Flags are flying half-staff all over the North Pole as we receive the news that the woman who gave a voice to Rudolph the Red-Nosed Reindeer has died, after suffering a stroke at her home in Canada. She was 88. Voiceover actress Billie Mae Richards succumbed to a stroke at her home in Canada this week. [...]
Posts Tagged ‘Ives’
Billie Mae Richards, Voice Of “Rudolph The Red-Nosed Reindeer,†Dies
September 15th, 2010 |
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Gene Ween | 01.16.10 | Philadelphia
January 23rd, 2010 |
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Words & Images by: Jake Krolick
Gene Ween :: 01.16.09 :: World Cafe Live :: Philadelphia, PA
 Gene Ween :: 01.16 :: Philadelphia |
If you’re a Ween fan, then the Gene Ween show at the World Cafe Live would have been your fantasy. Call it what you want, but a slightly grayer haired Aaron “Gene Ween” Freeman smiling in his tube socks, playing an acoustic guitar alone onstage was a night of excitement any way you cut it.
Gene’s stripped down takes on some classic Ween fare were just what the good doctor Daniels prescribed. It took a setting like this to help show just why Gene Ween is one of the top songwriters of our time, able to piece together tidbits of odd, funny lyrics into songs that can actually be thoughtful. Plus, kudos to the World Cafe Live for hosting a two-hour pre-show mixer that included an all-you-could-drink selection of 20 micro-brews and Belgian beers, all for a crisp Andrew Jackson ($20). After last year’s Gene Ween Band show (review here), I’m sure I wasn’t the only one who wondered how Gene was doing these days. My questions were answered before the first song was over – he’s looking and sounding better than ever! Sure, he was sporting a rooster’s plume of gray on his head, but his smile was immeasurable as he dusted off almost 20 songs near and dear to the Pennsylvania faithful.
If you didn’t love Gene Ween before you entered the World Cafe, well, you probably didn’t go. However, by the show’s close those that did attend loved him even more. His deconstruction and reworking of Ween standards showed a beautiful, yet still deeply eccentric side to the brown sound storyteller. As he wrapped his lips around “The Chancy Boys,” an oddly tender side of Gene Ween emerged. During a particularly strong cover of Neil Young‘s “I Am A Child” he pulled a clever switch on the lyrics and made Young’s line, “What is the color when black is brown?” This was Gene Ween the folk singer, just your friendly twisted version of Burl Ives and Shel Silverstein.
 Gene Ween :: 01.16 :: Philadelphia |
He was wonderfully vivid and brought to life Quebec‘s “Chocolate Town” and the younger Ween offering “Spiritwalker” off La Cucaracha. He started some of the songs by explaining their inspiration. He said, “This is a song I wrote at the beach,” before playing “Kite Flying Man.” He paused during the encore, “Buenos Tardes Amigos,” to tell us that the Spanish flavored oddity was created while watching Sesame Street. It was easy to see his role as a father has suited him well and I can’t begin to imagine the wonderful tales and songs he has sung to his children over the past years. The fact that we got a peek at a softer Gene Ween was a real treat.
With Gene’s family watching off on the side of the stage, he played his version of “Don’t Get to Close (To My Fantasy).” This was the turning point of the show as he contorted his face with as much ease as Bruce Bickford molded clay for Frank Zappa. He dug deep as he sang, “Don’t be afraid to clutch the hand of your creator/ Stare into the lion’s eyes/ and if you taste the candy you’ll get to the surprise!” The crowd was entirely with him and sung along as he retooled the track to include some humorous do-do-do’s instead of the whistled breakdown and they were right there helping him scream the end.
Our fascination with the aging troubadour bubbled up all evening in such little exchanges. Between cries of, “I love you, Gener,” the audience questioned his choice of footwear – white tube socks sans shoes? He tossed back, “My mom got these for me,” and “I only sing slow songs in my socks.” At some point after a darling version of “So Long Jerry,” his ode to Jerry Garcia, he misplaced his guitar capo under the music on his stand and the crowd shouted, “Maybe it’s in your socks!” His retort was a beautiful and very Beatles-eque version of The Pod‘s “Oh My Dear (Falling In Love).” Live, he accentuated one of the album’s lo-fi masterpieces in a way no recording can match.
 Gene Ween :: 01.16 :: Philadelphia |
The evening’s strongest point came during a back to back romp through “The Mollusk” and “Stallion Pt. 3.” Each was superb and made the night for most fans in the house. Gene Ween again deconstructed each song down to its bare bones form. During “The Mollusk,” he let the audience fill in the psychedelic keyboard sounds and electronic horns with their own vocal stylings as he strummed the refrain. He dug into “The Mollusk’s” crafty lyrics by lowering his voice a few octaves and furrowing his brow to sing the chorus before having some fun really dragging out the “Yes/ No” and story portions of the song. This was Gene Ween unbridled; the jester commanding his court with a wild tale of a sea creature stirred from the land. As if this wasn’t enough Boognish bliss he danced through “Stallion Pt. 3,” drawing more audience delight and participation on the “Hey, dude, he’s the stallion/ Yo, dude, he’s the stallion/ Dude, he’s the stallion” portion, where he uncorked his lowest vocal tones of the night.
