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Yusuf (Cat Stevens): Tour

FIRST LIVE SHOWS IN OVER THREE DECADES

new album

Yusuf Islam (Cat Stevens) has announced an innovative four-date tour around the U.K. and Ireland after 33 years away from the stage. The shows will incorporate Yusuf’s hits alongside music from his highly acclaimed new albums, An Other Cup and Roadsinger (JamBase review). To make it even more of a spectacle for fans, Yusuf will also weave his latest creative voyage, his first musical, Moonshadow, into the shows.

Speaking about his work on Moonshadow, Yusuf said, “My songs always told a story, so it’s natural for me to extend that into a stage musical form. It’s taken a long time to arrive, but it’s always been a dream of mine to write a musical. Growing up in the West End of London, surrounded by theatres and shows, obviously left a strong impression on me. I originally wanted to be a composer, not a pop star. Strange how it’s taken almost a lifetime, but it had to – the story is somewhat a metaphorical mirror of my own journey, so I suppose it had to wait to reach where I am today.”

The musical director of Moonshadow is Christopher Nightingale, who has previously worked on the Lord of The Rings Musical and Bombay Dreams alongside A.R. Rahman (Slumdog Millionaire). The choreographer, Nichola Treherne, was behind box office smashes from Starlight Express to Joseph and the Amazing Technicolor Dreamcoat. Renowned lighting designer Mark Brickman is designing the stage and lighting. Brickman lit Pink Floyd’s The Wall tour and is currently designing Cirque du Soleil’s new show in Las Vegas.

The four city “Guess I’ll Take My Time Tour” will commence in Dublin and continue to Birmingham, Liverpool and end in London at the Royal Albert Hall.

The full dates are:

November 15 – Dublin The O2
November 23 – Birmingham NIA
December 5 – Liverpool Echo Arena
December 8 – London Royal Albert Hall

Tickets will go on general sale on Monday 21st September 2009 and will be available from AEG Live and for Dublin The O2 from Ticketmaster.


Jerry Joseph | 08.28 – 08.30 | Montana

Words & Images by: Phil Santala

Jerry Joseph and the Jackmormons :: 08.28.09 – 08.30.09 :: Banditos :: Virginia City, MT

Jerry Joseph :: Banditos 2009 :: Montana

It had been over a year, two weeks over to be exact, since Jerry Joseph and the Jackmormons brought their signature “Way Too Loud” sound to Virginia City, Montana’s Banditos. For the fifth annual event the band had a few tricks up their sleeves, including a new soundman, plans to record a live album and a guest artist ta boot.

The soundman was Jeff Lord-Alge, who is no stranger to Jerry’s sound. Jeff has mastered the sometimes-confounding aspects of a Jackmormons show with brilliance. Songs like “War At the End Of The World” and “What I Lived For” really shined through and allowed the full range of Joseph’s singing to be appreciated. Even the rig Jeff packed in blew Banditos owner Scott Kelly away. “You should see the size of the fucking rig he hauled in here,” Kelly exclaimed on Friday night. The lights that Jeff also runs add just the right accents and textures to the setting. One might think that this contributes very little to the sound at the show, but Jerry seemed to appreciate the lighting. He even commented that “the lights sound great” between songs. Maybe it is a quid pro quo of sorts, where the lighting can ramp up the audience, and the audience can definitely ramp up the performers.

As an added treat for the live album, fans were blessed to have drummer Steve Drizos‘ wife Jenny Conlee-Drizos sitting in on keys for all three nights. Jenny was on loan to the Jackmormons from her main gig with The Decemberists. At times bassist JR Ruppel turned towards Jenny, walking her through some of the changes in a song.

