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Frequency Festival | 08.20-08.22 | Vienna

August 31st, 2009 | No Comments

Words by: Lindsay Colip | Images by: Steven Walter

Frequency Festival :: 08.20.09 – 08.22.09 :: St. Polten, Austria

Frequency Festival 2009

Frequency Festival, in St. Polten, Austria (outside Vienna), was JamBase’s last stop on our European Festival circuit. For the first time in eight years, the park had been moved from Salzburg to St. Polten and the seven stages had been split into two different parks, the DayPark and NightPark. The DayPark had four stages – The Race Stage (Radiohead, Bloc Party, Kasabian, Jet, Ting Tings, Editors, Subways), The Green Stage (Grace Jones, Little Boots, Enter Shikari, Ska-P), Weekender UK Stage (Airborne Toxic Event, Official Secrets Act, The Black Box Revelation) and the Open Air Stage (bands who won an earlier online contest), while the NightPark had The Electro Floor (Crystal Castles, Eric Prydz, Crystal Method), Urban Art Forms Floor (Carl Cox, MSTRKRFT), and NME Floor (Kele Okereke from Bloc Party, Michael Mac vs. Fake Lashes, Andy Rourke from The Smiths). It was a lineup sure to be insane, bringing thousands of teenagers with raging hormones out from their parent’s houses and into the dust.

Thursday, August 20

It was bloody hot and the only appropriate attire was bikinis and boardies. Unless you came fully clothed, in which case you probably ran through the sprinklers or got hosed off by one of the security guards. The overall scene can be described in four words: teenagers on the loose. The average age was 17, maybe even younger. These kids seemed frantic to smoke, drink and make out as much as humanly possible. Which meant that at 3 p.m. on the first day of the fest people were already passing out and slurring their words. What little variety of beverage and food that existed was pretty expensive, and the venue didn’t have any water stands readily available to refill your cup either, so unfortunately you had to keep buying more and more plastic. I also realized how much I appreciated the hand sanitizers that were everywhere at the other festivals but absent here. Toilet paper was also in short supply. So, a hormonally challenged crowd, bad bathrooms (for chicks), blah scenery, no free water and expensive food. My immediate thought was the music better kick ass.

Enter Shikari :: Frequency Fest 2009

Glasvegas, a Scottish alt-rock band that had previously under-whelmed me at Melt! Festival (JamBase review here), took the Main Stage first. James Allan (lead vocals, guitar) started the day saying, “Austria, I fucking love you already. The girls are incredible and they aren’t wearing much!” Supporting Allan was Rab Allan (lead guitar, backing vocals), Paul Donoghue (bass) and Caroline McKay (drums). Besides a Christmas record they put out last year, they’ve released just one self-titled studio album. So far it has brought them plenty of press and praise, including being nominated for approximately 13 awards and most notably winning the Phillip Hall Radar Award (NME Awards). They’ve also supported Oasis on tour and are about to play a few dates with U2. So why do I still think this is an incredibly boring band? I simply can’t get into their overly dramatic (but not in a fun Editors or White Lies way) and uninspiring sound. Am I missing something?

From here I went over to the Green Stage to catch Enter Shikari, the opening band on tour with The Prodigy this summer. The crowd seemed extremely amped up way before the guys even came onstage. When they finally ran out, I understood why. This is a high-octane, head banging, post-hardcore screamo band from the U.K. Electronica mixed with hard beats, dirty bass and plenty of screaming. This isn’t my scene, however to be fair, they were really entertaining. Roughton “Rou” Reynolds (vocals, electronics), Liam “Rory” Clewlow (guitar, vocals), Chris Batten (bass, vocals) and Rob Rolfe (drums) played their instruments with energy and style, spinning and jumping and beating the crap out of the poor things. They played plenty of songs off of their new album, Common Dread, and I fully understand why The Prodigy would want this in your face, energetic act on the ticket.

Kasabian :: Frequency Fest 2009

Back to the Main Stage, where Jet had just started. This Aussie rock ‘n’ roll band was at its best again today. The crowd loved their old school rock sound, singing enthusiastically along to favorites “Are You Gonna Be My Girl?” and “Cold Hard Bitch.” They played several from their new album, Shaka Rock as well, including “She’s A Genius” (which is definitely the song to download) and “Beat On Repeat.” Frontman Nic Cester was singing/screaming his heart out and his scratchy voice sounded absolutely perfect live. A highlight of the show was when Cester’s brother and drummer, Chris Cester, sang a few of the songs from behind his drum set, including “Holiday.” The other members rounding out the band were Cameron Muncey (lead guitar) and Mark Wilson (bass). They had to play a very short set, like most of the earliest performers did, so they didn’t get to play very many songs off of their new album, but I think the crowd got the idea. If you like rock ‘n’ roll, you will like this band. Period.

