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Posts Tagged ‘ii’

AMD Offers Triple-Core Athlon II Chips

AMD unveils its first three-core Athlon II PC chips, part of a larger rollout of Athlon II processors that are designed to offer higher performance and lower power consumption. With its triple-core chips, AMD can offer something that rival Intel cant. Intel has dual- and quad-core PC chips, but no triple-core offerings.
– Advanced Micro Devices is rolling out its first three-core Athlon processors for PCs.
AMDs four Athlon II X3 triple-core chips were among eight new processors that the vendor unveiled Oct. 20 as it looks to bulk up its offerings for PCs and smaller form factor devices, including all-in-one desktops…


T-Mobile’s Latest Android Smartphone Is Samsung’s Behold II

T-Mobile will have a fourth Android-powered device in time for the holidays, according to reports. The Behold II from Samsung will additionally feature a cube menu and Samsung’s TouchWiz interface.
– Though not revealing pricing or an exact date, T-Mobile announced Oct. 5 that it will launch the Samsung Behold II in time for the holiday rush. The phone will be T-Mobiles fourth to feature Android, Googles popular open-source operating system.

The announcement comes even before the arrival of…


Golden Gate Gramble II | 08.22 | S.F.

Words by: Justin Gillett | Images by: Dave Vann

Golden Gate Gramble II :: 08.22.09 :: Mezzanine :: San Francisco, CA

The Gramble :: 08.22 :: San Francisco

When San Francisco experiences a rare day of high temperatures masses of people take to the parks and streets to escape buildings that are typically without air conditioning systems. Hipsters flock to Dolores Park, hippies to hippie hill, crack heads to The Tenderloin, and so on. On Friday August 28, the first day of Outside Lands (read the review here), the heat was stifling and caused many festival-goers to seek shade during the day while eagerly anticipating the cool night to come. When the music in the park ended, due to the strictly enforced 10 p.m. noise curfew, festival revelers with no intention of sleeping headed downtown to Mezzanine for the second annual Golden Gate Gramble. The lineup featured a who’s who of Bay Area jammers including ALO, Tea Leaf Green guitar player Josh Clark‘s side project Counter Clarkwise, the Beck cover band New Fangled Wasteland and a large amount of surprise guests. While there is no solid definition of the word “gramble,” one of the founders of the musical event, Greg Loiacono of The Mother Hips, has said a gramble is “an undefinable word and or action.” However ambiguous that definition may be, all who showed up for the second annual Gramble undoubtedly came away from the amazing show with their own unique understanding of what the word means.

Beck cover band New Fangled Wasteland played first, and is comprised of bassist Steve Adams (ALO, Big Light), drummer Dave Brogan (ALO), freelance guitar extraordinary Chris Haugen and Trevor Garrod (Tea Leaf Green) on keys. For a side project/cover band, New Fangled Wasteland is as tight and just as apt to carry on musical improvisation as any of the members’ respective main bands. The group typically started off a Beck song and drifted into an extended jam that saw all the musicians playing with such commitment and skill that it’s unfortunate the band only plays special engagements; a fact that makes their rare performances something to truly appreciate. Haugen’s guitar style really added to the overall musical palette, especially on “Earthquake Weather,” “Farewell Ride” and “Mixed Bizness.”

ALO :: 08.22 :: San Francisco

Up next was Counter Clarkwise, a band formed on a whim after Stephen Perkins of Jane’s Addiction suggested the name to Josh Clark while the two were touring together with Region of Darkness. With a constantly revolving cast of musicians that has included Steve Molitz (Particle), Steve Adams and Reed Mathis (TLG), Clarkwise is used as a vehicle for Clark stay busy when his time isn’t consumed with Tea Leaf. The musical endeavor also provides an avenue for Clark to do some musical lampooning. Coming from the “jam scene” and living in San Francisco, Clarkwise songs like “Condescending Hippy” and “Ninja Hipster” seem to act as an outlet for Clark and playing the songs to a hometown audience is a form of therapy. While at its core, Counter Clarkwise is a country rock group, there are occasional bouts of psychedelia and free form jam that really highlight the ensemble’s varied talents.