Jerry Joseph and The Jackmormons :: Banditos 2009 :: Montana

A year ago they debuted a new song here, “Wisconsin Death Trip,” as an acoustic number, and as they ripped the holy crap out of it with an electric version on Friday they showed just how far the song, and perhaps even the band, has come. Don’t take this the wrong way, but I haven’t always been a Jackmormons fan. I saw them several times between 1999 and 2002, including the Irish Times show that produced Mouthful Of Copper. After that I was definitely a fan. My extended “retirement” from concert attendance ended with a Jackmormons show in 2005. Between 2005 and 2006 I saw just under a dozen Jerry Joseph shows, and at times I felt as if I was just hanging on. Whatever they were doing then, it just wasn’t doing it for me. That all changed December 14, 2007, when I saw Jerry Joseph and Friends perform at Stella Blue in Ashville, North Carolina. I have consistently been impressed since then. No matter where he’s at or how big the crowd is, Jerry is not only pouring his heart and soul out onstage, but he seems to be enjoying himself, at times. It works and it works well with Stockholm Syndrome , with the Jackmormons, with The Denmark Veseys and even solo. Through songs about hurt and pain some catharsis seems to be taking place, some joy seems to be growing out of the pain. Jerry joked on Sunday, “When I think of weddings and babies I always play this song,” before “Ten Killer Fairies” which recounts the true story of a family being slaughtered by drug lords in Mexico.

When talking about the direction of the band Steve Drizos said, “Sometimes you can’t even drive it; you just hang on for the ride.” Joseph has become a master of melody, and his melodic evolution finds Jerry tinkering with his songs and enjoying himself more onstage.

Jerry Joseph and The Jackmormons :: Banditos 2009 :: Montana

Last year, listening to some of Jerry’s songs was like hearing a static filled AM radio station. Friday’s songs were tight and concise. The solos were there, a cover of Widespread Panic‘s “Second Skin” was played and “Crime and Punishment” was slow, yet so moving. Still, it felt like Jerry was holding back the mad ramblings from various cover songs that he usually interjects into setlists. After the show I thought perhaps it had to do with licensing agreements for the live album or some such legal nonsense.

Saturday opened with “War At The End Of the World.” Fitting, since for some people Virginia City is as close to the end of world as one can get. Cell phones don’t work here. Internet? Just forget about it; even the hotel doesn’t have reception. “Pumpkin Time” may have been spurred by the placement of a wayward flip-flop by Jerry’s monitor, an event that caused some joking among the band. Closing out the second set was a recently added combination, “Chainsaw City” followed by The Cure‘s “Fascination Street.” The band preformed this pairing for the first time just after New Years 2008, and the combination works beautifully, with Jerry’s revision of The Cure tune not be missed.

“Spin City” > “North” > “Spin City” contained Saturday’s only example of the aforementioned “master of melody” approach with Lou Reed’s “Walk on The Wild Side” chorus being lightly inserted. The end of the second set was time for them to start rolling out the big guns. “North” turned into an all out slugfest. “Ask me if I give a FUCK,” barked the audience, drowning out even the reverberating amps. The pauses in this song have begun to take on a life of their own. They occur with greater frequency in more and more of the versions of “North.” Very few things represent a well-oiled band than a nice good old fashioned pause in the middle of a song. Panic’s “Walkin’” or “Good People” spring to mind as obvious comparisons.

Jerry Joseph :: Banditos 2009 :: Montana

Sunday was a different beast entirely. While the first two songs were slow, they contained more energy than the rest of the first set. A noticeably strapped down “Light Is Like Water” opened the evening, and I can only hope and pray that this version makes it on the live album. Goose-bumps rose on my arms as the song ended, just in time for the intro to “Alter In a Box” to send chills down my spine. The faintest, ghostly echoes of “All Along the Watchtower” ran along the extended intro to and resurfaced several time throughout. Rain and thunder began to poor down outside as lighting began to shoot out of amps. In a scene reminiscent of Jerry’s “Cortez The Killer” with Panic at Oak Mountain in 2002, I choose to dance in the rain. Maybe that is the sign of really good music – its ability to transport our thoughts back to long forgotten battlefields. Oak Mountain, for those who were there, was just such a place.

The final highlights of another “Good Sunday” in Virginia City were an all out mash-up in the second set. The rants during “New Psychology of Love” gave way to The Rolling Stones’ “Beast Of Burden” – a fitting combination to say the least. “Way Too Loud,” a Jerry original written with a little help from Bloodkin‘s Danny Hutchens was augmented with U2′s “Mysterious Ways.” “It’s alright, it’s alright, it’s alright,” coxed Jerry as he led us into a pockmarked, bone jarring, high speed race down the “Road to Damascus.” Closing out the second set, we slowed down a little for a sandwich of Neil Young’s “Comes A Time” with a “Mohawk” right down the middle. Finally, Jerry closed the cover laden Sunday performance with “Both Of You” split open with a very heavy rendition of the chorus of Eric Clapton’s “Let It Grow.”

