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Posts Tagged ‘Media’

Find God, win a trip to Mecca

Turkish gameshow enlists imam, Greek Orthodox priest, rabbi and monk to try to convert atheists, with pilgrimage as reward

It sounds like the beginning of a joke: what do you get when you put a Muslim imam, a Greek Orthodox priest, a rabbi, a Buddhist monk and 10 atheists in the same room?

Viewers of Turkish television will soon get the punchline when a new gameshow begins that offers a prize arguably greater than that offered by Who Wants to be a Millionaire?

Contestants will ponder whether to believe or not to believe when they pit their godless convictions against the possibilities of a new relationship with the almighty on Penitents Compete (Tovbekarlar Yarisiyor in Turkish), to be broadcast by the Kanal T station. Four spiritual guides from the different religions will seek to convert at least one of the 10 atheists in each programme to their faith.

Those persuaded will be rewarded with a pilgrimage to the spiritual home of their newly chosen creed – Mecca for Muslims, Jerusalem for Christians and Jews, and Tibet for Buddhists.

The programme’s makers say they want to promote religious belief while educating Turkey’s overwhelmingly Muslim population about other faiths.

“The project aims to turn disbelievers on to God,” the station’s deputy director, Ahmet Ozdemir, told the Hürriyet Daily News and Economic Review.

That mission is attested to in the programme’s advertising slogans, which include “We give you the biggest prize ever: we represent the belief in God” and “You will find serenity in this competition”.

Only true non-believers need apply. An eight-strong commission of theologians will assess the atheist credentials of would-be contestants before deciding who should take part.

Converts will be monitored to ensure their religious transformation is genuine and not simply a ruse to gain a free foreign trip. “They can’t see this trip as a getaway, but as a religious experience,” Ozdemir said.

The programme, which is scheduled to air in September, has been criticised by commentators and religious figures for trivialising God and faith.

Mustafa Cagrici, provincial head of the state-run religious affairs directorate for Istanbul, said: “I don’t find it right to discuss religion in such environments.”

Others may see the show as fuelling a widespread intolerance of atheism in Turkey, where a large majority profess a deep religious belief despite the state’s officially secular character.

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Post offers Obama access for $25,000

• Meetings cost $25,000 – or $250,000 for 11 sessions
• Publisher Katharine Weymouth to host events

It used to be that the Washington Post offered the inside story for 75 cents a day. But in these financially strapped times for the press, it’s now offering to get you on the inside for $25,000.

The newspaper that brought down a president is offering to sell access to Obama administration officials, policy makers and even its own journalists at dinners hosted by the Washington Post publisher, Katharine Weymouth, at her home.

The offer has come to light in a flier aimed at healthcare companies at a time when the White House is planning major reform of the industry.

It promises “a collegial evening, with Obama administration officials, Congress members, business leaders, advocacy leaders and other select minds”. The flier, given to a healthcare lobbyist, also offers access to “healthcare reporting and editorial staff” at the off the record dinners.

“An evening with the right people can alter the debate,” the flier says. “Bring your organization’s CEO or executive director literally to the table. Interact with key Obama administration and congressional leaders …”

“Spirited? Yes. Confrontational? No. The relaxed setting in the home of Katharine Weymouth assures it”

Each meeting costs $25,000 per organisation with one thrown in free for bulk purchases of 11 dinners for $250,000.

After the flier was exposed on the Politico website, the Washington Post newsroom quickly backed away. The executive editor, Marcus Brauchli, sent an email to staff saying that reporters will not participate in the first dinner, planned for July 21.

“We will not participate in events where promises are made that in exchange for money The Post will offer access to newsroom personnel or will refrain from confrontational questioning,” he wrote. “Our independence from advertisers or sponsors is inviolable.”

But one former Post staffer said the scheme has been under consideration since last year because of the paper’s deepening financial crisis – it lost £12m in the first quarter of this year – and that some reporters were consulted about organising the meetings.

A Washington Post spokesperson, Kris Coratti, blamed the business division of the newspaper for putting out the flier without the newsroom’s approval.

“It went out before it was properly vetted, and this draft does not represent what the company’s vision for these dinners are, which is meant to be an independent, policy-oriented event for newsmakers. As written, the newsroom could not participate in an event like this,” she said.

“We do believe there is an opportunity to have a conferences and events business, and that The Post should be leading these conversations in Washington, big or small, while maintaining journalistic integrity. The newsroom will participate where appropriate.”

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


We hold the journalists to account

There’s no blogging ‘conspiracy world’, only a conspiracy of silence by the cosy lobby over scandals such as MPs’ expenses

Politicians are what they are: it is impossible to become a successful politician without making compromises. Even the most idealistic young candidate eventually realises that to succeed in climbing the greasy pole you make a thousand small compromises and eventually the temptations of office are abused.

I have been pointing to snouts in the trough and saying they were all at it for years, and for years the likes of Jeremy Paxman, Nick Robinson and Michael White having been saying that I was living in “pathetic conspiracy world”. Well, there was a conspiracy, a conspiracy of silence over expense fiddling. Fiddling that amounts to fraud worth tens of millions of pounds, year after year.

The irony of Hazel Blears, of all people, calling me a “vicious nihilist” can’t be let go without a chuckle. When it comes to annihilation of the self, who got the last laugh there?

And who was it that jumped to Blears’s defence by saying “She [Hazel Blears] rightly attacked blogs written with nothing but ‘disdain for the political system and politicians’, whose unending quest for scandal, conspiracy and perceived hypocrisy – and nothing else – fuels public mistrust and cynicism”? But why do you think the influence of blogs has grown? It is because the likes of Michael White have failed to keep sufficient checks on politicians and to hold MPs to account.

They are as complicit in the expenses scandal as the fees office or anyone else who didn’t bat an eyelid. They sit in their rent-free offices – you didn’t know? The taxpayers pay for lobby journalists’ offices as well as MPs’ duck houses. They drink the same taxpayer-subsidised booze, eat in the same subsidised restaurants and in Robinson’s case put it all on expenses to be picked up by the television taxpayers. Do you see the similarities?

With the level of access that a senior lobby journalist has, it is ridiculous to suggest that they didn’t know what was going on. They knew. Said nothing. If they didn’t know that is even worse – what are we paying them for?

Robinson hides his taxpayer-funded expenses just like the MPs tried to do. I know, I FoI‘d them. Which troughing MP is he buying the drinks for – wouldn’t you like to know, you paid for ‘em? Robinson recently said he was shocked by the fact MPs could claim 20 quid a day for food, but why the hell is he so surprised? I highlighted it many times on my blog and I know he is a fan. If he was doing his job properly he would have known about this perk and should, if he found it so shocking, have been able to blow the whistle on it years ago. He simply wasn’t interested in rocking that boat. In any event, as he told me on Newsnight, he of course pulls his punches.

