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Loyalty prices

By Jon Donnison
BBC News, Washington

Man cramming a hot dog into his mouth

Americans famously eat a lot and are renowned for being among the biggest food consumers in the world.

On 4 July a man broke the world record for hot dog consumption – 68 dogs in 10 minutes, which works out at something like 1,000 calories a minute

But as far as costs are concerned for both the indulgent, and for the more regular consumer, prices seem to have fallen sharply in the past year.

For the last 12 months, the BBC has been monitoring prices at one Safeway supermarket in central Washington.

We look at the price of potatoes, eggs, meat, bread and milk, and we found that at this shop, at least, prices of these goods fell on average by 17% in the past year.

This is of course only one supermarket in one US city, but US government figures from the Department of Labour also show a drop in food prices over the past year nationwide.

Supermarket pressure

One explanation could be that millions of Americans have lost their jobs in the last year because of the recession, so they have less money and supermarkets are having to try a bit harder to entice their customers in.

TAKING THE PULSE OF THE GLOBAL ECONOMY

  • The BBC is Taking the Pulse of the Global Economy, looking at a range of subjects this summer
  • Food prices – which remain a concern particularly in many developing economies
  • Highly volatile energy prices – which have been a major issue in the past year
  • The plight of migrant workers – as the global recession takes hold in many economies
  • Housing markets – which have turned from boom to bust in many countries
  • Rising unemployment levels – as firms cut back because of falling orders

BBC World Food Price Index

Taking the pulse explained

That is certainly the case as far as stallholder Tom Calamaris is concerned.

He runs a small fruit and vegetable stall at Eastern Market in Washington DC and says his business is really being squeezed by the big supermarkets bringing prices down – something he has not been able to afford to do.

"I just can’t do that," he says, "I know a lot of the big businesses can because they make millions of dollars."

Admitting he cannot compete, he warns, "Mama and Pop businesses go out of business because the big businesses swallow them up."

Like Tom, many shoppers are also facing tough economic times at the moment.

That might be one reason why it is difficult to find anyone who has noticed making any great savings in the past year, despite the apparent drop in food prices shown in the BBC research..

Click here for more from BBC World Service on Taking the Pulse of the Global Economy
</p


This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.

Loyalty prices

By Jon Donnison
BBC News, Washington

Man cramming a hot dog into his mouth

Americans famously eat a lot and are renowned for being among the biggest food consumers in the world.

On 4 July a man broke the world record for hot dog consumption – 68 dogs in 10 minutes, which works out at something like 1,000 calories a minute

But as far as costs are concerned for both the indulgent, and for the more regular consumer, prices seem to have fallen sharply in the past year.

For the last 12 months, the BBC has been monitoring prices at one Safeway supermarket in central Washington.

We look at the price of potatoes, eggs, meat, bread and milk, and we found that at this shop, at least, prices of these goods fell on average by 17% in the past year.

This is of course only one supermarket in one US city, but US government figures from the Department of Labour also show a drop in food prices over the past year nationwide.

Supermarket pressure

One explanation could be that millions of Americans have lost their jobs in the last year because of the recession, so they have less money and supermarkets are having to try a bit harder to entice their customers in.

TAKING THE PULSE OF THE GLOBAL ECONOMY

  • The BBC is Taking the Pulse of the Global Economy, looking at a range of subjects this summer
  • Food prices – which remain a concern particularly in many developing economies
  • Highly volatile energy prices – which have been a major issue in the past year
  • The plight of migrant workers – as the global recession takes hold in many economies
  • Housing markets – which have turned from boom to bust in many countries
  • Rising unemployment levels – as firms cut back because of falling orders

BBC World Food Price Index

Taking the pulse explained

That is certainly the case as far as stallholder Tom Calamaris is concerned.

He runs a small fruit and vegetable stall at Eastern Market in Washington DC and says his business is really being squeezed by the big supermarkets bringing prices down – something he has not been able to afford to do.

"I just can’t do that," he says, "I know a lot of the big businesses can because they make millions of dollars."

Admitting he cannot compete, he warns, "Mama and Pop businesses go out of business because the big businesses swallow them up."

Like Tom, many shoppers are also facing tough economic times at the moment.

That might be one reason why it is difficult to find anyone who has noticed making any great savings in the past year, despite the apparent drop in food prices shown in the BBC research..

Click here for more from BBC World Service on Taking the Pulse of the Global Economy
</p


This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.

