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Posts Tagged ‘Jim Morrison’

The Doors Respond To Florida’s Pardon Of Jim Morrison

40 YEARS AFTER MEDIA AND COURT CIRCUS, THE DOORS SPEAK OUT


The Doors

In the wake of Florida’s decision to issue a pardon to Jim Morrison of The Doors more than 40 years after
his alleged obscene acts on a Miami stage, his bandmates Ray Manzarek, John Densmore and Robby
Krieger
issued this statement:

In 1969 the Doors played an infamous concert in Miami, Florida. Accounts vary as to what actually happened on
stage that night.

Whatever took place that night ended with The Doors sharing beers and laughter in the dressing room with the Miami
police, who acted as security at the venue that evening. No arrests were made. The next day we flew off to Jamaica
for a few days’ vacation before our planned 20-city tour of America.

That tour never materialized. Four days later, warrants were issued in Miami for the arrest of Morrison on trumped-
up charges of indecency, public obscenity, and general rock-and-roll revelry. Every city The Doors were booked into
canceled their engagement.

A circus of fire-and-brimstone “decency” rallies, grand jury investigations and apocalyptic editorials followed – not
to mention allegations ranging from the unsubstantiated (he exposed himself) to the fantastic (the Doors were
“inciting a riot” but also “hypnotizing” the crowd).

In August, Jim Morrison went on trial in Miami. He was acquitted on all but two misdemeanor charges and sentenced
to six months’ hard labor in Raiford Penitentiary. He was appealing this conviction when he died in Paris on July 3,
1971. Four decades after the fact, with Jim an icon for multiple generations – and those who railed against him now
a laughingstock – Florida has seen fit to issue a pardon.

We don’t feel Jim needs to be pardoned for anything.

His performance in Miami that night was certainly provocative, and entirely in the insurrectionary spirit of The Doors’
music and message. The charges against him were largely an opportunity for grandstanding by ambitious politicians
- not to mention an affront to free speech and a massive waste of time and taxpayer dollars. As Ann Woolner of the
Albany Times-Union wrote recently, “Morrison’s case bore all the signs of a political prosecution, a rebuke from the
cultural right to punish a symbol of Dionysian rebellion.”

If the State of Florida and the City of Miami want to make amends for the travesty of Jim Morrison’s arrest and
prosecution forty years after the fact, an apology would be more appropriate – and expunging the whole sorry
matter from the record. And how about a promise to stop letting culture-war hysteria trump our First Amendment
rights? Freedom of Speech must be held sacred, especially in these reactionary times.

Love,

The Doors
The Morrison Family


Zooey Deschanel Cast As Rock Groupie Pamela Des Barres In HBO Series

Zooey Deschanel has been cast in the lead role in a new HBO series portraying the life of rock ‘n roll groupie Pamela Des Barres. During the rock Golden Age of the 1960s, Des Barres filled the pages of her journal with stories of her exploits bus-hopping and free-falling with some of the leading musicians [...]

Queen’s Freddie Murcury voted ‘Greatest Rock Legend Of All Time’

Queen frontman Freddie Mercury has been named the ‘Greatest Rock Legend Of All Time’. The flamboyant star, who died in 1991, landed the top spot in the poll, carried out by Internet market research website OnePoll.com. Mercury, who beat Elvis Presley to claim the title, sold 300 million records after forming Queen in 1970. He [...]

Mogwai: Live Album & Concert Film US Screening Dates

BURNING AND SPECIAL MOVES OUT TODAY; NORTH AMERICAN SCREENING DATES
NOW AVAILABLE


Mogwai

Mogwai fans, the wait is over! The Scottish band, known for their unparalleled live shows, are releasing today their
long-awaited live album Special Moves and concert film Burning. Shot at their
sold-out three night residency at Brooklyn’s Music Hall of Williamsburg in April 2009, this captivating film and
sonically intense live album are as close as one could ever hope to experiencing a real Mogwai gig. Check out the
video clip of “Mogwai Fear Satan” here.