“How’s everybody doin’? We’re The Ting Tings. Pleased to meet ya!” Katie White said as she greeted her audience. The other half of the electro-pop U.K. duo, Jules De Martino, was already out onstage, rocking the keyboard, drums AND guitar, all on one song. These two put on quite an impressive, entertaining show. The wild outfits, the fist pumping/dancing around, the multiple instrument playing and their dynamic stage presence make them a hard act to beat, if you want to dance and sing, that is. They played catchy sing-alongs such as “Great DJ,” “Shut Up and Let Me Go” “Fruit Machine” and ended on mega cult hit “That’s Not My Name.” Although a fantastically entertaining and enthusiastic show, it was the exact same show as Sziget Festival (JamBase review here). If you plan on seeing these guys (and you should) just don’t expect to see something different from show to show. Further, good luck NOT getting “That’s Not My Name” stuck in your head. Impossible.

Kasabian, an alt-rock band from the U.K., blew the crowd away. Tom Meighan (lead vocals), having just been quarantined in Sydney literally DAYS before because of Swine Flu, put on an impressive show. His other bandmates had been sick as well, but nobody showed signs of being sluggish or tired. Meighan was supported by guitarist/backup vocalist Sergio Pizzorno, bassist Chris Edwards, drummer Ian Matthews, touring guitarist Jay Mehler and touring keyboardist Ben Kealey. They played for almost two hours, including packed arena favorites “Club Foot,” “LSF,” “Underdog,” “Processed Beats” and “Shoot the Runner,” as well as newbies off their latest album, West Ryder Pauper Lunatic Asylum, including “Fire” and “Where Did All The Love Go?” Catchy lyrics, good beats, great guitar riffs and a nice blend of rock & roll and electronic, their new album is a definite grab if you like these guys.

Continue reading for Friday’s coverage…

Friday, August 21

Frequency Festival 2009

First up was Milow, aka Jonathan Vandenbroeck, a 27-year-old Belgium singer-songwriter. The ONLY reason I had heard of this guy was because his super popular and cheesy 50 Cent cover, “Ayo Technology,” had been on every single radio station since I arrived in Europe back in June. The cover has received more success than the original in Europe and his video has gotten over 20 million hits on YouTube. That being said, Milow wants to be known for more than this cover song. He wants to be taken seriously as a musician and I wanted to give him that chance. What I witnessed was definitely a sensitive singer-songwriter, along the lines of a James Taylor or Bob Mould. He happily sang folksy love song after folksy love song to the semi-confused crowd. Where was the smarmy “Ayo Technology” guy they wanted to see? Vandenbroeck even played a cover of Van Morrison’s “Brown Eyed Girl,” so there’s that. The music was so fluffy and sugared that I had to leave. I couldn’t even stay for his ‘hit’ song.

To put things back on track was Little Boots, aka Victoria Christina Hesketh, an electro-pop singer/musician from the U.K. She plays keys, piano, stylophone and some crazy Japanese instrument called the Tenori-On. Having only put out one studio album, Hands, she’s amassing quite a following and so I wanted to check out the hype. All five feet of her came out smiling in a cute, silver futuristic dress with her bleach blond hair in Princess Lei buns. She certainly resembled Kylie Minogue in size and appearance but in no way did she hold a candle to Miss Minogue’s stage presence, swagger or song quality. Hesketh definitely has something about her – a pleasant sweet voice, a cute package, a desire to get people disco dancing – but she isn’t delivering yet. Her popular songs “New In Town” and “Stuck On Repeat” weren’t catchy lyrically nor made me want to dance. As opposed to say The Ting Tings, who make one want to shake-shake regardless of what they’re playing, what Hesketh might need is for someone to get a hold of her and help her grow into the pop star she has the potential to be. I was hoping for much more and perhaps in a year or so, she’ll be someone to enjoy watching.