The album is tentatively titled Live @ Banditos and will be Jerry’s sixth live album. It will be the second live album that the Jackmormons have recorded in Montana, Mouthful Of Copper being the first, back in 2002 at the now defunct Irish Times bar in Butte. While issues such as who will release it and when it will be released are still very much up in the air, one thing’s for sure: three nights in Virginia City provided more than enough material for a double (or triple?) disc release.

Jerry’s riding the crest of a high and beautiful wave between Stockholm Syndrome, his solo work and the Jackmormons. And those of you who did not make it to Virginia City this time, you’re running out of excuses. Virginia City, Banditos Bar and Jerry Joseph are a trifecta not to be missed. Walking around the bar before the show I overheard people discussing fly fishing on the Madison, and I bagged three 10,500 foot peaks that day. So, if you got to start budgeting now to head on up “North” and start “Shooting Up the Neighborhood” next year in Virginia City, DO IT!

Jerry Joseph and The Jackmormons tour dates available here.

Continue reading for more pics of Jerry Joseph and The Jackmormons in Montana…

JamBase | Montana
Go See Live Music!


Stockholm Syndrome | 09.06 | S.F.

Words by: Justin Gillett | Images by: Susan J. Weiand


Stockholm Syndrome :: 09.06.09 :: The Independent :: San Francisco, CA

Stockholm Syndrome :: 09.06 :: San Francisco

It’s interesting to see a band that rarely tours actually play live. Going into the show, concertgoers don’t know if what they are about to see will be a sloppy display due to infrequent interaction or a finely tuned act that simply lacks the ability to dedicate itself to the road due to band members’ conflicting schedules. In the case of Stockholm Syndrome, it’s undoubtedly the later.

Using the term super group to define the band almost seems cliche, but for lack of a better word that’s what the band is – a super group. What originally started as a collaboration between guitarist/vocalist Jerry Joseph (Jackmormons) and bassist Dave Schools (Widespread Panic), turned into a serious musical endeavor a few years back with the additions of lead guitar shredder Eric McFadden(EMT), drum wiz Wally Ingram and versatile keyboardist Danny Louis (Gov’t Mule). Even though the group rarely tours, a testament to how busy all the members’ respective main musical endeavors are, when Stockholm Syndrome does announce an off-hand set of dates, the shows are worth attending, if for nothing more than witnessing five musicians at the top of their game perform together. The musical backgrounds and styles of the five artists are quite different, although when playing together the collaborative rock monster that is created is truly remarkable, especially considering the band typically performs less than 10 dates a year. Stockholm Syndrome’s show at The Independent in San Francisco on Sunday night found the band in great form, performing as if the group lived on the road – which, in one way or another, they kinda do.

Dave Schools – Stockholm Syndrome :: 09.06

Opening up the show was local San Francisco blues inspired rock outfit The Stone Foxes. With two guitarists, a bass player and a drummer – all sharing vocal duties – the band displayed an impressive command of the stage. Oftentimes sounding like a classic rock throwback act, the quartet’s sound was consistently driven forward with the solid, occasionally spastic drumming of Shannon Koehler and the steady, rarely faltering bass lines of Avi Vinocur. Even though all the musicians often sang together, they did not seem to be achieving any sort of refined harmonies. Instead, their vocals acted as contrasts to one another, which added to the group’s unique sound.

As Stockholm Syndrome arrived onstage and greeted the slightly older crowd, the band tuned up and launched into a massive set that would persist for the better part of two hours. Schools, playing without his stalwart Modulus Quantum six-string, opting to play a Modulus Funk Unlimited four-string instead, imminently lit up a smoke, one of the countless number he sparked during the show, and looked eager to kick off the evening’s musical ventures. While Stockholm songs are a vast departure from the Panic songs that Schools normally plays, his dominating bass lines are still extremely similar in nature. He’s proven himself a bass player that can perform in several musical contexts, yet still hold onto a characteristic semblance that makes all of his playing unique and unmistakable.