Miley Cyrus gives acting tips to Tom Cruise’s son Connor

Miley Cyrus has been handing out acting tips to Tom Cruise and Nicole Kidman’’s son Connor.
The teenager made his film debut with the movie Seven Pounds, starring as Will Smith’’s character as a young boy last year.
And the 14-year-old was said to be keen on pushing his career in Hollywood further, and apparently “job-shadowed” [...]

Tom Gilroy: Sessions’ Hate Speech

The point of putting a ‘racially insensitive’ white man up to question a Latina has nothing to do with bad GOP planning and everything to do with intimidation.

Tom Hayden: Obama vs. Clinton on Honduras?

Apparent differences between Barack Obama and Hillary Clinton are threatening to confuse American policy towards the coup in Honduras.

Emma Watson had crush on Harry Potter co-star Tom Felton

Harry Potter star Emma Watson has confessed that she never had feelings for Danielle Radcliffe or Rupert Grint, instead she had a crush on Tom Felton, who plays Draco Malfoy in the wizard films.
“I have to confess, I had a bit of a crush on Tom Felton in the earlier films, but never on Daniel [...]

Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Marshall Fine: Movie review: (500) Days of Summer

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Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Welcome to Berlin’s squat scene

Derelict buildings are reopening as ‘living projects’, offering everything from cheap food and parties to classical concerts. By Molly Gunn

One of the quirks I’ve noticed since moving to Berlin is the squats dotted about the city. In London, where I’m from, you don’t see squats much. You might read about them in the paper – a bunch of rich kids who’ve squatted on Billionaires’ Row, or an old man who has squatted for 50 years undetected – but that’s about it. In Berlin, squats are visible from the street. They’re the apartment buildings with colourfully decorated exteriors and posters covering the walls of the ground floor. The plaster could be peeling, there may be flags hanging from the balconies and loud music coming from inside. They stand out from the other apartment blocks because of their unkemptness and, as such, they don’t look too inviting.

So when a German graphic designer friend told me that many of these squats offer food, film nights and gigs to paying guests, I was intrigued. Sarah explained: “I used to pop in for VoKü at a squat near my office in Kreuzberg. Unfortunately, it has now been closed down, but it did the best lunches. Everybody was friendly and the food was delicious and cheap.” VoKü is when squats open their doors to the community and offer food at affordable prices; it is short for Volksküche, meaning “people’s kitchen”. This concept is so established that there is an online list (see below) with details of when and where VoKüs take place. It’s an extensive list, too, with eight or so meals taking place in Berlin daily.

The idea sounds so welcoming that it would be rude not to experience it first-hand. So the following Sunday, at 7pm, my husband Tom and I head for VoKü at Zielona Gora, a rainbow-painted building on leafy Boxhagener Platz in Friedrichshain – a neighbourhood in former East Berlin. As we approach, we see a mass of leather-clad punks spilling from a large table on the pavement. They’re eating, chatting and laughing, and hardly notice us as we clamber over their dogs lying in the doorway.

Inside, it looks nothing like I would have imagined. Less squat, more student union cafe. The large square room has tables around the edge and a queue snaking into it, the walls are plastered with photocopied newspaper articles and there is French folky music playing. The food smells good and we join the queue. The atmosphere is buzzy and there is an eclectic crowd: intellectual-looking students, Australian backpackers, a few punks, hippyish couples, crusties playing table football, and a bloke who looks like Thierry Henry asleep in an armchair.

All my preconceptions of what a squat might be like fly out the window; it is clean, unthreatening and has a community feel – the newspaper clippings are all about anti-capitalist marches, people’s festivals and demonstrations, and there is a poster for an event the following night where a gay footballer is giving a talk on prejudice within the game.

After queuing for 10 minutes we reach a bar area, where food is being served from a vat by a bespectacled woman. I salivate as she dishes up two platefuls of steaming vegan Thai curry, rice and a large homemade spring roll. She doesn’t skimp on portions, so I’m more than surprised to discover our dinner for two, including beer, comes to just €5. The food is tasty and plentiful. No wonder the place is packed. I’ve eaten much worse dinners in restaurants for more money, and I am thrilled with the discovery of such recession-busting holiday food in such an interesting venue. I’m not the only one.

On the way out, I talk to a lip-pierced Australian called Alex. “I’m backpacking through Europe and heard about VoKü from a mate,” he says. “It was like an urban legend so I was surprised when it actually existed. I’ve tried out a few in Berlin and this is my favourite.”