Radiohead :: Frequency Fest 2009

Next, it was off to the Main Stage for Bloc Party, where the sold out crowd crushed towards the front for an almost two-hour mega dance/mosh show. Like their performance at Sziget Festival last week, they were high-energy and loads of fun. Old hits “Banquet,” “Hunting for Witches,” “Helicopter,” “Mercury,” “Two More Years,” “This Modern Love” and “Signs” were flung into the air, as well as new single “One More Chance.” Kele Okereke broke a guitar string for the first time in years because of his excesses rocking out, which only brought the crowd into more of a frenzy. The cool thing about this performance was that it was completely different from the setlist at Sziget and Melt! Festival. Thank you, Bloc Party, for shaking it up a bit. Yes, they played several of the same songs, but nothing like the verbatim Oasis or Ting Tings back-to-back shows we saw. Much appreciated. If you want to dance and be yelled at by a frontman with the biggest smile EVER, go see these guys. A fun sing-and-dance-along show.

And then came Radiohead. The most impressive crowd I’ve seen all summer pushed, shoved and finally crunched itself into a tight Tetris like formation and waited for Thom Yorke and company to come out and smack the absolute shit out of them. I couldn’t keep my eyes off Jonny Greenwood (“the mad scientist” as photographer Walt calls him), who seamlessly goes from ATTACKING his guitar to tinkering on the piano to making beat after wicked beat on whatever the hell he uses. There are so many wires, buttons and gadgets that he uses that it’s impossible to tell what’s going on, which makes the sound even more impressive. You can’t understand it, nor can you understand how the hell Yorke comes up with the music. The stage was set like last year’s tour, with the hanging icicle lights glowing with crazy colors. The HD screens were back as well, with close-up shots of each of the member’s face/body parts. Honestly, the show was leaps and bounds more remarkable than any I’ve seen since my arrival in Europe that it’s almost unfair to compare. Radiohead is a different league of musicians/creators/aliens.

Radiohead Setlist

15 Step, There There, Airbag, All I Need, Kid A, The National Anthem, Nude, Weird Fishes/Arpeggi, The Gloaming, Myxomatosis, Climbing Up The Walls, Street Spirit (Fade Out), Videotape, Jigsaw Falling Into Place, Karma Police, Bodysnatchers, Idioteque
Encore: These Are My Twisted Words, Pyramid Song, Reckoner, (Nice Dream), Paranoid Android
Encore 2: Everything In Its Right Place

Continue reading for Saturday’s coverage…

Saturday, August 22

The Sounds :: Frequency Fest 2009

What is it with festivals either having extreme heat or excessive rain? To see if we really want to be here? To prove our dedication to the love of music? Regardless, despite heavy rains, the performances started on time and the first show on Sunday was Port O’Brien, a folk-indie rock group from Northern California. A little bit Modest Mouse, a little bit Vetiver, these guys sang their folk hearts out to a very small but dedicated crowd (because it was pouring rain). The band started out as folk duo Van Pierszalowski and Cambria Goodwin and soon after they added a rhythm section of Caleb Nichols and Joshua Barnhart. Pierszalowski works on his father’s fishing boat up on Kodiak Island, Alaska while Goodwin holds the title of head baker back on shore at Larsen Bay, and THIS is where they get most of their musical inspiration. Songs about being stuck at sea, living amongst beautiful wilderness, surviving the freezing cold weather, isolation and longing are beautifully penned by the duo. They harmonized and twanged their way through several songs off Threadbare, their new album coming out October 2009. A very pleasant, appealing, folksy sing-along band, Port O’Brien is definitely one to keep an eye on.

Cue The Sounds The Swedish new wave, punk synth pop group is led by a hottie in stilettos named Maja Ivarsson. A total Blondie throwback, she grinds, gyrates, squats and curses her way through each song, giving the front row quite a show. Although she has an incredibly sexy and tough stage presence, she remains approachable by constantly thanking the crowd for their support. The only problem is her voice is not good. It’s not bad or annoying, per se, but it’s just blah and flat, which sucks because she looks hot (unbelievable legs) and seems like a fireball. And the band behind her looked fantastic as well (think A Flock of Seagulls) and played their hearts out. The songs are actually quite good, too. Catchy lyrics, great synth, good dance beats, Atari sounds here and there, it all works for a fun dance band, EXCEPT her voice. Their third album, Crossing the Rubicon, came out this summer and they played several songs from it including “No One Sleeps When I’m Awake.” They also played some of their more popular songs, including “Painted By Numbers” (which I really enjoyed), “Living In America” and “Tony The Beat.” I’ll give them another try when Ivarsson gets some vocal training. Then again, what do I know; I like Crystal Castles and Alice Glass’ voice sounds like cars crashing.

