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Posts Tagged ‘Rock Stars’

Sleater Kinney’s Corin Tucker: New Album/Single/Tour

1,000 YEARS DUE OUT OCTOBER 5


1,000 Years

On October 5, 2010 Kill Rock Stars will release 1,000 Years, the debut album from The Corin Tucker Band, which
features Corin Tucker (Sleater Kinney), Sara Lund (Unwound), and Seth Lorinczi
(Golden Bears).

The band will be heading out on tour starting October 7 in Portland, OR. All dates are below. You can download
“Doubt” from 1,000
Years
here.

TOUR DATES:


10.07 – Portland, OR @ Aladdin Theater – w/ The Golden Bears
10.08 – Seattle, WA @ Showbox – w/ The Golden Bears

10.09 – Eugene, OR @ WOW Hall – w/ The Golden Bears

10.11 – San Francisco, CA @ Great American Music Hall – w/ The Golden Bears
10.13 – Los Angeles, CA @ El Rey – w/ The Golden Bears
10.23 – Hoboken, NJ @ Maxwell’s – w/ Hungry Ghost
10.24 – Northampton, MA @ Pearl Street – w/ Hungry Ghost
10.25 – Boston, MA @ Paradise Rock Club – w/ Hungry Ghost
10.26 – New York, NY @ Bowery Ballroom – w/ Hungry Ghost
10.28 – Philadelphia, PA @ First Unitarian Church – w/ Hungry Ghost
10.29 – Washington, DC @ Black Cat – w/ Hungry Ghost

The Corin Tucker Band
Tour Dates

::
The Corin Tucker Band News
::
The Corin Tucker Band
Concert
Reviews


Elliott Smith Reissues Free Unreleased Song

Elliott Smith LPs to be Reissued on KRS, Premiere Unreleased Song

Elliott Smith

Kill Rock Stars is very excited to announce that on April 6, 2010 they will be adding Elliott Smith‘s Roman Candle and From a Basement on the Hill records to their catalog.

Roman Candle is Elliott Smith’s first solo album and was originally released on Portland’s Cavity Search Records in 1994.

Roman Candle had quite an impact on Slim Moon, Kill Rock Stars’ founder: “In 1994, I had been asked to be on this five-person solo-act tour called Pop Chord with Tammy Watson, Carrie Akre, Sean Croghan and Elliott Smith. The first night at the Crocodile in Seattle, I didn’t pay too much attention and people talked all thru Elliott’s set. Sean Croghan got up next and said “all of you people who just talked through Elliott’s set are bummed because you just misssed something very very special.” The next night of the tour, at The Bottom Of The Hill in San Francisco, I listened very closely to Elliott’s set, and it was basically one of those life-changing moments. Instead of watching the rest of the performers, I went out to the tour van and popped Roman Candle into the player, and listened to it on endless repeat for the rest of the evening and beyond. It completely blew my mind. I have never heard music as heartwrenchingly, gut-checkingly honest, intimate, and wise – before or since.”


Roman Candle has been remastered for the re-release by Larry Crane, editor of Tape Op Magazine and archivist for Elliott’s family.

Larry explains, “The intention that I had was to make the album more listenable. I felt that a lot of the guitar ‘squeaks’ were jarring and very loud, and that many of the hard consonants and ‘S’ sounds were jarring and scratchy sounding. I felt by reducing these noises that the music would become more inviting and the sound would serve the songs better. When I went to Roger Seibel’s SAE Mastering, he proceeded to equalize the tracks a small amount and to make the volume slightly louder. We never tried to make this CD as loud as current, over-limited trends, but just to match the volume of the rest of Elliott’s KRS catalog in a graceful way. Please note that none of this album is ‘remixed’ from the master tapes – it is still composed of the mixes Elliott created himself.”

Kill Rock Stars will also be releasing Roman Candle on vinyl for the first time in the U.S.

From a Basement on the Hill was released posthumously in 2004 on ANTI- records.


With the addition of these two records Kill Rock Stars is now the home for all of Elliott Smith’s independent releases: Roman Candle, Elliott Smith, Either/Or, From a Basement on the Hill, and New Moon.

To celebrate the addition of these amazing records KRS are giving away a free, previously unreleased song entitled “Cecilia/Amanda.” It was recorded at Jackpot! Recording Studio in 1997 by Larry Crane. An earlier version of this song was initially written and recorded by Elliott’s high school band, Stranger Than Fiction, and was known as “Time is Ours Now.” “Cecilia/Amanda” is a reworking of that song with almost completely different lyrics. Download/listen here:

http://i.listentokrs.com/bands/elliottsmith/audio/CeciliaAmanda.mp3

Elliott Smith’s back catalog is also on sale until January 4 in KRS mail order and on iTunes.


