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Posts Tagged ‘Steve Reich’

Portico Quartet: U.S. Tour, Live Video

FIRST EVER NORTH AMERICAN TOUR

UK’s Portico Quartet have
added new dates to their first ever North American tour supporting Isla (Aug 31/ Real World
Records), including stops in Cambridge, MA, Kent, OH, and Montreal. See below.

More dates are soon to be announced.

Portico Quartet U.S. Tour:

Sept 22 – Minneapolis, MN @ Cedar Cultural Center
Sept 24 – Cedar Rapids, IA @ CSPS
Sept 25 – Chicago, IL @ World Music Festival

Sept 27 – Kent, OH @ Kent Stage

Sept 28 – New York, NY @ Joe’s Pub
Sept 30 – Philadelphia, PA @ World Cafe Live
Oct 1 – Cambridge, MA – Lily Pad
Oct 2 – Montreal, QC – L’Astral

Watch the live footage below of Portico Quartet performing “Line” on ‘Band on the Wall’ in Manchester to see their
“Steve Reich mathematics, Radiohead dread, African desert grooves and ECM northern melancholy” (MOJO)
in action.

Portico Quartet
Tour Dates

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Portico Quartet News ::
Portico Quartet
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Reviews


Shpongle U.S Tour Dates

SHPONGLE ANNOUNCE U.S. TOUR DATES FOR APRIL/MAY

Shpongle

Having recently released their long-awaited and much anticipated fourth studio album, Ineffable Mysteries from Shpongleland, the U.K.-based DJ/Producer Simon Posford (who, together with Raja Ram on flute, makes up Shpongle) will tour the United States from coast to coast this April and May, making stops in all four corners of the country along the way.

With the release of this album and subsequent tour, the internationally acclaimed electronica project have returned from what many fans feared was a void after the release of their third album in the summer of 2005. Posford, the producer, multi-instrumentalist and driving force behind Shpongle’s exploratory odyssey and sonic oddity, will delight fans new and old with tonal textures that break boundaries of convention while at the same time harnessing the primal energy of sound. Coupled with the richly evocative flute musings of Ram, the Shpongle experience is one of both worldly and otherworldly roots.

Ineffable Mysteries from Shpongleland contains languages of harmonic and melodic construction that long-time fans will know and love, while taking massive leaps forward in terms of production techniques, structure and direction. With influences drawn from Steve Reich to Big Brother TV shows and beyond, Shpongle continues to evolve and inspire. All out Shpongle-mania has ensued for this album’s release, clearly demonstrated in October when the London launch party sold out and a second night had to be added.

For portions of this tour, Shpongle will be accompanied by a smorgasbord of artists including fellow Twisted Records alumni, Prometheus (Benji Vaughan, who, together with Posford constitute the group, Younger Brother) and world-renowned digital media artists VJ Zebbler and ArcheDream for Humankind, an international theater company that merges ancient ritual with modern technology to unite, uplift and empower. The experience is sure to enchant audiences with a visceral dance of psychedelic sensory information that can only be described as “…a strange hybrid of electronic manipulation and shamanic midgets with frozen digits squeezing the envelope and crawling through the doors of perceptionÂ…”

Shpongle Tour Dates

04/13/10 Charleston Pour House Charleston, SC

04/14/10 New Earth Music Hall Athens, GA

04/15/10 The Vallarium Knoxville, TN

04/16/10 Limelight Nashville, TN

04/17/10 The Fillmore New York, NY

04/20/10 The Granada Lawrence, KS

04/21/10 Bourbon Theater Lincoln, NB

04/22/10 Aggie Theater Fort Collins, CO

04/23/10 The Fox Theatre Boulder, CO

04/24/10 The Fox Theatre Boulder, CO

04/28/10 The Roxy Theatre Los Angeles, CA

04/29/10 Arcata Theatre and Lounge Arcata, CA

04/30/10 The Regency Ballroom San Francisco, CA

05/01/10 La Zona Rosa Austin, TX

05/02/10 Trees Dallas, TX

05/05/10 Pantages Theater Minneapolis, MN

05/06/10 Kinetic Playground Chicago, IL

05/07/10 Crystal Ballroom Portland, OR

05/08/10 Showbox Seattle, WA


Pat Metheny: New Album, Tour

PAT METHENY’S ORCHESTRION TO BE RELEASED JANUARY 26, 2010
2010 U.S. TOUR DATES ADDED

Pat Metheny

Seventeen-time Grammy Award-winner Pat Metheny once again explores new territory with his forthcoming project, Orchestrion. Following the album’s January 26, 2010 release on Nonesuch Records (February 9 on vinyl), the genre-shattering guitarist/composer will embark on an extensive solo tour, performing in arts centers and concert halls nationwide.

