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Posts Tagged ‘ween’

Wanee 2011 Lineup Allmans, WSP, Robert Plant, Ween

INCREDIBLE LINEUP ANNOUNCED FOR FLORIDA FAVE

The 2011 Wanee Festival will take place April 14-16 at the Spirit of Suwanee Park in Live Oak, FL. Tickets went on sale today here, and the lineup this year is smoking hot:

Wanee 2010 by Ian Rawn

Wanee 2011 Lineup

Allman Brothers Band
Robert Plant & The Band of Joy
Widespread Panic
Steve Miller Band
Warren Haynes Band
Derek Trucks & Susan Tedeschi Band
Jaimoe’s Jasssz Band
Ween
Stephen Marley
Sharon Jones & The Dap-Kings
Mike Gordon
Hot Tuna
7 Walkers
Galactic
Taj Mahal
North Mississippi All-Stars
John Popper & The Duskray Troubadours
Keller Williams
The Radiators
Wanda Jackson
Rusted Root
Oteil Burbridge and The Lee Boys
Dirty Dozen Brass Band
Big Gigantic
Melvin Seals & JGB
Karl Denson’s Tiny Universe
Ivan Neville’s Dumpstaphunk
New Deal
Lotus
Tea Leaf Green
DJ Logic
Toubab Krewe
Devon Allman’s Honeytribe
Bobby Lee Rodgers Trio
Soul Rebels Brass Band
Guitar Shorty
Dangermuffin
Honey Island Swamp Band
Kevin Hammond
Death On Two Wheels
The Yeti Trio
Jacob Jeffries Band
Griffin Anthony

Ticket includes: 4 nights of “primitive camping,” 3 full days of music, plus kick-off party on Wednesday from 2 pm-2 am. Pick up tickets here.


Ween: West Coast Dates

TOUR STARTS JANUARY 24 IN VANCOUVER, BC

Ween has announced some
West Coast dates, starting off with a January 24 performance at Queen Elizabeth Theater in Vancouver, BC. Check
out all the dates below.

WEST COAST TOUR DATES:

Monday, Jan 24: Queen Elizabeth Theater, Vancouver, BC

Tuesday, Jan 25: Paramount, Seattle, WA

Wednesday, Jan 26: Crystal Ballroom, Portland, OR

Friday, Jan 28, Fox Theater, Oakland, CA

Saturday, Jan 29, Wiltern, Losa Angeles, CA

Ween
Tour Dates

::
Ween News
::
Ween
Concert
Reviews


Ween: Halloween Pre-Sale Tix

GORILLAWEEN PRE-SALE TODAY


Ween

Ween have announced that
pre-sale tickets are now available for their Halloween performance on October 31 at the 1st Bank Center, in
Broomfield,
CO.

Click here for pre-sale
tickets to Gorillaween. Public on sale is this Saturday.

In the meantime, the band have July and August dates lined up for Toronto, Dallas, Austin, Tulsa, Columbus, and
Royal
Oak, as well as a September performance at Central Park SummerStage in New York. Click below for more
information.

Ween
Tour Dates

::
Ween News ::
Ween
Concert
Reviews


Bonnaroo Adds: Ween Umphrey’s, Galactic, Butler

BONNAROO MUSIC AND ARTS FESTIVAL ANNOUNCES ADDITIONAL ARTISTS FOR 2010 LINEUP

WEEN, GALACTIC, UMPHREY’S McGEE, JOHN BUTLER TRIO, THE GOSSIP AND MORE CONFIRMED

Superfly and A.C. Entertainment have announced that the Bonnaroo Music and Arts Festival has added several artists to the 2010 event. Updates include Bonnaroo veterans Ween, Galactic and Umphrey’s McGee as well as gifted singer/songwriter Brandi Carlile and the genre-bending, post-punk trio The Gossip.

For more on Bonnaroo, check our extensive coverage of the 2009 event here.