The Shaky Hands: Album/Tour

THE SHAKY HANDS LET IT DIE OUT NOW ON KILL ROCK STARS, DECEMBER TOUR DATES ANNOUNCED

The Shaky Hands

This year begins a new chapter for Portland group The Shaky Hands. Former drummer Colin Anderson left in mid-2008, a few months before the band’s second album, Lunglight, was released to critical acclaim. Nick Delffs‘ brother Nathan covered percussion for a short stint at the end of last year, but ultimately the band wanted a stable drummer with whom they could connect.

Jake Morris, of fellow Portland band The Joggers, joined in January 2009, shortly before The Shaky Hands left for a two-week tour with The Meat Puppets. On the road, the band and Morris clicked almost immediately, and found that Morris was exactly what they wanted in a drummer and band mate. The addition of the new drummer set the wheels in the motion for The Shaky Hands to begin writing their third album; evolving their style to match the changes they’d undergone as a band.

Following the tour with The Meat Puppets, Delffs packed his bags and went to live in India for a month and a half, leaving behind his guitar and embarking on a fast from Western music. He sang in the temples and wrote lyrics for the new album, which the band had already started writing, but took the longest break he’d ever taken from playing in a band. This journey, which culminated with a 23-hour plane ride leading directly into a 37-hour drive to Austin for SXSW, altered the direction of the new record — although perhaps not in the most obvious way.

“I feel like my trip to India had a profound effect on the album,” Delffs explains. “Because I wasn’t playing music with anybody and I was having this break, I ended up thinking about it a lot, on the verge of obsessing over things. A lot of the planning and lyrics were done out there, finishing some of the songs. I was really inspired by Indian music and I feel like it changed me, but I wasn’t inspired to make it. It almost inspired me to make straight forward rock for some reason.”

Delffs launched back into the rock scene immediately, playing SXSW and touring back up to Portland. The band spent nearly two months on the road with The Thermals in spring of 2009, where they wrote and developed songs, allowing the new tracks to attain lives of their own each night. After the tour, at Morris’ recommendation, the band went into Jackpot! Studios with producer Jay Pellicci (Deerhoof, Erase Errata). There they spent ten days recording the songs they’d written and practiced, mostly in one or two takes. “It turned out to be the perfect experience for recording the album,” Delffs says. “This was the first time I really trusted someone else to produce and mix everything. We were there for ten days and somehow we made that small amount of time work out perfectly. We never labored over any performances. We really wanted to get the essence of the live band. And generally the first or second take had the most feeling and captured the song the best.”

The finished album, Let It Die, is a collection of eleven organic, impassioned rock songs that are happily unpolished and grounded. This disc is split into Side A and Side B to compliment the varying styles the songs on the record embrace. Side A collects more raucous, upbeat tracks while Side B offers hushed, mellower numbers. The standout, for Delffs, is the compelling “Allison and the Ancient Eyes,” a song he feels embodies both sides and their corresponding feelings. “We had specific little things that we agreed on and talked about a lot,” Delffs says. “We wanted it to be really bare bones and have it extremely simple. I think we all just knew the songs pretty well and how they should go. We didn’t want to over talk it.”

The Shaky Hands Tour Dates

11/12/09 Thu Dachstock Bern, SWI

11/13/09 Fri Treibhause Fest Luzern, SWI

11/14/09 Sat Swamp Club Freiberg, GER

11/15/09 Sun NBI Berlin, GER

11/16/09 Mon Molotow Hamburg, GER

11/19/09 Thu Garage Bergen, NO

11/20/09 Fri BLA Oslo, NO

11/21/09 Sat Fritz’s Corner Stockholm, SE

11/23/09 Mon Loppen Copenhagen, DK

11/26/09 Thu Tsunami Club Cologne, GER

11/27/09 Fri Le Guess Who Utrecht, NL

11/28/09 Sat Patronaat Haarlem, NL

12/08/09 Tue Mad Hatter Covington, KY

12/09/09 Wed Off Broadway St. Louis, MO

12/10/09 Thu The Conservatory Oklahoma City, OK

12/11/09 Fri Emo’s Alternative Lounge Austin, TX

12/12/09 Sat The Cavern Dallas, TX

12/14/09 Mon Rhythm Room Phoenix, AZ

12/15/09 Tue Bootleg Theater Los Angeles, CA

12/16/09 Wed Bottom of the Hill San Francisco, CA

The band’s new video for “Already Gone” can be seen here.

Praise for The Shaky Hands:

“Drowning pop compositions in jittery poly-rhythms is indie rock’s move du jour, but the Shaky Hands aren’t trendy; they make fine-boned, classic rock & roll in the Strokes’ vein.” -Pitchfork

“Prodded by clattering drums and scraping guitars, frontman Nick Delffs often sounds desperate, moaning and muttering like someone who’s torn between leaping into the abyss and clinging to hope.” -Spin