Stockholm Syndrome :: 09.06 :: San Francisco

As the band got warmed up with its first few songs, attention shifted to Ingram’s diverse drumming. Attaching hand drums to his drum kit, Ingram occasionally tapped into a sound that deviated from the typically rock driven sound of the band. Apart from Ingram’s remarkable drumming, the songs proved that Stockholm really is the love child of Joseph and Schools. The other three musicians onstage played with as much dedication as Joseph and Schools did but occasionally it felt like they may not have invested as much heart into the songs as the noted guitarist and bass player have. The songs seemed to have been crafted by Joseph as singer-songwriter tunes, then as all the musicians in the band sear their brand onto the songs they morph into something completely different. But, the core of the songs is clearly Joseph’s lyrics, which prove above all else he is a talented storyteller.

At points during the show the two guitarists would harmonize their instruments during solos, which created an amazing sound that worked surprisingly well considering Joseph’s and McFadden’s vastly different approaches. Typically, when the band’s songs called for some sort of solo, McFadden would be the player to step up and deliver. His skill on the guitar was so impressive that it’s astonishing he doesn’t command more respect amongst serious six-string followers. His style is extremely flashy but McFadden displayed such dexterity while playing that his fellow musicians seemed to be in awe of him. His showboat style is no doubt bolstered because he looks like a bad ass when he plays, too. Sporting a sneer, thin dreadlocks and tattoo-covered forearms, McFadden just looks like a dude who plays a guitar really well.

Stockholm Syndrome :: 09.06 :: San Francisco

While many of the songs seemed to lack any sort of coherent “hook,” the extended jamming and improvisation more than made up for any sort of apparent lack of mainstream listening appeal. The band brought out several tunes that will appear on their forthcoming new album, which the band claims will drop soon. On some of these fresh songs, Joseph’s voice was extremely pronounced – a welcome change to some of the band’s songs that lacked a characteristic inflection. The song selection as the band neared the end of its set seemed to really capitalize off the musical diversity that Louis displayed behind his keyboards. Ranging from reggae to Texas rock, Louis’ knack for cross-genre competence really proved that he’s one of the more talented and severely underrated keyboardists on the circuit today.

After the unrelenting set concluded, the band bowed off the stage visibly stricken from the massive amount of musical movement all had taken part in. After the crowd cheered for a bit, they returned to the stage and launched into an extremely heavy two-song encore so intense that Ingram broke his snare.

Continue reading for Dave Vann’s pics from the previous night of Stockholm Syndrome in San Francisco…

Images by: Dave Vann

Stockholm Syndrome :: 09.05.09 :: The Independent :: San Francisco, CA

JamBase | Northern California
Go See Live Music!


Joseph Fiennes all set to become first time father

British actor Joseph Fiennes’ family is all set to become a first time father soon, say reports.
Sources have revealed that the ‘Shakespeare In Love’ star’s Swiss model wife, Maria Dolores Dieguez, is pregnant.

“She’’s three months pregnant. They kept the news quiet until Maria reached the three month mark but now they are telling everyone,” [...]

Jerry Joseph Live Album

Jerry Joseph Live Recording Announced

Virginia City, Montana at Bandito’s – August 28-30, 2009


Jerry Joseph

Jerry Joseph and the Jackmormons featuring Jerry Joseph (guitar/vocals), JR Ruppel (bass/vocals) and Steve Drizos (drums) will make their triumphant return to Bandito’s in Virginia City, Montana on August 28-30, 2009 for three shows! This year the band will be doing something special, as they plan to record the run of shows for the next Jerry Joseph & Jackmormons live release Live @ Bandito’s. A lot more details will be announced soon, but all audio and video recording of these shows will be prohibited. Located in historic Virginia City, Montana, Bandito’s restaurant has been at home in the beautiful Wells Fargo Building since May 1999. Owners Amy and Scott Kelley, along with their top-notch staff, are known throughout the Northern Rockies for creating a place that not only serves up some of the finest food in southwestern Montana but legendary good times as well. Bret Mosley will be opening the Friday night show (8/28) and the Secret Powers will be opening on Saturday (8/29). Online tickets are available NOW!