North American Public Screening Dates

Aug 24 – Brooklyn, NY @ Music Hall of Williamsburg


Aug 24 – Vancouver, BC @Pacific Cinematheque


Aug 25 – Seattle, WA @ JBL Theater


Aug 26 – Cambridge, MA @ Brattle Theatre

Aug 26 – Lawrence, KS @ Liberty Hall


Aug 28 – Long Beach, CA @ Art Theatre of Long Beach

Aug 29 – Chicago, IL @ Smart Bar

Sept 2 – Pontiac, MI @ The Crofoot


Sept 4 – San Francisco @ Roxie Theater


Sept 10- Portland, OR @ Bagdad Theater


Sept 12 – Los Angeles @ Echoplex


Sept 14 – Toronto, ON @ The Drake Underground (2 showings)


Sept 23 – Denver, CO @ Bluebird Theater

Oct 3 – Montreal, QC @ Ukrainian Federtation

Special Moves

1. I’m Jim Morrison, I’m Dead
2. Friend of the Night
3. Hunted By a Freak
4. Mogwai Fear Satan

5. Cody
6. You Don’t Know Jesus
7. I Know You Are But What Am I
8. ILove You, I’m Going to Blow
Up Your School
9. 2 Rights Make 1 Wrong
10. Like Herod
11. Glasgow Megasnake

Extra tracks on vinyl and CD download

12. Yes! I Am a Long Way From Home
13. Scotland’s Shame
14. New Paths to Helicon Part 1
15.
Batcat
16. Thank You Space Expert
17. The Precipice

Burning

1. The Precipice
2. I’m Jim Morrison, I’m Dead
3. Hunted By a Freak
4. Like Herod
5. New Paths
to Helicon Part1
6. Mogwai Fear Satan
7. Scotland’s Shame
8. Batcat

Mogwai
Tour Dates

::
Mogwai News
::
Mogwai
Concert
Reviews


Former Doors members happy with Depp’s role in group’s docu

Former members of The Doors have given Johnny Depp the green signal for his role in a new film about the legendary rock group.
The Pirates Of The Caribbean star will be narrating When You”re Strange: A Film About The Doors and reading Jim Morrison’’s poetry in the feature-length documentary, reports The Mirror.
Drummer John Densmore said [...]

Doors Documentary Opens April 9

Doors Documentary When You’re Strange Begins In Select Markets April 9

The Doors

When You’re Strange first played at Sundance in 2009. Producers include Dick Wolf, Rhino’s John Beug and Jeff Jampol, the band’s manager. Wolf Films’ Peter Jankowski, also a producer, guided the project for Wolf’s company. It was made with
support of band members Ray Manzarek, John Densmore and Robby Krieger,
as well as the estate of Jim Morrison. Manzarek has said in interviews that the doc is the antidote to Oliver Stone’s film The Doors.

After its Sundance bow, filmmakers brought Johnny Depp aboard to voice a new narration. It continued to be fine-tuned as it made fest appearances at Berlin, Deauville and San Sebastian. More recently, the completed version played at
the Santa Barbara Film Fest.

“Watching the hypnotic, hitherto unreleased footage of Jim, John, Ray and Robby, I felt like I experienced it all through their eyes. As a rock ‘n’ roll documentary, or any kind of documentary for that matter, it simply doesn’t get any better than this,” Depp said.

Wolf said he remembers buying The Doors’ first album and listening to it a dozen times in a row.

“Both sides. Every song. I’ve been a fan every since. This movie is a story of the band, but it is also an insight into a moment that will never be repeated,” Wolf said.

The 90-minute doc uses footage shot between the band’s formation in 1965 and Morrison’s death in 1971, including footage from Morrison and Manzarek’s time together at UCLA’s film school.

The film’s soundtrack will be available March 30.

