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Parisian gang leader gets life sentence

The leader of a gang who kidnapped a Jewish mobile phone salesman and tortured him to death in one of France’s most gruesome murder cases was tonight sentenced to life in prison.

Youssouf Fofana, 28, went on trial accused of leading 27 others in an elaborate plan to trap the young Jewish man, Ilan Halimi, by enticing him on a date with a woman before holding him hostage in a windowless cellar and torturing him because he believed Jews were “loaded” and would pay a ransom. The case sparked a wave of national soul-searching about anti-semitism in France.

Halimi, 23, was found naked with his head shaved, in handcuffs and covered with burn marks and stab wounds near rail tracks outside Paris in February 2006. In a state of shock and unable to speak, he died en route to hospital. He had been held, tortured and beaten for three weeks, his head wrapped in tape, eyes Sellotaped shut and fed through a straw, while a gang known as “the Barbarians” demanded a ransom from his family.

Police initially did not treat the case as a hate crime. But within days of Halimi’s death his family said he was targeted because he was Jewish. France, still coming to terms with its anti-semitic collaboration of the second world war, was shocked by the gruesome crime. Tens of thousands of people marched against anti-semitism.

Fofana, a charismatic gang leader on a housing estate outside western Paris, had already tried and failed to kidnap people for cash when he spotted Halimi as a target. As the verdict was read out last night, he mimicked applause.

The young woman who agreed to ensnare Halimi in a honey-trap by suggesting the meet and go for a coke, was sentenced to nine years in prison. Now aged 21, she was 17 at the time of the kidnapping and was said to have been persuaded to take part by someone she knew from her children’s home.

Two other men, aged 30 and 23, accused of playing the biggest role in the kidnapping and torture were sentenced to 15 and 18 years.

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French ‘Barbarian’ killer jailed

Youssouf Fofana Fofana at Abidjan airport (March 2005)

The leader of a Paris gang has been sentenced to life in prison in France for the torture and murder of a Jewish man, Ilam Halimi, in 2006.

Youssouf Fofana, 28, the only member of the Barbarians gang to be tried for the murder, will serve at least 22 years.

Mr Halimi was held by the gang for more than three weeks before being found by a railway line. He was handcuffed to a tree, naked and severely burned.

His death prompted mass protests in France against anti-Semitism.

Prosecutors had asked for the maximum sentence for Fofana – the life sentence means he must serve a minimum of 22 years.

The Associated Press reported that he mimed applause when the verdict was given.

Another 26 people were facing charges over involvement in the crime.

Fofana’s two main accomplices received sentences of 15 and 18 years respectively, while a young woman who lured Mr Halimi to his death was given nine years.

Two other defendants were acquitted.

Some of those charged were minors so the trial was heard behind closed door, against Mr Halimi’s family’s wishes.

Death threats

Inside France’s ‘Barbarians’ trial

Ilan Halimi, file image

Mr Halimi, who worked in a mobile phone shop, was lured by a female gang member to an empty apartment in the Parisian suburbs in February 2006.

When he arrived, he was attacked and drugged.

The kidnappers tried unsuccessfully to extort a ransom of 450,000 euros ($600,000; £405,000) from his family, sending them harrowing images and video recordings.

Fofana, who is of Ivorian descent, is said to have targeted Mr Halimi because he believed that "Jews are loaded".

After the murder he fled to Ivory Coast, from where he is reported to have made death threats to Mr Halimi’s family.

He was extradited to France in March 2006 to stand trial. </p


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Air France box search winds down

Mourners at the funeral of Dr Jane Deasy in Dublin, 10 July

French ships equipped with US listening devices are ending their hunt for the black boxes of an airliner lost over the Atlantic on 1 June, officials say.

They failed to pick up signals the boxes’ "pingers" were meant to emit for 30 days after the Air France jet crashed with the loss of all 228 lives.

Experts believe the cause of the crash may never be known unless the two flight recorders are recovered.

There is still a chance that French submarines may discover the boxes.

See a map of the plane’s route

Brazil ended its operation to recover bodies and wreckage from Flight AF447, which was flying from Rio de Janeiro to Paris, towards the end of last month, after finding the remains of 51 people.

French investigators believe the plane, which disappeared in a storm, broke up on contact with water, not in the air.