White has been a long-term apologist for our corrupt politicos and still, after all we have seen in the last few months, argued a few weeks ago that we should be proud that our scandals are “small beer” in comparison to Italy.

This downplaying of MPs’ corruption as “petty” and not something un homme sérieux should waste time on is all the evidence you need of the cosy relationship between the lobby and their sources. Men of the world such as White don’t concern themselves with petty cash – these are the members of the fourth estate who are meant to be holding politicians to account.

At every turn White finds someone else to blame rather than politicians for the mistakes they have make. Lest we forget, it was White who defended the Sleazy Lord Levy. It can never be the fault of the politicians; he attacks the “over-mighty and cynical media pack”. One thing has become very clear, the cynical media pack were not cynical or feral enough.

White and his Guardian colleague Polly Toynbee have failed miserably in everything the fourth estate should be. White once categorically stated, with more than a hint of sarcasm, that I had a “naive conspiratorial view of the political process and of politicians, which says in effect they’re all crooks, and they all ought to be in jail, and we will fearlessly expose them on the blogosphere”. Well, I do try.

It seems to me, White, you accidentally foresaw what would happen when politicians’ expenses saw the light of day. There are a lot of crooks and some will go to jail. Who was really naive?

Perhaps now would be a good time to admit that you were wrong, as the bloggers were right and your Daily Telegraph rivals have caught you off your guard and exposed just how little proper scrutiny you have actually achieved in all those years in the lobby.

To be the saviour of democracy is a big ask – it’s perhaps too much to ask. But the rise in influence and success of the free flow of information on the internet has certainly not corrupted democracy either. The years of Labour lies and spin, personified in the power that Damian McBride wielded over a compliant press lobby – now that was corrupting our democracy, the off-the-record smearing, and it was smearing, not briefing, that went on – was out of hand. Very few lobby journalists come out of this well.

I can’t help but think of the line in the film Gladiator about Maximus Decimus Meridius, “Today I saw a slave become more powerful than the emperor of Rome”. If you look at Smeargate, it was the internet that enabled a determined blogger to expose Downing Street in a way that the more compliant lobby hacks in Westminster were unwilling to do. The more of us there are, the more the corrupt have to fear.

This is an edited version of Paul Staines’s speech at a Henry Jackson Society/Delib/Messagespace debate, The internet: saviour or corrupter of democracy?, at the House of Commons on Tuesday 30 June

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Oscar winner Karl Malden dies

The American actor Karl Malden, best known for his roles in films such as A Streetcar Named Desire and On the Waterfront, died yesterday at the age of 97.

In a career spanning seven decades, Malden made his mark portraying plain-spoken men of gruff manners, though he was noted for bringing an understated, natural dignity to many of his roles.

Malden won a supporting actor Oscar in 1951 for his role as Mitch in A Streetcar Named Desire, a role he also played on Broadway. He was nominated again as best supporting actor in 1954 for his performance as Father Corrigan, a fearless priest in On the Waterfront. In both films, he co-starred with Marlon Brando.

Malden, who died at home, had been in poor health for several years. His family said he had died of natural causes.

Early on in his career, Malden said he realised his average looks and distinctive broken nose were unlikely to make him a leading man.

He liked to say he had “an open-hearth face” and many of his more memorable performances came in supporting roles.

His film career flourished in the 1950s and 60s, with parts in movies such as Birdman of Alcatraz, How the West Was Won, Gypsy, The Cincinnati Kid and Patton.

Malden starred with Michael Douglas in The Streets of San Francisco, who yesterday described Malden as “a great actor, father and husband. I admired and loved him deeply”.

He rarely acted in his later years, but had a small role on TV’s The West Wing in 2000. In 2004, Malden received the Screen Actors Guild’s lifetime achievement award, telling the group in his acceptance speech that “this is the peak for me.”

Malden and his wife, Mona, whom he met at drama school, had one of Hollywood’s longest marriages, having celebrated their 70th anniversary in December.

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Mollie Sugden: her career in clips

Best known for her portrayal of Mrs Slocombe in Are You Being Served?, Mollie Sugden’s comic talent lives on in these YouTube clips

The death of Mollie Sugden at 86 after a long illness will sadden everyone of a certain age who remembers her 1970s blue-rinsed prime. As game as they come, memorable and talented, Sugden was a much-loved part of the TV landscape for decades. Best remembered as Mrs Slocombe in Are You Being Served?, she lives on through the medium of streaming video. Take heed, modern comic actors, and watch a master at work.

The Erotic Dreams of Mrs Slocombe

In this Are You Being Served? classic, Mrs. Slocombe has dreams in which she and Mr Humphries, played by John Inman, enjoy romantic trysts. “I can’t think what’s come over her,” says the confirmed bachelor. I’m not touching that one.

Mrs Slocombe’s pussy

Mrs Slocombe had a cat called Tiddles. This simple piece of biographical detail was the springboard for seemingly endless single entendres (“having a bath at six in the morning played havoc with my pussy” and the like). Years later, as the show achieved cult status in America, Tiddles would suffer the final indignity: being banned by prudish TV bosses in the post-Nipplegate moral panic.

Molly on Corrie

With its history of strong female characters, Coronation Street was a great platform for Sugden as Nellie Harvey, landlady of The Laughing Donkey. Sparks would fly as she clashed with Rovers Return matriarch Annie Walker. Julie Goodyear, who had a ringside seat, reminisces.

Lost and Found

Ding-dong dell, Mrs Slocombe pussy’s in the well. At least, that’s what the early evidence suggests in the episode Lost and Found, which prompts a swift and unlikely marriage proposal from Mr Humphries. You just know that this can’t end well.

Grace and Favour

The success of Are You Being Served? made a spin-off inevitable. Grace and Favour followed the staff of Grace Brothers adjusting to country life as the proprietors of a manor house. In this episode, Mrs Slocombe stands trial for the theft of a Gypsy cart. Her reactions as a string of character witnesses come forward are comedy gold.

Pusstergeist

Someone unfamiliar with British comedy might imagine that the comic possibilities of a female character owning a cat would quickly dry up. Such naivety is charming. Some seven years after the demise of Are You Being Served?, writers Jeremy Lloyd and David Croft were still contriving situations such as the Grace and Favour episode Pusstergeist, in which Captain Peacock discovers a petrified cat in the attic, apparently prompting a series of supernatural events. “I wish to see the curator of the museum.” Mrs Slocombe barks. “I have a pussy of great antiquity and I’d like him to have a look at it.”