Orchestrion brings a musical idea from the late 19th and early 20th centuries — a large mechanical multi-instrument device that utilizes actual orchestral instruments of various types, called an “orchestrion” — to the technologies of today. Metheny’s concept includes a large ensemble of acoustic instruments — including several pianos, drum kit, marimbas, “guitar-bots,” dozens of percussion instruments, and even cabinets of carefully tuned bottles. Through Metheny’s guitar and compositional mind, five new original pieces showcase the instruments as they are struck, plucked, and otherwise played via the technology of solenoid switches and pneumatics. Metheny worked for months with a brilliant team of scientists and engineers to develop and assemble the New Orchestrion for this project.

“As the instruments started to trickle in from the various inventors,” Metheny says, “the experience of writing for them and figuring out what might be possible with them provided a self-imposed challenge that proved to be difficult and time-consuming, but absolutely exhilarating. I am excited to share this project. If nothing else, this has turned out to be something unique. And in the process of developing all this music and these instruments and discovering what they can do and what they are good at, I learned so much. It feels like progress and has gotten some notes out of me that I didn’t know were there. But the surprise was just how far I was able to go with it all. Within this new environment, I found something in there that took me to some new places.”

A limited-edition poster signed by Metheny is available now with Orchestrion CD or LP pre-orders, exclusively at the Nonesuch site to the first 500 customers. As always, CDs and LPs ordered from the Nonesuch Store include audiophile-quality (320 kbps) MP3s at no additional cost, available for download on release day.

Over the course of more than three decades Metheny has set himself apart from the jazz mainstream, expanding and blurring boundaries and musical styles. His record-setting body of work includes seventeen Grammy Awards in twelve separate categories; a series of influential trio recordings; award winning solo albums; scores for hit Hollywood motion pictures; and collaborations and duets with major artists such as Ornette Coleman, Steve Reich, Charlie Haden, Brad Mehldau, and many others. His band, the Pat Metheny Group, founded in 1977, is the only ensemble in history to win Grammys for seven consecutive releases.

Pat Metheny North American Tour Dates

04/06/10 Tue Lyell B Clay Concert Theatre Morgantown, WV

04/07/10 Wed UNC Chapel Hill Chapel Hill, NC

04/08/10 Thu Robert Ferst Center for the Arts Atlanta, GA

04/09/10 Fri Ruth Eckerd Hall Clearwater, FL

04/10/10 Sat The Fillmore Miami Beach at The Jackie Gleason Theater Miami Beach, FL