They say the plane’s speed sensors appear to have been a factor in the crash but not its cause.

‘Still hope’

Two tugs chartered by the French agency investigating the crash (the Investigation and Analysis Bureau, or BEA) had been searching for the jet’s cockpit voice and flight data recorders with Towed Pinger Locators (TPL) supplied by the US Navy.

US Air Force Col Willie Berges, the Brazil-based commander of US military forces supporting the effort, said one tug had already stopped searching.

"The last ship will be departing the search area today," he told the Associated Press news agency on Friday, adding that he did not know the exact time.

The ships had had "no success – nothing was tracked", Col Berges said.

A French nuclear submarine, the Emeraude, has also been hunting the boxes and robot submarines will join the search later in July, Air France-KLM director Pierre-Henri Gourgeon said in an interview published in France’s Le Figaro newspaper on Thursday.

"All hope is not lost," he said.

Chief BEA investigator Alain Bouillard said last week that a French boat equipped with two small submarines would begin a search along with another submarine and a robot craft "after 14 July", a public holiday in France.

Friday saw the funeral in Dublin of a young Irishwoman who was aboard the jet along with two friends, all three of them doctors.

The body of Dr Jane Deasy was identified this month. Those of her friends, Dr Aisling Butler and Dr Eithne Walls, were never found.

Click here to return

Flight of AF 447


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New autopsy after French unrest

A second autopsy has been ordered on the body of a young man whose death in police custody has caused three nights of rioting in a southern French town.

Police say Mohamed Benmouna, a 21-year-old of Algerian origin, died after trying to hang himself in a cell earlier this week.

Youths have set shops and cars on fire and battled riot police in the town of Firminy in reaction to the death.

Prosecutor Jacques Pin said he wanted to "remove all doubt" in the case.

A first examination of Mr Benmouna’s body on Thursday showed that he had died from "cardiac arrest by suffocation", he said.

Mr Benmouna had been arrested on suspicion of extortion.

The unrest in Firminy began on Tuesday, when youths burnt cars and threw stones at security forces.

On Thursday, in a third night of violence, several shops were destroyed by fire and police cars were damaged. Police responded with tear gas and said six people had been arrested.

The youths have challenged the official version of Mr Benmouna’s death – that he hung himself with cords from a mattress.

His family have called for calm, but have also filed a complaint to ask for a full investigation.

Interior Minister Brice Hortefeux repeated on Friday that the death had been a suicide.

"He was put in detention, and during his detention, he wanted to commit suicide and unfortunately, he did so," he told French radio.

In 2005, night-time rioting spread across France after two teenagers died in a Paris suburb. Residents said they had trying to escape from police.

The violence mainly affected areas that are home to immigrant communities, many of North African origin.


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At the high temple of fashion

Suspend your disbelief, take a deep breath, and dive into the extraordinary world of Paris haute couture fashion week … Because there’s nothing else quite like it. By Jess Cartner-Morley

In pictures: Haute couture, the greatest show on earth

On Tuesday afternoon I waited for the best part of an hour for a 10-minute catwalk show comprising of 24 dresses, none of which in all probability will ever be available for sale. This was the Christian Lacroix show, and neither I nor the other 279 people in the audience would have dreamed of missing it. This, the new collection from a designer whose 22-year-old company has never made a profit and is now on the verge of bankruptcy, was the hot ticket of the week, despite the fact that if no buyer appears to rescue the company, the atelier where these clothes are produced will be shuttered and locked before these dresses get a chance to go into production.

What Paris haute couture week lacks in logic, however, it makes up for in poetry. The dresses at Lacroix were dark and elegant and grand, in the kind of fabrics you seldom come across in the real world: guipure lace, swiss muslin, silk taffeta. Midway through the show, the gathering clouds let rip and the slender glass windows of the Museum of Decorative Arts rattled in the driving rain: appropriately theatrical, battlefield weather for Lacroix’s last stance.

One of the details that distinguishes haute couture from other clothes is that these are clothes designed and perfected from every angle. The front view is only one element of the look: the side profile will have been tweaked to dramatic perfection, and the back view is often a work of art in its own right. At Lacroix, a midnight blue crepe dress was caught with a creamy silk bow at the base of the spine, while an evening gown was suspended by a single fragment of the lightest black lace stretched from one clavicle and over the shoulder bone. It was as if Lacroix was as focused on exits as entrances: which, seeing as how this could be his label’s last show, would be understandable.