Funny Women

In 1999, the BBC featured Sugden as part of their Funny Women series and former colleagues queued up to pay tribute to her decency, comic timing and professionalism. “She was nice,” said Jimmy Perry graciously. “She didn’t mind showing her knickers.” Featuring some rare footage from her appearances in Love Thy Neighbour, The Liver Birds and The Six Wives of Henry VIII, the tribute showcased Sugden’s versatility, reminding us that she was much more than just a one-trick pony. She will be missed.

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China’s web filter system to go ahead

Government claims technology will curb access to pornography, but internet users say it blocks politically sensitive content and monitors behaviour

China’s controversial plan to install Green Dam internet filtering software on all computers will go ahead despite being postponement, a government official told state media today.

The official said it was only “a matter of time” until the software was installed.

The remarks – if they fully reflect official policy – will anger internet users, who mounted a vociferous campaign against the policy this week and hoped they had secured a victory against government censorship.

China’s Ministry of Industry and Information Technology (MIIT) announced a delay in the implementation of the programme late on Tuesday, hours before it had been supposed to come into force.

Officials claim the technology will help to curb access to pornography, particularly by younger users.

Internet users say the image and keyword filter blocks pornographic, violent and politically sensitive content and monitors behaviour and fear it will be used to curb access to information and keep track of users.

Green Dam has also come under fire for exposing users to security breaches, with experts warning it could easily be hacked, and a US-based software firm is threatening to sue the Chinese developers for copyright infringement.

Solid Oak warned computer manufacturers they would become “knowing infringers” if they included Green Dam.

Industry bodies, the US government and others had also called on China to abandon the project.

Some experts believed that countervailing arguments within the government might have prevailed.

But an official, speaking anonymously, told China Daily: “The government will definitely carry on the directive on Green Dam. It’s just a matter of time.

“What will happen is that some PC manufacturers will have it included with their PC packages sooner than the others. But there is no definite deadline at the moment.”

The official said the delay was necessary because some computer manufacturers needed more time to prepare.

“They have already spent around millions of yuan. If they don’t install it, people will ask why they spent so much for nothing, so they have to brazen it out,” Liu Xiaoyuan, a lawyer who has opposed the software, said.

“At present, there are too many questions and challenges domestically and abroad, so MIIT is in a dilemma.

“I believe they will carry it out after they have technically improved it and clarified the intellectual property rights.

“[But] if they really want to protect young people from porn, they should deal with the source – pornographic websites.”

Ai Weiwei, a leading contemporary artist and outspoken blogger who had proposed an “internet boycott” to mark opposition to the policy, said he was surprised to hear ministry sources say it would definitely go ahead.

“It was stopped just one day before the policy should be carried out – after preparing for such a long time and facing so much opposition from the public as well as manufacturers,” he said.

There has been confusion about whether the policy required the installation of the software, or whether manufacturers simply had to bundle it with computers.

“If it is true that installation has become party of the policy again, officials are limiting citizens’ freedom to choose and freedom of expression,” Ai said. “This is a backward step.”

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Mollie Sugden, actor, dies aged 86

The comedy actor Mollie Sugden died today at the age of 86 after a long illness.

Yorkshire-born Sugden was best known for playing Mrs Slocombe in long-running BBC sitcom Are You Being Served?, a role later reprised for Grace and Favour.

She died at the Royal Surrey hospital with her twin sons, Robin and Simon Moore, at her bedside, according to her agent Joan Reddin.

One of a select bunch of British performers to achieve national treasure status, Sugden was renowned for her portrayal of fearsome battleaxes. The first of such roles to achieve acclaim was as Mrs Hutchinson in The Liver Birds, a series so popular it was revived in the late 90s using the original cast.

She was the star of many other comedies, including Come Back Mrs Noah, That’s My Boy and My Husband And I, which she made with her husband.

But it was as the bossy sales lady Betty Slocombe in Are You Being Served? that she was best known. The long-running, innuendo-laden television comedy was such a hit that a feature film was made based on the series, and it was successfully exported to America. Every episode Sugden sported a different hair colour and continually harped on about her “pussy”.

Born in Keighley, West Yorkshire, in 1922, Sugden studied drama at the Guildhall School of Music and Drama in London, where she took three major awards in one year.

But success did not come quickly and she spent many years in repertory up and down the country. It was in 1956, while she was working for Swansea Rep at the Grand Theatre, earning about £12 a week, that she met her husband, the Coronation Street actor William Moore. The couple came to be regarded as one of the establishments of showbusiness, with a marriage that had stood the test of time, until Moore died in 2000.

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Free for all?

The debate about media revenue models is certainly creating revenue for some content – the thoughts of pop culture theorists

If you want to deepen your confusion over the future revenue models for media content, then look no further than the staging of the paradoxical debate between pop culture theorists Chris Anderson and Malcolm Gladwell.

Gladwell’s review, commissioned and published in a magazine you have to buy, is freely available online. Its subject, Anderson’s book Free: The Future of a Radical Price, could equally have been titled $26.99: The Price of Hardback Hyperbole. There’s nothing “free” about it, except perhaps its composition. Anderson has already had to apologise for lifting unattributed chunks of Free from Wikipedia including, irony upon irony, the entry on “free lunch”.

But the battlefield for this looking-glass war is the pricing of information, or what everyone is now obliged to call content. Information wants to be free, says Anderson, who elevates it to a principle, and says that free will be the business model of the 21st century.

Gladwell says information doesn’t know what it wants, but digital corporations do, and they want information to be free (from publishers and content creators) in order to make more money.

One of the examples of Anderson’s “free” thesis is YouTube:

All those random videos on YouTube are just dandelion seeds in search of fertile ground on which to land. In a sense, we’re ‘wasting video’ in search of better video, exploring the potential space of what the moving picture can be.

Still, as Anderson admits and Gladwell takes pleasure in ramming home, YouTube doesn’t seem to make money from the new “free” business model.

Anderson’s book began cooking before the credit crunch took hold. For a new media dispute this one doesn’t just founder on irony. It also plays out in the past. Anderson’s Free has all the limitations of a timely book which was dated almost before publication. Gladwell’s review was commissioned on the New Yorker’s print lead time.

This is clear when both Anderson and Gladwell ignore the latest analyses of YouTube and its role in its parent company Google’s grander strategy. YouTube’s losses are likely nowhere near as severe as Gladwell portrays. Google can well afford them.

Price-cutting, and giveaways have long been a favoured, and rather unradical, business strategy, as Rupert Murdoch deftly demonstrated in building up the Times in the 1990s. Murdoch, too, knows the power that comes from owning apparently loss-making businesses.

There is a big change coming, and for businesses it isn’t one of the “free” business models that Anderson cheerleads. Content aggregation and distribution is in the process of becoming a global digital utility. The social and political consequences go far beyond pricing and the tech utopianism of Anderson. The point Gladwell makes in passing is in fact the most important – in whose interest will that distribution process work?