When ALO took the stage, vocalist and key master Zach Gill tried to offer his understanding of what a gramble is: “[It's] some sort of combination of grinning and rambling,” although noting that his definition is still open for interpretation. Gill was in no rush with ALO, telling the crowd that the music was going to go extremely late into the night. Due to the lack of consistent touring in the past two years, the group has spent less time together as the ALO collective in recent years, instead, opting to invest time into individual solo and side projects. ALO has apparently been working on new material, though, and played some of the new songs this night. At one point, keyboards were brought out for Adams and Lebo, typically the bass player and guitarist of the band, and an electronic drum pad was carted out for Brogan. With the electronic instruments in place, the band went into an interesting version of “Girl I Want To Lay You Down.” The song sounded like the end result of a lot of Kraftwerk listening, and acted as a live PA version of the ALO classic. A cover of Steely Dan‘s “The Fez,” off the studio kings’ 1976 gem The Royal Scam, was a surprise treat. Around 2 am, as the group left the stage, the crowd looked uncertain yet extremely hopeful for the annual gramble to come.

Adams, Garrod, Gill – Grambling :: 08.22 :: San Francisco

Opening up the gramble section were keyboardists Gill and Garrod, who shared keys and vocal duties on Kenny Rogers‘ time-honored classic “The Gambler,” a truly deserving song to start off the set. With a nonstop rotation of musicians coming and going during the gramble it was hard to keep track of who was playing. All the members of New Fangled Wasteland came out and played “Devil’s Haircut” and “Scarecrow,” once again highlighting the underrated guitar talent of Chris Haugen.

Next out was Big Light, a band that has received much attention in the Bay Area and beyond over the past year. Going through several lineup changes, Big Light has been scaled back to a tight-knit four piece, including Steve Adams on bass. Big Light’s guitarist Jeremy “Swordfish” Korpas has really grown into his own as a lead six-string shredder. When Eric McFadden and New Monsoon‘s Jeff Miller came onstage and picked up guitars many musicians would have been intimidated, but Swordfish rose to the occasion and met his peers with fierce, confident playing.

Artist-at-large Charles Gonzalez came out at one point to lend vocals to The Modern Lovers’ “Pablo Picasso.” With a ragtag cast of performers onstage, Gonzalez seemed to perfectly capitalize off the anything-can-happen mentality of the gramble. Also noteworthy was a bluegrass themed cover of Radiohead‘s “Creep” some time before 4:00 am, when the night wound down after an exhausting display of grambling.

Continue reading for a few more pics of the Golden Gate Gramble II…

JamBase | Grambled

Go See Live Music!


Golden Gate Gramble II | 08.22 | S.F.

Words by: Justin Gillett | Images by: Dave Vann

Golden Gate Gramble II :: 08.22.09 :: Mezzanine :: San Francisco, CA

The Gramble :: 08.22 :: San Francisco

When San Francisco experiences a rare day of high temperatures masses of people take to the parks and streets to escape buildings that are typically without air conditioning systems. Hipsters flock to Dolores Park, hippies to hippie hill, crack heads to The Tenderloin, and so on. On Friday August 28, the first day of Outside Lands (read the review here), the heat was stifling and caused many festival-goers to seek shade during the day while eagerly anticipating the cool night to come. When the music in the park ended, due to the strictly enforced 10 p.m. noise curfew, festival revelers with no intention of sleeping headed downtown to Mezzanine for the second annual Golden Gate Gramble. The lineup featured a who’s who of Bay Area jammers including ALO, Tea Leaf Green guitar player Josh Clark‘s side project Counter Clarkwise, the Beck cover band New Fangled Wasteland and a large amount of surprise guests. While there is no solid definition of the word “gramble,” one of the founders of the musical event, Greg Loiacono of The Mother Hips, has said a gramble is “an undefinable word and or action.” However ambiguous that definition may be, all who showed up for the second annual Gramble undoubtedly came away from the amazing show with their own unique understanding of what the word means.

Beck cover band New Fangled Wasteland played first, and is comprised of bassist Steve Adams (ALO, Big Light), drummer Dave Brogan (ALO), freelance guitar extraordinary Chris Haugen and Trevor Garrod (Tea Leaf Green) on keys. For a side project/cover band, New Fangled Wasteland is as tight and just as apt to carry on musical improvisation as any of the members’ respective main bands. The group typically started off a Beck song and drifted into an extended jam that saw all the musicians playing with such commitment and skill that it’s unfortunate the band only plays special engagements; a fact that makes their rare performances something to truly appreciate. Haugen’s guitar style really added to the overall musical palette, especially on “Earthquake Weather,” “Farewell Ride” and “Mixed Bizness.”