It seems appropriate that Jerry Joseph and the Jackmormons follow up their last live album, 2002′s Mouthful of Copper, recorded in Butte, MT, with a live album from Bandito’s in Virginia City, MT (another historic Montana mining town). Home of the largest placer gold discovery in America and the one time capitol of Montana, Virginia City truly was and is the wild, wild West. They hung the sheriff from his own gallows, Calamity Jane was a snot nosed kid on the streets, vigilantes took the law into their own hands and strung up their neighbors, fortunes were made and lost here… change the name of Virginia City to Deadwood and you’ve got a hit TV series on your hands.


If you’ve been lucky enough to catch a Jerry Joseph show at Bandito’s over the past five years, then you already know about the magic that the building evokes from the band as well as the unique Montana vibes that the city emanates. Don’t miss your chance to be a part of an historic live recording in one of the most distinct historic towns in the world.

Here’s JamBase’s take on last year’s run at Banditos.

Jerry Joseph and The Jackmormons Tour Dates

08/27/09 Thu Music on Main St. Driggs, ID

08/28/09 Fri Bandito’s Virginia City, MT (LIVE RECORDING)

08/29/09 Sat Bandito’s Virginia City, MT (LIVE RECORDING)

08/30/09 Sun Bandito’s Virginia City, MT (LIVE RECORDING)

09/01/09 Tue House Of Blues, Back Porch Stage Chicago, IL

09/19/09 Sat Bluebird Theater Denver, CO

09/23/09 Wed Rhythm Room Phoenix, AZ

Jerry will also be performing two shows with Stockholm Syndrome on September 5 and 6 at The Independent in San Francisco.

For a blast from the past, check our incredibly candid conversation with Jerry from 2002 “Passion and Pain” here: Part I and Part II.



Mission to heal

By Will Ross
BBC News, Rift Valley, Kenya

David Owuor

In view of the vast polythene-domed flower farms on the edge of Naivasha town, Kenyans gathered in their hundreds of thousands.

It was a three-day outdoor church service and a controversial self-proclaimed prophet, David Owuor, said he was performing miracles with a little help from God.

The man with a dreadlocked beard has a huge following in Kenya and so the government has asked him to assist with reconciliation – the country needs it badly.

People have been asked to bring along any weapons they used during last year’s post-election violence plus any items they looted.

The result looks like a macabre car boot sale; a vast array of kitchenware, mattresses, roofing sheets, milk churns, a photo of the French 1998 World Cup winning team, a guitar, a stack of machetes and poisoned arrows, plus an evil-looking club with nails sticking out of it.

Willis

"I’ve come to repent and return my weapons," said Willis Onyango, after handing over a machete which he said he had bought to defend himself but never used, and a bicycle pump.

It is not yet clear what will happen to all these weapons but Willis has an idea.

"I want my machete to be given to the displaced people so they can use it for farming."

More than a year and a half since the end of the violence several thousand people are still displaced – still living in tents, fearing to return to the communities from where they were chased.

Victims of violence

An hour’s drive along the Rift Valley in a small, beautiful village where a church once stood there are now 36 graves.

Each is marked with a simple white cross on which the letters R.I.P have been painted in black.

Many of them are marked "UNKNOWN", as the people who were seeking refuge in Kiambaa’s church were burnt beyond recognition.

Two of the graves are for Edith Githuku, who was 44, and Samuel Githuku, who was just four.

"I can forgive but I cannot forget that they did bad things to me," says Joseph Githuku, who is still struggling to come to terms with the loss of his wife and son.

He says some of his other children survived by escaping through a church window and they have since seen some of the men who torched the church in the village.

Joseph Githuku with his daughter

Joseph’s family is Kikuyu and he lives in a Kalenjin community.

Despite the horrors of 1 January 2008 he says he has no choice but to stay.

"This country is ours and the constitution says a person can live anywhere in Kenya.

"The community says it is their land but we bought it from the white settlers after independence.

"So we can’t run away to a place where we have nothing. I have nowhere to go. I will be here until I die."

Whilst he says he can forgive, Joseph also wants justice. Especially for the politicians who, he says, instigated the post-election violence.

But Joseph has little faith in Kenya’s judiciary.

"This country is for the rich, but the poor have no justice because of the corruption.

"So we as Kenyans would like these people to be taken out of the country so that justice can work and the truth can be seen," he said, suggesting that briefcases full of money might influence the courts.

New home

Some of the residents still feel tense, fearing the same violence could erupt again.