There is nothing free about server farms. Google’s digital factories may be hidden in Iowa and Finland but their management lies at the heart of its success. And in the meantime that success is having an impact on content creation at the micro-level. Yes, the writer. There is something very old-fashioned about a literary dispute.

Anderson makes – reportedly – a couple of million dollars a year in speaking fees. Gladwell has re-invented the book promotional tour as a paid-for event. A ticket to see Malcolm Gladwell Live! costs more than the book that the show notionally promotes.

So if the Anderson/Gladwell debate has a future, it’s one in which you’ll pay for ringside tickets to see them engaging in the intellectual equivalent of the Worldwide Wrestling Federation or, to be kinder, heavyweight boxing.

And perhaps a little feuding might add to the showmanship. Don King could probably advise. Still, live performance is once again a business model for writers. There might even be a book in it.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Free for all?

The debate about media revenue models is certainly creating revenue for some content – the thoughts of pop culture theorists

If you want to deepen your confusion over the future revenue models for media content, then look no further than the staging of the paradoxical debate between pop culture theorists Chris Anderson and Malcolm Gladwell.

Gladwell’s review, commissioned and published in a magazine you have to buy, is freely available online. Its subject, Anderson’s book Free: The Future of a Radical Price, could equally have been titled $26.99: The Price of Hardback Hyperbole. There’s nothing “free” about it, except perhaps its composition. Anderson has already had to apologise for lifting unattributed chunks of Free from Wikipedia including, irony upon irony, the entry on “free lunch”.

But the battlefield for this looking-glass war is the pricing of information, or what everyone is now obliged to call content. Information wants to be free, says Anderson, who elevates it to a principle, and says that free will be the business model of the 21st century.

Gladwell says information doesn’t know what it wants, but digital corporations do, and they want information to be free (from publishers and content creators) in order to make more money.

One of the examples of Anderson’s “free” thesis is YouTube:

All those random videos on YouTube are just dandelion seeds in search of fertile ground on which to land. In a sense, we’re ‘wasting video’ in search of better video, exploring the potential space of what the moving picture can be.

Still, as Anderson admits and Gladwell takes pleasure in ramming home, YouTube doesn’t seem to make money from the new “free” business model.

Anderson’s book began cooking before the credit crunch took hold. For a new media dispute this one doesn’t just founder on irony. It also plays out in the past. Anderson’s Free has all the limitations of a timely book which was dated almost before publication. Gladwell’s review was commissioned on the New Yorker’s print lead time.

This is clear when both Anderson and Gladwell ignore the latest analyses of YouTube and its role in its parent company Google’s grander strategy. YouTube’s losses are likely nowhere near as severe as Gladwell portrays. Google can well afford them.

Price-cutting, and giveaways have long been a favoured, and rather unradical, business strategy, as Rupert Murdoch deftly demonstrated in building up the Times in the 1990s. Murdoch, too, knows the power that comes from owning apparently loss-making businesses.

There is a big change coming, and for businesses it isn’t one of the “free” business models that Anderson cheerleads. Content aggregation and distribution is in the process of becoming a global digital utility. The social and political consequences go far beyond pricing and the tech utopianism of Anderson. The point Gladwell makes in passing is in fact the most important – in whose interest will that distribution process work?

There is nothing free about server farms. Google’s digital factories may be hidden in Iowa and Finland but their management lies at the heart of its success. And in the meantime that success is having an impact on content creation at the micro-level. Yes, the writer. There is something very old-fashioned about a literary dispute.

Anderson makes – reportedly – a couple of million dollars a year in speaking fees. Gladwell has re-invented the book promotional tour as a paid-for event. A ticket to see Malcolm Gladwell Live! costs more than the book that the show notionally promotes.

So if the Anderson/Gladwell debate has a future, it’s one in which you’ll pay for ringside tickets to see them engaging in the intellectual equivalent of the Worldwide Wrestling Federation or, to be kinder, heavyweight boxing.

And perhaps a little feuding might add to the showmanship. Don King could probably advise. Still, live performance is once again a business model for writers. There might even be a book in it.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Free for all?

The debate about media revenue models is certainly creating revenue for some content – the thoughts of pop culture theorists

If you want to deepen your confusion over the future revenue models for media content, then look no further than the staging of the paradoxical debate between pop culture theorists Chris Anderson and Malcolm Gladwell.

Gladwell’s review, commissioned and published in a magazine you have to buy, is freely available online. Its subject, Anderson’s book Free: The Future of a Radical Price, could equally have been titled $26.99: The Price of Hardback Hyperbole. There’s nothing “free” about it, except perhaps its composition. Anderson has already had to apologise for lifting unattributed chunks of Free from Wikipedia including, irony upon irony, the entry on “free lunch”.

But the battlefield for this looking-glass war is the pricing of information, or what everyone is now obliged to call content. Information wants to be free, says Anderson, who elevates it to a principle, and says that free will be the business model of the 21st century.

Gladwell says information doesn’t know what it wants, but digital corporations do, and they want information to be free (from publishers and content creators) in order to make more money.

One of the examples of Anderson’s “free” thesis is YouTube:

All those random videos on YouTube are just dandelion seeds in search of fertile ground on which to land. In a sense, we’re ‘wasting video’ in search of better video, exploring the potential space of what the moving picture can be.

Still, as Anderson admits and Gladwell takes pleasure in ramming home, YouTube doesn’t seem to make money from the new “free” business model.

Anderson’s book began cooking before the credit crunch took hold. For a new media dispute this one doesn’t just founder on irony. It also plays out in the past. Anderson’s Free has all the limitations of a timely book which was dated almost before publication. Gladwell’s review was commissioned on the New Yorker’s print lead time.

This is clear when both Anderson and Gladwell ignore the latest analyses of YouTube and its role in its parent company Google’s grander strategy. YouTube’s losses are likely nowhere near as severe as Gladwell portrays. Google can well afford them.

Price-cutting, and giveaways have long been a favoured, and rather unradical, business strategy, as Rupert Murdoch deftly demonstrated in building up the Times in the 1990s. Murdoch, too, knows the power that comes from owning apparently loss-making businesses.

There is a big change coming, and for businesses it isn’t one of the “free” business models that Anderson cheerleads. Content aggregation and distribution is in the process of becoming a global digital utility. The social and political consequences go far beyond pricing and the tech utopianism of Anderson. The point Gladwell makes in passing is in fact the most important – in whose interest will that distribution process work?

There is nothing free about server farms. Google’s digital factories may be hidden in Iowa and Finland but their management lies at the heart of its success. And in the meantime that success is having an impact on content creation at the micro-level. Yes, the writer. There is something very old-fashioned about a literary dispute.