Frequency Festival 2009

The Subways took the stage and even though the rain held, the crowd moved in. I had been introduced to this U.K. alt-rock band at Sziget Festival and although I didn’t like the music necessarily, I LOVED the performance. Billy Lunn (lead vocals, guitar) and Charlotte Cooper (bass, backing vocals) are so much fun to watch thrashing about onstage. And Cooper certainly thrashes; it looks as if her head is going to pop right off with each head thrust. Lunn dances and twirls about, frequently yelling at the crowd to “get craaaaazy!” amongst other things. They play with such intensity and enthusiasm that it is impossible to not join the party. Now that I knew the songs better, I really enjoyed the performance. I can honestly say that I probably will never buy one of their albums, but I wouldn’t miss one of their shows if they came to town.

After another 30 minutes of pouring rain, the Editors took the stage. Ah, how perfectly dramatic this U.K. dark indie group can be, reminiscent of a Phantom of the Opera performance – moody, dramatic, sexy, theatrical. Taking your eyes off of Tom Smith (lead vocals, guitar, keys) is impossible. He sings each song with such passion and enthusiasm it would be rude not to give him your full attention. With his booming, commanding voice he silences the crowd and stirs them into a frenzy as well. “Blood,” “All Sparks” and “Munich” were huge hits at this set, but really every song was just as good as the next. Their new album, In the Light and On This Evening, will be released in October, and from what I’ve heard it’s a little more synth friendly/heavy than previous albums. Based on the live versions it works as fantastic, dark indie disco rock.

Editors :: Frequency Fest 2009

All in all, Frequency Festival was sub par. The lineup was indeed great, with highlights being Radiohead, Editors, Jet, Kasabian, The Subways and Bloc Party. The crowd, however, was SUPER YOUNG, and it actually made more of a difference to my enjoyment than I’d expected. Excess pushing, shoving, drunkenness, shenanigans and a blatant disregard for others made it difficult to enjoy the scene. The food was so expensive that most people went to the supermarket down the street, which was an absolute shit storm each morning. Drink prices were hefty as well, prompting people to get completely sloshed before heading into the grounds. The fact that it was balls hot at times – so hot that people were passing out left and right – and so wet at other times that you had to fully commit to being soaked and frozen for the day, was unfortunate. But, alas, the Festival Gods wanted it that way. The grounds were nothing special nor interesting, especially after being to Melt! Festival (amongst the enormous At-Ats) and Sziget (set on an island in the Danube). Hell, even Lollapalooza, sitting amongst the beautiful cityscape of Chicago, or Sasquatch!, nestled at The Gorge in Washington, or even Outside Lands, perfectly placed in Golden Gate Park… now THOSE are settings for festivals, not some random patch of grass and gravel an hour outside of Vienna.

The music always saves the day. In this case, hearing Kasabian belt out “Fire,” Bloc Party rip open “Banquet,” The Ting Tings bop up and down to “Great DJ,” Editors croon to “Munich” and Radiohead serenade us with “Videotape” made everything okay. Better than okay, really. The point of these festivals is always the music and sometimes we get greedy. But hey, if you’re dishing out money in this day and age it better be worth it, right? That’s the whole point of the review, to answer the questions, “Who is worth opening my thin wallet for? Who deserves my love and affection?” I dare say, unless the lineup is off the freaking charts (Radiohead all day, every day?) then this is NOT the festival to propel you overseas. We never even made it over to the NightPark because the crowds were too insane (and not in a good way) and the lines to get on buses were outrageous (especially when it’s pouring rain). I’m sure that Crystal Castles, MSTRKRFT, Eric Prydz and The Crystal Method kicked ass because they did at all the other festivals. Frequency Festival is not to be frequented… unless you’re 17. Then, get after it!!!

Continue reading for more photos of Frequency Festival 2009…





Enter Shikari
Glasvegas
Jet
Eagles of Death Metal
Eagles of Death Metal


Radiohead




The Sounds
The Sounds
The Ting Tings
The Subways
The Subways
Little Boots
Kasabian
Kasabian
Milow
Port O’Brien

JamBase | Austria
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Melt! Festival | 07.17-07.19 | Germany

July 28th, 2009 | No Comments

Words by: Lindsay Colip | Images by: Steven Walter

Melt! Festival :: 07.17.09 – 07.19.09 :: Ferropolis, Germany

Melt! Festival 2009 :: Ferropolis, Germany

Melt! Festival celebrated its 12th year in the City of Iron, aka Ferropolis, Germany. City of Iron? More like City of Huge Transformers! The stages were built around and sometimes actually built into these five huge iron surface mining machines. Think Blade Runner plus the AT-ATs from Star Wars and the creatures from Alien or Predator all wrapped up into five Transformer figurines. In sum, really amazingly freaky iron excavators and spreaders firmly planted on this peninsula that looked like they might come to life at any moment and eat you. I can only hope this explains how enormous and scary they were, all full of wheels, pulleys, long arm-like extensions, bad ass steamroller parts, narrow sky scraping walkways, etc. It was insanity and Walt captured it brilliantly in his photos. This year’s round ‘industrial garden landscape’ is situated quietly along the beautiful Gremmin Lake.