The trouble with haute couture is that pictures don’t really tell the story at all. Trying to convey the full experience of haute couture via a photograph in a newspaper is like trying to capture the taste sensations of a meal by Heston Blumenthal or Ferran Adrià in a flavour of potato crisps. Watching it live is a full-on sensory experience: the angles, the ideas, the references, the colours, the texture of each outfit, not to mention the choreographed body language and painstaking hair and makeup of the models, or the ambience of the setting, every detail of which will have been meticulously planned, from the celebrities who have been invited to ornament the front row to the colour of the napkins handed out with the after-show canapes.

Now more than ever, attending haute couture requires a certain suspension of disbelief. To appreciate couture you have to leave your head-screwed-on, oh-for-goodness-sake-surely-no-one-buys-this-stuff attitude at the door and dive right in. Some people like to take deep lungfuls of air when they are by the sea, or in the mountains, in order to draw deeply on the good stuff: I do the same in Paris couture ateliers. I calculate that every lungful contains at least a tenner’s worth of Diptyque room fragrance, so I try to make the most of it, in the hope I will still have figuier or tuberose in my nostrils when I get off the Eurostar and back on the tube.

There are still people who have pots of money and the desire to spend it in ridiculous ways. If you doubt me, ask Nicolas Ouchenir, a calligrapher who is employed by designers including Miuccia Prada and Karl Lagerfeld to write the work-of-art, handwritten invitations that are a calling card of couture. He told Womenswear Daily this week that as well as fashion designers, his clients include wealthy Russians who pay him to transcribe love letters to their sweethearts, sometimes in ink laced with real gold.

But haute couture is in very real trouble, caught in a tug-of-war, between Paris and the rest of the world. There is a very real need to build a relationship with clients in emerging markets. The Russian and Middle Eastern clients who were a front-row novelty just a few years ago are now the old-timers; China, Brazil, Turkey, even Ukraine and Kazakhstan are where orders are coming from now. To seduce these customers, they need to be made to feel comfortable with what they are watching. Yet the value of couture is in its very Frenchness: every other city in the world has a fashion week, but only Paris has a week devoted to haute couture. That hoity-toity Parisian attitude is precisely what gives added value to the labels on the couture roster, and they tinker with it at their peril.

The dilemma can be seen in the contrast between the Chanel and Dior shows this week. At Chanel, Lagerfeld’s new look centred around long, column-shaped skirts and dresses slit at either side. It was reminiscent of the Chinese cheongsam shape – and, as such, may well succeed in grabbing the attention of the Chinese clients whom Chanel and Dior are currently battling to seduce. But on the Paris catwalk, the clothes looked a little tricksy, although the evening was staged with aplomb – an evening show in the Grand Palais, which merged seamlessly into a glamorous after-show soiree.

Dior took the polar opposite route, moving its show from the hangar-like, out-of-town venues it has favoured in recent seasons back into the iconic dove-grey rooms of Dior’s Avenue Montaigne headquarters. The setting, the clothes and the styling conspired to turn back the clock half a century to when Dior clients gathered in these very rooms to view classics such as the Bar peplum jacket and wasp-waisted suits, pieces that were revived this week. The makeup at a Dior show is always a work of art in its own right, and this season it conjured up memories of 1950s beauties. Dotted black net veils over the face recalled Irving Penn’s famous 1951 Vogue cover, in which the model’s face is closely wrapped in a black fishnet veil; the strong eyebrows and pale complexions artfully powdered and sculpted suggested Richard Avedon and the regal, arch allure of his 1955 portrait Dovima with Elephants.

The giant perfume bottles that dominated the Chanel catwalk made another important point about haute couture, which is that despite the tiny scale on which the actual dresses are produced, the economics only make sense on a giant scale. Couture is “a powerful tool to educate the customer about our brand”, as Chanel’s president of fashion, Bruno Pavlovsky, put it recently. The concept of a brand having a “DNA” has taken over from a colour being “the new black” as the fashion cliche of our time, and there is a very real danger of the creativity of couture being strangled by the obsession with bludgeoning home brand values. Death by brand-building: what a very 21st century way for couture to go.