Anderson makes – reportedly – a couple of million dollars a year in speaking fees. Gladwell has re-invented the book promotional tour as a paid-for event. A ticket to see Malcolm Gladwell Live! costs more than the book that the show notionally promotes.

So if the Anderson/Gladwell debate has a future, it’s one in which you’ll pay for ringside tickets to see them engaging in the intellectual equivalent of the Worldwide Wrestling Federation or, to be kinder, heavyweight boxing.

And perhaps a little feuding might add to the showmanship. Don King could probably advise. Still, live performance is once again a business model for writers. There might even be a book in it.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


China thinks twice on Green Dam

• Beijing halts Green Dam filtering software plans
• Climbdown comes after wave of online opposition

For the netizens of the world’s biggest online community, it was a rare victory. At the 11th hour, and with no proper explanation, the Chinese government, the most assiduous internet censor on the planet, engineered a sudden climbdown.

Instead of proceeding with plans to transform its notorious Great Firewall internet censor with new tools known as Green Dam, the authorities desisted. A terse statement ran on the Xinhua news agency. “China will delay the mandatory installation of the ‘Green Dam-Youth Escort’ filtering software on new computers.”

The plan to bundle the software into every new computer in China had provoked an unprecedented wave of online opposition, protests by foreign governments and calls by prominent bloggers for Chinese netizens to climb, attack and demonstrate against the “Great Firewall”. China insists the software is necessary to clear the Chinese web of “harmful content”. But critics say it is a misguided attempt to put the internet genie back in the bottle by a Communist party with about 300 million netizens to answer to.

But this was just a small victory in a larger war. The tools have been shelved temporarily, not scrapped. Wen Yuchao, a journalist and blogger who goes by the online name North Wind, cautioned against overoptimism. “I am happy at this news, but this is just an interim victory – we still have a long way to go in the struggle. It remains to be seen whether the authorities will press ahead.”

Delusion

The mini-victory for advocates of internet freedom has a wider resonance in a world where internet censorship is becoming something of a fad. Dozens of countries deploy tactics to filter, block or choke off internet access for their citizens.

When the web was in its infancy, a nascent hope was kindled that the technology would help roll back authoritarianism. Two decades later, it often appears the reverse is true: that the authoritarians are rolling back the internet.

“The internet is sort of becoming the most regulated communications medium in the world,” said Dr Yaman Akdeniz, director of Cyber-rights.org.

“It’s not just new laws that governments are developing to increase control, but they are relying heavily on technological solutions to filter and block access to a variety of content and tools such as web 2.0 applications like YouTube, Facebook and Twitter.

“In the mid-1990s there was the impression the internet would help create more democracy and openness and transparency. That was a delusion. The more the internet penetrated our lives, the more governments got concerned.”

Examples stand out almost every week. Last week, Kazakhstan introduced a new law to regulate forums, chats, blogs, and even online shops.

Last month, the German parliament voted through internet censorship architecture which, though aimed at child pornography, has aroused concern that it could be used to tackle other content.

Elsewhere, Turkey has blocked access to YouTube for more than a year. Several Middle Eastern and Central Asian countries maintain tight control over what websites are available.

In Guatemala, bloggers have reported websites being blocked, according to the Open Net Initiative, a collaborative partnership of leading experts advocating a free internet.

Iran has, moreover, offered a sobering study in how the authorities can turn censorship on and off like a tap. Filtering has become much heavier in the last fortnight. Some users have reported speeds of less than a tenth of normal operations.

“The authorities are aware that almost every internet user knows how to get around the filtering and they don’t care much about it,” said Mehrdad, a student. “But once there is a danger the internet may undermine the political system, they intensify censorship so it gets very difficult to get access to blocked websites even with anti-filter software.”

Monitoring

Crucially, all internet traffic in and out of Iran travels through one portal – the Telecommunications Company of Iran (TCI) – though a few service providers operate below it. This makes it easier to monitor traffic. Sophisticated software allows officials to look at a website or tweet and see the IP address it came from. Decisions on blocking are made by a committee of government officials, members of the judiciary and intelligence services. Filtering is done by the telecommunications ministry.

“The authorities can filter a new website within 24 hours,” said Mahmood Enayat, an Iranian expert at the Oxford Internet Institute. “They monitor very intensively.”

Another method used by the state is deliberately to reduce bandwidth to prevent the transmission of mobile phone-recorded video. Still, that did not stop the world seeing the now iconic 40-second film of Neda Soltan bleeding to death on a street in Tehran.

“If you put 65 million people in a locked room, they’re going to find all the exits pretty quickly, and maybe make a few of their own,” commented James Cowie on the Renesys internet intelligence blog.

The Chinese climbdown offers a first glimpse of the netizens hitting back. As late as yesterday afternoon, information ministry officials denied the software would be delayed, but the authorities have been struggling to meet their deadline to roll out the image and keyword filter, which blocks pornographic, violent and politically sensitive content and monitors behaviour.

The Guardian struggled to find retailers who were selling computers with Green Dam software. In Zhongguangcun, Beijing’s electronic retail heartland, shop staff said they had not received instructions. In the vast Buy Now computer market in the city centre, assistants said the software was not available or would not be included until next year.

Embarrassed

It was unclear whether the reversal was an administrative failure or a change of heart in the government, which has been embarrassed by the backlash.

The US government called on China to abandon the plan. The European Chamber of Commerce co-signed a letter last week to prime minister Wen Jiabao that expressed concerns about the implications for internet security, trade and freedom of expression. But the fiercest opposition was online.

Isaac Mao, co-founder of the online Social Brain Foundation, believes the government made a mistake. “I think this is the tipping point between the people rising up and those in power trying to suppress them.

“The Great Firewall is overloaded and that is why the authorities are trying to move the focus of control to the desktop. But it has annoyed a lot of people. Not just liberals who want free speech, but the young who see it as an intrusion into their personal lives.”

Numerous protests had been planned, including an internet boycott called by the prominent artist and freedom of expression champion Ai Weiwei.

It remains to be seen, however, whether the government will go ahead with Green Dam or a watered-down version of it.

But bloggers were positive about the long-term influence of the information technology evolution.

Michael Anti, an influential blogger, believes that netizens can still realise that original dream of the internet as a champion of free speech.

“More and more people have accepted ‘internet-era values’ such as freedom of speech,” he said. “In 10 years, more people will be netizenised, or liberalised, which will increase the chance of China having genuine democracy.”

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Last night’s TV

The Mumbai killers were trained assassins. Dispatches showed they were also just boys

Sometimes a terrible news event is so hard to get your head around, the only way to get some kind of grip on it, and what it means, is to zoom in on the detail. Dispatches: Terror in Mumbai (Channel 4) did this to extraordinary effect. Using interviews, news coverage, amateur and CCTV footage, plus – most powerfully of all – recordings of phone calls between the terrorists on the ground and the guys pulling the strings in Pakistan, it pieced together the unfolding of events last November, when shooting and bombing attacks rocked India’s largest city.

