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Jerry Garcia Band: Let It Rock

JERRY GARCIA BAND WILL LET IT ROCK

Double-Disc Collection Includes Rare Early Performances Of The Group’s Original Lineup
Featuring Legendary Pianist Nicky Hopkins, Recorded Live In Berkeley, November 1975

For Jerry Garcia, 1975 was a seminal year that found him splitting time between recording Blues for Allah with the Dead, directing The Grateful Dead Movie, and forming the Jerry Garcia Band – his long-running side project. JGB’s earliest days are the subject of a two-disc live collection recorded during that momentous year. THE JERRY GARCIA COLLECTION, VOL. 2: LET IT ROCK, JERRY GARCIA BAND, NOVEMBER 17 & 18, 1975, KEYSTONE BERKELEY will be available November 10 from Jerry Garcia Family/Rhino at physical retail outlets and at www.dead.net for a suggested list price of $19.98.

The Jerry Garcia Band – Garcia, his constant collaborator bassist John Kahn and drummer Ron Tutt – played its first show with Nicky Hopkins on piano in August 1975. The ultimate session player, Hopkins’ credits include work with The Beatles, The Who, The Rolling Stones, and Jefferson Airplane to name a very few. While Hopkins residency was brief with the Jerry Garcia Band, it played an important role in the group’s shift away from big jams toward song-oriented material.


In addition to being a brilliant songwriter himself, Garcia had a great ear for other people’s songs and the new band provided him an opportunity to explore others’ works. LET IT ROCK includes covers of Chuck Berry (“Let It Rock”), Little Milton (“That’s What Love Will Make You Do”) and Jimmy Cliff (“Sitting In Limbo”). It also features performances of Allen Toussaint’s “I’ll Take A Melody” and Hank Ballard’s “Tore Up Over You,” songs that would surface a few months later on Garcia’s Reflections (1976). In addition to other artists’ songs, the band dips briefly into the Dead canon for “Friend Of The Devil” and Garcia’s 1972 solo debut for “Sugaree.” Three Hopkins originals are featured as well, “Pig’s Boogie,” “Lady Sleeps,” and the curiously titled “Edward, The Mad Shirt Grinder,” a song Hopkins first performed with Quicksilver Messenger Service.

While it is not strictly speaking a complete show, THE JERRY GARCIA COLLECTION, VOL. 2 is sequenced to approximate a two-set club gig, highlighting performances recorded November 17 and 18, 1975, during a pair of intimate gigs at Keystone Berkeley in front of a hometown crowd. The shows demonstrate that this lineup was capable of collective improvisation on the same level as the Grateful Dead, says David Gans, host of the Grateful Dead Hour. “Everybody could play melody or rhythm, or both, at any time, flying in and out of formation and always in intimate relation to what the others were playing,” he writes in the collection’s liner notes.

Track Listing

Disc One

Let It Rock
Tore Up Over You

Friend Of The Devil

They Love Each Other
It’s Too Late
Pig’s Boogie
Band Introductions
Sitting In Limbo
(I’m A) Road Runner

Disc 2

Sugaree
I’ll Take A Melody
That’s What Love Will Make You Do
Lady Sleeps
Ain’t No Use
Let’s Spend The Night Together
Edward, The Mad Shirt Grinder


Sat Eye Candy: Jerry Garcia

GONE ALMOST 14 YEARS BUT NEVER FORGOTTEN

Jerry Garcia would have turned 67 today if he were still with us. But those that know, well, know Jerry is still with us in ways that defy any normal description. Few individuals have made a greater impact on culture and music, and his rise to prominence in the hyper-information age has disseminated his “hippy Santa Claus” image in ways as pervasive as any single image in the past century. Iconic doesn’t quite cover it. Garcia, even in absentia, exudes an aura that lingers and seeps into one, the sort of presence one associates with mystics, great social thinkers/activists, brilliant philosophers and other bringers of wisdom and illuminating change. Jerry was all of these things, to one degree or another (and perhaps even more accessible to the common man because of his all-too-human flaws and weaknesses), but mainly he was a musician of ultimate potency, who even in his stumbling managed to always impart something profound, some sliver of truth or beauty that helps redeem all the wickedness and smallness humanity is capable of.

There is ultimately too much that can be said about the man, so instead of rambling on we’ll simply dive into a choice selection of his legacy and encourage one and all to pause momentarily today to consider Garcia’s impact in their own life. To say we miss the man is a grotesque understatement, but today instead of dwelling on the sad vacuum of his literal absence from the world we choose to celebrate what he gave us, a body of work that continues to infuse and inform our days.

While he’s obviously best known for being part of the Grateful Dead, for the generation that discovered him in the ’80s, the spine of the contemporary jam scene, it is often memories of his joyful playing with the Jerry Garcia Band that surface when we think of him. We begin our remembrance today with a sterling 1990 run through a Dylan classic that he truly made his own.