Beug said film will open in select markets including New York, Los Angeles, Philadelphia, Chicago, Atlanta, Dallas, Seattle and San Francisco. The DVD will be released three months after that. Film also will air on PBS’ American Masters series.


Cornmeal | 11.28 | Chicago

Words by: Herschel Concepcion | Images by: Norman Sands

Cornmeal :: 11.28.09 :: Vic Theatre :: Chicago, IL

Allie Kral – Cornmeal :: 11.28

If there’s one thing to be said about Cornmeal it’s that they are consistent. They give their all every time they play, which, when combined with their equally tenacious approach to the art of creating live music, continues to make them an act to watch out for. If the Jammy Award they won last year (for New Groove of the Year) is any indication, then this is a group that is just starting to heat up.

In the midst of a cross-country tour that’s taken them everywhere from New York to Colorado, the guys and gal of Cornmeal returned home to Chicago for their annual Thanksgiving show at The Vic Theatre. The night was cool and calm, but inside The Vic – a 1,400-person venue in Chicago’s Lakeview neighborhood – the vibe was a mixture of anticipation and excitement, a wave of youthful energy that hovered over the dense crowd. The beer, flowing freely, worked its magic on the motley horde that filled the theatre. Drunken shouts and wild laughter rang out over the pre-show chaos. A glance around the room revealed a sea of bright faces wearing genuine smiles. It was a warm welcome for Cornmeal, who are known for having some of the most dedicated and passionate fans around.

Trampled by Turtles opened up the show, and the boys from Duluth, Minnesota wasted no time in getting the throng of people moving and dancing to their high-energy brand of bluegrass. I’ve seen the group only a handful of times and the more I watch them, the more I find myself getting hooked. Their vocal harmonies are good and their instrumental work is top-notch and precise – these cats know how to pick their instruments. They played a fiery set that was well-received by the lively Chicago crowd.

After TBT there was a short break before Cornmeal took the stage. The intermission, however, did little to settle the wild hippies that had filled The Vic. Momentum had been established, and even in that long moment between bands it continued to build. People were laughing, slapping each other on the back, and drinking whiskey. It was quite a scene, and when Cornmeal finally appeared there was an eruption of hoots and hollers from the crowd.

Dave Simonett of TBT (middle) with Cornmeal :: 11.28

The band launched into “Long Hard Road,” an appropriate opening tune for these seasoned road warriors. “Oh, pack my bags, I’m coming home,” sang lead guitarist Kris Nowak, “leavin’ tomorrow at the crack of dawn.” Taking the first solo of the evening, banjoist Wavy Dave Burlingame stepped up and ripped into his instrument, plucking up a storm of notes in rapid-fire fashion. One verse later Kris was tearing into his six-string – as only someone with his flatpicking prowess could – before handing the spotlight over to Allie Kral, whose singing fiddle quickly lit up The Vic.

The great thing about Cornmeal is their versatility as a band. Although bluegrass-based, the quintet is keen on using the form as a springboard for forays into a number of styles ranging from rock and roll, funk and dance to folk and psychedelia. It’s a gutsy blend designed to do whatever it takes to create something new that people can dance to.

The set proved to be a nice balance of original, traditional, and covered material. “Feather,” a song about riding the winds of destiny, was, in its execution, as uplifting as ever and a fine counterpoint to the hard-driving bluegrass that had preceded it. “Dirty Black Nag” featured skillful instrumentation from the band before they jumped into the classic “Old Crow.” The night would also bring some interesting covers. The audience was treated to a rendition of the traditional “Shenandoah” before Cornmeal did up their version of Bob Dylan’s “Tonight I’ll Be Staying Here With You.”