At VT railway station, it is the police who are caught on CCTV and found guilty, if only of a lack of courage. They cower behind pillars or run away, confused and frightened. The bravest tries to fire his ancient bolt-action rifle at the terrorists, but it jams, so he picks up a plastic chair instead and throws it in frustration. The war on terror, fought with plastic furniture. Fifty-two people were killed at the station.

A Turkish businessman and his wife who were staying at the Trident Oberoi hotel tell of how they were spared because of their faith, while the bodies of those less lucky pile up around – and on top of – them. Meanwhile, cameras at the Taj Palace hotel across town show two young backpackers walking into the lobby, their rucksacks filled with assault rifles, pistols, grenades, hundreds of bullets and enough dried fruit and nuts to last a couple of days of killing.

One of the most heart-wrenching images from the film is of a two-year-old Jewish boy, filmed through a window. He is clearly agitated, walking in circles, looking down at the bodies of his dead parents. But perhaps most poignant of all are the recordings, taped by the Indian secret services, of the instructions delivered over the phone to the terrorists by their controllers: they tell us so much about indoctrination. “Throw some grenades, my brother, there’s no harm in throwing a few grenades. How hard can it be to throw a grenade? Just pull the pin and throw it. For your mission to end successfully, you must be killed. God is waiting for you in heaven.”

And the boys – because they are only boys – say “God willing” and do as they are told. But they haven’t been turned into killing machines to the exclusion of everything else. The pair at the Taj Palace, Mumbai’s grandest hotel, are mesmerised by the splendour they find there, opulence they never knew existed.

“There are computers with 30-inch screens,” one tells his boss down the phone in wonder.

“Computers? Haven’t you set fire to them?” asks the commander, getting irritated.

The boy continues: “It’s amazing. The windows are huge. It’s got two kitchens, a bath and a little shop … “

There’s something almost touching about it. For a second, he is not a brainwashed, trained assassin; he’s a kid in a sweet shop. In this terrifiying, moving, human story it shows there is humanity everywhere, even where you may not expect it.

Imagine … David Hockney: A Bigger Picture (BBC1) should have been brilliant. The film-maker had three years of amazing access to the usually media-shy painter, at home in California, at home in Yorkshire, and peeks – more than peeks, takes long looks – over the painter’s shoulder at work. But, structurally, it is a bit of a mess, wishy-washy perhaps, which isn’t something you should be saying about anything to do with Hockney. We jump backwards and forwards across the Atlantic, from summer to winter, from watercolours to oils, to photography being over to it beginning again, to another winter, or is it the same winter again – who knows? I lost my way a bit, to be honest, as did the film.

The subject just about saves it. There’s a twinkliness about Hockney, a witty knowingness, a Yorkshireness that has survived 30 years in LA (he went, he says, because both the shadows of the trees and the boys’ bodies are better defined over there). Even when you have no idea what he’s talking about, he makes perfect sense. He paints quite good pictures, too. Bloody big, some of them.

Art Against the Odds (Channel 4), this week’s series of Three Minute Wonder films after the news, is about the opposite end of the art world spectrum. While acres of Tate wall space are being handed to Hockney on a plate, these are nice little portraits – thumbnail sketches, really – of artists fighting to get a tiny corner of the summer exhibition at the National Gallery. Alice Tait, a young illustrator, is worried her work will be looked down upon among the fine artists’ pieces. She needn’t have have worried, because her work is turned down. It won’t be looked upon at all.

• What did you think? Have your say at guardian.co.uk/culture/television

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Breaking news

It had the celebrity scoop of the decade when it broke the news of Michael Jackson’s death. Now Harvey Levin’s tiny gossip site TMZ.com has become a media giant

TMZ.com is now the hottest Hollywood celebrity gossip website on the planet. So hot, in fact, that when it broke the news of Michael Jackson’s death last week, its world exclusive popped up online six minutes before the singer actually died.

For its many critics this was confirmation that the website, which, amid endless surveillance videos of minor celebs parking their cars and walking to their front doors, brought you exclusives on Mel Gibson’s antisemitic ravings at a traffic cop, Alec Baldwin’s brutal mobile phone rant at his 11-year-old daughter and the contents of Anna Nicole Smith’s bedside table the night she died (Slim Fast and chewing gum), plays fast and loose with the truth.

But for TMZ, the explanation was simple. By the time Jackson was officially declared dead, at 2.26pm Los Angeles time last Thursday, one of the site’s sources within the corridors of the UCLA Medical Centre (it has a vast network that blankets the city) had already tipped it off.

Michael Jackson dead was the scoop of a lifetime for any media outlet, and the apogee of the four-year-old celebrity-obsessed site that boasts its snippets are “even more fascinating than the hype”. In that time, TMZ (the name stands for thirty-mile zone, the area of central LA thickly populated with stars), which is as voyeristic as it is speedy, has become one of the world’s most quoted sources of entertainment news, with rival sites, TV channels and traditional gossip columns, such as the New York Post’s infamous Page Six, quoting it regularly.

And for all that, we have Harvey Levin to thank. The well-built, 57-year-old former lawyer turned TV journalist is now something of a celebrity himself, popping up on Larry King Live, and a bunch of other news magazine shows that dip into celebrity content. When Natasha Richardson hit her head while skiing and suffered fatal brain swelling, Levin, who founded TMZ, was all over the news channels and appeared to have been in touch with paramedics who tended to her. The guy is that good.

A polite way to put it is that Levin is a man who polarises opinion. I’m A Celebrity contestant Janice Dickinson called him the lowest form of pond scum, Radar magazine’s profile on him was titled Sultan of Sleeze, while blogging site Gawker said he was a “schlocky managing editor of a thieving celebrity news conglomerate” and accused him of filching stories from the website Courthouse News Service and passing them off as their own.

For his part, Baldwin said that Levin “seemed to be that breed of tabloid creature that realised an almost sexual level of pleasure from ruining other people’s lives”.

Some rival media outlets so dislike and distrust TMZ that they didn’t report Jackson was dead until it had been confirmed by the Los Angeles Times and Associated Press. “That’s typical,” Levin told the Los Angeles Times. “No matter what they say, people know we broke the story. That’s how competitors handle it. There’s no issue about our credibility,” he added. “Today, I made 100 phone calls, and everyone else made 100 calls,” Levin said of TMZ’s reporters the day it broke the Jackson story. “Everyone blanketed the city.” That seems to be true. The website has sources everywhere: its first reports about Jackson variously quoted a cardiologist at UCLA, another source inside the hospital where the stricken star was taken, a Jackson family member and Jackson’s father, Joe.

