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Phish | 7.31 | Red Rocks Day 2

Words by: Brian Bavosa | Images by: Dave Vann

Phish :: 07.31.09 :: Red Rocks Amphitheatre :: Morrison, CO

Phish :: 07.31 :: Red Rocks Amphitheatre

Opening with “Runaway Jim” and a blazing “Chalkdust Torture,” two of the band’s favorite starters, signs pointed to night two at Red Rocks being another treat for all. Judging by the ticket-less masses outside and the growing anticipation every hour, the final, few shows here are going to be insane. Friday seemed to push things off towards that path. “Bathtub Gin” conjured up the elements of weather, as a bit later, the crowd would certainly shout, “Because we’re all in this together, and we love to take a bath.” The jam in this tune was strong and focused, led by Trey.

“Time Turns Elastic” found a new slot in the middle of set one, and seemed a good opportunity for many to grab a beer or hit the head. While it’s a beautiful composition, it just doesn’t do it for many, myself included. “Lawnboy” saw Page crooning and offering, “Thank you. Thank you very much,” followed by “Water In The Sky,” another foreshadowing tune with a Page piano intro that allowed him to really take charge. “Water” was loose and featured some dizzying dueling by Trey and Page at the song’s conclusion. The second new tune of the night, “Stealing Time From a Faulty Plan” is a darker one, with a razor sharp tone, strong direction and the haunting line, “I have a blank space where my mind should be.” Along with the set-closing “Split Open and Melt,” where the sky decided to open up something fierce, the band channeled that energy and played a dark, mean, winding jam that led us into what felt like a longer than normal set break where many fans were diving for cover in the downstairs museum area or under concession tents.

Phish :: 07.31 :: Red Rocks Amphitheatre

After seemingly an hour or so, the band reemerged, with the rain gone, and like Deer Creek a month back (read the review here), opened the post-rain break with a smoking rendition of The Who’s “Drowned.” Led by the fierce chops of McConnell, who, again, owned set two, the band found their way quickly to a meaty jam, which saw the four cylinders collectively lock in and Trey leading them into “Crosseyed and Painless.” A mighty surge of energy descended upon the masses when this one hit, and the set was only minutes old. Long a fan favorite, “Crosseyed” saw some wailing licks by Trey and an all out blitzkrieg by the band.

“Joy” followed for its second ever run-through and features some lyrics that some would call beautiful while others might term ‘sappy,’ I’ll call it a nice filler tune. However, the song of the night was “Tweezer,” where the band finally let loose for the first TRUE time all weekend. This version was the ’03 equivalent of David Ortiz on steroids and slugged its way to the Triple Crown. Fierce, fierce playing by all led to a jam that devolved into a breakdown of sorts. Easily, the song of the run thus far.

McConnell & Anastasio – Phish :: 07.31 :: Red Rocks

“Backwards Down the Number Line,” the third and final new tune of the night, simply feels the most “Phishy.” The lyrics are appropriate for version 3.0 and the jam simply soars. As if the statement of set two wasn’t already made, “Fluffhead” nailed that point home. Obviously practicing this song has reinvigorated the band and they have enjoyed playing it, and all those who pined for it for almost nine years have sure gotten their fill of “powerful pills” since Phish’s almighty return. “Fluffhead” segued into a short, quick reading of “Piper” before slipping into a piano solo akin to the end of “Squirming Coil,” where McConnell tickled the keys before starting up the set closing cover of The Beatles’ “A Day in the Life.” A masterpiece of a song, Phish does this one justice and it was the cherry on the sundae of set two.

An encore of “Suzie Greenburg” again saw Page crush the ivories, while Fishman joked that he wished he was a neurologist before the exclamation point of “Tweezer Reprise” closed things out proper. Two shows into the tour, the band seems to be focused and ready to go, with the “Tweezer” leading the way for early tour MVP.

Phish :: 07.31.09 :: Red Rocks Amphitheatre :: Morrison, CO

Set I: Runaway Jim, Chalk Dust Torture, Bathtub Gin, Time Turns Elastic, Lawn Boy, Water In The Sky, Stealing Time From The Faulty Plan, Split Open and Melt

Set II: Drowned > Crosseyed and Painless > Joy, Tweezer > Backwards Down The Numberline > Fluffhead > Piper > A Day in the Life

E: Suzy Greenberg > Tweezer Reprise

Phish :: 07.31 :: Red Rocks Amphitheatre

For more pics of Phish at Red Rocks night 2 go here. And for coverage of Night 1, go here.