Buoyed by the success of this meal, I attempt to take Tom on another dinner date a couple of nights later, this time to a squat called Supamolly, also in Friedrichshain. I’ve spotted posters advertising gigs at Supamolly and have been keen to check it out for a while (the name appeals to me for obvious reasons). Initially, I’m not sure we have the right address as the exterior – though decorated – looks very neat, with newish metal balconies featuring well-tended plants.

We head into the ground floor bar, which is dimly lit and stretches back into the building. Rage Against the Machine are playing, scaffolding poles stretch artily across the well-stocked bar area, there are murals on the walls, and 10 or so tables, with drinkers dotted about. It’s like any other grungy bar and Tom and I order drinks. There is no food though. Maia, the twentysomething barwoman, tells us Supamolly hasn’t done VoKü since its chef left a year ago, but it does host gigs and parties in the basement, along with talks and puppet shows.

Maia’s English is great, so we invite her over for a drink and learn more about squat life in Berlin, although she balks at the use of the word squat. “We used to be a squat, but now we technically own the building so it is more like a ‘living project’.”

Maia has lived at Supamolly for five years, and worked there for 10. “This was the first squat in Berlin and we’re legendary,” she says. “The building was taken over by our ‘first generation’ after the wall came down in 1989. It had been left empty by people fleeing the East, and so a group of 20 West Berliners came and squatted. The building was in disrepair, as was much of the East, so the government said we could have it in exchange for renovating.”

These days Supamolly is into its “third generation”, and is inhabited by 50 people, including OAPs and children. Everyone contributes to the day-to-day running, and they hold group meetings and vote on matters ranging from the building’s heating to the gig schedules. It is so organised that you have to fill in an application form and join a waiting list to live there.

Maia says Supamolly is like a commune, but without any nakedness. “The idea of VoKü and events at living projects/squats is to bring a sense of community, as well as helping poorer people – like gypsies or travellers. Although a lot of tourists visit too: we have people coming to our gigs from all over the world, surprised that Supamolly is still here. Lots of Italians come to see our bands.”

Forthcoming events at Supamolly include a Star Trek puppet show for children, and a night called the Poopsey Club, for which guests are encouraged to dress up as Edie Sedgwick, Andy Warhol’s muse. “Some people think that we’re selling out – by hosting events like this, or smartening up the building – but we have to evolve to survive and move with the times.”

Another squat that has evolved in this way is Tacheles in Mitte, also known as “the art squat”. It has bar, gallery, restaurant and cinema, helping it to attract more than 300,000 tourists a year.

Like Supamolly, Tacheles and many of Berlin’s other squats started life when the Wall came down and Easterners fled crumbling buildings. The city was in chaos, and during the 80s there were plenty of clashes between squatters and police. Twenty years on, there are comparatively few left, which is all the more reason to visit, not only for dinner or to catch a film, but for a truly inspiring experience.

The squat directory

Supamolly For gigs, parties and events – see website for details. 41 Jessner Strasse; 00 49 30 2900 7294; supamolly.de

Zielona Gora
VoKü brunch on Saturdays, midday. Vegan VoKü dinner on Sundays, 7pm. 73 Grünberger Strasse; 00 49 30 292 2471

Sama-café
Cinema on Mondays and Wednesdays, 10.30pm. Vegetarian VoKü Monday-Friday, 10pm. 32 Samariter Strasse; 00 49 30 7477 5765; sama32.squat.net

Rote Insel
Great stone-baked pizza on Fridays, 9pm. 10 Manstein Strasse

Tacheles
Films, art events and general goings on 54-56 Oranienburger Strasse; 00 49 30 282 6185; super.tacheles.de/cms

For list of other VoKüs and squat contact details: stressfaktor.squat.net/vokue.php?day=all

Getting there
Easyjet (easyjet.com) flies to Berlin from Bristol, Glasgow, Liverpool, Gatwick and Luton; Ryanair (ryanair.com) from East Midlands, Edinburgh and Stansted. Travelling by train from London costs £149 on the sleeper via Paris (12 hours 30 mins). Book at 0844 848 4070; raileurope.co.uk

guardian.co.uk © Guardian News & Media Limited 2009 | Use of this content is subject to our Terms & Conditions | More Feeds


Tom Gregory: My opinion: Michael Jackson’s Grave (VIDEO)

Michael Jackson’s life has always been a contradiction of outlandish oddity and pinpoint perfection. Now in death, with the unknown location of his body, the…

Clarke & North make England toil

First Ashes Test, Cardiff (day three, stumps):
England 435 v Australia 479-5
Coverage: Test Match Special commentary on BBC Radio 5 Live sports extra, BBC Radio 4 Long Wave, Red Button and BBC Sport website, plus live text commentary on BBC Sport website and mobiles. Live on Sky Sports
Match scorecard

Michael Clarke

By Oliver Brett

Australia maintained their solid position on day three in Cardiff, leading England by 44 runs with five wickets in hand in the first Test.