"When we talk we are not free with each other. The warm relationship we used to have is not there now," said Elizabeth Wangui, whose son was badly burnt in the fire.

"They have not cleansed their hearts or sought forgiveness and so I still have a lot of fear," she added, before saying that if she had somewhere else to move to she would leave the village immediately.

In a nearby village, Tabitha is barefoot, extremely muddy and full of smiles now that her home is no longer a tent.

She is rebuilding the house which was burnt and looted with mud, sticks and metal roofing sheets.

Her new home was made possible not by the Kenyan government but by the International Organisation for Migration, IOM, with Japanese funding.

"I feel perfectly safe now. We live in harmony and we are even able to borrow salt from each other," said Tabitha, pointing to a new wall that her neighbours from the rival ethnic group had helped her build the previous day.

Tabitha

Tabitha also wants there to be justice.

"I would like to see the law upheld. But I would rather see it happen in The Hague than here," she said, referring to the home of the International Criminal Court, ICC.

"In Kenya it would be sidetracked and then disappear."

Like many Kenyans, Joseph and Tabitha believe the big fish could all too easily get off the hook in Kenya, and they pin their hopes on the ICC.

Local courts

Locked in a vault there is an envelope containing a list of the key suspects – the result of a commission of enquiry into the post-election violence.

Although the list has been kept a secret it is widely believed to include powerful businessmen and cabinet ministers.

"In matters of justice when the offence has been committed you must face the music, you must dance to it – whoever you are," Kenya’s justice minister, Mutula Kilonzo, told me before admitting that he believed some of his fellow ministers were themselves running away from justice.

Mr Kilonzo argued that referring the case to the ICC would have been an admission that Kenya was a failed state and so he had wanted to convince his cabinet colleagues to set up a local tribunal with international judges sitting on it.

Cabinet rejected the idea and instead chose the local courts in which the Kenyan public has so little faith.

Back in Kiambaa village Joseph Githuku struggles on his own to bring up his surviving children.

He sets off for work with a drum full of anti-mosquito spray strapped to his back.

He is helping his neighbours from the rival Kalenjin tribe in the fight against malaria and seems determined to build bridges.

"We are trying to show them how to live together to make peace between the Kikuyus and the Kalenjins," said Joseph.

When I suggested that he was a peacemaker, Joseph replied with a smile and a laugh: "I’m a peacemaker with a certificate."

Kenya needs more peacemakers like Joseph. The country has not healed.

Unless some people face justice for last year’s horrific events, the fear is the violence could all too easily erupt again.


This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.

Joseph Freeman: Last Call for No Alcohol

The Gates and Crowley get-together Thursday night, Twyman said, distracts the president from more pressing issues such as health care and might encourage kids to experiment with booze.

Mark Joseph: Nice Try Mr. President; Hold The Beer & Get The Tape

So, President Obama wants the Prof and the Cop to come to the White House, have a beer and make nice? Not so fast. One…

Joseph A. Palermo: Arnold Schwarzenegger’s Knife Play

What’s been playing out in California could be the stubborn last gasp of the “Republican Revolution.” What began in California might have to end in California.

Mark Joseph: Chris Matthews: A Deeply Closeted Birther?

Everyday I drive home from work, walk in the door and ask my four kids under the age of 8 “guess what time it is?”…

James Love: Howard Dean — Now a shill for BIO

The July 20, 2009 issue of BioCentury has an extensive report on the “Biosimilar fire Drill.” It discusses in detail the lobbying by the Biotechnology…

Joseph A. Palermo: Walter Cronkite

Walter Cronkite spoke a language critical of U.S. policy in Vietnam that appealed to the middle class.

Hermene Hartman: The Good News about Joseph Jackson

One thing’s for sure: I think Joe Jackson is getting a bad rap and not being accurately portrayed. The Jackson story is an all-American success story, with Joe Jackson at the center.

Swine flu may keep schools shut

Uncertainty over spread of pandemic could keep pupils away for start of autumn term

Some schools in England could remain closed in September if the swine flu pandemic escalates over the summer, the government has admitted.

The Department for Children, Schools and Families (DCSF) said that, while it was expected schools and nurseries would open as usual at the start of the academic year, it could not be “certain what the situation will be” in the autumn.

Decisions on closures would be taken shortly before the start of the autumn term, a message to schools across the country from the department said.