04/11/10 Sun Phillips Center for the Performing Arts Gainesville, FL

04/13/10 Tue Nokia Theatre Grand Prairie, TX

04/14/10 Wed Paramount Theatre Austin, TX

04/16/10 Fri Lensic Performing Arts Center Santa Fe, NM

04/17/10 Sat Mesa Arts Center – Ikeda Theater Mesa, AZ

04/18/10 Sun Rialto Theatre Tucson, AZ

04/19/10 Mon Walt Disney Concert Hall Los Angeles, CA

04/20/10 Tue Campbell Hall Santa Barbara, CA

04/21/10 Wed Spreckels Theater San Diego, CA

04/23/10 Fri Grand Sierra Theatre (Reno Hilton) Reno, NV

04/24/10 Sat Zellerbach Auditorium Berkeley, CA

04/25/10 Sun Napa Valley Opera House Napa, CA

04/26/10 Mon Civic Auditorium Santa Cruz, CA

04/28/10 Wed Aladdin Theater Portland, OR

04/29/10 Thu Washington Center for the Performing Arts Olympia, WA

04/30/10 Fri Meany Hall Seattle, WA

05/01/10 Sat The Centre in Vancouver for Performing Arts Vancouver, BC

05/02/10 Sun Hult Center Eugene, OR

05/04/10 Tue Kingsbury Hall Salt Lake City, UT

05/05/10 Wed Paramount Theatre Denver, CO

05/07/10 Fri Uptown Theater Kansas City, MO

05/08/10 Sat Touhill Performing Arts Center St. Louis, MO

05/09/10 Sun Fitzgerald Theater Saint Paul, MN

05/10/10 Mon Symphony Center Chicago, IL

05/12/10 Wed Taft Theatre Cincinnati, OH

05/13/10 Thu Massey Hall Toronto, ON

05/14/10 Fri Music Hall Center for the Arts Detroit, MI

05/15/10 Sat Lorain Palace Civic Center Lorain, OH

05/16/10 Sun Bardavon 1869 Opera House Poughkeepsie, NY
05/18/10 Tue Keswick Theatre Glenside, PA
05/19/10 Wed Strathmore North Bethesda, MD

05/20/10 Thu Orpheum Theatre Boston, MA

05/21/10 Fri Town Hall New York, NY

05/22/10 Sat Town Hall New York, NY

Complete Pat Metheny tour dates available here.


The Feelies: Crazy Rhythms

By: Ron Hart

Straight outta Haledon, NJ, The Feelies were the complete antithesis of cool back when they officially formed during the year punk broke (1976, kids). Named after a deep reference from Aldous Huxley’s Brave New World and dressed like the kids who ran the math club in high school, this quartet of North Jersey suburbanites were the outsiders amongst the outsiders of the NYC underground during the late ’70s. They hated gigging in the city because driving through the tunnels gave them headaches, drank coffee the way Jimmy Page downed Jack Daniels before shows, and were known to shave onstage with electric razors plugged into their amplifiers.

But once co-frontmen Glenn Mercer and Bill Million switched on their guitars as the terse, tight rhythm section of bassist Keith Clayton and one-time Pere Ubu/Electric Eels drummer Anton Fier kicked in their boxcutter-sharp, jittery grooves, The Feelies were an unstoppable force. Their sound was pure minimalism, taking the repetitive patterns of such modern classical composers as Terry Riley and Steve Reich and compounding it with a Bo Diddley groove stripped down to the studs a la the Velvet Underground, creating a sonic style as unique as their image. Originally released in 1980 on the UK-based Stiff Records, the group’s debut, Crazy Rhythms, is only LP to feature to Mercer/Million/Clayton/Fier lineup and remains one of the all-time great albums from the New Wave era. Now, after years of being out of print after the album’s U.S. label, A&M Records, got sucked up by the Universal Records machine, Crazy Rhythms is available once again for a whole new generation to enjoy its quirky genius thanks to Individuals frontman Glenn Morrow’s Bar-None imprint out of Hoboken, NJ, home of The Feelies’ favorite haunt, Maxwell’s.

Remastered and repackaged in a very cool slimline digipak (this is key, as the album’s cover art featuring headshots of the original members of The Feelies against a sky blue backdrop is one of the main selling points – just ask Weezer, who paid homage via the cover of their 1994 debut), the CD and LP of Crazy Rhythms only features the original 9 tracks – which includes such favorites as “The Boy With The Perpetual Nervousness”, “Fa ce-La,” and their scorching cover of The Beatles’ White Album rocker “Everybody’s Got Something to Hide Except for Me and My Monkey” – at the request of the band in order to maintain the integrity of the album’s initial issue. However, the CD does include a download card that features five bonus tracks, including the original Rough Trade 7-inch single version of “Fa ce-La,” demo versions of “The Boy With The Perpetual Nervousness” and “Moscow Nights,” and live renditions of the title track and a cover of the Modern Lovers’ “I Wanna Sleep In Your Arms” from a March 2009 show at the 9:30 Club in Washington, DC.

Also released in tandem with Crazy Rhythms is its equally-indispensible 1986 follow-up, The Good Earth, produced by Peter Buck of R.E.M. and one of the true cornerstones of that jangly, college rock sound we all love so much.