The spirit of couture lives on, if nowhere else, in the studio of designer Bruno Frisoni, who twice a year creates a range of couture bags and shoes for the venerable Roger Vivier label and presents them in his gorgeous, pink-walled studio above the Rue Faubourg Saint-Honoré. Here, this week, he showed me his treasures for autumn: a clutch bag with one side in gold vermeil, modelled on a turtle shell, and the other in gold-painted crocodile, soft as the underside of a turtle; and a chainmail bag encrusted with jet dragonflies and the softest feathers, which he likened to “the magical remains of a mermaid”. Moments after I had laid my coffee cup on Frisoni’s table, Inès de la Fressange, his full-time muse – I told you, this place is very, very couture – discreetly picked up a stray teaspoon and replaced it on the saucer, apparently bothered by the asymmetry. Moments later, I spotted Frisoni absentmindedly rubbing at an entirely invisible mark on a white leather chair. After all, as Pavlovsky of Chanel said recently, “in couture, the objective is to be perfect”.

On my way home, as I got off the train at St Pancras, I fell into step behind a petite lady in harem pants and gladiator sandals. I wouldn’t have looked twice, except it was nearly dark and she was wearing sunglasses. It was Kylie, who had changed out of the curvy black lace skirt she had been wearing at Jean Paul Gaultier earlier that day. Families and businessmen jostled past her on the platform, and in the evening rush, no one noticed a pop princess. Haute couture was over, and it was back to reality, even for Kylie.

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High on the hog in the Languedoc

It’s a new holiday village but the architecture is traditional, as are the activities. Ian Belcher tries winemaking, trout tickling – and a spot of boar hunting

Club Med, eat your heart out. Mark Warner, look away now. I’ve seen the future of holiday villages and it involves taking pot shots at wild boar, treading Corbières grapes, and – if you’re feeling reckless – tickling speckled trout. Wind surfing and sailing lessons? They’re just so last season, chéri.

Les Jardins de Saint Benoît, tucked into the widescreen panoramic drama of the French Languedoc, is aiming to rewrite the holiday village rulebook. Harnessing the passion, traditions and skill of local Occitane winegrowers and artisans, it offers a practical, herb-infused taste of Mediterranean rural life – a natural high-de-hi.

But the opening revelation comes well before you snaffle a first truffle: Les Jardins has interpreted “village” quite literally – it bulges out from the (real) medieval Saint-Laurent de la Cabrerisse like an ochre hernia. It opened last month, several centuries after its host, but old and new blur into a seamless splatter of terracotta tiles and limestone walls.

It’s a deliberate deception. Three years’ construction, £55m and 15 rewrites of the heritage master plan have captured the details and textures of original village buildings, albeit with modern tweaks such as pergola-shaded gardens. With its grid of stone-paved, car-free streets lined with Victorian copper lamps, it would bring a rosy flush to the Prince of Wales’s cheek. The Gallic Poundbury’s 171 self-catering houses, kissing a stonking restaurant, spa and swimming pool, have state-of-the-art kitchens and bathrooms but display a style dubbed chic rustique: all earth tones, artfully distressed southern French furniture and pastel shutters.

Occupying the site of a ruined 12th-century abbey, Les Jardins is laced with freshly planted olive trees, lavender bushes and roses. If, understandably, it feels rather new, there’s also an original maze of medieval walled gardens, shared with the villagers. These drip with fruit, vegetables and herbs, bordered by well-established organic vineyards, which lead down to the Nielle river.

But the unique heritage architecture is just a soupçon of its integration with Languedoc life. There’s also employment – nearly all the staff live nearby – and a groundbreaking array of guest activities that involve the area’s farmers, chefs and artisans, from cheese makers to beekeepers. “We’re building a bridge between locals and tourists,” says Miguel Espada, president of Garrigae, the resort operator behind Les Jardins. “At Club Med or Mark Warner everyone stays within the complex, but we’re completely open to the community. We want guests to get back to nature, to sample the Mediterranean joie de vivre, to experience totally new things.”

You can say that again, Miguel: it’s the first time sanglier (wild boar) hunting has appeared on my holiday itinerary. But just hours after arriving, I’m crossing Garrigae’s metaphorical bridge with two locals: Daniel Esparza, Saint-Laurent’s former mayor, and his beefy son, Ludo, who are planning to bag a sanglier they spotted scoffing their grapes.