Rain knocked 22 overs off the day’s play, leaving the Aussies on 479-5 after an historic late-evening session played under floodlights.

Three wickets did fall in the morning, Australia going to lunch on 348-4 from an overnight position of 249-1.

But Michael Clarke (83) and Marcus North (54) then put on 143 in 42 overs.

The left-handed North batted calmly and patiently on his Ashes debut, and will be there again on Saturday morning after facing 131 balls thus far.

Clarke showed his acumen against spin and was generally unperturbed against the seamers too as he played a more positive role.

TOM FORDYCE BLOG

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But late in the day he was surprised by a Stuart Broad bouncer which he gloved behind as he attempted a pull, leaving him just shy of a first Test century in England in his sixth appearance.

While Friday’s rain was largely unexpected, further heavy showers are forecast from around noon on Saturday – so the odds favour a draw despite Australia’s dominant position.

However England, whose chances of going 1-0 up with four to play appear to have completely evaporated, may yet find themselves battling to avoid defeat on the final day.

Friday dawned brightly in south Wales, with Ricky Ponting and Simon Katich resuming their marathon partnership.

Aussie skipper Ponting soon advanced his score with two boundaries, flogging a Monty Panesar long-hop through the covers and driving a Graeme Swann full toss down the ground.

Katich leant into a cover-drive off Panesar for his first boundary of the morning, and followed up with a square-cut off Swann that sped to the ropes. Australia were quickly re-establishing their dominance.

Stuart Broad

Nine overs into the day the second new ball became available and the scoring remained rapid, although Ponting had a bit of good fortune when steering an Anderson ball just wide of Kevin Pietersen in the gully at catchable height.

Finally, the stand was ended by James Anderson, Katich falling lbw for 122 to a yorker-length ball from Anderson that actually swung, unlike anything sent down by England on day two. Katich and Ponting had been together for 70 overs, adding 239.

Flintoff was bowling extremely quickly and his bouncers were not played with any ease by either Ponting or the new man Michael Hussey. Ponting top-edged one hook just over Panesar at fine-leg for the first six of the series, though it was a no-ball, and both men received painful blows.

But it was Anderson who picked up the second wicket of the morning, persuading Hussey to drive outside off-stump, the left-hander tickling an easy catch to wicketkeeper Matt Prior.

Skipper Ponting continued to make progress, until Panesar picked up his first Test wicket since the Trinidad Test in March, the slow left-armer’s fifth ball of a new spell providing the biggest prize of the day.

Ponting, on 150, could only get a bottom-edge to crash into his stumps as he attempted a cut shot, and at lunch Australia were still 87 runs behind and perhaps no longer targeting the sort of huge score that had been in their sights at the start of play.

But the session between lunch and tea in this Test has proved a graveyard shift for the bowlers – and so it proved once again with not a wicket to be had. In three days just one man has been dismissed in the middle session – Phillip Hughes on day two.

Two spectators

North got off the mark with a crisp on-drive for four off Broad, who was also cover-driven elegantly by Clarke. Frankly, Broad was not much of a threat but Andrew Strauss persisted with him.

At the other end Panesar had his moments, but Clarke hit him for an effortless straight six, and when Swann came on another fine drive, this time for four, brought Clarke his half-century.

North, patient against the seamers, started to play freely against the spinners and when Clarke pulled Flintoff powerly to the midwicket fence Australia moved into the lead.

At tea the Aussies were sitting very prettily indeed on 458-4, with Clarke on 70 and North on 50, but just three overs and five runs later the rain came down.

It took nearly two hours to get the players back out again, whereupon Clarke punched an exquisite back-foot drive off Flintoff to the extra-cover boundary.

Six overs were played under the Cardiff lights – it was the first time a Test match in Britain had been artificially lit – and while North continued to accumulate tidily, England had the consolation of removing a very dangerous-looking Clarke.


This article is from the BBC News website. © British Broadcasting Corporation, The BBC is not responsible for the content of external internet sites.

