No matter what you think of the Australian films featured in Not Quite Hollywood, these Ozploitation masters had celluloid running through their veins.
Posts Tagged ‘melbourne international film festival’
Chinese hack film festival site
July 26th, 2009 |
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Chinese hackers have attacked the website of Australia’s biggest film festival over a documentary about Uighur leader Rebiya Kadeer.
Content on the Melbourne International Film Festival site was briefly replaced with the Chinese flag and anti-Kadeer slogans on Saturday, reports said.
In an earlier protest on Friday, Beijing withdrew four Chinese films.
Melbourne’s The Age newspaper says private security guards have been hired to protect Kadeer and other film-goers.
She is due to attend the screening of Ten Conditions of Love, by Australian documentary-maker Jeff Daniels, on 8 August.
‘Vile language’
Chinese authorities blame Kadeer – leader of the World Uighur Congress – for inciting ethnic unrest in Xinjiang, charges she denies.
Earlier this month, around 200 people died and 1,600 were injured during fighting in the region between the mostly Muslim Uighurs and settlers from China’s Han majority.
Kadeer, 62, spent six years in a Chinese prison before she was released into exile in the US in 2005. In 2004, she won the Rafto Prize for human rights.
Richard Moore, head of the Melbourne International Film Festival, told the Age his staff had been bombarded with abusive emails after the festival refused the Chinese government’s demands to withdraw the film about Kadeer and cancel her invitation to the festival.
"The language has been vile," Mr Moore said. "It is obviously a concerted campaign to get us."
He said police were investigating the website attacks, which appear to come from a Chinese internet address.</p
This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.
Chinese directors shun festival
July 22nd, 2009 |
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Two Chinese directors have boycotted Australia’s biggest film festival over the screening of a documentary about political activist Rebiya Kadeer.
Richard Moore, head of the Melbourne International Film Festival, said their films were pulled after he ignored political pressure from Beijing.
He told the AFP news agency "It’s hard to draw any other conclusion."
Chinese authorities blame Kadeer – leader of the World Uighur Congress – for inciting ethnic unrest in Xinjiang.
Earlier this month, at least 197 people died and more than 1,600 were injured during fighting in the region between the mostly Muslim Uighurs and a growing number of settlers from China’s Han majority.
Kadeer, 62, spent six years in a Chinese prison before she was released into exile in the US in 2005.
In 2004, she won the Rafto Prize for human rights.
She is expected to attend the screening of Ten Conditions of Love, by Australian documentary-maker Jeff Daniels.
‘Annoyed and irritated’
In a statement, Mr Moore said Jia Zhangke, director of the short film Cry Me A River, and Emily Tang, the director of Perfect Life, "have decided to withdraw their films from this year’s festival".
He added that Ms Tang had cancelled her trip to Melbourne as a guest of the festival.
Mr Moore said the screening of Ten Conditions of Love, which has sold out at the event, was the subject of a phone call from a Chinese consular official last week.
But he said the festival would stand firm by its decision to include the documentary in the programme.
He told AFP: "It makes me feel angry, annoyed and irritated all at the same time, that they would try to interfere with our programme for blatantly political ends."
China has not commented on the films being withdrawn.
A third Chinese film-maker, Zhao Liang, has also asked the festival to drop his film Petition, a controversial documentary examining injustices in China’s court system. </p
This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.
Picturing the plight of the Uighurs
Considering China’s demands to silence my film about Uighurs, it’s no wonder so little is heard of their struggle
Last week I was told by Richard Moore, director of the Melbourne International Film Festival, that the Chinese government had demanded my film, The 10 Conditions of Love, be barred from screening. I was not surprised. The film is about Rebiya Kadeer, the exiled Uighur leader regarded by the Chinese government as a threat, someone who incites terrorism in its country.
Ironically, the one country that wants to silence my film gave it press I could never afford. Thankfully Moore stood up for my film’s right to be screened by politely hanging up on the rather persistent Chinese consular official.
I first learned about the Uighurs about seven years ago while having a beer with a friend of mine in Beijing. He told me about a student in his English conversation class who appeared more Iranian than Chinese. My friend asked the student where he was from and was amazed to learn of a thriving Muslim population living in the far western deserts of China. When the Uighur student noticed another Han Chinese student intently listening in, he told my friend to do his own research on his people as there was only so much he could say in public.
Soon after, my friend and I took a four-day train journey to the desert oases and mountain valleys of Xinjiang province. We had done our research and knew how the Chinese had annexed what was once an independent East Turkestan in 1949. We also understood how China saw the Uighurs’ demands for autonomous rule as a threat to its unity, labelling protesters as separatists and terrorists. Some Uighur responses were violent, leading to harsh military crackdowns and human rights atrocities in the region. The Chinese government justified its actions to the world as a homegrown battle in the global war on terror.
Passing ourselves off as tourists we were able to collect footage of a colourful and resilient people. They were Muslim, but the women did not all wear burkas and the men were known to drink alcohol. We met some Uighurs who invited us to a wedding, where we learned how to toast by rubbing shot glasses and dance with other men to show off our moves to the women before they joined in. The Uighurs loved a celebration and after witnessing their second-class status in their own country, we understood why.
Over the next few years I met Uighur exiles in New York in libraries, coffee shops and Turkish restaurants. They suspected me of being a spy for the Chinese, as so many other supposed journalists and filmmakers turned out to be. Why else would anyone be so interested in their plight? Eventually they trusted me enough to introduce me to Rebiya Kadeer, recently released after six years in prison for mailing Uighur newspaper clippings to her exiled husband in Washington DC.
I called Chinese embassies in the US and Australia to get their side of the story. The Chinese have done much in Xinjiang in terms of infrastructural and economic development. While they were happy to discuss these issues, the interview was over once I asked about Kadeer. Suddenly I was being interviewed: “Have you had contact with Ms Kadeer, who’s involved with your film and where is it being screened?” I can’t understand why they refuse to debate these issues in a public forum; this was an opportunity for them to put their side of the story on record.
Kadeer told me how she had overcome a lack of Chinese government support for Uighurs in education and economic development to become a wealthy entrepreneur. I followed Kadeer for three years, watching her at work raising awareness of the Uighurs’ struggle in China. Her daughter Ray feared her mother’s work would endanger her siblings still living in China. An exiled leader makes impossible decisions for her people at the cost of her family.
As Kadeer’s awareness campaign grew, her family situation worsened. Hers is an astonishing story that embodies the living history of a forgotten people as they struggle to demand basic human rights in China.
Considering the Chinese government’s recent demands to silence my film in Australia I am not surprised so little is heard of the Uighurs’ plight. But I have the privilege of living in a society that finds strength in dissenting opinions.