Bonnaroo 2009 by Snyder

BONNAROO 2010 ARTISTS:

Dave Matthews Band

Kings of Leon

Stevie Wonder

Jay-Z

Tenacious D

Weezer

The Dead Weather

Damian Marley & Nas

Phoenix

Norah Jones

Michael Franti & Spearhead

John Fogerty

The Flaming Lips performing Dark Side of the Moon featuring Stardeath and White Dwarfs

Regina Spektor

Jimmy Cliff

Ween

LCD Soundsystem

The Avett Brothers

Thievery Corporation

Galactic

Rise Against

Tori Amos

The National

Zac Brown Band

Les Claypool

John Prine

Umphrey’s McGee

The Black Keys

Steve Martin & the Steep Canyon Rangers

Jeff Beck

Dropkick Murphys

She & Him

Against Me!

Deadmau5

Daryl Hall & Chromeo

Jamey Johnson

Clutch

Bassnectar

Kid Cudi

The Disco Biscuits

Kris Kristofferson

Medeski Martin & Wood

Brandi Carlile

The xx

John Butler Trio

GWAR

Dan Deacon Ensemble

Tinariwen

Wale

Baaba Maal

The Melvins

The Gaslight Anthem

Miike Snow

Nitty Gritty Dirt Band

The Gossip

Dr. Dog

They Might Be Giants

Punch Brothers featuring Chris Thile

Isis

Blitzen Trapper

Blues Traveler

Miranda Lambert

Calexico

OK Go

Trombone Shorty & Orleans Avenue

Martin Sexton

Lotus

Baroness

Dave Rawlings Machine

Mayer Hawthorne and the County

Japandroids

Jay Electronica

Edward Sharpe & the Magnetic Zeros

Ingrid Michaelson

The Dodos

Manchester Orchestra

The Temper Trap

Cross Canadian Ragweed

Big Sam’s Funky Nation

Carolina Chocolate Drops

Needtobreathe

Tokyo Police Club

The Entrance Band

Local Natives

Mumford & Sons

Rebelution

Diane Birch

Monte Montgomery

Fanfarlo

Julia Nunes

The Postelles

Lucero

Here We Go Magic

Hot Rize

Neon Indian

B.O.B

Tickets and complete festival information for the 2010 event are available at Bonnaroo.com.


Camp Bisco: LCD Soundsystem Ween, Thievery, PL, Major Lazer

THE DISCO BISCUITS ANNOUNCE FIRST ROUND OF PERFORMERS FOR CAMP BISCO 9

Performers Include The Disco Biscuits – All 3 Nights, LCD Soundsystem, Ween

Thievery Corporation, Major Lazer, Pretty Lights, Bassnectar, Diplo, Girl Talk, and Many More


The Disco Biscuits :: Camp Bisco 2009 by Vann

The Disco Biscuits have confirmed the first round of performers slated for Camp Bisco 9, the ninth annual three-day music and arts festival in Mariaville, New York this July 15-17, 2010. The 50+ performer lineup at the multi-stage camping festival includes: The Disco Biscuits – All 3 Nights; LCD Soundsystem; Ween; Thievery Corporation; Girl Talk; Bassnectar; Pretty Lights; Major Lazer; The New Deal; Diplo; Aeroplane; Rusko; Sunrise Silent Disco; The Album Leaf; Brothers Past; Dieselboy; Gift of Gab (of Blackalicious); Future Rock; SOJA; Telepath; Felix Cartal; Two Fresh; Kill the Noise; Eskmo; Orchard Lounge; Rubblebucket Orchestra; Emancipator; Spiritual Rez; Sub Swara; Derek Plaslaiko; Big Gigantic; Earl Greyhound; The Black Seeds; Grimace Federation; C-mon & Kypski; Nobody Beats the Drum; King Britt; Dubskin; Woodhands; Justin Paul; Lee Maytals and DJ Everyday. More artists and festival details will be announced in the coming weeks.

Camp Bisco 9 will once again be held at the picturesque Indian Lookout Country Club in Mariaville, New York. The expanded setup will include: a second stage in the main field, an improved location for the DJ and late night dance tent – complete with a surround sound system, a local artists and performance art stage. Indian Lookout Country Club is located approximately 20 minutes travel time from Albany, New York, and sits on 200 acres of rolling, grass fields. The grounds come equipped with full bathrooms; which include flush toilets and showers, as well as 24/7 bathroom attendants. Festival goers will have access to a full bar on site and a general store, which sells almost every necessity for a comfortable and care free experience.

Early bird tickets are on sale now for a limited time only and begin at $135. Tickets are available online at www.campbisco.net and 1-800-594-TIXX, as well as at all FYE stores in New England and select outlets in New York state.