Phish perform again tonight at Red Rocks. Check back
for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

JamBase | Gone Phishin’
Go See Live Music!


Phish | 07.31 | Red Rocks Photos 2

Images by: Dave Vann

Phish :: 07.31.09 :: Red Rocks Amphitheatre :: Morrison, CO

Set I: Runaway Jim, Chalk Dust Torture, Bathtub Gin, Time Turns Elastic, Lawn Boy, Water In The Sky, Stealing Time From The Faulty Plan, Split Open and Melt

Set II: Drowned > Crosseyed and Painless > Joy, Tweezer > Backwards Down The Numberline > Fluffhead > Piper > A Day in the Life

E: Suzy Greenberg > Tweezer Reprise


Order the show for Download on LivePhish.com

Phish perform again tonight at Red Rocks. Check back for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

JamBase | Rain Rocks

Go See Live Music!


The Pains of Being Pure at Heart: EP, Single and Tour

The Pains of Being Pure at Heart Announce

Higher Than The Stars EP Plus The Single Come Saturday

Not content to rest on the laurels of having one of the best and most talked-about albums of 2009, The Pains of Being Pure at Heart are back with the Higher Than The Stars. The EP features four brand-new songs that do what the band does best – breathe fresh life into indie-pop with their exuberance, charm and of course quality tunes.

Higher Than The Stars races along on arpeggiated keyboards and quickly strummed guitars, a perfect pop
nugget that could be ripped from Robert Smith‘s songbook. Its unstoppable energy is pure Pains, though,
and the band hopes to see a lot of ear-to-ear grins when the band busts the EP out on tour.


The Pains of Being Pure at Heart

Higher Than The Stars EP

Street date: Sept. 22, 2009

Formats: 7″, 12″, CD and digital
1. Falling Over

2. Twins

3. Higher Than The Stars

4. 103

Come Saturday Single
Street date: Sept. 8, 2009
Formats: 7″ and digital

1. Come Saturday
2. Side Ponytail

The Pains of Being Pure at Heart Tour Dates:

09/05/09 Sat Middle East Downstairs Cambridge, MA

09/06/09 Sun La Sala Rossa Montreal, QC

09/07/09 Mon Horseshoe Tavern Toronto, ON

09/08/09 Tue Logan Square Auditorium Chicago, IL

09/09/09 Wed Orpheum Theater – Stage Door Madison, WI

09/10/09 Thu Slowdown Omaha, NE

09/12/09 Sat Red Rocks Amphitheatre Morrison, CO

09/13/09 Sun Kilby Court Salt Lake City, UT

09/14/09 Mon Neurolux Boise, ID

09/17/09 Thu Doug Fir Portland, OR

09/19/09 Sat The Troubadour West Hollywood, CA

09/21/09 Mon Casbah San Diego, CA

09/22/09 Tue Club Congress Tucson, AZ

09/24/09 Thu Lola’s Sixth Fort Worth, TX

09/25/09 Fri The Mohawk Austin, TX

09/26/09 Sat One Eyed Jacks New Orleans, LA

09/27/09 Sun Club Downunder Tallahassee, FL

09/28/09 Mon The Earl Atlanta, GA

09/29/09 Tue Local 506 Chapel Hill, NC

09/30/09 Wed Black Cat Washington, DC

10/01/09 Thu Ottobar Baltimore, MD

10/03/09 Sat Webster Hall New York, NY

10/05/09 Mon First Unitarian Church Philadelphia, PA


Phish | 07.30 | Red Rocks Day 1

Words by: Brian Bavosa | Images by: Dave Vann

Phish :: 07.30.09 :: Red Rocks Amphitheatre :: Morrison, CO

Phish :: 07.30 :: Red Rocks Amphitheatre

Colorful Colorado. So much Phishtory has happened here over the years. From the first-ever “official,” non-Northeast shows for the band documented in Colorado ’88 to the funk-era ragers of Denver in ’97, there has been no other venue in the state that has inspired the band to play more historic shows than Red Rocks.