ALO :: 08.22 :: San Francisco

Up next was Counter Clarkwise, a band formed on a whim after Stephen Perkins of Jane’s Addiction suggested the name to Josh Clark while the two were touring together with Region of Darkness. With a constantly revolving cast of musicians that has included Steve Molitz (Particle), Steve Adams and Reed Mathis (TLG), Clarkwise is used as a vehicle for Clark stay busy when his time isn’t consumed with Tea Leaf. The musical endeavor also provides an avenue for Clark to do some musical lampooning. Coming from the “jam scene” and living in San Francisco, Clarkwise songs like “Condescending Hippy” and “Ninja Hipster” seem to act as an outlet for Clark and playing the songs to a hometown audience is a form of therapy. While at its core, Counter Clarkwise is a country rock group, there are occasional bouts of psychedelia and free form jam that really highlight the ensemble’s varied talents.

When ALO took the stage, vocalist and key master Zach Gill tried to offer his understanding of what a gramble is: “[It's] some sort of combination of grinning and rambling,” although noting that his definition is still open for interpretation. Gill was in no rush with ALO, telling the crowd that the music was going to go extremely late into the night. Due to the lack of consistent touring in the past two years, the group has spent less time together as the ALO collective in recent years, instead, opting to invest time into individual solo and side projects. ALO has apparently been working on new material, though, and played some of the new songs this night. At one point, keyboards were brought out for Adams and Lebo, typically the bass player and guitarist of the band, and an electronic drum pad was carted out for Brogan. With the electronic instruments in place, the band went into an interesting version of “Girl I Want To Lay You Down.” The song sounded like the end result of a lot of Kraftwerk listening, and acted as a live PA version of the ALO classic. A cover of Steely Dan‘s “The Fez,” off the studio kings’ 1976 gem The Royal Scam, was a surprise treat. Around 2 am, as the group left the stage, the crowd looked uncertain yet extremely hopeful for the annual gramble to come.

Adams, Garrod, Gill – Grambling :: 08.22 :: San Francisco

Opening up the gramble section were keyboardists Gill and Garrod, who shared keys and vocal duties on Kenny Rogers‘ time-honored classic “The Gambler,” a truly deserving song to start off the set. With a nonstop rotation of musicians coming and going during the gramble it was hard to keep track of who was playing. All the members of New Fangled Wasteland came out and played “Devil’s Haircut” and “Scarecrow,” once again highlighting the underrated guitar talent of Chris Haugen.

Next out was Big Light, a band that has received much attention in the Bay Area and beyond over the past year. Going through several lineup changes, Big Light has been scaled back to a tight-knit four piece, including Steve Adams on bass. Big Light’s guitarist Jeremy “Swordfish” Korpas has really grown into his own as a lead six-string shredder. When Eric McFadden and New Monsoon‘s Jeff Miller came onstage and picked up guitars many musicians would have been intimidated, but Swordfish rose to the occasion and met his peers with fierce, confident playing.

Artist-at-large Charles Gonzalez came out at one point to lend vocals to The Modern Lovers’ “Pablo Picasso.” With a ragtag cast of performers onstage, Gonzalez seemed to perfectly capitalize off the anything-can-happen mentality of the gramble. Also noteworthy was a bluegrass themed cover of Radiohead‘s “Creep” some time before 4:00 am, when the night wound down after an exhausting display of grambling.

Continue reading for a few more pics of the Golden Gate Gramble II…

JamBase | Grambled

Go See Live Music!


Rock The Boat II | 08.14 | Minnesota

Words by: Timmy the Freak | Images by: Sam U

Rock The Boat II :: 08.14.09 :: Jonathon Paddleford Riverboats: The Anson and The Betsey Northrop :: Saint Paul, MN

Rock The Boat II

This very special benefit show featured two continuously rocking stages on two adjoined river vessels piloted graciously upon the mighty Mississippi River. Community serving nonprofit movers and shakers Vega Productions organized and promoted the huge event, which was wonderfully successful at bringing in much needed funds for the Maxfield Magnet Elementary School in Minneapolis. The proceeds resulted in a donation worth $20,000 to the school’s music and arts programs.

I arrived early for the pre-party BBQ at Kelly’s Landing, where I found various partying factions already in full festive force with landlocked pirates, sailors, mermaids, beach bums, marauders and random others all gathering with a rising collective spirit to rage all night long.

After my casual chat with the Wizard of Woo (aka Bernie Worrell), the evening’s very special guest of honor, it came time to board the freshwater ship. Fun people flowed onto the floating party until the sold out capacity was reached (710 people on board!) and we left the dock for an enchanting four-hour tour.