Sun Spin:Creedence Clearwater Revival

A CRY FROM THE STREETS AS THE SIXTIES TURNED TO THE SEVENTIES

Throughout the remainder of 2009, Sunday Spin will regularly celebrate and explore some of the seminal albums released in 1969 as they reach their 40th anniversaries. We couldn’t think of a better slab to start withÂ…

Some folks are born wise, and John Fogerty is surely one of them. Two years on from the Summer of Love, Fogerty could see which way the wind was blowing, his young ears able to “hear the voice of rage and ruin.” The Vietnam War shuddered a half a world away, entering U.S. living rooms every night on the news, while corporate culture had already absorbed the trappings of the ’60s youth revolution, diluting a legitimate social movement into a series of largely empty, marketable symbols (“”Is that a real poncho? I mean is that a Mexican poncho or is that a Sears poncho?”). Fogerty picked up on this sharp dip in general hope, addressing the nostalgia already settling into America’s mindset – not just for some fictitious bygone time but for what had transpired only recently – a dynamic that persists in even more pronounced form today. The first words of Creedence Clearwater Revival‘s third album, Green River are, “Well, take me back down where cool water flows/ Let me remember things I love.” From there he swiftly introduces us to the hangman’s rope and announces, “You’re gonna find the world is smould’rin’.”

CCR’s second album in a year that would ultimately see them release three classics is a sharp shock to the system. For all of its ’50s inspired bounce, the waters in their river are cloudy and tangled with weeds and bodies. Like the bluesmen and folk heroes that fueled Fogerty’s pen, his songs here invite mindless sing-alongs, seeming jubilant yet ever-touched by something far darker. The quintessential example in the Creedence catalog is “Bad Moon Rising, ” which has been reduced to a backdrop for film and television, just another piece of the general cultural landscape, but is nothing less than a scathing gospel warning, barking, “Hope you got your things together/ Hope you are quite prepared to die/ Looks like we’re in for nasty weather/ One eye is taken for an eye.” Creedence isn’t screwing around on this album, and as baldly enjoyable as the music is (and it is a freakin’ ball that’ll have you smacking the ceiling of your hoopdie like El Duderino) this is largely serious business, as heavy and truthful as Robert Johnson, Leadbelly or Bob Dylan.

It does not hurt that the band is ablaze on every cut. The myth goes that this is John’s show and the rest are merely players, but no matter the brilliance of the playwright you’re going to have an empty house if there’s no one there to execute the script. Stu Cook (bass), Doug Clifford (drums) and John’s brother Tom Fogerty (rhythm guitar) are jook joint mean and Hamburg underground tight, a party band extraordinaire with steam rising from their pores. John Fogerty’s lead guitar and ruthless lead vocals are indeed the sharp point of their phalanx but the muscle behind it comes from Tom, Stu and Doug. The sad evidence of this is how none of them ever again achieved a fraction of the mojo harnessed during CCR’s five-year existence. Green River presents the combo at their most cohesive, where each aspect feeds the others to create one of the most appealing, robust sounds in the history of rock. The conversation between instruments generates a density and immediacy that defies age – a model for anyone seeking a “timeless” quality to their music.

And oh what tunes! The proto-punk of “Commotion,” the bent knee cry for connectivity in “Wrote A Song For Everyone,” the gleeful foreboding of “Tombstone Shadow,” the ennui and impotence of “Lodi,” the urge for going inside “Cross-Tie Walker” and the shiver-inducing prognostication of “Bad Moon Rising” and “Sinister Purpose” – each number a lustily attacked marvel that culminates in a “Fuck it, let’s party” vibe with a cover of jump blues standard “The Night Time Is The Right Time.” Throwing jagged stones at “pharaohs” and the self-deluded, this song cycle is simultaneously delightful and harrowing. In sequencing, execution and insight, Green River is a tough one to beat in any era, even one as rich as the late 1960s.

Track Listing

Side One
1. Green River
2. Commotion
3. Tombstone Shadow
4. Wrote a Song for Everyone

Side Two
1. Bad Moon Rising
2. Lodi
3. Cross-Tie Walker
4. Sinister Purpose
5. The Night Time Is the Right Time

Do yourself a favor and check out Letters to Fogerty by the wonderful John Moe. You can thank us later when you stop laughing.

This nasty lil’ tune nicely captures the hurly-burly of modern life in under three minutes.

Death songs have a long, grand tradition and this is up there with the best of them.

During their 1999 tour this was a Pavement staple, just one example of this album’s far reaching influence.

Here’s John Fogerty getting “stuck” all by his lonesome.

A clearly stoned Mama Cass introduces “Clarence Clamwater.” JamBase would like to dedicate this one to our pal Nathan Moore (he knows why…). Play it loud and long as we all try to find our way back to the river.

And lastly, the title tune.