From ’93-’96, Phish played a total of nine shows at this truly breathtaking, one-of-a-kind, natural amphitheatre, where the stage sits between two giant slabs of red earth that serve as a center for some cosmic and energetic interactions and results. I also know why everyone in Colorado is in such good shape because everything here is an uphill hike.


However, since some trouble in the little town of Morrison during the four nights in ’96 with fans and police, Phish has simply not been allowed to return for a number of reasons. And, with the venue holding maybe 8 or 9 thousand people, they simply outgrew it. I, like many others, never, ever expected Phish to return here and was floored when the announcement came. That also made these tickets harder to score than any of the return shows yet. It also made it a perfect choice to open the second leg of their summer tour with a statement – a four-night stand.

Trey :: 07.30 :: Red Rocks Amphitheatre

Opening with the very first song they ever played here in ’93, “The Divided Sky,” Trey Anastasio and company soared through this intricate and appropriate number and nailed it. Next up was the catchy “Ocelot,” a tune slated for the upcoming, September release, Joy, which many of the newer fans seem to really like.


“The Wedge,” another tune played in the first set of the ’93 show, features the line “take the highway to the great divide,” and boy, oh boy, is Red Rocks such a place. In fact, this was the first time in a long time that most of my night was spent admiring the scenic beauty and intricacies this venue has to offer rather than simply being fixated on the band and stage.


A funky, Fishman driven “Moma Dance” was above average and gave way to “Horn,” yet another Rift-era tune that had me thinking that the band was truly excited to be back on hallowed ground. But, the surefire highlight in set one was an atypical “Stash,” which saw some loose jamming and more twists and turns than the snakes outside in the surrounding park. It was led at different stages by all four and featured Fishman all over the skins. It was exploratory, yet not as dark as normal, and made for a great ride.


Set two began with some Trey banter introducing Mike Gordon before launching into “Mike’s Song,” and it seemed that immediately the energy of the band for set two was higher than earlier and we were poised for a sharp second effort. Again, Fishman took charge and pounded “Mike’s” into oblivion before landing in the beautiful middle portion of the “Mike’s Groove” trilogy, “I Am Hydrogen.” The beautiful segue was closed proper by a slamming “Weekapaug Groove” that saw great interplay between Trey and Page, while Fish and Gordon held down the beat.

Phish :: 07.30 :: Red Rocks Amphitheatre

Another of the night’s highlights was “Ghost,” which conjured up memories of the lauded, super funky, 11.17.97 Denver version. It bubbled up loose and funky, featuring some rock & roll licks by Anastasio, and finally landed in another funktastic number, “Wolfman’s Brother.” This two-song onslaught was a solid half hour of booty shaking and loose, yet inspired playing and jamming. At this point, the first set was a mere footnote in my mind.


The first “Billy Breathes” since the summer of ’03 was another nod that just about anything was possible during this four-night run. A song that does not always translate well live, this version did, slowing things down for a moment for all to soak in the power of this venue. “The Squirming Coil” was spot-on and saw McConnell, who was extremely impressive throughout set two, play his baby grand piano, which made hearts swoon at the end of this number and made me think it was the show closer.


That was until Fishman hit the familiar high-hat intro signaling “David Bowie.” This version was standard, yet sharp, and capped off a solid night one. Set two was super and continued with the encore of “Loving Cup.” A rocker that led the masses out to the trails and natural stairs of Red Rocks, it truly was a “beautiful buzz” to close out Night One.

Phish :: 07.30.09 :: Red Rocks Amphitheatre :: Morrison, CO

Set I: The Divided Sky, Ocelot, The Wedge, Poor Heart, The Moma Dance, Horn, Stash, The Horse > Silent in the Morning, Possum

Set II: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Ghost, Wolfman’s Brother, Limb By Limb, Billy Breathes, The Squirming Coil, David Bowie

E: Loving Cup

For more pics of Phish at Red Rocks go here.

Phish perform again tonight at Red Rocks. Check back
for live Tweets, setlists, pics and full reviews. Complete Phish tour dates available here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

Continue reading for more pics of Phish at Red Rocks Night 1…

JamBase | Rocking Red Style
Go See Live Music!