Cornmeal :: 11.28 :: Chicago

Other highlights from set two include the tasteful little diddy “Dirty Rag,” which was followed by two heavy hitters from the band’s catalogue, “Shelter” and “Not At Home Anymore,” the latter of which showcased some furious precision drum work from J.P. Nowak. “When the Music’s Over” was a psychedelic rocker, a great tribute to Jim Morrison and The Doors. Chris Gangi laid down some heavy bass lines for set two closer “White Freightliner Blues,” with Kral on vocals and more quick pickin’ from Kris and Wavy Dave. After much applause and foot-stomping, the band returned for an encore of The Grateful Dead’s “Ripple” for a Thanksgiving performance that showed the band’s understanding of the power of music and the importance of giving thanks for life, with all its ups and downs.

It was a mighty fine time inside The Vic, especially for the Cornmeal hometown crowd, who are finding fewer opportunities to see their favorite local pickers these days. Which, in a sense, is a good thing for the band, whose increased touring schedule corresponds with their rising popularity. And who knows how far it will go? The road is long and paved with uncertainty. For the members of Cornmeal, however, uncertainty is part of the game, and they are certainly well-equipped for wherever that road goes.

11.28.09 :: Vic Theatre :: Chicago, IL

Set I: Long Hard Road, Feather, Dirty Black Nag, Old Crow, Oh Leah Lee, Time Wasting Time, Jenny In The Middle

Set II: When The World’s Got You Down, Better Off This Way, Shenandoah, Tonight I’ll Be Staying Here With You, Dirty Rag, Shelter, Not At Home Anymore, I’ll Be Looking At You, When The Music’s Over, White Freightliner Blues

E: Ripple

Cornmeal tour dates available here.

Continue reading for more images of Cornmeal in Chicago…

Dave Simonett of Trampled By Turtles

with Dave Simonett of Trampled By Turtles

with Dave Simonett of Trampled By Turtles

JamBase | Windy City
Go See Live Music!


Nirvana: Bleach: 20th Anniversary Edition/Live at Reading

By: Ron Hart

It’s too easy to become jaded with Nirvana, especially if you went to high school or college during the short period they ruled the world in the early 1990s. The rampant manufacturing of Kurt Cobain‘s image and legacy by mainstream America has been nauseatingly on par with that of Janis Joplin, Jimi Hendrix, and Jim Morrison (all of whom also died at the age of 27Â…yes, yes we all know). And when combined with that tabloid documentary from a few years back, the controversial public spats over the band’s catalog and vault material between the widow Courtney Love and surviving band members Dave Grohl and Krist Novoselic, and what seems like the ultimate nail in the coffin, that dreadful Kurt-like avatar singing songs by third-rate Nirvana clones Bush and, God help us, Bon Jovi, in Guitar Hero 5, listening to the band is harder to stomach than ever.

Thankfully, there are two new reissues on the market that will remind the skeptics just how awesome Nirvana was before everything went to shit. In celebration of its 20th anniversary, Sub Pop delivers a stunning Deluxe Edition (released November 3) of the Aberdeen, Washington trio’s enigmatic debut, Bleach. Remastered from the original master tapes by the album’s producer, the great Seattle soundsmith Jack Endino, the album sounds louder, crisper, and cleaner than it ever has. And longer, too, as a previously unreleased live soundboard-quality recording of a complete February 9th, 1990 show at the Pine Street Theatre in Portland, Oregon is added onto the disc, featuring downright slaying renditions of such Bleach highlights as “Blew,” “About a Girl,” “Floyd the Barber,” and “Negative Creep,” as well as covers of such band faves as Shocking Blue’s “Love Buzz” and The Vaselines’ “Molly’s Lips.” Not to mention, it looks a whole lot better as well, repackaged in a heavy cardboard digipak containing a 16-page booklet that features a slew of never-before-seen photos of the group with original drummer Chad Channing behind the kit.