We climb through pine forests, passing an outcrop where witches once danced on the summer solstice, and the promised joie de vivre arrives in the shape of food. Astounding food. Food eaten alfresco yards from the hilltop garden where it was grown: mushrooms with wine and rosemary, lamb shank with creamy aubergine, and cheek-tingling lemon pie. Under dappled sunlight, we wash the meal down with marquisette – white wine with lemon – and bottles of rosé “from those vines over there”. It’s like a Magners commercial only with better booze.

As I gorge, my hosts talk about the dangerous, sly wild boar. Languedoc’s boar population has exploded as new highways have blocked their old foraging routes. The critters have stayed put, gorging on farmers’ crops and producing super-sized litters. “They eat everything,” exclaims Esparza. “Grapes, potatoes, small rabbits. They are pigs.” Which is accurate, if a little harsh.

“It’s not about killing,” he stresses. “It’s about eating. We’re respecting the natural balance of nature. We don’t give boys PlayStations here; we give them guns. I’ve passed on my knowledge of nature to Ludo since he was young.”

Ludo – who says he sometimes smears himself with boar shit to creep close to his prey – seems a good man to hide behind. At midnight, after a final “savage cherry” liqueur that renders accurate shooting impossible, I climb into his battered van. Ludo makes a strangling noise, hinting at the animal’s fate, asks if I’m “ready for adventure”, and then, bar the odd grunt, doesn’t speak for two hours. I’m boar hunting with Obelix.

The former mayor is in another car, leaning out the window. His loaded shotgun rests on the wing mirror – something Boris Johnson hasn’t tried in Chiswick. Yet. We rip across country, up and down rutted tracks, occasionally zipping past village cafés where regulars sit outside sipping late-night digestifs. Grass and vines tower above the van. Every so often Ludo screeches to a stop, listens intently for evidence of wild boar mainlining grapes, grunts, and accelerates. We perform a high-speed swerve to chase a rabbit. If we hit something, death will be sudden and brutal – and the boar may be a little sore as well.

Yesterday Daniel spotted 23 sangliers, but tonight they have stage fright. Or a crystal ball. After two hours we’re still boar-less. It’s an intoxicating rush, but I have rising indigestion and falling bloodlust. We are packed off home, awaiting a dawn call should they spot one.

Late next morning I’m staring straight into the eyes of a dead sanglier. His whiskers drip pathos, his tusks retribution. Don’t fret. No wildlife was harmed in the making of this article. He was shot years ago by vigneron Jean-Pierre Mazard, and his stuffed head now decorates an atmospheric beamed room at Jean-Pierre’s winery, alongside a stuffed owl and some sepia photographs.

I am here to blend Chateau Belcher 2009. Forget straightforward wine-tasting; this is an advanced vino-experience. “It’s a science,” says Jean-Pierre, “a complex art.”

Oenotourism will be central to Les Jardins. Swaddled by the legendary Corbières wine region, the resort aims to immerse guests in its production. You can even lease a strip of vines and, helped by local farmers, make multiple visits to tend and harvest your grapes, before bottling a bespoke mini vintage.

Most of the activities are highly seasonal – November means picking and pressing olives; January is for hunting truffles – but I’m here in a quiet spell. So Jean-Pierre and wine technician Matthieu Dubernet show me how to mix my own rocket fuel from three classic Languedoc grapes harvested last year: Syrah, Grenache and Carignan. Individually, they’re unbalanced mono-wines, but together they make sweet music.

We start by sampling an acclaimed blend: Jean-Pierre’s 2004 Cuvée Annie, with its scent of cherries, olives and menthol. It’s done in a friendly, unintimidating atmosphere. You don’t have to be an expert, just find a blend you like.

We move on to the mono wines. Carignan is a bit “animaux” and Grenache is “sweeter, bigger, smoother”. But I can’t make a single intelligent observation on Syrah. “Turkish delight?” I hazard. Jean-Pierre, the 12th generation of Mazard winemakers, diplomatically raises the tone, explaining that Syrah is complex, with hints of garrigues, thyme, rosemary and blackcurrant.

Just like Turkish delight. Thank you.