For more on Camp Bisco, see our 2009 coverage here.

The Disco Biscuits Tour Dates ::: The Disco Biscuits News ::: The Disco Biscuits Show Reviews


Sasquatch! Lineup: Pavement, MMJ, Ween, MGMT

SASQUATCH! MUSIC FESTIVAL LINEUP FEATURES:

PAVEMENT, MASSIVE ATTACK, MY MORNING JACKET, WEEN, VAMPIRE WEEKEND, MGMT AND MORE

MAY 29-31 (MEMORIAL DAY WEEKEND) AT THE GORGE

The 2010 Sasquatch! Music Festival will proudly feature the recently reunited Pavement, Massive Attack, My Morning Jacket, Ween, Vampire Weekend, MGMT, Kid Cudi, LCD Soundsystem, The National, Band of Horses and many others. With “The Office’s” Craig Robinson and “The Daily Show’s” Rob Riggle, this year’s Sasquatch! Festival also presents the best in up-and-coming comedic acts. Please see below for the complete festival lineup and ticket information.

Sasquatch! returns to The Gorge in Quincy, WA May 29-31 (Memorial Day Weekend) following early sellouts and rave reviews the past several years. Festival tickets are available at sasquatchfestival.com and Ticketmaster.com. Known for its bucolic location as well as its programming zeitgeist, the Sasquatch! Festival marks its ninth year at The Gorge, a concert venue built in the Columbia River Gorge and offering spectacular views of the river canyon. Tickets go on sale Saturday February 20 at 10 a.m. PST.

2010 SASQUATCH! FESTIVAL LINEUP:

Sasquatch 2009 by Nelson

My Morning Jacket

Massive Attack

Pavement

Ween

Vampire Weekend

MGMT

Band of Horses

The National

LCD Soundsystem

Tegan & Sara

Broken Social Scene

Passion Pit

Deadmau5

She & Him

Public Enemy

Nada Surf

The New Pornographers

The Hold Steady

The xx

Dirty Projectors

OK Go

Drive-By Truckers

Kid Cudi

The Long Winters

Minus the Bear

The Mountain Goats

Quasi

Camera Obscura

Fruit Bats

Brother Ali

Midlake

Dr. Dog

Caribou

Simian Mobile Disco

City & Colour

No Age

The Temper Trap

Vetiver

Miike Snow

Portugal. The Man

Telekinesis

Mayer Hawthorne

Why?

Girls

Edward Sharpe & The Magnetic Zeros

Wale

The Lonely Forest

Japandroids

Boys Noize

Yacht

Freelance Whales

Laura Marling

Patrick Watson

Past Lives

Cymbals Eat Guitars

The Low Anthem

The Very Best

Phantogram

Neon Indian

Nurses

The Tallest Man on Earth

Fresh Espresso

Mumford & Sons

Jets Overhead

tUnE-YarDs

Shabazz Palaces

Fool’s Gold

Morning Teleportation

Z-Trip

Dam-Funk

Hudson Mohawke

The Middle East

Local Natives

Avi Buffalo

Booka Shade

A-Trak

Yes Giantess

Craig Robinson

Rob Riggle

Garfunkel & Oates

Luke Burbank

…and more to come!

For more on Sasquatch! check out 2009 review here.


Ween: Tour Dates

First Ween Tour Dates Announced for 2010

Ween

Ween is getting ready to hit the road for a bunch of shows across the U.S. in 2010. As of now there are only four dates announced, but there are many more expected. Prior to these shows, Gener will be touring pretty heavily as well. Gene Ween tour dates available here.

Ween Tour Dates:

04.06 – The National, Richmond, VA

04.07 – Millennium Center, Winston-Salem, NC

04.09 – Thomas Wolfe, Asheville, NC

04.210 – Tabernacle, Atlanta


Haiti Benefit: Members of Ween RRE, Hot Tuna on 2/14 in NYC

Haiti Benefit this weekend features members of Railroad Earth, Ween and Hot Tuna

Railroad Earth

Americana Artist George Kilby Jr. will produce a Valentine’s Day Benefit Concert for Haitian Aid, February 14, from 3 p.m. till Midnight at Mannys on Second in New York City. Internationally known musicians who are based in New York will be featured, along with regional bands playing a wide variety of genres including bluegrass, jazz, blues, country, funk, and rock & roll.