The building buzz had reached a positively feverish pitch by this point. For the past two years, The Big Wu has been the house band called upon for the anchor spot. The rest of the talent booked was all keepers, great sounding bands from Minneapolis’ excellent music scene. Also on board were a few live painters creating art including Chuck Hues, whose dual paintings turned out beautiful and impressive. Celebrity skipper Dan Cole, the Common Man, was on hand as well.

Pert’ Near Sandstone :: Rock The Boat II

While the Hobo Nephews of Uncle Frank entertained the back boat with their flavorful roots just as we got rolling, The Big Wu lit the live music fuse on the front boat with a synergized, non-stop, high powered body and mind stimulating set, which included original faves like the crowd rousing “Two Person Chair,” the rootsadelic ode “Rhode Island Red” and the spellbinding enchantment of “Minnesota Moon.”

Next up on the front boat was the fun seeking rock of God Johnson, who are a huge fave on our West Bank scene and aces at getting bodies moving. Sometimes members of GJ pair up with members Histronic forming what they call Godtronic, which I believe may have occurred at some juncture this evening.

Pert’ Near Sandstone tore it up on the rear boat with their scorching, hard hitting hybrid of bluegrass sweetened with all-out mad, old school boogie. White Iron Band‘s Sammy Weyandt lent some sweet licks to the searing Pert’ Near set.

The very unique sensation known as Heatbox followed and kept the kids happy and on their feet the whole freaking time. The mastermind behind Heatbox is Aaron Heaton. He plays a high tech glove, sings, swoons, beatboxes, loops and even croons smooth a cappella soul. If this sounds intriguing then follow your curiosity and do a little research, or better yet catch a live Heatbox show.

The Histronic with Bernie Worrell :: Rock The Boat II

A funky ass keyboard jam ensued next with various musicians helmed by the great master of funk Bernie Worrell, who stylishly led as they careened through a superb rendition of Al Green’s “Take Me To The River,” a track he covered memorably during his time with the Talking Heads. The fully engaged audience went absolutely wild. Worrell would go on to sit in with several bands over the course of the night.

The show morphed into Minneapolis’ own The Histronic on the front boat to take us home with unrestrained abandon. The electro space rock was a delight and spun the dancers vigorously. Throughout the set numerous guests slid on and off stage for a non-stop livetronica jam fest.

At some point, I went to the back boat for a good dose of the White Iron Band, who lawlessly and outlandishly rocked their loyal crowd silly for the final performance of the night. White Iron thrilled, triggering hard blazing, freakish afterburners that propelled many of us long past the 1:30 a.m. arrival back at the dock in Saint Paul.

Continue reading for a few more pics of Rock The Boat II…

Hobo Nephews of Uncle Frank

Chuck Hues

Pert’ Near Sandstone

JamBase | On The River
Go See Live Music!


New AMD Quad-Core Athlon II Chip Priced Below $100

AMD is rolling out its first quad-core Athlon II processor at a price of $99 for system builders. The processor is part of AMDs Mainstream Desktop Platform that combines both the computing chip and graphics capabilities from AMDs ATI business. The rollout comes a day after iSuppli said that rival Intel had increased its lead over AMD in the global microprocessor market, in part because of AMD lowering the average price on its chips in the second quarter.
– Advanced Micro Devices has rolled out a quad-core desktop chip for system
builders priced at $99.
AMD announced the pricing for the 2.6GHz
Athlon II X4 processors Sept. 16. Combining the processor with the 785G chip set,
which includes ATI Radeon HD 4200 graphics
capabilities, brings the cost t…


Venerable Delta II Launches Final GPS Satellite

Air Force concludes the 48th and final satellite GPS launch using the Delta II rocket. While the Air Force is moving on to Delta IV and Atlas V rockets, Delta II will still be used by NASA and commercial users.
– The Air Force launched Aug. 17 the 48th successful and final Air Force Delta
II GPS satellite, ending what officials
called one of the most successful space launch programs in American history.
While the launch concludes the Air Force’s use of Delta II as it transitions
its systems to Atlas V an…



Phish | 08.08 | Gorge II

Words by: Court Scott | Images by: John Crouch

Phish :: 08.08.09 :: Gorge Amphitheatre :: George, WA

Phish :: 08.08.09 :: The Gorge

I’m not even gonna preface this with anything except to say that Saturday night’s show at The Gorge was as close to flawless as I’ve seen mah boys in a long time. Some may argue that the Friday night setlist was superior, and that may very well be the case, but I feel that the playing, energy and intent to get the crowd off was far stronger on night number two. The instrumentation was utterly focused, organic in a way that made me at times feel they were just channeling something greater. In short, night two completely ripped.