The festival brought in 20,000 fans last year and is known for its unique lineups. It’s a predominately indie festival with a good mix of electronica and rock. This year, some of the performers (who fit in both categories) were Phoenix, Oasis, Glasvegas, Animal Collective, Bloc Party, !!!, Crystal Castles, Digitalism, Klaxons, Kasabian, Passion Pit, Cold War Kids, Whitest Boy Alive, Travis, DJ Supermarkt and The Dodos. The six stages that are the home for these acts include the Main Converse Stage (open air), Gemini (marquee tent), Big Wheel (open air), Red Bull Music Academy Dance Floor (open air), Coca Cola Soundwave Tent (tent) and the Sleepless Floor (open air/hall). Besides the well-known bands, this festival prides itself on breaking newer bands. A&R companies are known to come here to do some scouting. The campgrounds are about 15 minutes walking distance from the stages (unless you are VIP and then you sleep literally NEXT to the Big Wheel Stage, which means bring earplugs – they spin until 8 a.m.) and the festival area is about two hours from Berlin, easily accessible by train, bus or air. All of this, coupled with the fact that I turned 30 on the Saturday of this festival, made me about as excited as pop rocks in soda!

Friday, 07.17

Melt! Festival 2009 :: Ferropolis, Germany

Doors opened at 4 p.m. to a rowdy, sweaty crowd, all rushing in and immediately heading for the Becks beer tent after waiting hours to get in. The general vibe of the people was completely different from Roskilde Festival in Denmark (see JamBase review here). People looked edgier, grungier, dirtier – not the sea of blondes and blue eyes from before. I think American Apparel must’ve had a great first half of the year because the part of the crowd that didn’t rip their jeans, stain their shirts and purposely not shower for a week before arrival were DECKED in ’80s power workout gear, headbands, gold tights, sweat shorts, tall striped socks and neon leotards. The only exception from group A or B was a group of people who dressed as Smurfs – head to toe, blue paint, white hats, the whole deal. That’s commitment!

The first DJ at the Big Wheel (there is an enormous wheel on the back of the iron structure where the DJ spins – DJ at the helm, wheel in the back, a ship of sorts) that I saw was Markus Karva. I’d never heard of him but was swept into the madness right away. Apparently he always opens the festival and treats everyone to acid house, minimal and electro. People absolutely loved him and immediately starting dancing and flailing about on the grassy knoll with the serene lake behind them. He spun for two-and-a-half hours, starting the weekend party off right. The only cover I recognized was a snippet of MJ’s “Wanna Be Startin’ Something” as I was walking away. Karva was a real treat full of new music. Next, off to catch Cold War Kids at the Main Stage.

Cold War Kids :: Melt! 2009 :: Ferropolis, Germany

Here’s the problem playing at 5 p.m. on the Main Stage: It doesn’t translate well. The stage is a simple black structure. On both sides, there are two huge, badass black and white photos of fans, courtesy of Converse. In front of the stage is a big, open pit made up of gray concrete with big, gray concrete stair steps surrounding it. A big, gray concrete arena. Did I mention it was gray? CWK, all wearing gray and black, blended right into the stage. There were no lighting effects, graphics on the screen behind them, nothing to help them pop. That being said, Nathan Willet (vocals, guitar) sounded great, per usual. CWK are an indie rock group from California who’ve been around since 2004 and consist of Willet, Matt Maust (bass), Jonnie Russel (guitar) and Matt Aveiro (drums). The modest crowd was definitely enthusiastic about a few songs, including “Hang Me Up To Dry,” “Relief” and “Every Man I Fall For.” Although everything sounded great (the notes Willet hits are chill producing) and the energy was high, my gut instinct was that this particular crowd was wanting more techno/electronic music.

Next up on the Main Stage was Delphic. I’d never heard of them and I was really impressed. Although the band looked like they were dressed for a business lunch (slacks and nice black collared shirts at a dirty festival, really?), they played like they were wild men. From Manchester, they are a really cool blend of rock (heavy guitar, drum solos) and electro/techno dance music (cue the smoke machine, synthesizer and drum kit). At first I wrote down “poor man’s Bloc Party” but I think I judged too soon. Manchester used to be known, apparently, for mixing dance and rock music, and Delphic is bringing it back to life. Overall, they were really cool and weird and I truly enjoyed their jams. Good builds, high energy, not too much techno and not too much rock – a great mix and a new band worth checking out.

