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Posts Tagged ‘The Way’

The Grateful Dead: Winterland, June 1977

THE DEAD SATISFY THE SAN FRAN FAITHFUL

Winterland, June 1977: The Complete Recordings Spotlights the Grateful Dead’s
Transcendent Three-Night Run in a Nine-Disc Boxed Set Remastered in HDCD

The Grateful Dead rolled into San Francisco riding a long streak of hot-damn shows during the spring of 1977, a legendary road trip that many Deadheads agree was a tour for the ages. The band didn’t disappoint the hometown faithful when it took to the stage June 7-9 at Winterland Arena – the Dead’s spiritual home – for one of the group’s most beloved hometown runs. As veteran Dead archivist David Lemieux puts it, “A lot of Deadheads say ’77 is their favorite year. And of these shows, the first night is a Top 15, the second is a Top 10, and the third is a Top 3.”

WINTERLAND, JUNE 1977: THE COMPLETE RECORDINGS packs every note from those three transcendent nights into nine discs that encompass what might be some of the greatest live Dead ever. A worthy successor to last year’s extraordinary Winterland 1973 collection, this set surges and sighs with the inspired sound of rock’s most unpredictable dance band hard at work, in peak communion.

WINTERLAND, JUNE 1977 is presented in HDCD, mastered from the original soundboard reels and enhanced using cutting-edge audio engineering technology including Plangent Processes’ state-of-the-art audio-time alignment procedure. Handsomely packaged in a custom archival box, the set contains 68 previously unreleased tracks as well as an extensive, full-color booklet featuring rare photos, a thoughtful essay by Rolling Stone senior editor and Winterland veteran David Fricke, and a few other surprise goodies.

On sale now exclusively from www.dead.net for $99.99, WINTERLAND, JUNE 1977 will be shipped by the end of September. Fans who order the set before then will also receive an exclusive bonus disc featuring more than an hour of unreleased music recorded live May 12, 1977 at Chicago’s Auditorium Theatre.

At the time of these recordings, the band included guitarist Jerry Garcia, singer Donna Jean Godchaux, keyboardist Keith Godchaux, drummers Mickey Hart and Bill Kreutzmann, bassist Phil Lesh, and guitarist Bob Weir.

WINTERLAND, JUNE 1977: THE COMPLETE RECORDINGS

Track Listing

Disc 1: 6/7/77

1. “Bertha”

2. “Jack Straw”

3. “Tennessee Jed”

4. “Looks Like Rain”

5. “Peggy-O”

6. “Funniculi Funnicula”

7. “El Paso”

8. “Friend Of The Devil”

9. “The Music Never Stopped”

Disc 2: 6/7/77

1. “Scarlet Begonias”

2. “Fire On The Mountain”

3. “Good Lovin’”

4. “Candyman”

5. “Estimated Prophet”

6. “He’s Gone”

7. “Drums”

Disc 3: 6/7/77

1. “Samson And Delilah”

2. “Terrapin Station”

3. “Morning Dew”

4. “Around And Around”

5. “Uncle John’s Band”

6. “U.S. Blues”

Disc 4: 6/8/77

1. “New Minglewood Blues”

2. “Sugaree”

3. “Mexicali Blues”

4. “Row Jimmy”

5. “Passenger”

6. “Sunrise”

7. “Brown-Eyed Women”

8. “It’s All Over Now”

9. “Jack-A-Roe”

10. “Lazy Lightning”

11. “Supplication”

Disc 5: 6/8/77

1. “Bertha”

2. “Good Lovin’”

3. “Ramble On Rose”

4. “Estimated Prophet”

5. “Eyes Of The World”

6. “Drums”

Disc 6: 6/8/77

1. “The Other One”

2. “Wharf Rat”

3. “Not Fade Away”

4. “Goin’ Down The Road Feeling Bad”

5. “Johnny B. Goode”

6. “Brokedown Palace”

Disc 7: 6/9/77

1. “Mississippi Half-Step Uptown Toodeloo”

2. “Jack Straw”

3. “They Love Each Other”

4. “Cassidy”

5. “Sunrise”

6. “Deal”

7. “Looks Like Rain”

8. “Loser”

9. “The Music Never Stopped”

Disc 8: 6/9/77

1. “Samson And Delilah”

2. “Funniculi Funnicula”

3. “Help On The Way”

4. “Slipknot!”