Phish | 07.30 | Red Rocks Photos 1

Images by: Dave Vann

Phish :: 07.30.09 :: Red Rocks Amphitheatre :: Morrison, CO

Set I: The Divided Sky, Ocelot, The Wedge, Poor Heart, The Moma Dance, Horn, Stash, The Horse > Silent in the Morning, Possum

Set II: Mike’s Song > I Am Hydrogen > Weekapaug Groove, Ghost, Wolfman’s Brother, Limb By Limb, Billy Breathes, The Squirming Coil, David Bowie

E: Loving Cup


Order the show for Download on LivePhish.com

Phish perform again tonight at Red Rocks. Check back
for setlists, pics and full reviews. Complete Phish tour dates available here.

Just like Leg I of Phish’s Summer Tour, JamBase will be at every stop with more coverage than you’ll find anywhere! Keep up to speed with all things Phish at jambase.com/phish.

JamBase | Back On The Train

Go See Live Music!


Motorola Morrison spotted at FCC

We’ve been hearing about the fabled Motorola Morrison for some time now but without any official word we were left in the dark in terms of a price point and release date.

Luckily, thanks to the FCC, we now know that the phone is at least a …

Paul Stanley, Tennessee State Senator, Quits After Affair With 22-Year-Old Intern

NASHVILLE, Tenn. — A Tennessee lawmaker resigned from the state Senate on Tuesday after his extramarital affair with a 22-year-old intern was revealed by an investigation into an extortion case.

“Due to recent events, I have decided to …

Beats Antique: New EP

Beats Antique New EP: Contraption Vol. 1


Beats Antique

Growing like wildfire under the canopy of live electonica and world roots music comes Beats Antique, a masterful merge of modern technology, live instrumentation and seductive performance. After only two and half years performing as a cohesive force, the group has just self released their third album, Contraption, Vol.1 which marks the first in a two-part EP series.

The EP can be downloaded here.

The seven-track dance floor ready EP is infused with orchestral textures and a worldly flare that has fans clamoring for more. Using only word-of-mouth marketing, Beats Antique’s new tracks have over 700 paid downloads and 20,000 plays on the EP in the first week of their self-release. There’s no doubt that the merge of old world instruments and live producing is on the rise and Beats Antique is helping leading the way.

For those who are unfamiliar with Beats Antique’s sound, the band combines the tones of the Middle East with the styles of hip-hop, brass band, downtempo, glitch and dub-step in a new collage of music that is mixed and broken down with clever breakbeats for an adept international flair. Beats Antique is producing an un-charted style of music by adding live horns, accordion, glockenspiel, viola, string quartets, kalimba, clarinet and various unusual instruments to their big beat arrangements.

Born of Oakland, CA, the musical trio consists of producers, David Satori, Sidecar Tommy and world-renowned belly dance performer/producer Zoe Jakes, who helped inspire the thematic Middle East tempo of the band.

Beats Antique Tour Dates:
07/31/09 Fri Faerie Worlds Eugene, Oregon
08/15/09 Sat Beloved Festival Tidewater, Oregon
08/31/09 Mon Burning Man Blackrock City, Nevada
09/12/09 Sat Monolith Festival Red Rocks, CO
09/19/09 Sat Symbiosis Gathering Yosemite National Park, CA
09/13/09 Sun Red Rocks Amphitheatre Morrison, CO


Retail sales rise sparks recovery hope

The retail sales figures are likely to fan speculation that the economy will start to grow again in the third quarter

Britain’s economic recovery prospects were given a boost today on news that spending in the high street rose sharply last month.

June’s fine weather and early summer sales led to a rush for the shops and the volume of sales was 1.2% higher than in May, according to the latest data from the Office for National Statistics.

June’s jump in spending in shops and stores was three times the 0.4% increase expected by the City and more than reversed May’s 0.9% drop.

Retail sales account for around one third of consumer spending and have held up reasonably well in the face of the economy’s descent into recession over the past year. Sales were 2.9% higher last month than they were in June 2008, despite rising unemployment and weak growth in earnings.

Broader measures of consumer spending – including sales of cars and spending on restaurant meals – have been less buoyant, but today’s figures are likely to fan speculation that the economy will start to grow again in the third quarter.

A breakdown of the ONS figures showed that the good weather encouraged spending on summer clothes, footwear, outdoor leisure goods and food.

Price cuts also helped to woo consumers into the shops. The retail sales deflator – a measure of inflation on the high street – showed an annual fall of 0.2% last month against a rise of 0.7% in May.