Kevin Smith, co-founder of independent news and picture agency Splash News, says that while many newspapers and magazines rely on celebrity content to get sales, but fill their pages with everything from crosswords to horoscopes, TMZ has just cut down to the bone – celebrity is all it supplies. “It is very raw, it is very crude, it’s not polished, but it works. A lot of people look at them with envy and think, ‘Why didn’t we do that?’”

Levin, who gossip sites love to point out is happily partnered to his bodybuilder-turned-chiropractor boyfriend, trained as a lawyer, but found the lure of TV irresistible. He passed his bar exam in 1975 and taught law before becoming a legal reporter for KCBS-TV in LA, where he covered the OJ Simpson trial. He later became a legal analyst on The People’s Court TV show, before dreaming up his own TV concept, Celebrity Justice. But the show didn’t last; a victim of poor time slots, it was axed after three years.

Undeterred, Levin launched TMZ.com modestly in December 2005 as “a Hollywood and entertainment-centric news site”. It was a joint venture between AOL and Telepictures Productions, a division of Warner Bros, which produces the Ellen DeGeneres Show and the Tyra Banks Show. Both companies are divisions of Time Warner. The site is said to cost about $8m a year to run, but some have estimated that it could be worth up to $400m.

The site was profitable after the first year, according to Alan Citron, general manager of TMZ.com from just after it launched until late last year. “TMZ was one of the first sites to redefine celebrity coverage. When people were setting their web bookmarks, TMZ was there. I am a big believer in first mover advantage.”

According to Citron, Levin was a hard taskmaster who would work all hours. “At the end of the day, he’s a really good reporter. When he focuses on the story he is likely to beat the competition.”

The site, which attracts about 10 million unique users a month, created waves at Warner Bros in the early days with some of its scoops, according to Citron, now president of Buzznet. “I think that there was some nervousness about that and there were times when people would go, ‘Can’t you move a bit to the middle?’ but to their credit they never shut us down.”

There are two opposing schools of thought about its success. One, that TMZ is founded on good old-fashioned reporting, wearing out shoe leather in the finest tradition of Hollywood tip sheets. Two, it gets scoops because it pays people.

“If you have a story and you want to get paid then you call TMZ,” says Kevin Smith, whose agency is a major supplier to TMZ.

While this is a practice that half of Fleet Street would not bat an eyelid over, most traditional US media newspapers find this deeply troubling and refuse to pay for stories. Levin admits that the site pays for pictures and he also admitted to the New York Times that he will pay for story tips, but will not pay for unverified stories. “There are times when you have to pay,” says Smith. “What if Deep Throat had wanted money and not been acting out of political motivations? Richard Nixon would have remained president.”

Citron is quick to defend their use of chequebook journalism. “As long as information is accurate I don’t have a problem with that.

It is clear that even before the events of last week, TMZ had changed Hollywood and is starting to change the way the world’s media works. In times past other outlets would attempt to confirm a story themselves before running big on it. But with TMZ’s scoop last week, Sky News gave it blanket coverage very quickly, even though for nearly one hour TMZ was the only media organisation claiming the superstar was dead. News companies that waited for confirmation, such as CNN and BBC, were roundly criticised. The old rules of double sourcing stories appeared to be being rewritten before our eyes.

“In many ways, publicists ran Hollywood before we came along,” Levin told Television Week. “They would set the topics, they would set the agenda, they would tell these magazine shows what they could or couldn’t do. The power they had would be to say, ‘We won’t give you the interviews you really want, you play ball with us’.”

But who needs sit-down interviews with celebrities when you can run a harrowing image of pop star Rihanna’s face after she was beaten up, for which TMZ reportedly paid $62,000. Keith Kelly, the Media Ink columnist at the New York Post, is stumped to think of a major story the site has blown. “It’s not a massive profit-maker,” says Kelly. “They focus on one thing: breaking news, that’s it – and seem to do it fairly accurately. They have definitely had an impact. I don’t think that Hollywood agents and the power structure particularly care for them. In some ways, it’s a blessing, you don’t have to go and suck up to agents and swap favours for access.”

When TMZ broke the news of Jackson’s heart attack, but before it reported his death, UK news networks had no problem going big on the story, even though TMZ was virtually the only source. But US network CNN refused to report TMZ’s claim that Jackson was dead, even though both news outlets are part of the same company.

Levin is certainly hardworking. He works website hours, arriving at the office sometimes as early as 6am, and has often hit the gym before that. He wears several hats, cofounder and editor-in-chief of TMZ.com, executive producer and host of TMZ on TV, the successful TV show spawned by the site. The offices of TMZ off Sunset Boulevard double as the set of TMZ on TV. “If you went in there you wouldn’t find it run by journalists, it is run by young guys who know how to put stuff on the internet. But they have broken some very important stories,” says Smith, whose company is a major supplier to the site.

TMZ on TV is just like the site. In fact, it is like putting Heat magazine on television. The format is part squawk box, part bull ring. Levin stands in front of his staff, slurps from a drink bottle, wields a large marker pen and asks his troops in turn, “What have you got?’ Just like a real news conference in any news outlet anywhere. But here the stories are different. Staff report on the latest celebrity sitings, often with video. “We caught Twilight star Robert Pattinson’s butt cleavage!!” “Sam Ronson denies Lindsay Lohan pregnancy rumours, ‘if she is, it ain’t mine’”. It is a lot of shooting the breeze, interspersed with about eight minutes of content. It is also popular. So much so that the Fox TV network, where it airs every weeknight, is now planning a second TV show. TMZ on TV will expand with a trial run of a new series called Beyond Twisted that starts next Monday. It is billed as an “irreverent and funny take on jaw-dropping moments from around the world”.

It is possible to see the legacy of Walter Winchell, the newspaper gossipmonger who dominated radio and TV from the 1930s to the 1950s, in what TMZ does. Winchell’s quick-fire radio and TV shows, where he delivered news and gossip, accompanied by clattering telexes, gave him enormous power, and he perfected the use of slang to avoid legal disputes, promising his listeners each week the lowdown on celebrity and politics, “the very very low low down down”. But Winchell wasn’t really into camera-up-skirt content. In some ways, TMZ is the National Enquirer for the internet age.

It is clear that the site now has the power that Winchell once had. Smith waits to see if TMZ can build on its Jackson success. “The problem is, it’s hard to maintain it. The large majority of their stuff is just fluff. I don’t have a problem with that because we are supplying most of that fluff,” he says.

Keith Kelly sees it as on a mission to expose news that publicists want to keep a lid on. “So in a sense they are outsiders, which in a sense is what journalists should be – they shouldn’t be part of the power structure”.