Partners in Health is the beneficiary of all proceeds. The organization has been doing work in Haiti for 20 years which has put them “on the ground” and in the midst of the aid process at the time of the earthquake.

Venue Information:
Mannys on Second
1770 2nd Ave (btwn 92nd and 93rd St)
New York, NY, 10128
Phone:(212)410-3300
mannyonsecond.com
Tickets are $20

Lineup:
Sean Kershaw and the New Jack Ramblers
Barbecue Bob w/ Special Guest Dave Dreiwitz
Dave Dreiwitz (Ween, Marco Benvento Trio)
George Kilby Jr. and Road Dogs w/ guests Henry Butler, Andy Goessling and Lily White
New Orleans Piano Legend Henry Butler (a special guest to be confirmed)
Andy Goessling (Railroad Earth)
Lily White

Bluegrass Allstar Revue
Tony Trishka – The Godfather of the Modern Banjo (to be confirmed)
Andy Goessling, John Skeehan – Railroad Earth
Skip Ward – Steve Martin Band
Danny Weiss – Skyline/Reckon SO
Popa Chubby


Gene Ween | 01.16.10 | Philadelphia

Words & Images by: Jake Krolick

Gene Ween :: 01.16.09 :: World Cafe Live :: Philadelphia, PA

Gene Ween :: 01.16 :: Philadelphia

If you’re a Ween fan, then the Gene Ween show at the World Cafe Live would have been your fantasy. Call it what you want, but a slightly grayer haired Aaron “Gene Ween” Freeman smiling in his tube socks, playing an acoustic guitar alone onstage was a night of excitement any way you cut it.

Gene’s stripped down takes on some classic Ween fare were just what the good doctor Daniels prescribed. It took a setting like this to help show just why Gene Ween is one of the top songwriters of our time, able to piece together tidbits of odd, funny lyrics into songs that can actually be thoughtful. Plus, kudos to the World Cafe Live for hosting a two-hour pre-show mixer that included an all-you-could-drink selection of 20 micro-brews and Belgian beers, all for a crisp Andrew Jackson ($20). After last year’s Gene Ween Band show (review here), I’m sure I wasn’t the only one who wondered how Gene was doing these days. My questions were answered before the first song was over – he’s looking and sounding better than ever! Sure, he was sporting a rooster’s plume of gray on his head, but his smile was immeasurable as he dusted off almost 20 songs near and dear to the Pennsylvania faithful.

If you didn’t love Gene Ween before you entered the World Cafe, well, you probably didn’t go. However, by the show’s close those that did attend loved him even more. His deconstruction and reworking of Ween standards showed a beautiful, yet still deeply eccentric side to the brown sound storyteller. As he wrapped his lips around “The Chancy Boys,” an oddly tender side of Gene Ween emerged. During a particularly strong cover of Neil Young‘s “I Am A Child” he pulled a clever switch on the lyrics and made Young’s line, “What is the color when black is brown?” This was Gene Ween the folk singer, just your friendly twisted version of Burl Ives and Shel Silverstein.

Gene Ween :: 01.16 :: Philadelphia

He was wonderfully vivid and brought to life Quebec‘s “Chocolate Town” and the younger Ween offering “Spiritwalker” off La Cucaracha. He started some of the songs by explaining their inspiration. He said, “This is a song I wrote at the beach,” before playing “Kite Flying Man.” He paused during the encore, “Buenos Tardes Amigos,” to tell us that the Spanish flavored oddity was created while watching Sesame Street. It was easy to see his role as a father has suited him well and I can’t begin to imagine the wonderful tales and songs he has sung to his children over the past years. The fact that we got a peek at a softer Gene Ween was a real treat.

With Gene’s family watching off on the side of the stage, he played his version of “Don’t Get to Close (To My Fantasy).” This was the turning point of the show as he contorted his face with as much ease as Bruce Bickford molded clay for Frank Zappa. He dug deep as he sang, “Don’t be afraid to clutch the hand of your creator/ Stare into the lion’s eyes/ and if you taste the candy you’ll get to the surprise!” The crowd was entirely with him and sung along as he retooled the track to include some humorous do-do-do’s instead of the whistled breakdown and they were right there helping him scream the end.