After a short leave, he stepped back onstage for a one song encore, the aforementioned “Buenos Tardes Amigos,” which culminated in a barrage of socks tossed onto the stage by the crowd to close the show. Gene Ween, the fun-loving showman he is, retaliated by pulling off his own sweaty socks and tossing them into the audience.
Gene Ween tour dates available here.
Continue reading for more pics of Gene Ween in Philly…
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“Rudolph The Red-Nosed Reindeer†Outshines Grammy Nominations & Rockefeller Center Christmas Tree-Lighting
December 3rd, 2009 |
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After more than 40 years, Rudolph is still showing these witches how to steal a show. The shiny-nosed reindeer proved the biggest draw on TV last night as the 1964 holiday special Rudolph The Red-Nosed Reindeer best the 2010 Grammy nominations ceremony and New York City’s annual Rockefeller Center Christmas Tree-Lighting Special.
According to CBS, the [...]
“Rudolph The Red-Nosed Reindeer†Outshines Grammy Nominations & Rockefeller Center Christmas Tree-Lighting
December 3rd, 2009 |
No Comments
After more than 40 years, Rudolph is still showing these witches how to steal a show. The shiny-nosed reindeer proved the biggest draw on TV last night as the 1964 holiday special Rudolph The Red-Nosed Reindeer best the 2010 Grammy nominations ceremony and New York City’s annual Rockefeller Center Christmas Tree-Lighting Special.
According to CBS, the [...]
Cornish bids welcome as Virginia Woolf’s lighthouse goes to auction
July 13th, 2009 |
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One of Cornwall’s best loved beaches is set to go under the hammer later.
Upton Towans beach in Gwithian and the lighthouse on nearby Godrevy Island are widely thought to have inspired the Virginia Woolf novel To the Lighthouse.
As a child, the author spent many holidays in a St Ives guest house from which she could see the lighthouse.
Auctioneers expect bids for the beach and the lighthouse to start at about £50,000, with money raised going to Truro’s Hall for Cornwall theatre.
Although Virginia Woolf’s 1927 novel is set in the Hebrides, the author used her recollections from childhood as inspiration for her most famous novel.
Surfers and families
And even though it is a century since those formative years, the view of the sea from Upton Towans beach is probably much the same now as it was then.
The lighthouse too still stands proudly not far from the headland.
But of course, other aspects have changed dramatically.
In Virginia’s day the huge car park, built to accommodate the vehicles of tens of thousands of tourists who visit each year, would not have been there.
"The sea conditions are superb – the light is amazing. The whole atmosphere is magical"
Dennis Arbon
Neither would the shop and cafe – and certainly not the surfers encased in dark rubber bobbing up and down in the waves.
The wide expanse of smooth yellow sand also make Upton Towans popular with families and coloured windbreakers often hide small groups, huddling from the wind.
Behind the beach are the cliffs and sand dunes with long grass which nod and sway on blustery days, which are plentiful.
Dennis Arbon used to own the 76 acres of sand and dune now up for sale. He bought it for the people of Cornwall to protect it from development.
"Everyone who comes here is inspired by the vision of this wonderful beach," he says.
"The sea conditions are superb – the light is amazing. The whole atmosphere is magical."
Referring to the lighthouse, he says: "It’s quite a landmark – many people come just to look at that.
"They take lots of photographs from all angles because it’s just such a perfect location."
Public access
A few years ago Mr Arbon gifted the stretch of land to the Hall for Cornwall theatre.
The idea was that the land could be sold when the theatre needed more funding and it appears that time has now come.
Auctioneers have already taken bids for the beach over the phone and there have been inquiries from as far afield as America and Russia.
But there are conditions attached to the sale. Any potential buyer has to continue to allow public access and cannot develop the land.
So who is likely to want to buy it
Mr Arbon hopes that it will be someone who loves Cornwall as much as he does. He is expecting bidders at the auction by Colliers CRE in London to offer something in the region of £70,000.
Hall for Cornwall director Tim Brinkman says he is grateful for the funding the sale will provide – and he believes there is something fitting about this auction.
"It’s wonderful that something which inspired literature is going to help provide funds to feed plays and theatrical productions of the future," he says.
"I’d like to think she [Virginia Woolf] would give this her blessing. Her creativity inspired here in Cornwall is helping to feed further creativity and work for writers in Cornwall.
"I think she’d approve of that. I think she’d think this was the right thing to do."</p
This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.