TMZ’s top scoops

July 2006
A police report obtained by TMZ reveals that Mel Gibson launched an antisemitic and sexist tirade at traffic cops when arrested in Malibu for drink-driving

November 2006
TMZ shows mobile phone footage of former Seinfeld star Michael Richards on stage in a comedy club launching a bizarre racist rant at a heckler

April 2007
TMZ broadcasts an abusive answering-machine message that Alec Baldwin leaves his daughter, 11, during a custody battle

February 2009
TMZ releases audiotape of Christian Bale going berserk at a crew member on the set of Terminator Salvation. Bale gets through 39 “fucks” in four minutes

February 2009
TMZ posts shocking photograph of pop singer Rihanna with deep bruises and black eyes after she was allegedly assaulted by her boyfriend on the morning of the Grammys

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11.8m viewers watch Murray’s late-night thriller

Audience for Andy Murray’s epic fourth-round Wimbledon match climbs steadily from 6.40pm, as BBC1 clears evening schedule

Andy Murray’s epic five-set Wimbledon victory under Centre Court’s closed roof peaked with almost 12 million viewers on BBC1 at 10.30pm last night, Monday 29 June.

BBC1 cleared its evening schedule from 7pm for live coverage of Murray’s almost four-hour fourth-round tussle with Stanislas Wawrinka, switching EastEnders to BBC2 and delaying the 10pm news by 45 minutes, as Centre Court’s newly installed roof and floodlights allowed play to go on late into the evening.

The BBC was rewarded with the sort of viewing figures normally only seen when England’s footballers play in the World Cup or European Championships, as the audience grew steadily from 4 million on BBC2 when Murray’s match began at about 6.40pm, to 11.8 million in the quarter hour from 10.30pm, as the Scot finally sealed a 2-6, 6-3, 6-3, 5-7, 6-3 victory on his own serve. At this point BBC1 had a 54% share of the available TV audience.

Overall, live coverage on BBC2 and BBC1 averaged 7.7 million viewers between 6.30pm and 10.45pm.

From 7pm on BBC1, the live coverage averaged 8.6 million viewers, a 39% audience share, with the audience hitting 10 million at 9pm and climbing over 11 million an hour later as the match entered its fifth set.

Only ITV1′s Coronation Street, with 7 million viewers and a 34% share in the half hour from 7.30pm, proved more popular than BBC1′s Wimbledon coverage.

EastEnders attracted 5.5 million viewers and a 25% share on BBC2 in the half hour from 8pm.

The BBC1 late news, following the Murray match at 10.45pm, attracted 5.8 million viewers and a 37% share.

Earlier, BBC2′s 9pm show, The Supersizers Eat… The Fifties, presented by Giles Coren and Sue Perkins, was ditched as Crimewatch switched to BBC2 in the 9pm hour.

Crimewatch attracted 2.2 million viewers and a 9% share – about the half the audience it would normally get on BBC1.

On ITV1 in the 9pm hour, Real Crime: Sally Anne Bowman – Murder on the Doorstep drew 3 million viewers and a 12% share.

New Channel 4 natural history documentary series Inside Nature’s Giants launched with 1 million viewers and a 4% share in the 9pm hour. A further 189,000 watched an hour later on Channel 4 +1.

Then Big Brother had 1.3 million viewers, a 7% share, on Channel 4 between 10pm and 11.10pm. Channel 4 +1 gave the show another 181,000 viewers an hour later.

Over on Channel Five in the 9pm hour, Build a New Life in the Country attracted 800,000 viewers and a 3% share.

The One Show, also switched from BBC1 to BBC2, was watched by 2 million viewers – an 11% share – over half an hour from 7pm.

BBC1′s scheduled 7.30pm show, Dom’s on the Case, picked up 1.3 million viewers and a 7% share on BBC2.

Following EastEnders at 8.30pm, Panorama had 900,000 viewers and a 4% share on BBC2 over half an hour.

Emmerdale on ITV1 drew 5.1 million viewers and a 27% share in the half hour from 7pm.

ITV1′s second Monday helping of Coronation Street was watched by 7 million viewers and attracted a 30% share from 8.30pm.

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The Problem of Media Economics: Value Equations Have Radically Changed

Entering 2009, the future of media is undoubtedly a quandary, with no end of head-scratching across the industry. As with everything these days, it seems that it all comes down to radically changing economics. There are way too many conversations about the future of media, news, journalism, etc. going on out there that don’t reference [...]

Hulu to Match YouTube’s Revenue: Ten Observations For The Future of Media

An analyst at Screen Digest estimates that in “2008 YouTube will generate about $100m in the US, compared to about $70m at Hulu. Next year both sites will generate about $180m in the US.” That’s very significant because YouTube had 83m unique viewers in the US in September, while Hulu only had 6m.
Here, in no [...]

Guardian Launches Full RSS Feeds, First Media Company Not To Suppress RSS Adoption

On the eve of The Guardian’s launch of full text RSS feeds, Matt McAlister, Head of Guardian Developer Network, pinged me looking for examples of other mainstream media companies that have full text RSS feeds. Surely this many years into the age of syndication, Guardian couldn’t be the first mainstream media company to adopt full [...]

Spinewatch: Can Link Journalism Change How the Media Covers the Presidential Election Campaign?

Jay Rosen of PressThink has started a meme called “spinewatch,” which he’s pursuing on Twitter with the #spinewatch tag and on the Publish2 Spinewatch Newsgroup that he created, where he offers this description:
Spinewatch is a newsgroup and link bank for campaign 2008 stories of a certain narrowly-defined type. Here, we keep track of reporting from [...]

GateHouse Media Seeks to Disrupt Print-Only Batavia NY Newspaper Market With Online-Only Innovation

Newspapers face the challenge of ensuring that their websites don’t cannibalize more lucrative print audience and revenue — even as more and more people get their news online. Then there’s the challenge of  shrinking editorial staffs having to put out both a print paper and a website. It’s enough to kept many newspapers from innovating [...]

Red Bee Media Opens In S’pore

Red Bee Media, an award-winning multimedia and channel management firm,
opened its Singapore office last Tuesday as part of its global expansion.

It joins its network of global offices in London, Paris, Beijing and
Sydney.

Red Bee Media, with its 40 years of expertise in digital media, works for
clients like the Discovery Channel, ESPN, Star and Virgin Media. It is a
key player in the European video on demand market, helping its clients to
distribute and promote multimedia content through a variety of platforms,
including Web-based and mobile media.

The Singapore office will offer interactive design, media management,
branding and editorial services to media players in Singapore and
throughout the region.

Mr Petri Nikula, Red Bee Media’s vice-president of business development,
will head the office in Singapore.

- Joseph Yadao