Our fascination with the aging troubadour bubbled up all evening in such little exchanges. Between cries of, “I love you, Gener,” the audience questioned his choice of footwear – white tube socks sans shoes? He tossed back, “My mom got these for me,” and “I only sing slow songs in my socks.” At some point after a darling version of “So Long Jerry,” his ode to Jerry Garcia, he misplaced his guitar capo under the music on his stand and the crowd shouted, “Maybe it’s in your socks!” His retort was a beautiful and very Beatles-eque version of The Pod‘s “Oh My Dear (Falling In Love).” Live, he accentuated one of the album’s lo-fi masterpieces in a way no recording can match.

Gene Ween :: 01.16 :: Philadelphia

The evening’s strongest point came during a back to back romp through “The Mollusk” and “Stallion Pt. 3.” Each was superb and made the night for most fans in the house. Gene Ween again deconstructed each song down to its bare bones form. During “The Mollusk,” he let the audience fill in the psychedelic keyboard sounds and electronic horns with their own vocal stylings as he strummed the refrain. He dug into “The Mollusk’s” crafty lyrics by lowering his voice a few octaves and furrowing his brow to sing the chorus before having some fun really dragging out the “Yes/ No” and story portions of the song. This was Gene Ween unbridled; the jester commanding his court with a wild tale of a sea creature stirred from the land. As if this wasn’t enough Boognish bliss he danced through “Stallion Pt. 3,” drawing more audience delight and participation on the “Hey, dude, he’s the stallion/ Yo, dude, he’s the stallion/ Dude, he’s the stallion” portion, where he uncorked his lowest vocal tones of the night.

After a short leave, he stepped back onstage for a one song encore, the aforementioned “Buenos Tardes Amigos,” which culminated in a barrage of socks tossed onto the stage by the crowd to close the show. Gene Ween, the fun-loving showman he is, retaliated by pulling off his own sweaty socks and tossing them into the audience.

Gene Ween tour dates available here.

Continue reading for more pics of Gene Ween in Philly…

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Ween | 09.05.09 | Red Rocks

Words & Images by: Tk Kayembe

Ween :: 09.05.09 :: Red Rocks Amphitheatre :: Morrison, CO

Ween :: 09.05 :: Red Rocks

In 1984, a pre-pubescent Mickey Melchiondo and Aaron Freeman formed Ween in their Jr. High typing class. Little did they know at the time that their uniquely spirited sound, comprised partly of Freeman’s soulfully melancholy lyrics and Melchiondo’s dexterous and occasionally Jimi-esque guitar playing would inevitably have them performing at Red Rocks Amphitheatre (among many other stellar venues). Since their first studio release, 1990′s godWEENsatan, Dean and Gene Ween (Mickey and Aaron’s pseudonyms) have toured all over the world pushing their odd, heavy, awesome sound.

When it was announced earlier this year that Ween was going to play Red Rocks, I immediately got giddy, ordering pre-sales and calling up my friends. Now that it’s over, trying to separate my feelings towards the performance from my feelings regarding the setlist they played is difficult, presumably because the emotions I harbor are completely contradictory. Overall, the show was marvelous. The Meat Puppets were a terrific opener, serving the Rocks with their staple ’90s grunge sound, capturing the audience in a nostalgic haze while reliving songs such as “Lake of Fire” and “Backwater,” readying patrons for the chaos to come. As for the headliners, each Ween track was exquisitely played with plenty of Fender grinding solos and playful nuances, but their selections were puzzling to say the least. But before I get hung up on the songs they didn’t play, let’s discuss what they did, because what they did play they played the hell out of.

Opening their set with “Pork Roll Egg and Cheese” followed by “Bananas and Blow,” Gener captured the attention of the crowd, getting everyone up on their feet and singing right along with him. Deaner upped the ante with the opening chords to “My Own Bare Hands,” his latest “fuck you” track off La Cucaracha. Dean’s excitably strong, raspy voice belted out the aggressive lyrics while energetically attacking bar chords and cleanly thrashing through solos. Abruptly changing pace from “Take Me Away,” we were welcomed by the haunting intro to The Mollusk outtake, “Did You See Me,” a murky, melodic masterpiece. “Transdermal Celebration” was as lively as ever and during the chorus the band cut the tempo, giving the tune a swing feel, until Deaner brought it back with the angelic intro guitar lick.