Things then turn scientific, with glass measuring jars and a calculator. It’s seriously absorbing. Minor blend changes carry major clout. Cuvée Annie is 65% Syrah and 35% Carignan and Grenache. But reduce the Syrah, up the Grenache and it becomes “fruity, easy-drinking”.

It’s like playing with a gourmet chemistry kit. We reintroduce a little Syrah, apparently making it more “terroir”, but my first solo tweak turns this to “absolute pants” – my verdict, not Jean-Pierre’s – with astringent tannins. After two more changes, I’ve created Chateau Belcher: 15% Carignan, 30% Grenache, 55% Syrah. It’s declared “very drinkable” but, frankly, it’s basic polyester compared with the velvety Serres-Mazard 2004 I depart with.

Along with other activities – Les Jardins plans to start a weekly market – winemaking is part of Garrigae’s drive to champion local produce. “We want to be a locomotive for the region,” says Espada. “Local producers are passionate, but they know virtually nothing about marketing.”

This is personal. The charismatic Espada, who made his fortune through an internet start-up, is committed to promoting his home region. “I grew up 15km from here and feel a real social responsibility,” he says. “If this wasn’t good, my family would kill me.”

Kids’ activities reflect his Languedoc childhood, whether it’s pottering on the resort farm or harvesting wild figs to make jam. I sample an option you won’t find in Balham: trout tickling. It sounds like an MP’s expenses claim, and is suitably slimy. First we feel under a flat rock in the Nielle, where fish doze in the shallows. Then we sedate them by caressing their bellies, before attempting a lightning grab.

It’s glorious Enid Blyton-esque fun, but it would be a shame to leave surrounding Languedoc unexplored. I drive through a vast landscape marked by vineyards, hamlets and vertiginous switchback roads en route to the giddyingly high Cathar stronghold of Quéribus – a perfect goal for cycling masochists.

Back at Les Jardins I’m paralysed by heat and the range of activities. Perhaps I need a grapeseed oil and herb massage among the vines? Or maybe something more mainstream, like tennis? I’m contemplating whether I’m too old for the kids’ club – Circus Training with Denis la Rue followed by Smell Lotto sounds sensational – when I meet Mark and Jenny from north Lincolnshire. They stumbled across Les Jardins on the web, caught a Ryanair flight to Carcassonne, and appear happily bemused. “I never thought I’d be grouting a mosaic on my holidays,” says Jenny. “It’s quirky, but also very upmarket. ‘Holiday Village’ doesn’t do it justice – it’s far more stylish shabby-chic than most coastal resorts.”

Strangely, I also have no experience of holiday mosaic grouting. It’s tempting, but I plump for something perhaps equally bizarre: goat herding. I’m visiting Guillaume Portal, a laconic, roll-up smoking producer of award-winning cheeses. But you, or more likely your children, can help lead the goats out from the steep pastures for milking – the fuel for Guillaume’s fabulous fromage.

It’s a schizophrenic world. One minute I’m in the goat shed, with more flies than the Aussie outback, the next I’m wearing a plastic coat and shoe covers, standing in a startlingly hygienic production plant, learning about intestinal enzymes. It is, however, safe to say few people return from holiday knowing how to stimulate a mushroom crust on a three-kilogramme goat’s cheese.

Later I’m using the stuff to make Languedoc tapas. Dany from Saint-Laurent demonstrates, while her winemaker son provides translation, tasty vino and a heartfelt testimony to Les Jardins. “It has the spirit of our village,” Arnaud says. “It’s good for my generation’s future.”

That will be music to Espada’s ears. Les Jardins, Garrigae’s third opening, has attracted large regional government subsidies, and massive interest from the French press. “We really believe we’re pioneering a unique model of sustainable tourism,” he says. “This will become the norm in a few years. Who knows, maybe one day we’ll end up buying all those traditional holiday villages.”

Essentials

A one-bedroom house (sleeping two) at Les Jardins de Saint Benoît (0871 2187066; garrigaeresorts.com) costs from £145 a night (seven-night stays from £716). Larger houses available. Activities cost extra: cheesemaking and goatherding €26, trout tickling €43, wine blending €34, and a full-scale boar hunt €128. Rail Europe (0844 8484070; raileurope.co.uk) has returns to Narbonne from £105. Avis (08445 818181; avis.co.uk) offers seven days’ car hire from £242.