Though it often feels like it never will, Garcia and his pals have a way of reminding us this darkness got to end. This concert footage was shot shortly after the release of Workingman’s Dead and shows the boys in fine, frisky form.

His voice sometimes carried the feeling of a wound that never quite heals. It’s a sound that slices down to a place of deep humanity, as exemplified by this ragged but right tune for this particular day.

There are tunes in his repertoire that carry the same universal unifying vibe as the best Woody Guthrie. This one always seems to scoop up anyone in hearing range and plop them down in a better place.

There’s a great many versions of this staple but this one is especially jaunty, redolent with the Django-isms that frequently surfaced in Garcia’s playing. This JGB concert took place on September 1, 1990 at Shoreline Amphitheatre in Mountain View, CA. The Grateful Dead had been scheduled to play but Brent Mydland’s death the previous June had caused the band to cancel, which infused the show with a special poignancy for those in attendance.

Let’s jump back about a year at the same venue for a saucy “Prophet” with both Jerry and Brent laying it down proper. For the full effect, here’s part two of this performance.

One gets the feeling that Elmore James would have LOVED this take on his amazing blues number.

Don’t tell me this town ain’t got no heart!

This wonderful vintage clip shows off the sort of big, beautiful, chaotic group grope that Garcia helped spawn.

There’s a number of song pairings that became sacred to fans over the years, and none more so than this one-two punch taken from New Jersey in the late ’70s.

The eloquence of Garcia’s playing on this late period classic is something to behold.

One of the things Jerry often commented on was the moment that would occur during their shows where a door to something quite profound would open. This is the spot where the more broken, tender numbers would surface. Here’s a pair of such unfolding, tenderizing moments.

Here’s the boys getting down to the heart of rock ‘n’ roll with a lil’ assist from one Pete Townshend!

Can you believe they let these guys into the Playboy Mansion? Nice poncho, Jer!

Outside of the Dead, Garcia had a few significant partnerships, notably with bassist John Kahn and mandolin whiz David Grisman. Here’s one offering from each.

We travel back to the legendary Europe ’72 tour for our closer. While this one became WAY more lived in over time, it’s worth noting that Garcia never flinched at Death’s shadow even in his earliest days. Like the bluesman he surely was, he stared down The Reaper’s scythe with steely intensity in a way that helps all of us accept and comprehend this dark truth.

We are so lucky that you were born, sir, and we wish you the happiest of birthdays wherever you may be.

And don’t forget, you can eyeball video sweetness 24/7 with JamBase TV.


Sirius Celebrates Jerry Garcia:
“Jerry Week” Runs 8/1-8/9

SIRIUS XM RADIO TO COMMEMORATE

THE LIFE AND MUSIC OF JERRY GARCIA ON ITS GRATEFUL DEAD CHANNEL
“Jerry Week” beginning on the anniversary of Jerry Garcia’s birth on August 1

Jerry Garcia by Jay Blakesberg

WHAT: SIRIUS XM’s Grateful Dead Channel will feature “Jerry Week” in honor of the legendary Grateful Dead frontman Jerry Garcia showcasing music, archival interviews, and rarely heard concerts. “Jerry Week,” a Grateful Dead Channel tradition, will launch on the anniversary of Garcia’s birthday, August 1, and will end on the anniversary of his death, August 9. The nine-day long special “week” will highlight Garcia’s music – Dead songs he sang and performed as well as songs from his various side projects, including Legion of Mary, Garcia/Grisman and Jerry Garcia Band.

As part of “Jerry Week,” listeners will hear two fan recordings of live performances by the Jerry Garcia Band that have never before been released. The two performances were recorded live in 1980 and 1990.

On August 9, listeners will hear the vigil held for Garcia four days after his death in San Francisco’s Golden Gate Park, featuring tributes from Garcia’s family, bandmates and close friends.

Additionally, Garcia’s former wife and longtime companion, Carolyn “Mountain Girl” Garcia, has created a special program featuring her personal stories and memories of the legendary music icon for SIRIUS XM’s “Jerry Week.”

The Grateful Dead Channel’s regular shows, “Today in Grateful Dead History” and “Tales From The Golden Road,” will also feature programming devoted to Jerry Garcia.

WHERE: Grateful Dead Channel, SIRIUS channel 32 and XM channel 57.

WHEN: Saturday, August 1 through Saturday, August 9.

MORE: The Grateful Dead Channel is an exclusive channel that features music spanning the band’s career with unreleased concert recordings and original shows hosted by band members Bob Weir, Mickey Hart and Bill Kreutzmann. The channel also features rare archival interviews with Jerry Garcia and contributions from Grateful Dead expert David Gans and Dead archivist David Lemieux.