Word by: Chris Clark | Images by: Sara Chestnutt-Fry
Ana Sia/Flying Skulls/BoomBox :: 10.08 :: The Independent :: San Francisco, CA
The Flying Skulls :: 10.08 :: San Francisco |
Thursdays are the new Fridays, a housemate of mine recently informed me. Judging from the crowd at S.F.’s Independent on a recent Thursday night, this notion rings true to many Bayaliens and visitors alike. Hosting one of the most eclectic arrays of talent this fair city has to offer, on this particular week the Indi will one night boast Drive-By Truckers, the next Everclear, and the third an electro triple bill featuring Ana Sia, The Flying Skulls and BoomBox.
With the feel of a Friday night Frisco freakout, the crowd began pouring into the tiny, 450-person confines of the Indi at 9:30 and steadily increased until the packed room was a scene. Ana Sia, a Bay Area favorite for grimy, dub step filled beats, took the stage first, not a place one usually finds her. Normally with Ana, she comes out late to blow the walls off a venue with her energy filled, self-described “global slut psy-hop,” but this night saw a more reserved, mellow version of the DJ. It was fairly evident she was working out some new material, traveling through fresh soundscapes while still incorporating some of that characteristically dirty-dirty, get low.
BoomBox :: 10.08 :: San Francisco |
Without hesitation, Ana finished and The Flying Skulls picked up the room’s energy and ran with it. The digital-electro-DJ foursome of Jeff Wareham (J. Tonal), Jarvez Turnage, Jerome Forney, and Ribotto have been garnering a lot of attention as of late, performing bass-heavy, glitch-filled breaks and dub step to a rapidly expanding fan base. Highlighted by an approach that incorporates four distinct sounds into a harmonious melange, the Skulls brought the crowd to a boil early and never let off the gas. The hour or so set was sharp, well rehearsed, and near flawless. The Skulls have clearly been grinding hard, and it shows.
Going into the night, the biggest question mark was BoomBox. Consisting of two Alabama boys, Russ Randolph and Zion Rock Godchaux (yes that name is familiar for a reason), BoomBox has been enjoying some notable success throughout the South, playing for large crowds in their home and surrounding states. Utilizing the live drummer-producer formula popularized by Pretty Lights and augmenting it with live guitar, they appeal to both jamband kids and electronic heads, but don’t seem to fully grab hold of either scene fully. While some of BoomBox’s happy hued, up-tempo tracks built considerable energy, they failed to take it anywhere.
JamBase | San Francisco
Go See Live Music!