More ways to enjoy the best of rural France

Walking in Corcsica

There’s no better way to experience Corsica than on foot. Headwater (01606 720199; headwater.com) offers an eight-day “Contrasts of Corsica” independent walking holiday, which starts in Piana and takes in stunning coastal paths, lemon groves, pine-clad forests and mountain streams. Two nights are spent in Corte, the historic old capital in the mountainous heart of the island, famous for its spectacular citadel, which is perched precariously on a large craggy outcrop.

• From £869 in August, including five hotels, most meals, route notes and luggage transfers. Fly from Gatwick to Ajaccio in Corsica with Easyjet (easyjet.com).

Lavender Festival in Montelimar

From next Saturday, the town of Montélimar in the Rhône-Alpes region is holding its annual two-day lavender festival (montelimar-tourisme.com). There’ll be flower arranging, traditional lavender distilling, flower-decorated horse-drawn carriages and the chance to stock up on lavender byproducts, such as honey and candles.

• Fly Gatwick-Marseille with Easyjet (easyjet.com) and hire a car through Auto Europe (auto-europe.co.uk) for the 170km drive to Montélimar. For places to stay visit montelimar-tourisme.com.

A chalet in the Alps

Summer is a great time to visit an Alpine ski resort: the crowds have gone and the pistes are transformed into glorious green hills. Just France (020 8780 4463; justfrance.co.uk) offers chalet holidays throughout the French Alps. The Chalet Chavannes, just above the resort of Les Gets, sleeps six and has an open garden with a stream running through it and a large balcony with a sauna and relaxation area. Visit the adventure park and lake just 15 minutes’ walk away, and Lake Geneva and the spa towns of Evian and Thonon-les-Bains are a short drive away.

• From £784 for a seven-night stay for six people in July/August, including return ferry crossing from Dover to Calais.

Wine & canal cruise in the Loire Valley

Sample your way through the Loire Valley on Le Boat’s Wine Lovers’ Cruise (0844 463 3577; leboat.co.uk). The round-trip cruise departs from Chatillon-sur-Loire and takes in Nevers and Sancerre, where you can learn all about the region’s vineyards at the Maison des Sancerre, a 15th-century house dedicated to the art of wine-making.

• A seven-night tour for up to eight people in August costs from £2,255. Fuel costs extra. Fly to Paris with Easyjet (as before), then take the train (one-and-a-half hours) to Chatillon-sur-Loire.

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Neverland Ranch Photos

Ever since Michael Jackson passed away, we’ve been getting a lot of visitors here looking for info on Michael. That’s probably a bit surprising since this is a tech blog, but most of this is from a really old post about his Neverland Ranch address on Google Maps.
Today I noticed a LOT of those people [...]

Seve hails cup’s new deal

Golfers from Continental Europe and Great Britain and Ireland will face off against each other in Paris this September in the The Vivendi Trophy with Severiano Ballesteros at the famed Golf de Saint-Nom-la-Breteche.  Ballesteros, who was diagnosed with a brain tumor last October and has sinceGolfers from Continental Europe and Great Britain and Ireland will face off against each other in Paris this September in the The Vivendi Trophy with Severiano Ballesteros at the famed Golf de Saint-Nom-la-Breteche. Ballesteros, who was diagnosed with a brain tumor last October and has since

Paris Hilton dumps Doug Reinhardt

And she’s onto the next flavor of the month!
Paris Hilton dumped her attention-whore equivalent Doug Reinhardt.  NEXT!

Red Bee Media Opens In S’pore

Red Bee Media, an award-winning multimedia and channel management firm,
opened its Singapore office last Tuesday as part of its global expansion.

It joins its network of global offices in London, Paris, Beijing and
Sydney.

Red Bee Media, with its 40 years of expertise in digital media, works for
clients like the Discovery Channel, ESPN, Star and Virgin Media. It is a
key player in the European video on demand market, helping its clients to
distribute and promote multimedia content through a variety of platforms,
including Web-based and mobile media.

The Singapore office will offer interactive design, media management,
branding and editorial services to media players in Singapore and
throughout the region.

Mr Petri Nikula, Red Bee Media’s vice-president of business development,
will head the office in Singapore.

- Joseph Yadao