Also in stores is the official release of Nirvana’s legendary appearance at the 1992 Reading Festival (released November 3 on Geffen), available as a twin DVD/CD package. Once a highly sought-after bootleg long and considered by some to be the quintessential snapshot of the band at the peak of their powers and popularity, this blistering set does not disappoint in the least. Ripping through 25 songs in a hair under 80 minutes (the CD strangely omits “Love Buzz” for unknown reasons), including most of Nevermind, a giant chunk of Bleach, early rips through In Utero staples “All Apologies” and “Dumb,” rare gems like “Aneurysm” and “Been A Son,” and covers of The Wipers’ “D-7″ and Mudhoney’s “The Money Will Roll Right In,” this is the only live Nirvana outside of the MTV Unplugged album you will ever need. Hearing Kurt sound so alive and joyful, basking in the glow of the birth of his daughter Frances Bean just 12 days prior this set (evident in his introductory giggles before kicking into “Sliver” and the awe he vocally projects upon hearing the English crowd sing the lyrics to “Lithium” back to him) is both heartwarming and heartbreaking all at once. For the full effect of the concert, however, you need to watch the DVD, complete with Cobain’s hilarious stage entrance that completely mocked the rumors in the British tabloids announcing that Nirvana was canceling their headlining set at Reading on account of the singer going on a weekend-long drug binge. Seeing Kurt being wheeled out by journalist Everett True and attempting to cover Bette Midler’s “The Rose” before parting the waves of the sold-out festival crowd with a ferocious rendition of “Breed” will remind even the most cynical ex-fan why Nevermind was in heavy rotation on most stereos back in the day.

JamBase | Bleached
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Kings of Leon | 09.12 | New Jersey

Words by: Paul Felt | Images by: Joe Ryan

Kings of Leon :: 09.12.09 :: IZOD Center :: East Rutherford, NJ

Kings of Leon :: 09.12 :: New Jersey

Years from now when people ask me what great American rock music sounded like in the 2000s, I will probably play them some Kings of Leon.

The band’s music is refreshingly uncomplicated and lacking in pretense. They make straight-ahead rock music that’s not beholden to the limitations or whims of any particular scene, trend, emotion, plight, or technology. Somehow, it seems revolutionary to hear modern rock music be so real, tuneful and intelligent, yet hard driving and raw. And seeing it performed by a group of young men who aren’t rock star caricatures baring their chests, piercings and tattoos, or harboring Behind the Music style drama and angst, is a more than welcome bonus.


On a critical note, KOL never gave the crowd much in way of stage theatrics, and it did take them a few songs to hit their stride. “Molly’s Chambers,” an early hit, arrived early in their set and lacked the intensity it has on record. It seemed to swing more than drive things forward. But, once they loosened up by about four or five songs in, they did their material justice. While I would have rather seen them in a small, sweaty club – and sensed that they would rather be performing in a smaller venue – they showed that they have a right to the throne. This is one of the great American rock bands of our day, replete with a manly-man lead vocalist (Caleb Followill) and an impeccable rhythm section. With his rowdy, sexy lyrics, baritone full of attitude and beard, Caleb is reminiscent of Jim Morrison and Chris Cornell.

Kings of Leon :: 09.12 :: New Jersey

While KOL didn’t do much onstage “show” wise, an incredible over-the-top light rig mixed with live videography and film footage enabled the band to fill out the venue with their music and presence.


At several points in the set, Caleb commented that they felt honored to be performing in the arena most closely associated with the pride of the Garden State, Bruce Springsteen. “He was 56 when he last played here. I’m 27,” the singer said. He seemed awe-struck, but he and his bandmates, two brothers on bass and drums and a cousin playing lead guitar, have rightfully earned their success and large following. Great showmen these Followills of Tennessee are not, but world-class rockers, musicians, and songwriters they most certainly are.

To paraphrase a line from Frank Zappa, “Rock music’s not dead. It just smells funny.” If you’re inclined to agree, then perhaps Kings of Leon are the band to change your mind. It smells good these days. It’s about fuckin’ time.

Kings of Leon are on tour now; dates available here.

JamBase | Jersey
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