In the past, July has been the peak month for summer bargains, but the fall in the deflator suggests retailers brought forward sales this year.

Kitchens, bathrooms and bedrooms

The official data reflects recent upbeat noises from Britain’s big retailers, who have seen shoppers shrug off the recession and splash out on summer clothes in the recent heatwave.

DIY sales have also held up better than expected. B&Q owner Kingfisher today posted forecast-beating figures, highlighting strong UK trading in kitchens, bathrooms and bedrooms.

“We have continued to perform well in a tough environment, profitably growing market share [and] strengthening our leadership position in Europe,” said the chief executive, Ian Cheshire.

B&Q like-for-like sales grew 0.7% in the 10 weeks to 11 July.

Earlier this week Next and Morrison’s cheered the market with announcements that they are on course to turn in better than expected profits this year.

Morrisons, the UK’s fourth biggest supermarket chain, and Next, the second biggest fashion chain, expect to rake in a combined £100m more than City analysts had forecast.

But economists cautioned that consumer spending would remain on shaky ground for some time to come.

“Sharply reduced mortgage payments and moderating inflation are boosting many people’s purchasing power, thereby making them more able and willing to step up their discretionary spending when circumstances are particularly attractive, such as when the weather is hot or when there is increased discounting,” said Howard Archer, economist at Global Insight. “Nevertheless, consumers remain under serious pressure from sharply higher and rising unemployment, markedly reduced earnings growth and heightened debt levels.”

“On balance, we suspect that consumer spending will be largely muted over the coming months, thereby limiting recovery prospects, especially as unemployment is likely to rise markedly further and earnings growth is continuing to moderate.”

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


The power of reading

Blake Morrison on André Kertész’s photographic celebration of the joy of the written word

One of my favourite André Kertész photographs shows two young men sitting with their backs to a tree, each absorbed in a book. Both are wearing glasses; both use their thighs as a lectern; the one facing forwards is black, the other, in profile (a dead ringer for Woody Allen), is white. Their proximity suggests they know each other and are friends. And given the time and place of the composition, the photo could serve as an icon of the civil rights movement – racial harmony as observed in Washington Square, New York City, 1969. What’s equally striking, though, is how separate the two men are, how oblivious to each other’s presence (and to the camera). They might be friends but their real companions are their books.

The Budapest-born Kertész enjoyed a long life (1894-1985), visited many countries and was involved in several different artistic movements. But wherever he went and whatever the commission, a constant preoccupation was with people reading. In one of his earliest and most moving images, three small boys (two of them barefoot) crouch over a book in a Hungarian street in 1915; in one of the last, a young woman stands reading in the shadow of a vast Henry Moore statue. Ferocious concentration is common to both. The act of reading involves no action, beyond turning the page. But the mental activity is intense, and it’s this that fascinates Kertész.

When paintings and sculptures depict a man or woman with a book, this usually signifies that they are studious, saintly, noble and wise – persons of substance. Kertész’s approach is different. Apart from one semi-surrealist shot of Peggy Guggenheim, with an open book in the foreground, he has no interest in the great and good. The Bowery bum retrieving a newspaper from a wastebin; a woman kneeling over a text in a Manila market; gondoliers, circus performers and street vendors snatching time between work duties to peruse a book or magazine – Kertész’s subjects are often people you wouldn’t expect to see reading. What the camera captures is their thirst for knowledge or hunger to escape their circumstances. One memorable image features a boy sitting in a New York doorway in 1944, amid a heap of newspapers left there to alleviate the wartime shortage (“Paper is needed now! Bring it at any time,” reads the poster behind him). Times are hard yet the boy looks perfectly happy: amid the detritus, he has found a page of comic strips.

Whereas books are traditionally thought of as an indoor pursuit, most of Kertész’s subjects are caught reading outdoors. The venues aren’t just parks and beaches. There’s a whole sequence of images taken in Greenwich Village in the 1960s and 70s, showing people reading high above the street, on tenement rooftops, penthouse balconies, metal stair-ladders and window ledges. Enrapt as they are, the readers seem indifferent to the chimneys, ventilation pipes and washing lines that surround them: away from the crowds, each has found a space to be alone. The setting is tough and urban. Yet there’s a spiritual quality, too – reading as a stairway to heaven.