Klaxons :: Melt! 2009 :: Ferropolis, Germany

London-based Klaxons were next and they killed it. They started off with this loud siren noise to get everyone in a frenzy and then straight into the goods. Major dance party, fist pumps, jumping up and down, crowd surfing (apparently that is a-ok here) clapping, high, high energy. “Golden Skans” was the highlight for me, especially when it inspired a mosh-pit that I was safely above. The guys – Jamie Reynolds, James Righton, Simon Taylor-Davis and Steffan Halperin – said it was the craziest crowd of the summer and all I could think was, “Have you been to Roskilde?” This is definitely a band to check out, winning NME‘s best new band of 2007, Best International Track (“Golden Skans”) for 2008 as well as best album of 2008.

The Dodos were next up in the Soundwave Tent. These guys are in a zone right now. This is the third festival in a row where I’ve seen them and they keep getting better and better. It’s like they are in this flow of energy and perfection right now. Meric Long is absolutely amazing to watch on guitar, not to take away from his mates, drummer Logan Kroeber and vibraphonist Keaton Snyder who are equally as talented. The crowd was small mostly because people were still at the Klaxons, but they were loud and enthusiastic. Creating ‘psychedelic folk’ songs, this band reminds me that the blend of music being created today is unbelievable.

Bodi Bill :: Melt! 2009 :: Ferropolis, Germany

Another new act for me was Bodi Bill at the Gemini Stage. These three Berlin DJs/singers/dancers were so fun to watch. Lead guy looks exactly like David Byrne and so that was in my head the whole time. They were akin to Talking Heads on speed. Fantastic, with great dance beats and synth adds, mixed with really high energy dancing and singing. The crowd was wild and it was apparent the Red Bull had begun to kick in.

From here, things became a bit of a blur. Not because of anything I was doing, but because it started to absolutely downpour. As I watched a little of RÃ¶yksopp on the Main Stage (they are such a great, theatrical show) all of a sudden we had to get shelter. When I say ‘downpour,’ I mean like take a bucket, fill with water and then dump it. That deluge of water continued for hours. People were absolutely soaked. Two of the main stages are open air! That meant EVERYONE ran to see Crystal Castles, including Walt and I.

Crystal Castles is a phenomenal show. Toronto-based Alice Glass kicks ass as a frontwoman. Ethan Kath is equally as mesmerizing on the sound system. The video game inspired music isn’t for everyone, I know, but if you want a taste of some really cool techno with interesting beats/lyrics/vocals give “Crimewave” a try. The crowd was enormous, wet, laughing, smiling, cigarettes in the air, drinks spilling everywhere. This is one insane live show you shouldn’t miss, trust me. Keep in mind, they went on stage at midnight – a shit time slot – and, this is where I started my birthday celebration, amongst the chaos. Perfect.

Crystal Castles :: Melt! 2009 :: Ferropolis, Germany

The rain stopped a little bit and the crowd dispersed to eat, dry off, etc. and then came back again at 2 a.m. to watch DJ Koze at the Big Wheel. What I didn’t like about Koze, and about several DJs in Germany I’ve heard in the last two weeks, was the flow of the music. It was too steady, too slow, no ups and downs. If I’m going to tolerate techno, I want to be swept up and down. Isn’t that the whole point? I wanted a finish or a pop and all I got were builds and descents, over and over. BOOOOOORING. This is when I first heard the term “Minimal Techno” and realized I was about to hear it all weekend. Oy.

Back to Gemini for MSTRKRFT, who came on at 3:30 a.m. I mention the times because I’ve never seen anything like this. Trentemoller was scheduled to start at 5:30. 5:30 A.M.! But, alas, the rain stopped everything. It wasn’t MSTKKFT in the tent when I arrived. In fact, I have no idea who the DJ was and they weren’t compelling enough to hang around and I was soaked. Decided to call it a night. Next day’s lineup, weather permitting, was insanely good.

Continue reading for Saturday at Melt!…

Saturday, 07.18

Caribou :: Melt! 2009 :: Ferropolis, Germany

Caribou started my day in the Soundwave Tent and they sounded fantastic. The dueling drums were unbelievable, Dan Snaith‘s lilting voice was spot on, and everything sounded as airy and light and soothing as I remembered. The Canadians have a very story-building sound, like West Indian Girl, where everything builds and flows and you feel almost exhausted after each song, like you’ve really been through something with the band – lots of explosions, very dream pop, electronic. “Melody Day” was a highlight for the whole crowd. Really strong show.