The DCSF guidance, issued as many schools broke up for the summer today, said it was monitoring the spread of the H1N1 virus on a day-by-day basis. A message will be sent to schools in the last week of August telling them what to do at the start of term, it added.

The DCSF said: “As the summer term is drawing to an end, it is important to ensure that everyone will be in a position to know what will happen at the start of the autumn term.

“We expect that schools and early-years and childcare settings will reopen as usual but at this time we cannot be certain what the situation will be then; we will need to monitor developments over the summer, and take decisions based on the best advice available shortly before the start of term.”

About 1,000 schools have already recorded cases of swine flu, although most have remained open, according to the DCSF.

The message to schools follows a warning from the government’s chief medical officer, Sir Liam Donaldson, that up to 65,000 people could die from swine flu in the UK in a worst-case scenario.

A planning document published by the Department of Health yesterday suggested that if the current growth in cases was sustained, the number of cases could peak in early September, with up to 30% of the population suffering illness.

There are also suggestions the spread of the virus could begin to slow over July and August before a resurgence in the autumn when schools reopen.

Margaret Morrissey, of the lobby group Parents Outloud, said ministers should have closed schools across the country early for the summer.

“I do think the government has had a major event of mismanagement here. They should have shut down schools and public places, not for ever, but to stop the virus spreading,” she said.

In swine flu hotspots, schools should remain closed until children had been vaccinated, Morrissey suggested. “We might have to, in some schools, keep them closed until the vaccine is in place,” she said.

The campaigner also called for the government to hand money to employers so that their staff can stay at home with their children if they are affected by swine flu.

“We helped the banks out, how about helping parents?” she said.

“There could be a decision that schools have got to say to parents, ‘If your finances can be supported, do you agree with having the school closed until the children are vaccinated?’”

But she added that if it was possible to open schools in September then that should happen.

At the start of the outbreak, affected schools were closed, but the Health Protection Agency is no longer recommending that approach because swine flu is now widespread within communities.

HPA guidance says: “People are likely to be repeatedly exposed to the virus in their everyday lives. Closing a school will no longer be effective in slowing the spread of the virus as people could still be exposed outside the school.

“In some special circumstances – for example, a school with children who are particularly vulnerable to infection – then school closures might still be recommended.”

Parents expressed concern yesterday about the now rapid spread of the virus, and some admitted they were scared and unsure how to respond to the situation.

Gloria Newell, 49, a housing officer, who was picking up her nine-year-old daughter, Natasha, from St Mary’s Church of England school in Islington, north London, said: “I am just astonished. The figures are quite shocking. There seems to be nothing really in place to cope with this. We have heard about a national vaccination scheme but we do not know when it might be in place.”

In north London, another mother, Amal Khaireddine, 30, was concerned about her sons Joseph, five, Shamus, six, and Ryan, eight, all pupils at Hugh Myddelton school in Islington, where there had been several cases of swine flu. “They had sore throats and temperatures and I did what you should do and called the GP. They said … not to worry. But I think they should have been tested, some swabs should have been taken … all you are told is check the NHS website, but that is not 100% safe.”

In nearby Culpepper Gardens, Richard O’Connell, 63, said he had taken his two-year-old grandson, Alfie, to the doctor because of a high temperature and had been told not to worry. “But you do worry because you don’t know what to do … it’s all very well telling people to look at the NHS website but what of those of us who do not have a computer?”

Anne Alexander, 62, a retired playschool worker from Highbury, north London, believed the publicity was causing “mass panic”. Collecting her nine-year-old granddaughter, Niamh Stepto, from school, she said: “The reality is that it may only be as serious as normal seasonal flu.”

Paola Domizio, a pathologist and mother of year-old twins Aron and Susha, said : “I’m undecided whether to panic or not. Certainly it is alarming that so many young children may be susceptible. But what can you do? Even if you keep them in all day there are no guarantees. If a vaccine is developed I suppose children will be vaccinated, but until then all you can do is follow the guidelines. So I can’t say that I’m particularly panicking, although the figures do sound alarming.”

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Mark Joseph: My Interview With John Marks, Author, “Reasons To Believe”

Books by both atheists and ex-theists are all the rage these days and I am especially interested in the stories of the latter and think…