5. “Franklin’s Tower”

Disc 9: 6/9/77

1. “Estimated Prophet”

2. “St. Stephen”

3. “Not Fade Away”

4. “Drums”

5. “St. Stephen”

6. “Terrapin Station”

7. “Sugar Magnolia”

8. “U.S. Blues”

9. “One More Saturday Night”

Dead.net Bonus Disc

Auditorium Theatre — Chicago — 5/12/1977

1. “Mississippi Half-Step Uptown Toodeloo”

2. “Dancing In The Street”

3. “Terrapin Station”

4. “Playing In The Band”

5. “Drums”

6. “Not Fade Away”

7. “Comes A Time”

8. “Playing In The Band”


Devendra Banhart: New Album

DEVENDRA BANHART SET TO RELEASE WHAT WE WILL BE ON WARNER BROS. RECORDS


Devendra Banhart

Devendra Banhart exploded on the international music scene in 2002 quickly winning a coterie of devoted fans as well as an unusually hefty amount of critical kudos right from the outset. His latest release is What Will We Be, recorded in a sleepy Northern California town throughout the Spring of 2009 co-produced by Devendra and Paul Butler (from U.K. outfit Band Of Bees). The international media’s acclaim and the size of his audience both at home and abroad earned by his debut Oh Me Oh My The Way The Day Goes By The Sun Is Setting Dogs Are Dreaming Lovesongs Of The Christmas Spirit was impressive to begin with and has increased dramatically with each subsequent release. What Will We Be is his label debut for Warner Brothers Records.

The basic recording lineup – with Banhart on vocals and guitar; Noah Georgeson (producer of Banhart’s last two albums, Little Joy, Bert Jansch and Joanna Newsom) on guitar and backing vocals, Greg Rogove (Priestbird) on drums and backing vocals; Luckey Remington (The Pleased) on bass and vocals and Rodrigo Amarante (Los Hermanos, Little Joy) on guitar and backing vocals – also included all the musicians involved played a part in arranging the songs recorded.

What Will We Be has a sunny, breezy feel with performances that evoke warm, lazy afternoons spent with good friends. The album is dominated by powerfully melodic, mid-tempo numbers played with relaxed expertise. But there’s also ambitious stylistic range displayed with the inclusion of evanescent ballads like “Meet Me At Lookout Point,” the epic riff-rocker “Rats” sprightly R&B flavored groovers on “Baby,” and the sultry Latin-flavored stunner “Brindo,” the Roxy-inspired “16th & Valencia, Roxy Music” among other pleasant surprises.

This is the second album Banhart has recorded with the same crew of players and all involved sound thoroughly comfortable, familiar and in synch with one another. It’s accomplished, focused and straightforwardly handsome. Where Smokey Rolls Down Thunder Canyon sounded like friends brainstorming, sharing off-beat ideas and licks, What Will We Be sees them first and foremost addressing the particular needs of each individual composition. The vocal arrangements are noticeably more intricate yet crystalline with lush harmonies running through many of these numbers. The instrumental performances are still relaxed but very much on target.


Bruce Wilson: Ensign Church Head Endorsed Sex-With-Succubus Economic Theory

The head of Ensign’s church, pastor Jack Hayford, has proposed the Japanese emperor’s alleged sexual intercourse with a “sky goddess” drove down Japanese stock market prices during the early 1990′s.

John Zogby: Interactive Polling Gains Wide Acceptance

acceptance of the Internet is deeper than just news. In the same survey, fully 14 percent said that, as a national priority, universal access to the Internet is more important than universal access to healthcare.

Jon Robin Baitz: It’s Hard to Be an American

Who amongst us can say we’re actually doing the hard work of being an American?

Mike Ragogna: HuffPost Video Premiere: Manchester Orchestra “The River” plus Matthew Sweet & Susanna Hoffs Under The Covers Vol. 2

The Huffington Post debuts “The River,” Manchester Orchestra’s last of eleven videos associated with the band’s album Mean Everything To Nothing. “The River” is the…