Whitest Boy Alive absolutely nailed it again. They might be the band of the summer for me. Seriously, for as goofy as the guys are, they put on a major show – everyone dancing, everyone singing, everyone happy. It’s really one of those shows where you know you are in for a treat, sing-alongs included. “Burning,” “Inflation,” “I Want You,” “Courage”… they played the same songs as Roskilde and it was just as great the second time with funky beats, melodic guitars and Erlend Ã˜ye‘s soothing voice. They also dished up the ’90s cover of “You’ve Got to Show Me Love” again and the crowd went nuts. Smooth, jazzy, up-beat, feel good music.

!!! was the next stop and holy adrenaline, Batman! I only caught a little bit because I didn’t want to miss Animal Collective, but they were high octane. There are seven talented members in this group, all with the goal of creating dance music without computers – gritty, dirty, loud, lots of in-your-face lyrics and heavy beats. At one point, Nic Offer jumped into the crowd and enjoyed his ass being grabbed by the ladies. These guys are really fun and a little crazy and if you need to sample a song try “Pardon My Freedom.” You’ll understand immediately what I’m talking about.

!!! :: Melt! 2009 :: Ferropolis, Germany

Bad news: Animal Collective is just not good live, for me. I think their recent album is brilliant, and I listen to their music with awe but I can’t stand them live. I don’t think I’m alone in this one (read Kayceman’s assessment from Bonnaroo here). I looked around and the crowd was bored silly. Confused actually. “Summertime Clothes,” a great freaking song, did NOT translate. Even at night with lights and a cool atmosphere with the Transformers staring down at us. Nada. Zilch. For me, this is a band I can only love from home.

Good news: I am biased a bit because I absolutely LOVE the new Phoenix album, Wolfgang Amadeus Phoenix, but even if I hadn’t heard it I still would’ve loved this show, which, for me, was the best act of the festival. Thomas Mars‘ voice was pitch perfect, the band sounded spot on and they played with such intensity and fun that you couldn’t help but be swept up into their party. “Rome,” “1901,” “Run Run Run,” “Liztomania” and “If I Ever Feel Better” were just some of the songs they played. This is a dance-your-face-off show. Such high energy, catchy as hell lyrics and strong beats that it’s impossible to stand still. Thank God they were amazing because the next band disappointed big time.

Phoenix :: Melt! 2009 :: Ferropolis, Germany

Bloc Party. Okay, I love this band. I have all of their records and yet, this was such a disappointing show. As Walt suggests, perhaps they peaked back in 2005 at Coachella? I mean, Kele Okereke looked bored as shit. I know this isn’t of utmost importance but he was wearing a jersey and it felt like we pulled him from a football match or something. I didn’t even know the first four songs and finally the first song I recognized was “Signs,” a really slow number. Finally, they burst into “Banquet” and everyone went crazy, and then back down they went. Where was the party? Where was the excitement? This was Melt! It was 1:30 a.m.! Come on! I actually left the show. Over some pomme frites I heard “This Modern Love” in the distance and I was sad I was missing it, but by that time I was already miffed at them. Total disappointment.

I heard a little of super popular DJ Paul Kalkbrenner as I was heading in for the night/morning and from what little I heard it sounded great. It wasn’t the terribly boring, minimal techno that I had been exposed to earlier where nothing happens except occasional beat changes. I know that he had a huge following at this festival and everyone was really excited about seeing him, more so than any of the Main Stage headliners but because I was a walking zombie when I heard him I will be checking him out more thoroughly later for sure.

Continue reading for Sunday at Melt!…

Sunday, 07.19

Melt! Festival 2009 :: Ferropolis, Germany

Who in the hell is Patrick Wolf? Seriously, who is this person? I happened upon the Main Stage and this guy who looked like Boy George was in this grandiose cloak of sorts with big, poofy white hair. He came sauntering out on stage, sat down in a VERY dramatic pose and started singing. Who sings whilst posing on the floor? Had I stumbled into a rendition of Jesus Christ Superstar? This guy was hysterical, but really talented it turned out. Guitar, keys, violin, excellent voice, check. He took off his cloak to reveal this amazing one-piece, cutout jumpsuit, which immediately reminded me of Zoolander. The songs sounded a lot like the tune of “Relax!” by Frankie Goes to Hollywood combined with the drama of George Michael’s “Father Figure.” He sang with clenched fists, probably had tears in his eyes, all songs about unrequited love, gypsies, standing up for what you believe in, etc. He was so passionate about his cause and such a great performer that I absolutely couldn’t pull my eyes from him. We will either hear him in the next John Hughes movie (if we’re ever that lucky) or on the next “We Are The World” collaboration. Bravo for making my day Patrick Wolf, whoever you are.