A full hill and floor full of phans rose to the occasion as the band launched into a “Mango” opener – a huge bust-out – and chugged right into “Chalkdust.” Next up was a Mike Gordon/Leo Kottke tune, “Middle of the Road,” a bit slower and none too well known but a nice breather before Trey played the opening notes of a big, fat, juicy “Tweezer.” I think the word ‘funk’ and most of its derivatives often don’t convey the authenticity of the word, but Page‘s solo was a tweaked-out space funk beauty.

Bringing it down a notch was “Driver,” a pleasant little ditty, and the subsequent new song, “20 Years Later,” had Trey and Gordon trading proggy, stuttered licks. The groove was locked down as they barreled into “Ya Mar,” a recent replay from Shoreline. The last four songs from the first set hit like a ton of bricks. “It’ Ice” (Bam!) flowed into a ridiculously funked out “Wolfman’s Brother,” which featured the first of several massive glow stick wars. A short pause and then a raging “Character Zero,” which we figured was the set closer. Wrong! It was full speed ahead into “Antelope,” with Gordon shape-shifting the bass ine and Trey tucking “Mango” teases here and there. The level of adventurousness is building, evident with each set’s song selections. And Saturday night was the first time I actively noticed tons of teases and maybe even a touch of secret language here and there. That the band is beginning to get super playful and overtly confident puts me greatly at ease.

Set two was where I felt the guys started to sizzle. Since they’ve been back, a number of the shows have been cover tune heavy, which is great, because the “Rock and Roll” that they opened set two with was a freaking monster. People, it was huge. Clocking in at just around 20 minutes, Trey was in his element and going nuts; even yelling at the end. He was shattering as Gordon laid the lines down, down, down, just so we could pick them up. The next tune, “Makisupa,” was also Gordon’s time to shine, with what seems to be becoming a standard bass solo each show. It was Gordon’s filthy, liquid bass effects that dropped the bomb on everyone from top of the hill to the front row (and quite possibly the fish in the Columbia River behind the stage). And Trey, for a short while, was running some new high pitched, almost nitrous-y effect over Gordon. Then, Gordon and Trey switched instruments and each took solos on the other’s gear, harkening back to the rotating jams from years back.

Trey :: 08.08.09 :: The Gorge

“Alaska,” another new tune, was next and is a pleasant song but I hope it doesn’t get into heavy rotation. The lyrics seem trite and simplistic, not nearly as interesting as Tom Marshall’s work with Trey. “Alaska” has a nice little edge and Trey manifested a soulful solo, but I remain unconvinced. And then out of the darkness came “Wedge,” an old tune that used to be quite rare now being called up more frequently. “Y.E.M.” was next on deck and featured loads of smoke and red and blue lights. Gordo had another sub-stratospheric solo as the trampolines appeared on stage. As he and Trey jumped and spun in unison, Page lead a nice solo, which morphed into a flashing strobe-light vocal jam. Right out of the darkness of a “Y.E.M.” jam appeared the new, not totally bad “Backwards Down the Number Line.” It’s growing on me, but again, it just lacks a certain oomph I not only love but also have come to expect as a second set closes. Luckily, it wasn’t the closer, instead we got a “Piper” jam; incomplete song, but a short rager with Fishman teasing the hell out of “Llama.” To end the set, the fellas came out for an a capella “Grind,” another way old tune back in the roster. The encores featured a huge version of Zeppelin’s “Good Times Bad Times” naturally segueing into a “Tweezer Reprise.”

The band seemed to be having a great time, with loads of smiles, waving at the crowd and a general ease that makes me feel like this time it really is different. I’m also deeply appreciative that all the band’s instruments are generally back to a pared down, early ’90s sound rather than relying on effects to cover lazy or sloppy playing. Ditto for Kuroda‘s light show, which is being used more like punctuation and less like a part of the message. Don’t get me wrong, the lights will still spin your noodle, but there is a difference in the pace at which they change and evolve that I’m into. Looking forward to next week with a renewed fervor!!!

Phish :: 08.08.09 :: Gorge Amphitheatre :: George, WA

Set I: The Mango Song, Chalk Dust Torture, Middle Of The Road, Tweezer, Driver, Twenty Years Later, Ya Mar, It’s Ice, Wolfman’s Brother, Character Zero > Run Like An Antelope

Set II: Rock & Roll > Makisupa Policeman, Alaska, The Wedge, You Enjoy Myself, Backwards Down the Number Line > Piper, Grind

E: Good Times Bad Times, Tweezer Reprise

For more pics of this show go here.