JamBase | Jersey
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The indie kid’s guide to classical

Chopin has made it on to Radio 1, courtesy of Muse’s latest hit United States of Eurasia. But don’t stop there,
kids: here’s where you and your iPod should venture next

Kids up and down the country are tuning in to Radio 1 and scratching their heads. What’s that weird, long piano section doing at the end of Muse’s new Bohemian Rhapsody-esque single, United States of Eurasia. Isn’t that (whisper it) . . . classical music? Being played on the nation’s favourite youth station? That’s right, kids, it’s Chopin’s Nocturne in E-flat major, Op 9 No 2 to be precise. So now, for all you puzzled young ‘uns out there, here’s how to get in to that classical music vibe . . .

How do you listen?

What you need to do is close the curtains, take your clothes off, lie face down with your teeth sunk deep into the carpet. Then get your butler to sprinkle your buttocks with rose petals and put on the 16-plus hours of Wagner’s operatic tetralogy, The Ring, before he retreats, locking the door on you, until the bloody ordeal is over. Not really: what you need is peace, quiet and concentration.

What am I supposed to be listening for?

Radio 3 helps here. It offers two great entry points to classical music. On Discovering Music (Sunday teatime), leading conductors take you passage by passage through a whole work, explaining what the composer was trying to achieve and what you might enjoy. In Building a Library (Saturday mornings), a critic anatomises different recordings of the same work in a manner that switches between the hilariously pernickety and the genuinely instructive – you can even download it as a weekly podcast.

What should I avoid?

For the time being, avoid anything labelled Salford Toccata by Harrison Birtwistle, explosante fixe . . . by Pierre Boulez, Helikopter-Streichquartett by Karlheinz Stockhausen. Stuff by Alban Berg, Arnold Schoenberg and Olivier Messiaen might well have you calling 999 and shouting hysterically “Fire in the pet shop! Fire in the pet shop!”

What should I try?

Download Thomas Tallis’s Spem in Alium and, if you have functioning ears, prepare to weep. It is a 10-plus minute, 40-part motet written in the late 16th century: a wall of sound more overwhelming than anything in Phil Spector’s philosophy.

Liked that. Now what?

David Mellor is, as we know, wrong about everything, but the name of his Classic FM show, “If you liked that, you’ll like this”, is helpful here. If you liked the Chopin on Muse’s single, then listen to some more Chopin music – say Martha Argerich’s 1965 concert of his sonatas, mazurkas and nocturnes. Or try the andantino from Schubert’s sonata in A – it’s what Isaiah Berlin insisted be played at his funeral. If you like Roy Orbison, Terence Trent d’Arby or – though you really shouldn’t – James Morrison, then you might well like lieder. Lieder is German for songs – helpfully as short as anything on Chris Moyles’s playlist, but more heartfelt than anything that comes from his mouth. Try some lieder cycles: Schubert’s Winterreise or Schumann’s Dichterliebe will shatter your heart. If you like Kraftwerk, you’ll probably dig minimalist music: try Steve Reich’s Music for 18 Musicians or his Different Trains.

Any chance I’ve heard any of this classical stuff before?

Remember Torvill and Dean hurling each other across the ice? Perhaps you weren’t even a twinkle in your dad’s eye then, but if you were, you might enjoy realising that that stuff they were skating to was Ravel’s Bolero and you’d get a kick listening to it properly. And then there was Wagner’s Ride of the Valkyries used when Robert Duvall napalmed Vietnam.

Symphonies – they go on and freaking on. Help me over this experiential hump.

Don’t try (yet) the forbiddingly sculptured hours of Bruckner’s symphonies. Plump instead for Beethoven. You’ll know the opening to his fifth (“Da-Da-Da-Dah”) but stick around for its second movement which, if you have heartstrings, will pluck them mercilessly. If you don’t find the first movement of his sixth the perfect accompaniment to a summer walk in the country, then look into my eyes as I give you the frowning of a lifetime. For those of you whose attention spans have been ruined by daytime telly, Haydn symphonies (try his No 94th, the so-called”Surprise”) are often obligingly short.

Five downloads to getyou started

Schubert: the Trout Quintet

Bach: Brandenburg Concertos

Mozart: Clarinet Concerto

Beethoven: Symphony No 9

Puccini: Madame Butterfly

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