DJ Supermarkt, THANK YOU! Markus Liesenfeld of Berlin kicked ass. He spun songs that I listen to at home (Lykke Li, Cut Copy, Daft Punk) and kept us going up and down and up and down for hours. This is the DJ I’d been waiting for, the party that hadn’t started yet. I won’t miss his show if he comes to the States. Great DJ.

Kasabian :: Melt! 2009 :: Ferropolis, Germany

Glasvegas was next up on the Main Stage and I listened to two songs before I became extremely bored. Walt was hyped to see them, but really nothing sounded too unique or special to me. You might love this but it sounded just way too anthemic to me. I will give their album another listen but live they didn’t really grab me. It seemed that the party was going off at the tents and so I went… back to DJ Supermarkt!

Kasabian came next and they brought the energy waaaaay up. The crowd was huge, and Tom Meighan (lead vocals) and band sounded great and offered a really high-energy performance. I was really impressed with this rock & roll band that really knows how to entertain and enthuse – apparently, the only band Oasis thinks can compete with them. Sort of. Not really, but they’ve become friendly after touring together. Kasabian are trying out a new sound on their latest album, West Ryder Pauper Lunatic Asylum, and as guitarist Serge Pizzomo says, it’s a blend of Daft Punk, The Clash and the Rolling Stones. Sounds great to me. Meighan kept mentioning how tripped out he was that everything looked like Optimus Prime and Decepticons but I’m not sure anyone knew what he was talking about. We did and I couldn’t have agreed more. They played a new song, “Where Did The Love Go?” and I am predicting this will land in a commercial for sure. In fact, lots of their songs sound very commercial friendly.

Sunday’s headliner, Oasis, took the stage at 11 p.m. They played the exact same setlist as Roskilde, and again it was flawless. You can’t deny how good these guys are and I know you either love them or hate them, but you can’t deny their talent. “Lyla,” “Champagne Supernova,” “Wonderwall,” “Slide Away,” “Live Forever,” “Rock n Roll Star,” “Don’t Look Back In Anger”… yes, yes, yes, all good, all crowd pleasers. Liam was in a good mood again (shocker) and Noel sounded great as always on his solos. The touring drummer, Chris Sharrock, is insane to watch. He throws his sticks HIGH in the air, twirls them, beats the shit out of his kit and all with a precision that is mind blowing. Well done, boys.

Oasis :: Melt! 2009 :: Ferropolis, Germany

To end the festival, Passion Pit. I was nervous about seeing them because they so disappointed me at Sasquatch! (read the review here), however, they were amazing. What a show. Lead singer Michael Angelakos sounded perfect, if you like really high pitched yelping and singing. Where earlier his voice was cracked and strained, here, inside a tent, he sounded great. The crowd wanted to dance and celebrate the weekend and the guys put on a high energy, super fun show. Everyone rocking out on their equipment, be it a guitar, keys, turn table, whatever, they were all JAMMING up there. They actually did two encores, the crowd was so into it. It was a great way to end the night and the weekend. Check these New York natives out for sure. “Smile Upon Me” or “Sleepyhead” will do the trick.

Overall, this was a yin-yang festival. One yin was rock ‘n’ roll like Oasis, Kasabian, Klaxons, Glasvegas, Dodos, etc. while the yang was dance, dance, dance music provided by DJ Supermarkt, Crystal Castles, RÃ¶yksopp, DJ Kalkbrenner, Passion Pit, etc. You could go either way at all times since there was always someone playing to feed your need. Besides the music, the venue itself was so strange and beautiful with the iron structures situated next to a beautiful lake. The mainly German/U.K. crowd was young and hip and never seemed out of control or too wasted, just excited about life and about dancing their painted faces off. The security was pretty loose, the food was great (lots of vegetarian options and sausage alike), and prices weren’t too bad either, about $5 for a beer, maybe $7 for a plate of good food. It was definitely do-able on a budget. If you are into great techno/electronic music but also enjoy powerhouse rock bands this is your festival. The smaller crowd made it a lot easier to navigate around and a lot easier to actually see the bands. In sum, a loud, all-nighter festival that brings high-octane music to you. This is not for the faint of heart or ears. MELT!

Continue reading for more pics of Germany’s Melt! Festival…

Friday, 07.17