Ween :: 09.05 :: Red Rocks

Other memorables included “The Beacon Light” from the X-Files soundtrack, “Woman and Man” and an extremely spacey “Zoloft” with a tiny “Exactly Where I’m At” tease (or hiccup) during the drop. Following was a practically nine-minute “Voodoo Lady,” complete with relentless solos, strobe lights and intense smoke, which filled up the stage and billowed deep into the crowd. Red Rocks was also treated to the instrumental “Ice Castles,” which immediately played into “The Final Alarm.” They closed with “Mister, Would You Please Help My Pony,” “Spinal Meningitis” and “Buckingham Green,” to name a few, before capping off the set with “Dr. Rock,” leaving the feverish mob howling for an encore and warbling the band’s name over and over.

Following the first encore, “Fiesta,” the group stared out into the crowd and up towards the sky, enamored by their surroundings. The nearly full venue, which seats 9,450, was gushing with applause and chants. During this brief onstage break, a glow stick war ensued, filling the sky with shimmering light. Deaner responded by opening his arms in the air, offering himself up as a target while neon tubes showered onstage. After enduring a couple wallops, he displayed his love in true Dean Ween fashion with a polite flipping of the bird, complete with shit-eating grin. Turning around, they went in for the second encore selection, “The Mollusk,” before ending the night all too soon with “Roses are Free.”

This end of summer blowout was monumental and enthralling, glorious and weird. On the other hand, it regrettably fell a bit short. While the intensity and energy were all present, something still irked this reporter, namely Ween’s chosen setlist. It played less than extraordinary, feeling rather common and, dare I say, comparable to a “best of” festival set (excluding Bonnaroo 2004). This being the first time Dean and Gene played the mountain-carved venue in years, the talk of rarities, hidden gems and album outtakes being busted out were in full swing on the Ween forums. Red Rocks audiences in the past have been treated to epic renditions of “Captain,” “ReggaeJunkieJew,” “L.M.L.Y.P.,” “I’m In The Mood,” “Frank” and “Back to Basom,” not to mention the noteworthy acoustic set from Red Rocks 2006.

Ween :: 09.05 :: Red Rocks

Unfortunately, the overall experience of this performance felt generic and deficient of something special, particularly for long-time listeners. People traveled to Morrison, CO from all over the country expecting a mind-blowing spectacle, but the only tracks which strayed from the formula in the least were “Ice Castles,” “Beacon Light” and “Did You See Me?” While most assuredly stellar songs, I nonetheless felt many fans, like myself, were pining for something more out of the ordinary. Perhaps a red letter version of “She Fucks Me,” “Ode to Rene” or possibly a darkly bitter “Loving You Through It All”? This could have been the perfect place to unleash the powerful “Alcan Road” or “Ooh Va La,” but I guess not this round.

I suppose the prolonged build up of anticipation for this concert led me to believe there would be something inimitable about this night other than a superb band playing Red Rocks. Was this because I have yet to see a truly bad Ween show? They always start strong, finish hard and simply deliver. This couldn’t be it, since this show wasn’t “bad” by any means, quite the contrary in fact. As I said before, it just lacked a certain excitement level which is reached when rare tunes are nestled in between the more popular “to be expected” tracks. I was waiting for that distinctive something that would solidify this night in Ween/Red Rocks/my personal concert history, and aside from the great community of fans and friends at the venue, I fear this one may be doomed to be forgotten, swallowed up by others in the past and future.

Ween :: 09.05.09 :: Red Rocks Ampitheatre :: Morrison, CO

Pork Roll Egg & Cheese, Bananas and Blow, With My Own Bare Hands, Learnin’ To Live, Now Im Freaking out, Take Me Away, Did You See Me?, Transdermal Celebration, Your Party, Beacon Light, Woman and Man, Zoloft, Voodoo Lady, Ice Castles > Final Alarm, Gabrielle, Stroker Ace, Touch My Tooter, Don’t Get Too Close To My Fantasy, Buckingham Green, Ocean Man, Mister Could You Please Help My Pony?, Spinal Meningitis, Johnny On The Spot, Dr. Rock

E: Fiesta, The Mollusk, Roses are Free

Continue reading for more pics of Ween and the Meat Puppets at Red Rocks…

Meat Puppets

Meat Puppets

Meat Puppets

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