there is a small minority who do feel that it is just as good as their debut, present company included. However, for those of you who do consider The Stone Roses’ debut to be the greatest British rock album ever, as per the NME, one of these definitive versions Legacy has put out will have everything you need and then some.

JamBase | Rosey
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Roy Hargrove Big Band Album

Roy Hargrove Releases Emergence – His First Big Band Album – On August 25


Roy Hargrove

Acclaimed trumpeter, composer, and bandleader Roy Hargrove realizes a lifelong dream with the August 25 release of Emergence, his first big band album. Nineteen pieces strong, Hargrove’s ensemble is a vibrant and versatile group, tackling a wide range of material and styles with equal doses of precision and passion.

“Financially speaking, this is probably the worst thing I could ever do,” Hargrove said. “But it is something that needs to be done, spiritually and musically speaking.”

The seeds of Emergence were planted in 1995, when Hargrove first formed a big band for a New York jazz festival. His big band concept grew as he led the evolving group through a series of regular gigs at the Jazz Gallery, a not-for-profit performance space in lower Manhattan – which proved an invaluable for both Hargrove and the musicians who participated.

Since his own emergence in the late ’80s, Hargrove has proved to be an adventurous and wide-ranging artist, proudly immersed in the jazz tradition and yet continually striking out for new terrain. Among his groups include the straight-ahead, hard-bop Roy Hargrove Quintet and Crisol, an Afro-Cuban ensemble that won a Grammy in 1998 for Best Latin Jazz Performance with its album Habana. With the funk-oriented RH Factor, Hargrove released the 2003 album Hard Groove, featuring guest appearances by R&B superstars Erykah Badu, Common and D’Angelo. His last album, 2008′s quintet session Earfood, was featured in dozens of year-end Top 10 lists.

Hargrove’s big band, which cites the large bands of Dizzy Gillespie, Count Basie, Duke Ellington, Maynard Ferguson and Gerald Wilson as key influences, has already been showcased at the Hollywood Bowl and SummerStage in New York’s Central Park. Stylistically, the music ranges from furious swingers to majestic ballads to rollicking Latin jams.

Currently, Roy Hargrove does not have any tour dates.


Ponting isn”t a `crap’ captain, says Gillespie

Former Australian fast bowler Jason Gillespie has said that Ricky Ponting’s captaincy isn’t “crap”, and told critics to lay off.
Responding to comments made by former fast bowler Jeff Thomson, Gillespie told Sun Sport: “I find the questioning of his captaincy baffling – this guy will go down as one of the best Australian captains. I [...]