Phish perform next on Tuesday, August 11 at Toyota Park in Bridgeview, IL. Check back for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available href="http://www.jambase.com/Artists/2698/Phish/Shows">here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

JamBase | Simply Gorgeous

Go See Live Music!



Phish | 08.08 | Gorge II Photos

Images by: John Crouch

Phish :: 08.08.09 :: Gorge Amphitheatre :: George, WA

Set I: The Mango Song, Chalk Dust Torture, Middle Of The Road, Tweezer, Driver, Twenty Years Later, Ya Mar, It’s Ice, Wolfman’s Brother, Character Zero > Run Like An Antelope

Set II: Rock & Roll > Makisupa Policeman, Alaska, The Wedge, You Enjoy Myself, Backwards Down the Number Line > Piper, Grind

E:Good Times Bad Times, Tweezer Reprise


Order the show for Download on LivePhish.com

Phish perform next on Tuesday, August 11 at the Toyota Park in Bridgeview, IL. Check back for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available href="http://www.jambase.com/Artists/2698/Phish/Shows">here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

JamBase | Simply Gorgeous

Go See Live Music!



Americans support World War II atom bombs

A majority of Americans surveyed believe dropping atomic bombs on Japan during World War II was the right thing to do, the AP reports. The support was weaker among Democrats, women, younger voters and minority voters, according to a Quinnipiac University poll.

Rock Boat II: Big Wu, Worrell, Pert

Vega Productions & McNally Smith College of Music present Rock the Boat II:
A Benefit for Maxfield Magnet Elementary School in St. Paul

FEATURING:

The Big Wu

Godtronic (members of God Johnson & The Histronic) featuring Heatbox

White Iron Band

Pert’ Near Sandstone

Hobo Nephews of Uncle Frank

*Celebrity Skipper “The Common Man” Dan Cole and very special guest, from Parliament Funkadelic, Bernie Worrell!

Cruise Details

Come cruise the beautiful Mississippi aboard 2 historic Padelford River Boats, The Betsey and The Anson Northrup, that will be connected to make 1 super-vessel. Each boat has 2 decks which will create 2 separate concert areas along with 2 lounge areas and 4 bars. The boats are covered and the event is rain-or-shine. The boats loads at 9 p.m. sharp and cruises the Mississippi until 1:30 a.m. Shuttles and taxi cabs will be available after the cruise returns. 100% of the net proceeds will be used to rebuild music and art programs at Maxfield Magnet Elementary School in St. Paul.

Boarding Passes

Only 650 passes (tickets) will be sold. Passes can be purchased through the Vega Productions website: www.vegaproductions.org as well as at a number of live events this summer. After purchasing passes, your tickets will arrive by mail at least one week before the event.

Tickets are still available online here

Pre-Cruise BBQ

5 p.m. – 9 p.m.

Kelly’s Landing

Harriet Island

Arrive early to enjoy mouth watering BBQ, entertainment, silent auction and prize giveaway before the cruise!

Hotel Package Available

Vega Productions has teamed up with Embassy Suites in St. Paul to offer a discounted block of rooms for Rock Boat II attendees along with shuttle service to-and-from the island. Click on the link below to book a room:

Rock Boat Hotel Package



Robert Wright: The Trouble with the New Atheists: Part II

Last week in this space I posted an attack on the “new atheists,” I’ve weighed the counter-arguments that have been arrayed against me and–surprise!–found them wanting.

Judge H. Lee Sarokin: Reflections on the Senate Confirmation Hearings, Part II – Duck, Duck, Goose

When asked what the Senate hearings revealed about Judge Sotomayor’s legal views, the distinguished law scholar, Prof. Laurence Tribe responded: “Nothing”. That is because the…

James Block: The Specter of the Counterculture II: The Cunning of Desire

In the decades since the 1960s counterculture, our hypocrisy has grown, not from some native evil, but from an unrelenting sense of confusion and entrapment.

Marshall Auerback: California Currency? A Taste of Things to Come Unless Percora II Helps Us Leave Discredited Economic Dogma Behind

As California’s IOUs signal desperation, Roosevelt Braintruster Marshall Auerback suggests that a Pecora-style Commission could help the public recognize the folly of past economic dogmas.