Portrait painters evoke the spiritual intensity of reading by coming in tight on the face and body: the lowered eyes, the meditative brow, the hands piously folded under the spine of the text. The illustrations in Alberto Manguel’s wonderful book A History of Reading include countless examples of this, not least the painting which serves as its cover, Gustav Adolph Hennig’s Reading Girl. In Kertész’s photos, by contrast, the perspectives are longer and the subjects unaware that they are subjects: he shoots from a distance, so that we see the surrounding environment rather than the title of the book that’s being read. The lack of close-ups isn’t an obstacle, since the faces of readers give nothing away: their only engagement is with the book. The light and shade emphasise the transcendental power of reading. Here are people on an inner journey, while physically remaining still.

Kertész didn’t live to see the age of the internet or to hear the funeral rites for the age of print. But his photos of readers aren’t just a historical document or an exercise in nostalgia. The essential image he works with is timeless: human interaction with the written word. The physical forms in which we receive the word may be changing. But even when ebooks and Blackberries have taken over, that central image will remain: a text held in the hand and a head bowed over it. Andre Kertész, On Reading, is at the Photographers’ Gallery, 16-18 Ramillies St, London W1 until 4 October.

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


YMSB Fall Tour w/ Barnes: In Support of The Show due 9/1

Yonder Mountain String Band’s New Album The Show To Be Released September 1
Fall Tour with Danny Barnes Announced


Yonder Mountain String Band

Yonder Mountain String Band is pleased to announce an upcoming fall tour in support of their brand new record, The Show. The album will be released nationwide on September 1 and August 28 at Red Rocks. The band is extremely excited that Danny Barnes will be opening the entire tour and that Darol Anger will be joining Yonder in Milwaukee, Madison and Chicago.

No track list is currently available for the album.

Yonder Mountain String Band Tour Dates:
08/07/09 Fri Fox Theatre Boulder, CO

08/11/09 Tue The Crossroads Kansas City, MO

08/12/09 Wed Simon Estes Amphitheater Des Moines, IA

08/13/09 Thu Redstone Room Davenport, IA

08/14/09 Fri Big Top Chautauqua Bayfield, WI

08/15/09 Sat Minnesota Zoo Amphitheater Apple Valley, MN

08/22/09 Sat Grand Targhee Alta, WY

08/27/09 Thu Fox Theatre Boulder, CO

08/28/09 Fri Red Rocks Amphitheatre Morrison, CO

08/29/09 Sat Paolo Soleri Amphitheatre Santa Fe, NM

08/30/09 Sun Pine Mountain Amphitheater Flagstaff, AZ

09/01/09 Tue USANA (West Valley) Amphitheatre West Valley, UT

09/02/09 Wed Hawkins Amphitheater Reno, NV

09/04/09 Fri The Gorge George, WA

09/05/09 Sat The Gorge George, WA

09/06/09 Sun The Gorge George, WA

10/06/09 Tue Mr. Small’s Theatre Pittsburgh, PA

10/08/09 Thu Keswick Theatre Glenside, PA

10/09/09 Fri 9:30 Club Washington, DC

10/10/09 Sat Rams Head Live Baltimore

10/11/09 Sun Pearl Street Nightclub Northampton, MA

10/14/09 Wed Higher Ground Burlington, VT

10/15/09 Thu Higher Ground Burlington, VT

10/16/09 Fri House of Blues Boston, MA

10/17/09 Sat Nokia Theatre Times Square New York, NY

10/18/09 Sun State Theatre State College, PA

10/21/09 Wed The Rave/Eagles Ballroom Milwaukee, WI

10/22/09 Thu Orpheum Theatre Madison, WI

10/23/09 Fri House of Blues Chicago, IL

10/24/09 Sat House of Blues Chicago, IL

10/28/09 Wed The Blue Note Columbia, MO

10/29/09 Thu Sokol Auditorium / Underground Omaha, NE


Patt Morrison: Y O Y the Syfy Channel?

I turned on my television over the weekend and realized that the Sci Fi channel had vanished. The same shows were there, but the name…

James Morrison was once snubbed by Madonna

Brit singer James Morrison has revealed that he was once snubbed by Queen of Pop Madonna.
Morrison, 24, revealed to Fern Britton and Phillip Schofield on This Morning that the incident did not faze him much, as he was not such a big fan of Madge.
“I’ve never been a massive fan of Madonna – but I [...]